Mantralayam Sri Guru Raghavendra Swamy - Mantralayam

                                              Mantralayam Sri Guru Raghavendra Swamy

Mantralaya is a town in the Kurnool district of Andhra Pradesh that lies on the banks of the river Tungabhadra. Today it is one of the most important towns in the country as it is a great religious centre and lakhs of devotees come here every year. This is the town which boasts of the presence of the Vrindavana of Guru Raghavendra Swami, a Madhwa saint who was a follower of Sri Madhwacharya. Thus the greatest attraction for mostly Vaishnavites here is the Raghavendra Swamy temple and the Math complex that is filled with people every year. It is believed that the saint was a reincarnation of Bhakti Prahlad who was a great follower of Lord Vishnu. Legend says that Prahlad saved the Lords life many times and ultimately Vishnu took the form of Narasimha and killed Prahlad’s father, thus releasing him from great evil. Raghavendra was a great humanitarian and it is said that throughout his life he has helped people and perfirmedmany miracles in his hey day. Thus even today, there is a great amount of followers of this saint. Raghavendra Swamy temple is one of the main attractions in Mantralayam. The temple is dedicated to Lord Vishnu. The temple architecture is brilliant with many inscriptions, structures and paintings all around. The calm and aesthetic atmosphere in the temple is inviting. There are also other temples that are of great importance here. Mantralayam tourism also offers pilgrimage trips to Panchamukhi Anjaneya Temple, Chinna Tumbalam, Bichchali, Urukunda and Alampur. A place that is easily connected by road, this is one town that should be visited for its unique feature. A sect of followers and a different culture always is one of the biggest learning experiences.

It is believed that Guru Raghavendra Swami is in the Vrindavana from the past 339 years and is believed to be in the Vrindavana for another 361 years. While entering the Vrindavana, Guru Raghavendra Swami stated that he would be there (in the Vrindavana) for 700 years.

The First Incarnation Of Sri Prahlada:-

Sri prahlada was the dear son of sri lilavathi and Hiranyakasipu. Even while in his mother 's womb, he was initiated into worship of Lord Narayana,by the sage Narada .Ever since birth ,he had been absorbed in the repetition of Lord Hari's name. He had no thought of this world.
Hiranyakasipu, who considered Lord Narayana as his sworn enemy, did not like his son's behaviour. He sent his son, Prahlada, to the teachers of the demonrace, Chanda and Marka, in the hope of reforming him and educating him to be good and virtuous. Prahlada had no taste for the kind of instruction imparted by his teachers. He paid no heed to anything other than the meditation on the Lord. He began to teach his fellow -demon pupils the greatness of praying to Lord.

Narayana and led them to join him in singing the praises of Lord. Hiranyakasipu sent for the boy and asked him to recite a verse which he had learnt from his teachers. Thereupon ,the prodigy repeated a verse extolling the devine qualities of Lord and the efficacy of praying to him in these words.
Those hands deserve the name that worship the Lord:
The tongue which praises the Lord,desrve to be called so:
The sight that beholds the Lord,deverse its name:
The head that bows to Seshasayi(one who reclines onthe serpent -king Lord Adisesha) is fit to be called so:
He then affirmed fearlessly that his mind which was drunk with the nectar of the meditation onthe Lotus feet of Lord(Narayana).could not rest on any thing else.

The father then angrily demanded of him to say where Lord Hari is present ;
The boy instantly replied;
"Donot dought the presence of the Lord in one place or another.Chakri (the bearer of the wheel Vishnu) is present wherever you seek him in the world". In the end, Hiranyakasipu subjected prahlada to many cruel tortures inthe hope of making him giveup his devotion to Lord Vishnu.He caused the boy to be trampled over by elephants.He had the boy thrown down the slopes of mountains, immersed in the ocean ,cast into a blazing fire ,bitten by venomous serpants and even made him partake of a cup of the vilest poison.Prahlada came out unscathed and undeterred,because of his abiding and unflinching faith in Lord Vishnu. In utter disgust ,hiranyakasipu called his son and demanded of him to show his god,whome he had descibed omnipresent,in an adjacent pillar.Prahlada humbly but firmly agreed to do so .In his inveterato anger and arrogance,Hiranyakasipu struck the pillar with his mace .Instantaneously Lord Hari emerged from the pillar, in the manifestation of the man -lion;

"Satyam vidhatum nijabhritya bhashitam"

To prove the veracity of his devotee, Prahlada the Lord emerged from the pillar to destroy the tormentor of the world and hater of god. None of the gods or even goddess Lakshmi be calm the enraged and ferocious Man Lion. There upon Lord Brahma requested Prahlada to becalm and please the Lord, as they thought he alone was capable of doing it.
So, Prahlada prayed to the Lord in deep devotion and begged him to protect the mankind and the unverse, to redeem him from the ocean of rebirth and to grant his father a place in heaven, Lord Narasimha who is always meciful to his devoties, appriciated the sinceare devotion of Prahlada becalmed himself and granted him many boons, besides bringing cheer to the gods by the resumptionof his pleasing looks. He anoined Prahlada as king and ordained that the latter should merge in him after discharging his duties and enjoying worldly pleasures as king .There upon, the Lord disappeared.
In obedience to the Lords ordainment, Prahlada ruled over his kingdom for long years and ultimately merged himself in Lord Vishnu.

 
The Second  Incarnation Of Sri Vysaraya:-

 
Sri Vyasaraya is one of the most reputed among the propagators of the Dwaita(Dualism) philosophy. He was born of pious parents called Seethamma and Ramacharya. He had his early education from Sri Sripadaraya. Later he adorned the pontific seat of the Dwaita School of Philosophy, a repository of the teachings of knowledge , devotion and detachment . In appreciation of his deep devotion, Lord Gopal Krishna would converse with him and even dance before him. As his teacher, Sri Sripadaraya had seen this with his own eyes, his affection for Sri Vyasaraya swelled all the more. Sri Vyasaraya wrote celebrated works such as "Tatparyachandrika" , " Tarakatandavamu " and "Nyayamrutamu".
Once while Sri Vyasaraya was at the shrine of Tirumala , the worship of Sri Venkateswara was hampered. He was asked by King Salva Narasimha Raja to offer worhip on his behalf (to Sri Venkateswara) . In pursuance of this expressed desire, Sri Vyasaraya conducted worship of Sri Venkateswara for twelve years according to the traditions and rites sanctioned by the Vedas and the sastras and earned the grace of the Lord.

During the reign of Sri Krishna Deva Raya once the ruler was afflicted with a disease named "Kuhu" and he was restless with suffering. He consulted some astrologers who examined his horoscope and suggested that he would be rid of it if he forsook his throne.
Sri Krishna Deva Raya decided to relinquish his throne and was in search of a proper person to take his place as ruler. He sent out his state elephant with a garland in his trunk and offered to appoint as king whomsoever the elephant garlanded . The elephant left the city reached the forest and trumpcated before a cave when Sri Vyasaray who was performing penance came out of the cave , he garlanded Sri Vyasaraya.
The royal servants who accompanied the elephant informed Sri Vyasaraya of the kings Order. Considering the elephant's action as a divine command. Sri Vyasaraya agreed to ascend the throne. With great exultation, Sri Krishna Deva Raya offered the throne as a gift to Sri Vyasaraya Swami.
Some time after Sri Vyasaraya had commenced his reign, there were impending signs of the dreaded "kuhu" disease. He descended from the throne and leaving his upper garment on it , stood at a distance.At once , the cloth caught fire and was soon reduced to ashes. The courtiers were astonishes. They praised the greatness of the Swami. The danger of the "Kuhu" disease was averted and Sri Krishna Deva Raya's life was saved.Sri Vyasaraya told the king that he was freed from the dangerous effects of the disease and asked him to re-ascend the throne and rule the people according to the discuss of Dharma.
Sri Krishna Deva Raya obeyed the Swami's command and began to rule over his empire.
Sri Vyasaraya who had performed great penance won the grace of the Lord and written various works of philosophy founded many shrines of Sri Anjaneya in the country.
Devotees well know that the Yanthroddhara Pranadeva's image was consecrated by Sri Vyasaraya at Hampi which shrine is called 'The giver of all boons to devotees'.
Sri Vyasaraya preached to the world for many years that "Lord Hari is the greatest god" and "Vayu is the greatest Jeeva" and, after winning universal fame, being worshipped by his devotees and adorning the supreme seat of the Dwaita philosophy for ninety years, attained the Brindavan on the banks of the Tungabhadra River , near Anegondi on the fourteenth day of the dark fortnight in the month of phalguna of the year Hevilambi . At this place besides him eight pontific heads of the Dwaita School have entered Samadhi. So this place is called "Nava Brindavan".

Mantralayam Raghavendra Swamy Temple:-


Mantralayam, famed as a holy place by virtue of the Samadhi of a renowned saint Raghavendra Teertha, is a most sought religious location by Vaishnavites (Devotees of Lord Vishnu). Mantralayam, in the border of the states Karnataka and Andhra Pradesh, is a calm and tiny hamlet in Andhra Pradesh.

Situated along the banks of river Tungabhadra, Mantralayam is a place blessed by the presence of Guru Raghavendra in his human form and thereafter in the form of a gracious atma(soul). The picturesque location of the place itself makes the people suffering from numerous miseries of life very calm and patient. Earlier known as Manchala teertha, today it is popular as Guru Raghavendraswamys Mutt.Location Mantralayam is situated along the river Tungabhadra in Kurnool district of Andhra Pradesh,in India. Air: Hyderabad (351 km) is the nearest airport. Rail: Mantralayam Road on the Chennai- Mumbai rail route is a convenient alighting station. From here, the holy town of Mantralayam is 15 km. Road: Regular APSRTC buses ply from Kurnool, Adoni, Hyderabad and many other places. It is 595 Kms. from Madras and 690 kms. from Mumbai and 360 Kms. from Hyderabad.
The venerable seat of Madhva Matacharya sitting in the holy Brindavan is 300 years old. Sri Raghavendra Thirtha has taken birth at the instance of Mahavishnu in Kaliyuga to restore moral order on our earth and taking the mankind towards pantheism. With his extra-ordinary genius he vanquished several pandits and won many titles like "Mahabashayacharya", "Venkata Bhatta" and was appointed as "Asthana Pandit". He was having a wife called Saraswathi and son named as Lakshminarayana. Saraswathi died, on learning that her husband renounced the wordly life. He became Pitadhipati at the instance of his Guru Sri Sudheendra Thirtha and commenced his journey for the propogation of lofty ideals and to establish Dharma.
On his journey, with his super natural powers he turned an illiterate man like Venkanna as a scholar, gave life to the dead son of Raghunatha Desai, made the pieces of meat, mischievously offered by Nawab of Adoni into fragrant flowers and fresh fruits and offered to the dieties, cured incurable stomache ache of Mallappa Scindia and prevailed upon Sri Thomas Munro to resume the Jagir gifted away by Nawab of Adoni. A Little More about Mantralaya Shri Raghavendra, the incarnation of Vayu and Prahalad, is one saint/guru who has been practicing the principles of Madhava. He is one of the greatest guru’s born in the 16th century. He has been helping and blessings the people from all walks of life since 16th century. He has been living in his Brindavan (a tomb made of stone) for the last 3 centuries and continues to stay for the next four hundred years and bless his devotees. He is known as the miracle god and he resides in his tomb in a small town called Matralayam (Miracle Place) in Andhra Pradesh, India. People from all walks of life and from all over the world go to Mantralaya to seek his blessings.

Dharshan Of Mantralayam Sri Guru Raghavendra Swamy:-

Thungabadra river flows through the town. It is good to have a holy dip there and proceed to the temple. You can have a beautiful dharshan of the Sri Raghavendra brindavanam. In the evenings, usually, there will be three different chariots with Bhaktha Prahladha in them going around the brindavanam: wooden chariot, silver chariot and golden chariot. It is believed that Sri Raghavendra is an avatar of Bhaktha Prahladha. This is the reason for the circumambulation of Bhaktha Prahladha around the Brindavana. There are various pictures around the temple depicting the life of Sri Raghavendra. Temple timings: 5AM – 2PM and 4PM – 9PM. Lunch can be had at the Sri Raghavendra Swamy (SRS) mutt. There are also Panchamukhi (SriAnjaneya) and Bhikshalaya temples on the other side of the bank. This needs atleast half a day to visit.

Legend of Mantralayam Sri Guru Raghavendra Swamy:-

Once, Guru Raghavendra Swami reached a village in which a rich man resided. He was against spiritual rituals and practices which were depicted in the Vedas. Hence, Guru Raghavendra swami accepted this as an opportunity to once again glorify the importance of the Vedas. Angered by this, the man took a muller and asked Guruji to make the sprout just like any healthy plant. Sri Raghavendra swami accepted this challenge. For next few days, he meditated and offered the holy water to the muller. On the last day, the man was amazed as he witnessed the miracle. The muller had sprouted and was about to grow into a healthy tree. He surrendered to guruji and became a staunch follower of the Vedas.

Miracles Of Mantralayam Sri Guru Raghavendra Swamy:-
 
There was a Brahmin in sholapur . He passed the M.A., L. L.B Examination and, in his exultation, arranged a luncheon party for his friends. He partook of the luncheon along with his friends, but hard to explain, he vomited all that he ate. He could not his usual meal. His parents had him treated by eminent doctors. It was to no purpose. He used to vomit what ever he ate. One day, a Brahmin came to Sri Kamalakara joshi's house. The Brahmin was well aware of all the miraculous powers of swami. He said to Sri Kamalakara Joshi and his parents, " You had better go to Manthralaya and serve the swami for some days, the ailment will be cured. Food, which is eaten, will be properly digested. Health will be resorted." 
Kamalakara joshi was an atheist. He had no faith in gods or Gurus. So, he did not pay heed to the Brahmins words. But. The parents compelled him to come to the shrine of Manthralaya. He bathed in the river Thungabhadra, visited the Mutt and observed the worship and panchamrita abhisheka performed to Sri Raghavendra swami, with his own eyes. He took mangala harathi and the sacred water and sat in the corner. All the devotees went to the dining hall to take their food. Afraid of vomiting, Kamalakara Joshi did not go to take food. The Mutt people invited him to come and have his meal. Ashamed to tell them the truth of his ailment, he replied that he did not feel hungry. But, as the Mutt people forced him, he went to eat. He began to eat and as the food was tasty, he ate well. He was afraid of nausea. But, all the food he ate that day was digested fully. There was no sign of vomiting. Joshi was surprised. He came to believe that his food was digested by the grace of Sri Raghavendra and there was no fear of vomiting. He began to worship Sri Raghavendra swami daily with great devotion and fervour. His food was well digested and he was happy. With gratitude to Sri Raghavendra Swami for his grace, Joshi worshipped at the shrine for 40 days. His parents were extremely happy to hear about their son's restoration to health. They came to Manthralaya and conducted puja to Sri Raghavendra Swami.

Sri Kamalakara Joshi became a theist as a result of Sri Raghavendra Swami's grace. He regained faith in gods, Guru and Brahmins. His parents were overjoyed to see their son not only healthy but also full of devotion to god and reverence to Gurus.

History of Raghavendra (1595–1671):-

Sri Venkatanatha proved to be a very brilliant scholar from a very young age who learnt to play the Veena very proficiently thanks to his father and grandfather. After his father’s demise, Venkatanatha was brought up by his brother Sri Gururaja Bhatta and completed the initial portion of his education under his brother-in-law Lakshminarasimhacharya’s guidance in Madurai.
After his return from Madurai in 1614, Sri Venkatanatha married Smt. Saraswathi Bai in the same year and had a son Sri Lakshminarayanacharya. After his marriage, Sri Venkatanatha and his family went to Kumbakonam where he studied the Dwaita vedantha, grammar and literary works under his guru, Sri Sudheendra Theertha.

Sri Venkatanatha was already very well versed in bhashyas and consistently prevailed over renowned and reputed scholars, irrespective of the complexity of the debates. He was an ardent devotee of Sri  Rama and Sri Panchamukha MukhyaPrana Devaru (the five-faced form of Hanuman – Pancha meaning five, mukha meaning faces). He spent a large part of his Poorvashrama life teaching Sanskrit and the ancient Vedic texts to children.
Once while he was touring Kumbakonam along with his wife, Sri Venkatanatha and his family were invited to attend a function. Unfortunately, the hosts did not treat him well and wanted him to earn his food by running a chore. So they asked him to make some sandalwood paste for all the invitees. Sri Venkatanatha per his habit was chanting stotras and mantras while preparing sandalwood for Tilaka. When the guests applied this paste, it induced a burning sensation all over their bodies. Surprised by this, the hosts sought a clarification from Venkatanatha. He replied that the burning sensation was due to the Agni Suktam (hymn for the worship as defined in the Esoteric Vedas) that he was chanting while preparing sandalwood and thus eternal power of Vedic Mantras revealed it. This happens only when chanted with absolute dedication and devotion. The power is enhanced since it was chanted by someone as virtuous and devoted to Bhagwaan Hari as himself. Upon realizing his devotion and power, the host apologized profusely to Sri Venkatanatha and sought his forgiveness.
Sri Venkatanatha then prepared the paste again but chanted the Vedic Mantra to Varuna (Vedic rain gods) this time. It has been recorded that when the guests applied this paste, they were awash with a sense of being drenched in rainwater, reaffirming Sri Venkatanatha’s power of devotion.
He never demanded any money for his services and endured a life of poverty along with his wife and son. They went without food several times a week. On occasion, his wife did not have change of clothes. This forced her daily change of wear to be dependent on when the clothes dried. She would wear 1/2 the saree, wait for the other 1/2 to dry and wrap it around her. But he was so devoted in his quest for a higher spiritual plane that these obstacles never deterred his faith in the Lord. Poverty life continued and baby boy starved too.
Saraswathi got an idea, she told him to meet his Guru and take his refuge. They went to Kumbakonam. Venkathanatha and his family were welcomed in the mutt at Kumbakonam. Venkathanatha mastered all lessons at the Mutt. Swamiji took him to the debates against Adwaita school of philosophy at various King’s courts (Chola, Pandian etc.). Venkathanatha began to write commentary in all three Vedas following Acharya’s Rig Bhasaya, which was his ambition. But the circumstances did not favor his fulfillment. Venkathanatha was the apple of Shri Sudheendra Swami’s eye. He was thought quite well worthy to succeed the Swamiji, who was waiting for an opportunity to tell his disciple of his intentions. Just by the time a disciple named Yadavendra sought the blessings of Swamiji, as he was disgusted in worldly life. Swamiji named him “Yadavendra Theerta ” and he started on the religious tour.
Shri Sudheendra Swami was a genius of extraordinary and a soul of high spiritual efficacy. One day, he dreamt that Shri Mula Rama ordered that Venkathanatha alone could fit to rule the Mutt. One day he called Venkathanatha and after preliminary discussion of worldly interest, Swamiji began to reveal his intentions. Swamiji started with telling Venkathanatha that god was pleased with him and he deserves a post as the head of the Mutt. Venkathanatha could not understand the intentions of Swamiji and requested Swamiji to be clear of his intentions. Swamiji began to explain that there are many boats to ferry us across the ocean. But to all these our blessings are the sails which move the boats with great force and speed. Now why tarry on the shore? What fear is there to cross the Ocean? Venkathanatha could not understand. Shree Sudheendra Theertha knew that Venkathanatha loved his wife. When he explained clearly of his intentions, Venkathanatha expressed his inability and for renunciation, detachment was essential. So Venkathanatha explained about his wife, son and his shoulders were still young to take up the administration and responsibility of the mutt. So he was not inclined to take holy orders and take up Sanyasa. But was ready to submit himself to the mutt and Swamiji.
Time came now for Venkathanatha to succeed his Guru as the next Swamiji of the Mutt. Venkathanatha had a blessing of Sharada Devi, the goddess of Learning and that led him to realization of self and he narrated his experience of Sharada Devi to Swamiji and decided to do Upanayana to his son and accept sanyasa. He took sanyasa and Guru named him Raghavendra theertha. Saraswathi was shocked to
 hear the news and she fell into the well. She came as a ghost in front of Guru Raghavendra. He sprinkled holy water on the ghost and it attained Moksha by purification.  Guru Raghavendra was great in every respect. He was siddha Purusha (God realized person). He started performing miracles, Blind got their eyesight, Deaf could hear. As the time approached for Swamij and he was 78 years old. It was Thursday, the full moon, He announced to all his disciples that he went by the orders of Shri Hari and he decided to leave this world.
Devotees from all over the world came to see him as the news spread. On the second morning of Shravana, finished his morning religious rites and called all his devotees and said. This is our last day. Don’t’ be grieved. It is the order of Shri Hari that we should stay in this world to safeguard the interests of our faith. But we cannot stay bodily outside beyond a limit a certain limit as that would be against the rules of the present age. Therefore we are going to enter Brindavana bodily. To the last be faithful and be loyal to your God and religion. May God Bless you with all the things good. Thus he advised them.It was now mid-day. He distributed the theerta and blessed everyone. He called Venkanna Diwan and a prime devotee and gave him a parting message.”Venkanna-I am going to enter the Brindavana in an ogicposture and continue to do Japa (prayer) with a Tulasi Mala (Japa Mala/Chain of Holy beads) in the hand. When I stop the prayer place the 1200 Lakshminarayana Saligramas (Holy Stones) in a bronze container and Mrutike (Holy Sand) on my head and close it with a lid and then place some sand/mud. Venkanna was also entrusted by the Guru to build his Brindavan at Manchala (now Mantralaya). Swamiji asked enkanna to put a stone on which Lord Rama had sat during thretha yuga as the base. Nawab Sidhi Masudh Khan of Adoni granted Manchala village to Swamiji. In the afternoon, when the time was auspicious, Swamiji sat in a Yogic posture and started prayers.
The Brahmins were reciting Vedas and Shastras. Venkanna and others were supervising the activities. All eyes shed tears of joy and griefsimultaneously. As per the Swamiji instructions the stones were placed above his head as he sat in yogic posture. Thus Swamiji entered the Brindhavan bodily. As per Swamiji’s advice that very day was observed as Maha Samardhana Day. He was to live in atma form in the  Brindavan for next 700 years to come. In the Year 1671 AD, Guru Raghavendra named Yogeendra as his successor and entered the Brindavan. After Swamiji entered, his disciple Appanacharya sang the praise of his Guru and seeing the Guru’s Brindavan, He could not speak, the last verse of the song was completed by Guru in the Brindavan. Still Guru Raghavendra continues to bless people who think of him in their troubles and happiness.

How to reach Sri Nava brindavanam:-

1. Better way to go to Navabrindavan is by car and it is advisable to start early morning. It is about 200KM from Mantralayam. Roads are very tough but both sides of the road are covered by greenery with paddy, sunflower and cotton fields. There are also mountains nearby. So it is better to enjoy the nature than to complain on the toughness of the roads.
2. It would take around 4 hours to reach the destination. From Andhra border, car will go inside Karnataka border to reach Anegundi.

 Anegundi:-

Car will stop in Anegundi, which literally means elephant pit in Kannada. It is a small village in Koppal district of Karnataka state, located on the north banks of the Tungabhadra River on the opposite bank of the Vittala Temple. After reaching Anegundi, passengers can have breakfast at Hotel Sri Tulasi Garden. They give homely food and the owner arranges for travel by car also. You can go to SRS mutt nearby and inform them to have lunch there. They would tell you to return by 12PM sharp to have the prasada.
You need to walk a little bit to reach the banks of river Thungabadra where you need to take a motor boat to go the other bank. After reaching the other bank, you can have a holy dip in the river and go to Sri Navabrindavan dharshan.

There are 9 jeevasamadhis of the Madhva tradition. They are:
 1. Sri Padhmanabha Thirtha or Padmanabha Tirtha
 2. Sri Jayathirtha/Sri Raghuvarya
 3. Sri Kavindra Thirtha
 4. Sri Vageesa Thirtha
 5. Sri Vyasaraja Thirtha
 6. Sri Srinivasa Thitha
 7. Sri Rama Thirtha
 8. Sri Sudheendhra Thirtha
 9. Sri Govinda Odeyaru
You need to circumambulate 9+2 rounds to complete the dharshan. It is mandatory to walk outside the yellow line which is marked there. Also make sure to have dharshan of SriRanganatha and SriAnjaneya above the rocks. It is recommended to light 9 ghee lamps for the 9 acharyas, 1 ghee lamp for SriRanganatha and 1 ghee lamp for SriAnjaneya. There is also one more Anjaneya diety near the brindavanas wherein the face is in the form of SriAnjaneya, shoulders in the form of Bheema and the script in the hand in the form of Madhvacharya. At the back, Sri Nrusimha can be seen. It is better to get flowers, ghee and any archana items before reaching there as there will not be any shop near Navabrindavan.

After having dharshan, you can have lunch at SRS mutt and proceed to SriRanganathaswamy temple nearby, Chintamani temple – place where Vaali vadha took place, Anjanadri – birth place of SriAnjaneya (need to climb 600 steps up the hill), Sri Durga temple, Sri Lakshmi temple and Pampasarovar where Lord SriRama had taken holy bath. All these places are said to be the places mentioned in Kishkindha Kandam in SriRamayana. There is a Lakshmi Nrusimha temple while returning back at Urukkundu. Hampi is about 15KM from Anegundi or if you go by boat after crossing the river the distance is even more reduced. But we didn’t have time to see Hampi. But if you wish to see Hampi, best place to stay is Hospet and from there you can continue the journey. You would need atleast one day to sight-see Hampi. There are temples like Virupaksha, Vittal mandir, etc. All these areas belong to Vijayanagar empire.

Poojas and Rituals at Mantralayam Temple:-

Besides the special endowments, there are regular worships done at Mantralayam Raghavendra Swamy Temple.
•Regular worship of Sri Moola Ramadevara is done if HH Sri Swamiji is present at Mantralayam Temple.
•Among the daily seva, the Dinaika Sampoorna Annadana Seva refers to the food endowment that a devotee can opt for. He or she can pay a fixed amount and the prasada for the day will be funded with that amount.
•The Vastra Samarpana Seva refers to the gifting of clothes to the needy.
•The Sankalpa Seva refers to taking an oath and spending the life as per the oath. Held every day between 5Sankalpa Seva requires utensils for performing Achamana, a small plate, a whole coconut, a coconut to be offered as a symbol and change as dakshina.
•Bangaru Pallaki Seva, the Golden Chariot Seva, Kanaka Kavacha Seva, Rajata Rathotsava, Kanak Maha Pooja, Suprabhat Seva, Tulabhara Seva, Archana are some of the other seva that can be performed at the Raghavendra Swamy Temple.

Newly Seva in Mantralayam Sri Guru Raghavendra Swamy:-

1.    Go-Grasa Seva:-

 The mutt owns a very big Go-Shala named KAMADHENU GOSHALA. It is stretched around 10 acres of land (Cow yard) at the outskirts of Mantralayam.  Around 700 cows are sheltered here. H.H. Sri Swamiji has proposed for further extending this noble service to public so that the devotees can participate in Go Seva directly at Go-Shala. Interested devotees can adopt a cow. An amount of Rs. 1000/- per month will be charged for this. One can adopt a cow for any number of months. Those who adopt a cow for a minimum of One Year will get 50 Parilama Prasadam, One memento and a shawl will be bestowed from Mutt.

2.    Pratyaksha Godana Seva:-

 A cow and its calf may be contributed to Kamadhenu Go-Shala. Devotees who are contributing the cow also need to pay Rs. 5000/- towards its maintenance. Donors will get 50 Parimala Prasadam, a memento and a shawl will be given by the Mutt.

3.    Godana Pratyamnaya:-

 Those who are unable to bring Cow and Calf to donate, may contribute an amount of Rs. 5000/-. The devotees will be taken to Goshala to perform Sankalpa of Godana. Donors will get 50 Parimala Prasadam, a memento and a shawl will be given by the Mutt.

4.    Svarna Pallaki Utsava:-

 Utsava Moorthy (Procession Icon) of Sri Prahlada Rajaru will be taken around the Garbha Gruha in Golden Palki.
 Seva Contribution is Rs. 8000/-
 (Devotees will get 50 Parimala Prasadams, Memento and Phala Mantrakshate).

5.    Vastra Samarpana Seva:-

 Vastra Dana (Offering holy cloths) for all Vrindavanas at Mantralayam is now made easy. No need to go around in search of weaver to get Vastra for Rayara Vrindavana. Just ask the Mutt authorities to book the seva on your name and visit Mantralaya on that date.  All that you need pay is
   
     Rs. 25000/- to offer Vastra to Sri Rayaru & H.H. Sri Swamiji
     (Devotees will get 1 A.C Guest house for 1 day, 50 Parimala Prasadams, Mementoe and Phala Mantrakshate)
     Rs. 50000/- to offer Vastra to All Vrindavanas, Lord Hanuman and Goddess Manchalamma
     (Devotees will get 1 A.C Guest house for 1 day, 100 Parimala Prasadams, Memento and Phala Mantrakshate).

6.    Dinaika Sampoorna Seva :-

 As the name itself is indicating, one can pay contributions towards all the Seva and Pooja takes place at Mantralayam.
     Seva Contribution is Rs. 100000/-
     (Devotees will get 1 A.C Guest house for 1 day, 100 Parimala Prasadams, Memento and Phala Mantrakshate).

7.    Dinaika Sampoorna Annadana Seva:-

 The Mutt distributes Teertha Prasada free of cost to all devotees. Average 5000 devotees per day will be fed through out the year. Not only devotees, students studying in schools and colleges in and around Mantralaya are also getting free food every day . Though very expensive, it has been an interrupted service. The Mutt incurs an expenditure of around Rs. 2 Lakhs per day. One can contribute this amount and render his support to this noble cause.
     Seva Contribution is Rs. 200000/-

Places to see near Mantralayam :-

Manchalamma Temple :-

Manchalamma Temple of Mantralayam is located near the Samadhi Temple, inside the Mantralayam Mutt complex. Goddess Manchlamma is the presiding deity of Mantralayam Village. It is believed that Sri Raghavendra Teertha requested land for the ‘Bridavana’ from Manchalamma and she granted it to him. Hence, it is a custom at Mantralayam that the devotees offer prayers at the Manchalamma Temple before visiting the Samadhi Temple.

Venkateshwara Temple:-

Lakshmi-Venkateshvara Temple or Sri Venkateshvara Temple, located at the heart of the Mantralayam Mutt complex, is another popular pilgrim destination in Mantralayam. Lakshmi-Venkateshvara Temple houses the Sri Lakshmi-Venkateshvara idol, which was consecrated by Sri Raghavendra Teertha. The saint, who is believed to be the incarnation of Bhakta Prahalada, is believed to have worshipped Lord Venkateshwara here, during his life time. The Tulsi Garden of Lakshmi-Venkateshvara Temple is the main source of tulsi for the temples situated inside the Mantralayam Mutt complex.
 Timing: 6.00 am – 12 pm
              4:30 pm – 8 pm

Panchamukhi Anjaneya Swamy Temple:-

Panchamukhi Anjaneya Swamy Temple is located about 23 km away from Mantralayam, atop rocky terrain near Bichchali. The presiding deity of the temple is Lord Anjaneya (Hanuman) who has five heads, representing Varaha, Garuda, Hanuman, Narasimha and Hayagreeva.
 It is believed that the swayambhu(self createdmanifested) inscription of Sri Panchamukhi Anjaneya Swamy was worshipped by Sri Raghavendra Teertha. As per legends, Sri Raghavendra Teertha was an ardent devotee of Lord Venkateswara and Lord Hanuman. He performed penance for twelve years and Lord Hanuman appeared before him in the form of Panchamukhi Anjaneya.

Vedic Pathashala :-

The Vedic Pathashala is yet another attraction of the Mantralayam Mutt complex. The pathashala is a prominent center of religious and cultural learning, which imparts knowledge in the Vedas, Puranas, Dwaita philosophy and Indian traditions to Vedic scholars from India as well as abroad, who come here for advanced studies.

Bichchali:-

Bichchali, also known as Bikshalaya, is a pilgrim destination near Mantralayam. Situated on the banks of River Tungabhadra, it is about 20 km away from Mantralayam.This place is famous as the meditating site of Sri Appannachar, who was the prime disciple of Sri Raghavendra Teertha. The house of Sri Appannachar in Bichhali, in which Sri Raghavendra Teertha lived with him for 13 years, is a popular pilgrim spot for the devotees of Sri Raghavendra Swamy. 

Chinna Tumbalam:-

 The Narasimha Swamy Tample which is about 200 years old can be found in Chinna Tumbalam. This place is about 25 kilometers from Mantralayam off the Adoni Road. Once can reach this place either through buses or private transport.

Kowthalam:-

 Kowthalam is the native of Sri Guru Jagannatha Dasaru, the famous Haridasa in the Dwaitha community. The temple is being renovated and a HariKathamruthaSara mandira is being build by K Appannachar a desendent of Sri Guru Jagannatha Dasaru. This place is about 30 kilometers from Mantralayam off the Adoni Road. Once can reach this place either through buses or private transport.

Urukunda:-

Narasimha Swamy�Tample can be found in Urukunda. After the recent renovation and the Annadana facilities by various communities, Urukunda is fast becoming a major piligrim center.This place is about 30 kilometers from Mantrlaayam off the Adoni Road. Once can reach this place either through buses or private transport. Mantralyam is a Hindu religious place where the Moola Bridavanam of Sri Guru Raghavendra Swamy is located. Sri Guru Raghavendra Swamy, (1601-1671), was an influential saint in Hinduism. He advocated Vaishnavism (i.e. worship of Vishnu as the supreme God.) and Dvaita philosophy advocated by Sri Madhwacharya. He is considered to be a reincarnation of Prahallada, the devotee who was saved by Vishnu, in his avatar of Narasimha. Shri Raghavendra Swamy is said to have performed many miracles during his lifetime and is believed to continue to bless his devotees to this day.

Alampur:-

One of the gateway[Westren] to Srisailam. Here God and Goddess worshiped as Brahmeshwara and Jogulamba respectively.  This pilgrim site regarded as  Shakti Peetha where the upper teeth of Sati Devi fell. The old temple was invaded by the other dynasty rulers and new temple was constructed nearer to the old temple. There are few more temples nearer to the main temple.

Accommodation:-

Accommodation (boarding and lodging) is not a problem at Mantralayam with number of hotels and restaurants that have come up of late, apart from the availability of number of guest houses donated by devotees and constructed by the Mutt. Besides, Mantralayam Mutt also provides accommodation to pilgrims in their specially constructed choultries, where rooms are provided at nominal cost. Andhra Pradesh Tourism Development Corporation is also running its guest house ‘Punnami” where rooms are available.  
Another unique feature of this temple is the Mutt organizes free food facility (except on the notified days) within the Mutt to all the pilgrims in their spacious dining halls.  Besides Infosys foundation (a charitable organization) has also constructed a big dining hall for the convenience of pilgrims. One can easily find the details of accommodation from the Central Reception office as soon as they reach Mantralayam.

Mantralayam temple Darshan Timings:-

Mantralayam temple is open between 6 am to 2 pm . It closes from 2 pm to 4 pm and reopens from 4 pm to 9 pm, Entry to the temple is free. Mantralayam Temple Darshan usually takes about an hour, but can go up to 2 -3 hours on special occasions. The male devotees who want to perform Pooja themselves have to wear dhoti. While male devotees paying normal visit have to remove their shirt and female devotees have to wear Sarees or other traditional cloths.

Festivals celebrated at Mantralayam Temple:-

Mantralayam Temple celebrates various kinds of festivals throughout the year. Devotees can offer various kinds of seva to fulfil the good wishes and for the well-being of the family members.
•The Maharathostavam, also known as the car festival is celebrated with great pomp and glamour at Mantralayam Raghavendra Swamy Temple.
•Sri Guru Raghavendra Swamy Aradhanostavam is another famous festival of the shrine.
•The Dhanurmasa month is of great significance at the Raghavendra Swamy Temple. Besides regular worship and rituals, special events like Tulasi Archana and Hastodaka, Rathotsava and Maha Mangal aarti takes place during this month.
•Devotees can request for special seva or endowments. There are lifetime seva or endowments which take place on holy days and again every year after the seva; the fund for the seva is raised from the fixed deposit of the seva that the devotee deposits the first time.
•These special endowment worships are not performed on Ekadasi, Grahana or Eclipse days and on Sri Krishna Janmasthami.
•Devotees can also offer seva without visiting Mantralayam Temple personally. They can send cheques and drafts for the seva and the same shall be performed on behalf of the devotees.

How to Reach Mantralayam:-

Mantralayam is well connected by road and rail.

By Road:-

APSRTC and KSRTC are running regular buses connecting Mantralayam with major towns and cities in the states of Andhra Pradesh and Karnataka.  Kurnool (NH-7) in Andhra Pradesh and Raichur in Karnataka are two locations which are pretty well connected to Mantralayam. Apart from this private tourist operators are also running special buses to Mantralayam from various parts of the country.

By Rail:-

Nearest railway station is Mantralayam Road (Tungabhadra) on the Mumbai-Chennai main line which is 15 km from Mantralayam. From there it is about 30 minutes drive by Road.  All most all trains running on this route halt at Mantralayam Road.  Auto facilities are available for pick up from railway station to Mantralayam. APSRTC/KSRTC is also running buses to and from railway station at certain specific timings.

By Air:-

Nearest airport is Hyderabad which is about 250 km from Mantralayam.

Mantralayam Temple Address:-

Mantralayam,
District : Kurnool,
Pin code: 518 345,
Andhra Pradesh, India.
Phones : 08512 – 279459 / 279428.

Sri Lepakshi Veerabhadra Swamy Temple - Lepakshi

                                                       Sri Lepakshi Veerabhadra Swamy

Lepakshi is actually a small village that is situated in the east of Hindupur, which falls under the Anantapur district of Andhra Pradesh. This settlement is famous for its artistic temples, which date back to the 16th century. A striking specimen of the Vijayanagar style of architecture is the Lepakshi Temple. It has a huge complex where three shrines dedicated to Lord Shiva, Lord Vishnu and Lord Virabhadra are to be found. Lord Virabhadra is the wrathful form of Shiva, the patron deity of the Nayak rulers.

 The temple has a central pavilion, embracing all the three shrines. This pavilion is further connected with an intermediary hall and a hall for ritual dance. A large open court that is accessible from the east surrounds the main hall. Lepakshi Temple perhaps houses the largest monolithic structure of Nagalinga in India. Another exquisite statue of Lord Ganesha captures the attention of everyone, especially when people enter the second interior court.
 The interiors boast of impressive sculptures in half-relief on the granite pillars. The carvings represent dancers, drummers and divine musicians. Here, you can see Lord Brahma playing drums, celestial nymph Rambha dancing and Lord Shiva engaged in 'Ananda Tandava'. In the intermediary hall, there is a frieze that depicts geese with lotus stalks in their beaks. The flawless carvings adorn the entire temple perpetually, all of them done with the minutest of details.
 Most celebrated for its splendid paintings, Lepakshi Temple has a colossal painting of Virabhadra in the central hall. In the 'Hall of Dance', one can trace eight panels, depicting Puranic legends on the ceiling. Most of the paintings and murals have been devastated by the ravages of times. Lepakshi is a notable store of expertise, which is on the brink of extinction. In concise terms, the temple is a work of art that certainly deserves a visit.

Shri Lepakshi Temple:-

During the month of February,  a 10-day long celebration including the car festival is conducted in the temple. During the festival, Lepakshi is packed with pilgrims from all over the country.
 The temple has a central pavilion, embracing all the three shrines. This pavilion is further connected with an intermediary hall and a hall for ritual dance. A large open court that is accessible from the east,  surrounds the main hall.  Lepakshi temple perhaps houses the largest monolithic structure of Nagalinga in India. Another exquisite statue of Lord Ganesha captures the attention of everyone, especially when people enter the second interior court.
 The interiors boast of impressive sculptures in half-relief on the granite pillars. The carvings represent dancers, drummers and divine musicians. Here, we can see Lord Brahma playing drums, celestial nymph Rambha dancing and Lord Shiva engaged in 'Ananda Tandava'. In the intermediary hall, there is a frieze that depicts geese with lotus stalks in their beaks. The flawless carvings adorn the entire temple perpetually, all of them done with the intricate details.
 Most celebrated for its splendid paintings, Lepakshi temple has a colossal painting of Virabhadra in the central hall. In the 'hall of dance', one can trace eight panels, depicting puranic legends on the ceiling. Most of the paintings and murals have been devastated by the ravages of times. Lepakshi is a notable store house of expertise, which is on the brinks of extinction. In precise terms, the temple is a work of art that certainly deserves a visit.

 Veerabhadra temple is a notable example of the Vijayanagars style of architecture.  A reference is made in the 'Skandapurana' to Lepakshi as one of the hundred and eight important 'Shiva Kshetras' (shrines). 
 This is legendary for its creative sculptures that go back to the 16th century. A specimen of the Vijayanagara style of architecture is this Lepakshi temple.
 The Lepakshi temple  is also known as Veerabhadra temple.  The architectural beauty of the temple is unparalleled with fine carving arts.
 The Lepakshi temple can be divided into three sections. They are 
 1.  'Mukha Mandapa', (or the 'Nitya Mandapa' or 'Ranga Mandapa'),
 2.  'Artha Mandapa' and 'Garbha Griha', and
 3.  'Kalyana Mandapa'.
 The sculptures and the mural paintings seen in the Natya and Kalyana Mandapams are exceptional for their artistic beauty and skill. Most of these sculptures portray the mythological puranic episodes like 'Ananthasayana', 'Dattatreya', 'Chaturmukha Bramha', 'Tumburu',  'Narada' and 'Rambha'.  The Lepakshi temple has been built in honor of Lord Veerabhadra.  According to legends, the Kalyana Mandapa of the temple had witnessed the marriage of Lord Shiva and Parvati. The 'Natya' (dance) and 'Ardha' (worship) Mandapas are the best parts of the temple in terms of architecture. The 'Natya' Mandapa has been adorned with sculptured pillars depicting life-size musicians and dancers.
 The Veerabhadra temple, dedicated to Veerabhadra, is found here. Designed by the brothers Viranna and Virupanna, the temple can be a notable example for  the Vijayanagara architectural style. It is celebrated for its sculptures that were created by the artisans of Vijayanagara empire. An enormous Nandi (bull ) created out of one granite stone(monolithic) is one amongst the attractions in Lepakshi Temple.

 The place is celebrated for being one amongst the simplest repository of mural paintings of the Vijayanagara kings. Many elderly Kannada inscriptions dating back to centuries ago, may be seen on its walls. Legend has it that the Kamarupa of the Nagalinga was sculpted out of one stone by sculptors while  they waited for his or her mother to arrange for lunch.
 There are three temples dedicated to Shiva, Vishnu and Virabhadra. On a hummock called Kurma Saila (tortoise formed hill), temples of ‘Papanatheswara’, ‘Raghunatha’, ‘Shrirama’, ‘Veerabhadra’ and ‘Durga’ are found. Veerabhadra temple is the most vital temple.
 Lepakshi is a final testimony for Vishwakarma Brahmans who sculpted these temples. It is believed that,  noted Vishwakarma Amarashilpi Jakanachari took up half of the design of these temples.  The celebrated sculptors like Dakoju, Maroju took the other half work of  this temple sculpture.
 There are several specialities in  this temple like a rock chain, Vastu Purush, Padmini race woman, the hanging pillar, Durga Paadam, Lepakshi sari styles etc.  On the walls of this temple, many stories like the Mahabharatha, Ramayana are carved. On the roof area, several stunning paintings have been done by natural colours. One noted spot within the temple is the “Eyes of Viroopaakshanna”.
Though the temple of Veerabhadra is claimed to have been constructed by Saint 'Agastya' himself, it was developed into the present exquisite shrine by 'Virupanna', the treasurer of the Vijayanagara kings.  He conceived the idea as he found the image of Veerabhadra.
 He executed the plan in the absence of the king and used the treasury when he was away at Vijayanagara.
 When the construction was almost finished and it was being supervised,  the king returned and found the treasury empty. The king ordered, as a punishment to this heinous crime, that he should be blinded. The treasurer being a loyal person carried out the punishment on the spot with his own hands.
 Even today one can see two dark stains on the wall near the 'Kalyana Mandapa', which are said to be the marks made by his eyes, which he himself dashed against the wall. The builder did not survive for a long time and the village is called "Lepa-akshi Lepakshi", i.e., a village of the blind eye.
 
Basavanna:–

 This colossal monolith is a remarkable piece of art of the Vijayanagara period. It is among the largest Nandi monoliths found in India, others are at Bull Temple Bangalore, Chamundi Hill Mysore, Brihdeeshvara Temple Thanjavur. It is 15 feet high and 27 feet wide. It is said that this Nandi faces the Naga-linga of the Veerabhadra temple.

Ganda-Berunda, which later became the state emblem of Karnataka, is found carved on the neck of this Nandi monolith.

Significance of the Temple:-

This temple is the center of attraction and considered to be the area of exhibition that had holds all the three places of worships.; This area of exhibition has its connection with the hall of intermediary and hall for dance of ritual.; The hall is surrounded by an open court that is reachable from the east side. This temple of Lepakshi contained an huge structure of monolith if Nagalinga among all over the India. Upon entering the interior court second, one can find a beautiful Lord Ganesha statue that attracts everyone. There were various sculptures designed on the granite pillars of the temple’s interior. ;These carvings showed the pictures of divine musicians, drummers, and dancers. Through these sculptures, you can see the extraterrestrial fairy Rambha dancing, Ananda Tandava doing by Lord Shiva, and drums were played by the Lord Brahma. ;There were wall paintings shown on the intermediary hall having lotus stalks in the beaks of the birds. The whole temple was decorated with the beautiful carvings along with the details of minutest.
This temple of Lepakshi is very popular for its paintings and there is a beautiful Virabhadra paining in the central hall of this temple. In the dance hall, one can find the beautiful Puranic legends traced in the eight penals on the ceilings of the hall. Most of the paintings and murals have been devastated by the ravages of times. This temple of Lepakshi is a famous knowledge store that comes to an edge of destruction. In short, this temple of Lepakshi deserved to be visited at least one time.

Significance with Ramayana:-

There is a significant place for the village Lepakshi in the great Indian epic Ramayana. Sources claim that the wounded bird Jatayu by the king of Lanka Ravana fell here after a futile battle against the king who was carrying away Sita which was carrying the wife of Rama. Lord Rama assures the bird after reaching the spot who compassionately says that “Le Pakshi” which means “Arise, bird” in Telegu language.

Architecture:-

 The flat stuccoed granite ceilings of the Vijayanagar Empire provided a suitable background for frescoes as seen at Lepakshi. This temple is a notable example of the Vijayanagar style of architecture, and is built on a low rocky hill, which is called Kurmasaila so called because the bill is like a tortoise, in shape. An inscription on the exit of the outer wall of the temple records that one Virupanna constructed it in the 16th century.


The Hanging Pillar of Veerabhadra Lepakshi Temple:-

The beautiful 16th century Veerabhadra temple, also known as Lepakshi temple, is located in southern Andhra Pradesh. It has 70 massive pillars built in the Vijayanagar style, out of which one pillar is the most intriguing. This pillar, unlike other pillars, does not touch the ground and hangs from the ceiling, leaving a noticeable space. People who visit the temple, pass a piece of cloth through the space.
The temple, located in Anantapur district in southern Andhra Pradesh, vijayanagara Lepakshi temple was  built by the brothers Viranna and Virupanna  during the reign of Achyutha Devaraya period whVijayanagaraempire from 1530 A.D to 1542 A.D. This temple, on a hillock known as Kurma Saila (tortoise shaped hill), is a treasure-house of beautiful Vijyanagara style of architecture and eye-catching paintings of 16th AD. There are three temples in one.
During the British period During the British period a curious British  engineer  wanted to know the technicality behind the  hanging pillar in this temple. Upon  trying to dislodge the pillar, to his dismay, found out that it caused the movement of adjacent pillars to maintain the equilibrium. Though it is not an earthquake area (supposedly ”Shield” area and geologically stable),the temple, it is believed, can withstand any seismic event.

Veerabhadra Temple Lepakshi:-

Lepakshi is a small village located 15-km east of Hindupur in Anantapur District of Andhra Pradesh. It is considered as the most important place in the district from the historical and archaeological point of view. The famous Veerabhadra temple, dedicated to Veerabhadra, is the main attraction here. Built by the brothers Viranna and Virupanna, the temple is a notable example of the Vijayanagar architectural style. It is famous for its sculptures, which were created by the artisans of Vijayanagara empire.
The hanging pillar is one of the 70 pillars which is hanging well almost on its edge .There is a story about it - a British engineer who wanted to know how the temple was supported by the pillars tried to displace one of it, and it caused the movement of as many as 10 pillars around to maintain the balance.
The presiding deity is Veerabhadra. In the exquisite shrine is a wealth of magnificent sculpture in the intricate mandapams. One mandapam has pillars with life-sized images of dancers, musicians and other sculptures, created by the artisans of the Vijayanagar empire. The huge granite Nandi Bull is carved out of a single stone. The ceilings have breathtakingly beautiful mural paintings
It was believed that Virupanna, the treasurer of the Vijayanagar Kings used the treasure when the King was away at Vijayanagar and planned to built Mandapam back to temple. When the construction was almost finished and it was being supervised the king returned and found the treasure empty. The king ordered, as a punishment to this heinous crime, that he should be blinded. The treasurer being a loyal person carried out the punishment spot with his own bands.
Even today one can see two dark stains upon the wall near the ‘Kalyana Mandapa', which are said to be the marks made by his eyes, which he himself dashed against the wall. The builder did not survive for a long time and the village is called "Lepa-akshi Lepakshi", i.e., a village of the blinded eye.
The best part is Sita Devi's foot print at the temple.


Temple’s cultural significance:-

The notable temple is a popular center of attraction for numerous deities all over the country. The holy place of lepakshi temple comprises of dance hall where rituals are performed. There is a huge monolith structure of Nagalinga, here. Once you enter the interior court, you will find a stunning statue of Lord Ganesha. Several other sculptures are etched on granite pillars inside the temple. You will find etchings of the fairy Rambha along with the portrayal of Lord Shiva’s performance of AnandaTandava. There is also an inscription of Lord Brahma’s playing of drums. Carvings represent divine musicians, drummers and dancers. Flawless and exceptional paintings adorn the walls of this historically and culturally significant place.
Importance of the presiding divinity
Principle deity of this splendid temple is Veerabhadra. This is indeed a magnificent sculpture that comprises of intricate mandapams. The Prakaram entail beautiful sculptures that include fourteen forms or avatars of Lord Shiva. According to certain religious beliefs, Virabhadra is essentially a super-being who was created by the wrath of Shiva or Rudra. Along with Veerabhadram his wife or consort, Bhadrakali was given life to by the wrath of Devi. The main deity in this temple is shown to be carrying weapons. Historians state that Virabhadra was created during the time of destroying Daksha’s fire sacrifice or yagna.
Principle idol for reverence
The idol of presiding divinity, Veerbhadra is made completely from black granite. This imposing deity is six feet tall, in height and is placed in the sanctum sanctorum or garbha gruha. Origin of this God is associated with the mythological history of DakshaYaga. Lord Shiva created Virabhadra by lashing and whipping his matted locks. This was due to deep sorrow and anger due to Sati Devi’s self-immolation. The origin of Virabhadra is considered a significant occurrence in Shaivism. When Shiva came to know about Sati’s martyr in the sacrificial fire, he plucked two locks of hair and thrashed them in the ground. This resulted in the birth of Rudrakali and Lord Veerabhadra.
Presence of other shrines
The Skanda Purana comprises of a reference in regards to Lepakshi. It states that there are one hundred and eight essential shrines or Shaiva Kshetras. The chief deity is obviously Veerabhadra, who is a furious and livid avatar of Lord Shiva. Other divinities who find lace in this temple are Goddess Parvati, who also wears a livid and sad appearance. Numerous shrines are dedicated to Sri Rama, Virabhadra Swamy, Raghunatha, Durga, Papaneswara, Shiva, and Vishnu.
Essential rites and rituals
The main shrines of Virabhadra Swamy and Goddess Durga are worshiped in this holy place. The lepakshi temple timings are 5:00 am to 9:00 pm. This temple is open throughout the week. Rites and rituals that are performed here were classified and sanctified by Shri Shankaracharya. Apart from worshipping Lord Virabhadra, worshipping of various other Gods and Goddesses takes place. Some of them are Sri Kashi Vishwanatha, Ganesha, Parvathi, Nandi, Narayana Swamy, Chandikeshwara, Uthsava Murthy, Kalabhairava. Priests and pujaris perform certain rituals. These include Navagraha Puja, Rudrabhisheka, Panchambrutha and Akki Puja. Pujaris also conduct special ceremonies and sacraments like Agni Kunda, Muthina Pallaki, Veergasa, Dolu, Danuur Masa Puja and others. By performing specific rituals, you can certainly attain ultimate moksha.

Lepakshi Paintings:-

The paintings of the temple of Lepakshi is made of orange red background and shown in a style of its own.; These paintings showed the jewelry format, people’s hairstyle, and textile patterns through its designs. One of the most beautiful and elegant painting is of Goddess Parvati and Lord Shiva’s wedding. Some of the guests wearing the traditional jewelry and costumes in the wedding were also shown in this painting. ;In this temple, also there is a huge statue of Nandi Bull is present. This Nandi statue is about 27 feet long and 15 fee tall made of chunk of single granite.; A statue of Shiva Linga, Naga linga also there covered with the hooded serpent over the Linga. ;According to the past history, the workers create this sculpture while waiting for their lunch.

Paintings of the Natya Mandapa – The first panel at the entrance is a large panel depicting the Manu Needhi Cholan Story. This long panel, measuring 18.5 m by 2 m, depicts the story of a legendary Chola  king named Manu Needhi. The events of this story took place at Thiruvarur. A calf was crushed by a horse-cart driven by a prince. The cow, mother of the calf, rang the bell at the court of the king. When the king came to know about it he enquired about the events. Thus he came to know about the calf which was crushed under the chariot of his own son.
Manu Needhi consulted his gurus and decided to punish his son in the same manner. Hence, he ordered his son to be crushed under the wheels of that same chariot which will made the king also to  suffer in the same way the cow is suffering at the moment. This event of rare justice was witnessed by the celestial bodies. Shiva and Parvati also witnessed it and came down to earth to restore the life of the prince and the calf and to give their blessing to the righteous king.
In the above picture, the dead-body of the calf is placed above a horse-cart having six wheels and driven by two horses. The mother of the calf, the cow, is standing behind the cart. The cart is driven by a charioteer holding a whip. The prince was made to lie in front of the cart and got crushed beneath the wheels. Right next, Shiva appeared with Parvati riding over Nandi. The cow and the calf and the king and his queen are standing in front of them.
The central portion of the Natya-Mandapa roof is divided into many sections which are painted in the following order, starting from left to right.

The section on the leftmost position depicts the scenes of Draupadi’s svamvara. On leftmost side is shown Kala-Bhairava depicted with eight arms holding a severed human head and a bowl. Two persons, one short and one big are shown in front of him, one of them would be Drupad worshiping his tutelary god. Next on right is Drupad seated with his daughter, Draupadi, in his lap. Next on right, in front of Drupad, Arjuna is shown shooting the matsya-yantra (fish dial) with an arrow looking its reflection in the water below the dial. This follows by the marriage of Arjuna with Draupadi.

The next section shows two scenes. Left side is showing Vatapatrashayi Krishna depicting baby Mukunda lying in a reclining posture on a Pipal leaf, floating on primeval waters. Krishna is suckling his toe holding his foot with both hands. On the right of this scene is shown Virupanna’s Retinue. Virupanna and Viranna are shown worshiping their tutelary deity, Veerbhadra, with their family members.

The next panel depicts a single large story showing Shiva’s Marriage. Parvati is shown seated on a raised seat, accompanied by six maidens. She is depicted in green having her hair in a long plait. The maidens are all shown wearing various ornaments and their hair either tied into a huge bun or as a long plait. None of these wear blouses. Parvati is seated facing two ladies, both holding tamburas. Next we see a large scene depicting 28 figures delineated graphically across the roof. Shiva and Parvati takes the central stage, standing facing each other holding hands.

Sitting on their left is Brahma, the priest officiating this wedding. On Brahma’s left are standing ashta-dikpalas, eight directional guardians, with their usual attributes. Himavat and his wife are standing behind Parvati in the act of kanyadana ceremony. On their right are shown few ladies holding flower plates and raising their hands to bless the newlywed couple. On their right is standing Vishnu, depicted with four hands holding his usual attributes. On his right is shown Shiva in his Sada-shiva form. Sada-shiva is shown with five heads having a third eye on each of these. On his right are standing various rishis and saints.

Kiratarjuniya occupies the three sides of the centre of the Natya Mandapa. Dharmaraja (Yudhishthir) is shown seated in his court accompanied by his three brothers, Bhima, Nakula and Sahadeva. Arjuna is shown standing in front of him, taking leave to start his journey to get weapons from Shiva. Next is shown Arjuna on his journey to the Himalayas where he was assisted by some gandharvas. Indra came to know about his mission and came to meet him and guided on how to get the weapons.

Arjuna went into deep and hard penance. Next is shown Shiva’s place where various gods came to meet him and informed about Arjuna’s penance. Shiva and Parvati appears in form of a hunter and huntress near the place where Arjuna was engaged in penance. A demon took the form of a wild boar and appears at the same spot. Arjuna and Shiva both shot their arrows and a duel broke over the claim of the hunt. While fighting, Arjuna realized that it is not a human being in the dress of a hunter and he went prostrate in front of the hunter. Shiva transformed into his real form and granted the weapon ‘Pashupata’ to him.
The centre of the Natya Mandapa roof is decorated with a mural depicting King Muchukunda. He was the monkey-faced legendary Chola king who is attributed to have established Lord Thyagaraja at the Tiruvarur temple from the heavens. The section on the right of the centre shows Shiva and Parvati playing Chess. Shiva and Parvati are seated on a pedestal and playing the game of chess. They are accompanied by several gods and rishis. In the next scene on the same section is shown Shiva as Dakshinamurti aspect.

The section right next to the above one displays Nataraja, dancing inside a prabhavali. Ashta-dikpalas and various demi-gods are shown playing various musical instruments on either side of Nataraja. The last section on the rightmost of the Natya Mandapa roof shows the Coronation of Rama. This ruined painting depicts the coronation of Rama when he returned from Lanka after victory over Ravana. Hanumana is also seen in front of him. Sage Vashishtha is seated next to Hanumana. On the right of Rama are standing Lakshmana, Bharata and Shatrughna. Sita is seated on Rama’s left sharing the same pedestal. Several monkey chiefs are also standing witnessing the event.
Paintings on the outer Maha-Mandapa – The starting section at the entrance of the Maha-Mandapa is decorated with a very large panel displaying fifteen various forms of Shiva. These forms are, from left to right, Lingodbhava-murti or Markandeyanugrahamurti as explained by C Sivaramamurti, Andhakantaka, Yoga-Dakshinamurti, Chandesha-anugrahamurti, Bhikshatana-murti, Harihara, Chandrashekhara, Ardha-nareeshvara, Kalyanasundara, Tripurantaka, Gangadhara, Nataraja in bhujangatrasita psoture, Vrishabharudha-murti and Parvati.

Stepping ahead, the roof is divided into various sections. Sections on the left of the entrance are mostly ruined. However, it seems that these depict some scenes from Ramayana as the sections on the right of the entrance continue over the stories from Ramayana. First section on the right of the entrance shows king Dasharatha seated on his throne. On its right is a panel divided into three rows, depicts the scene of the putra-kameshti yajna performed by Dasharatha, departure of Rama and Lakshmana with Vishvamitra. The rightmost section panel is also divided into three rows, depicting the events related to the marriage of Rama and Sita.

Paintings of the Maha-mandapa – The open portion of the Maha-Mandapa is covered with many paintings. Just after the entrance, there is a Cheetah hunt scene displayed in a large panel. In the other paintings we see Ardha-nareeshvara, Shiva , Vishnu, Veerabhadra, Nataraja, abduction of Sita by Ravana, Uma-Maheshvara, Ashta-dikpalas on their mounts, Kanappa’s story, king Muchukunda and a royal procession.

The center of the roof of the Maha-Mandapa carries a large painting of Veerbhadra with Virupanna and Viranna standing on his either sides as devotees. C Sivaramamurti writes that this magnificent large panel, probably the largest painting anywhere that represents Veerbhadra, is even larger to an extent than the largest painting of Shiva anywhere in any temple, larger even than that of the Tripurantaka in the Brihadishvara Temple at Thanjavur. Gopala Rao mentions that it is the largest mural in Asia, measuring 7.7×4.3 m.

Paintings of the Raghunatha Shirne – The roof of this shrine has three rows of paintings having three panels each. We see here Narasimha, Parashurama, Rama, Krishna, Lakshmi-Narayana, Kurmavatara and Matsyavatara.
Paintings of the Shayanagara – The roof of this structure is divided in three panels. We see here Uma-Maheshvara, Shiva seated in sukhasana posture and a temple enshrining Shiva-linga.
Paintings on the circumambulatory path around the Veerbhadra shrine – Paintings are found on the circumambulatory path in between the Veerbhadra shrine and Raghunatha shrine. Following scenes can be found here, Uma-Maheshvara, Shiva on Kailasha, Narasimhi, Venugopala, Durga as Mahishasuramardini, Bhairava, Sada-shiva, Kaliya-mardana and Ganesha.
Inscriptions: About 20 inscriptions are found in and around this temple. Majority of these are from the reign of the Vijayanagara king Achyutaraya (1539-42 CE).

Eco attraction/Eco excursion:-

 Many of the architectural temple complexes of Lepakshi embody excellence of architectural heritage of India. Viewing this archaeological and historical sites let tourists waver between history and today. Temples dating back to 1530 AD are set today in location far from heavy footfalls, which increases the joy of discovering it.
 Veerabhadra Temple, one of the most prominent among all temples of Lepakshi was built by saint Agastya, which was further developed by Virupanna, a treasurer of Vijayanagar king. The 38 monolithic pillars of the temple are best charecteristic of its magnificence.
 Inside the temple complex lies the Nandi Bull. In fact it is one of the first thing to catch one's attention while visiting the complex. Made up of single granite stone, the bull statue is of great historical and religious importance in Hindu mythology as it is said to be the vehicle of lord Shiva. Lepakshi is one place, unlike routine tourist destination, which has deep significance in its every part. Whether you are gazing at its mural painting or walking through its magnificent Veerabhadra Temple, you will regret not a even a bit for choosing this wonderful gateway as your holiday spot.

Lepakshi Temple Festivals:-

The temple festival is held in February for 10 days, when this quaint town becomes the hub of pilgrims!

Another temple worth visiting is the Parsavanatha temple of 11th century located north of Lepakshi. This Chalukya Style Temple has a sculpture of Parsavanatha in front of an undulating serpent. You can also visit the two granite Hindu temples nearby, dedicated to Rama and Siva dating back to the early Vijayanagar period.
An Ashram of Sai Baba is another popular place at Lepakshi. It is a large complex which can accommodate thousands of devotees. The complex also houses a canteen, shops, museum and a library. 
There is an interesting legend regarding nomenclature of Lepakshi. It says Lepakshi is from the Ramayana and it specifically refers to the spot where the bird Jatayu, was wounded while trying to rescue Sita from Ravana. Lord Rama upon discovering the plight of Jatayau, says with compassion “Le Pakshi”, which in Telugu means “Get up, bird”.

The Case of Blinded Eyes:-

The Veerabhadra temple was built by the Vijay Nagar Empire’s treasurer Virupana while the King was away. Virupanna used the treasury during the King’s absence to fund the construction. Upon return, the King was furious and ordered Virupana’s eyes be taken out. Virupanna didnot wait for the King’s order to be carried out and plucked out his eyes himself. In fact one can see two dark stains upon the wall near the 'Kalyana Mandapa' which are supposed to be the marks of Virupanna’s eyes.

How to reach:-
 
By Road:-

 Lepakshi is easily accessible via National Highway No. 7 if you are coming from Bangalore. The village is 15 km from the town of Anantpur and about 476 km from Hyderabad. The state runs several buses at regular intervals to Lepakshi from the nearby towns and cities. There are also deluxe buses available from Hyderabad and Bangalore that take you to Lepakshi.

By Train:-

 There is no railway station at Lepakshi. One has to take a train going to Anantpur to reach Lepakshi. The railway station at Anantpur is connected to the rest of the country via a strong network of trains. Trains from Bangalore, Hyderabad, Chennai and Delhi pass through the town of Anantpur. You can take a taxi, or a bus to reach Lepakshi from Anantpur railway station.
 
By Air:-

 The airport nearest to Lepakshi is at Hyderabad. The airport at Hyderabad is both domestic as well as international. It receives flights from major cities and towns of the country as well as from the world over. You can take a private cab from the airport to reach Lepakshi or take a train from Hyderabad Central to reach the town nearest to Lepakshi.