tag:blogger.com,1999:blog-77986984044733242412024-03-18T03:19:21.321-07:00Hindu TemplesSingle destination to know all kinds of famous Hindu temples across the world. Checkout the latest news about the Hindu festivals and other best practices to follow during the various seasonal festivals at indianmandirs.blogspot.com lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.comBlogger208125tag:blogger.com,1999:blog-7798698404473324241.post-84860009343582323242017-04-29T05:28:00.002-07:002019-09-16T23:26:55.058-07:00Gavipuram Gangadhareshwara Temple In Banglore<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Gavi Gangadhareshwara Temple</strong> <br />
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In a little while, as we drove towards Basavangudi, we came across an area with huge monoliths. On inquiring, a passerby said it was part of a cave temple called Gavi Gangadhareshwara. We immediately pulled over the car and decided to explore. A huge trident made of stone was the first thing we noticed on entering the temple premises.The word 'gavi' means a cave or a den in the local language. The temple is dedicated to Gangadhareshwar, which is another name for Lord Shiva. It is known to be one of the oldest temples in Bangalore and with its stunning rock-cut architecture, it is indeed a fine example of an architectural prowess.<br />
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A stone idol of Nandi, Shiva's mount, is placed outside the shrine. A placard near the entrance gave a very interesting information about the architectural planning of the temple that is backed by scientific knowledge. It mentioned that during a specific time of the year, the sunlight passes between the horns of the Nandi and enters the inner sanctum directly illuminating the Shiva Lingam.<br />
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This temple has many features that will take you by amazement. Built in the 9th century, this temple is dedicated to Lord Shiva. It is also popular as the Gavipuram Cave temple. Coming to the unique features of this temple, the two huge discs on the foreground of the shrine. The next thing that will attract your attention at the Gavi Gangadhareshwara temple is the idol of Agni deva or the fire god. Here the Agni deva is depicted as the Lord with two heads, seven hands and three legs. <br />
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<strong>Architecture Of Gavi Gangadhareshwara Temple:-</strong><br />
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The Gavipuram Cave Temple is an architectural wonder in itself. The temple was cut out from a natural monolith rock. The inner sanctum of the temple is situated inside a cave carved out in the rock. The main attraction of the temple is the granite pillars situated in the forecourt of the temple. Two of the pillars support huge discs that represent the sun and the moon. The other two pillars have a trident (trishul) and a two-headed drum (damru), representing the two significant possessions of Lord Shiva.<br />
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But the main architectural significance associated with the temple is the creation of the cave temple and the placement of the stone discs in such a manner that they allow the sun to illuminate the Shivalinga for just one hour every year.<br />
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<strong>Old paintings show different scene:-</strong><br />
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Several old paintings, including two drawings of the British artists Thomas and William Daniell from 1792 show though somewhat different architecture and disposition of elements of this unique temple two centuries ago.<br />
Paintings show that the area around the temple was barren and devoid of vegetation. Nowadays the view to the east is obscured by trees.<br />
Temple has been supplemented by new walls and enclosures. This has been done with a great skill to change the earlier dates of the illumination to contemporary January 14.<br />
Later there has been added also a bronze pillar - Dhwajasthambha. Also this bronze pillar has unclear function - shadow of this pillar sometimes falls on the vertical mark on one of the discs. It is possible that Dhwajasthambha was installed to mark the entry of the Sun into Cancer.<br />
Further analysis of these old drawings shows that earlier the Sun illuminated the shrine during both the winter solstice and summer solstice.<br />
Mysterious discs in the courtyard most likely were aligned to mark the summer solstice.<br />
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<strong>History Of Gavipuram Gangadhareshwara Temple:-</strong><br />
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Gavi Gangadhareshwara temple is a famous ancient cave temple. The temple is renowned due to a significant and almost magical phenomenon, that occurs in the temple every year, on a particular day in the month of January. Apart from the wonderful phenomenon, the temple also stands as a glaring example of the marvelous Indian rock-cut architecture. It is dedicated to the Hindu deity, Lord Shiva. The temple is unique from all other temples of Karnataka, due to the presence of two huge discs in the foreground of the shrine.<br />
Another major attraction of the temple, is the presence of a rare idol of Agni, the God of fire. The figure has two heads, seven hands and three legs. It is perhaps the only temple in South India that has such an idol. The temple has a wonderful sculpture of Nandi (a bull), Shiva’s mount. A beautiful image of Shakti Ganapathi, with 12 hands adorns the left side of the main entrance to the temple.<br />
The history of the temple dates back to the 9th century. It is believed that the temple was cut out of a rock in the 9th century. It was used by the great sage Gowthama to perform penance. Later in the 16th century, Kempegowda I, the founder of Bangalore, revamped and extended the temple. According to local legend, Kempegowda was imprisoned by Rama Raya. He suffered imprisonment for five years. When he was released, he constructed this temple to show his gratitude. Artistic depiction of the temple is found in the painting of the British artist James Hunter in 1792.<br />
Every year on the 14th of January, a rare and significant phenomenon takes place inside the inner sanctum of the temple. The rays of the setting sun on the western horizon, shoot a beam of light, that passes from under an arch, on the western wall of the temple, before moving towards the inner sanctum. It first lights the back of the statue of Nandi and passes over its horns and reaches the feet of the Shivalinga. Finally the beam of light illuminates the whole of Shivalinga.<br />
This is a wonderful sight, as the event is marked by continuous ringing of the bells and chanting of mantras by the priests and devotees. The linga is bathed in milk by one of the priests during the entire period of the phenomenon. It seems as if the Sun is showing reverence to the Lord on the auspicious day. A large crowd of thousands of people gather from far and near and wait for hours to witness this magical event every year on the particular day that is also celebrated as Makar Sankranti. It is on this particular day that the dark interiors of the cave and the linga are illuminated by the rays of the bright sun for few moments every year.<br />
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<strong>Gavi Gangadhareshwara Temple Has Many Demigods in The Same Premises:-</strong><br />
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The temple may also stand as an example of how Indian culture may have diluted from a sophistication of thought and expertise in certain faculties of human knowledge to the primitiveness of ritualism and superstition. As such, the temple authorities continue to be reluctant to admit the findings of the research team, probably fearing the loss of the ‘divinity’ of the temple and the ‘fan-following’ they receive for the event of January 14th.<br />
Towards the left of main entry, there is a splendid image of Shakti Ganapathi, which has 12 hands. You will find four monolith pillars at courtyard, which symbolize Damaru, Thrishula as well as two fans.<br />
The temple as well has a rare idol of Agni, the fire god, probably the only one of its kind in the entire South India. The Idol of Agni is two headed, seven handed as well as three legs. It is believed that worshipping this deity will get rid of all eye related problems.<br />
Gavi Gangadhareshwara Temple is one of few temples in Bangalore dedicated to Shiva and it is visited by a large number of devotees during Makara Sankranthi and Maha Shivaratri.<br />
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The outer mantapa of the temple features fourteen pillars in Vijaya Nagara style, unique and beautiful granite structure like suryapanas, a trident dhamaruka.<br />
The two Shikaras of the temple are said to have built during the period of Kempegowda, the founder of Bangalore.<br />
There are two idols of Sage Gowthama and Baradwaja here who were said to have performed penance here.<br />
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<strong>Gavi Gangadhareshwara Temple – Magic Created by the Sun:-</strong><br />
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Every year on the 14th of January a rare and significant phenomenon takes place inside the inner sanctum of the temple. The rays of the setting sun on the western horizon shoot a beam of light that passes from under an arch on the western wall of the temple before moving towards the inner sanctum. It first lights the back of the statue of Nandi and passes over its horns and reaches the feet of the Shivalingam. Finally the beam of light illuminates the body of the Shivalingam.<br />
This is a wonderful sight as the event is marked by continuous ringing of the bells and chanting of mantras by the priests and devotees. The lingam is bathed in milk by one of the priests during the entire period of the phenomenon. It seems as if the Sun is showing reverence of the Lord on the auspicious day.<br />
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A large crowd of thousands of people gather from far and near and wait for hours to witness this magical event every year on the particular day that is also celebrated as Makar Sankranti. It is on this particular day that the dark interiors of the cave and the lingam are illuminated by the rays of the bright sun for some moments every year.<br />
Beliefs Surrounding the Gavi Gangadhareshwara Temple in Bangalore <br />
There are lots of beliefs and myths associated with the temple. It is believed that anyone who worships the idol of Agni (the God of fire) situated inside the temple will be cured of all eye defects.<br />
Devotees also believe that there are two tunnels that extend from the inner sanctum of the temple. One of them proceeds towards the city of Varanasi in the northern part of India. The other extends up to another temple of Shiva with the same name, the Gangadhareshwara temple, located on the hill of Shivagange, about 10 miles from this temple.<br />
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<strong>Temple Timings:-</strong><br />
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From 7am to 12-30pm and from 5pm to 8.30pm.<br />
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<strong>Festivals celebrated at the Gavi Gangadhareshwara Temple:-</strong><br />
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The Gavi Gangadhareshwara Temple is known for its festivities, which reflect the true colors of South Indian culture and traditions.<br />
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<strong>Makar Sankranti festival:-</strong><br />
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Celebrated at the month of January, this festival is marked by the presence of thousands of devotees. The crowd is there to check out the amazing phenomenon, where the sunrays at the dusk pass through the horns of the stone idol of Nandi to fall directly on the Shiva Lingum inside the shrine. This phenomenon takes place between 5 pm and 6 pm.<br />
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<strong>Shivaratri Festival:-</strong><br />
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This is another important festival of the temple. Thousands of pilgrim line up in front of the temple to bathe Lord Shiva with milk at all the four phases of the day. The festival takes place every year in the month of February or March.<br />
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<strong>Poojas and Rituals at Gavi Gangadhareshwara Temple:-</strong><br />
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Devotees can witness unique customs and rituals of worship at the Gavi Gangadhareshwara Temple.<br />
•Besides the daily pooja, devotees can ask for special offerings.<br />
•A curtain guards the passage of the temple during Mangal aarti.<br />
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<strong>How to Reach:- </strong><br />
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<strong>By Road:-</strong><br />
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National Highways NH 4, NH 7, and NH 48 connect Bangalore to some of India's major cities. The Kempegowda Bus Stand is the Central Bus Stand, with buses plying all over Karnataka and other states. Various State Transport Corporations and private bus operators conduct interstate bus services to Tamil Nadu, Andhra Pradesh, Kerala, Maharashtra, Pondicherry and Goa. <br />
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<strong>By Rail:-</strong><br />
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Bangalore is well connected to the rest of the country both by meter gauge and broad gauge rail services. It is an important railway station on the southern railway network. <br />
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<strong>By Air:-</strong><br />
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Regular flights operate from Bangalore to prominent Indian cities. The airport houses booking offices of international airlines and there are direct international flights to Sharjah, Muscat and Singapore.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com21tag:blogger.com,1999:blog-7798698404473324241.post-26315927025589396502017-04-27T04:33:00.001-07:002017-04-27T04:33:09.312-07:00Ghati Subramanya Temple In Doddaballapura<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Ghati Subramanya Temple</b><br />
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Ghati Subramanya kannada (ಘಾಟಿ ಸುಬ್ರಮಣ್ಯ )is an ancient Hindu temple, situated on the outskirts of Bangalore near Tubagere, Doddaballapura. It is 60 km from the city and is a popular pilgrimage centre. The uniqueness of this temple is that the prime deity Lord Karthikeya, is found together with Lord Narasimha. According to mythology, both idols are believed to have emerged from the earth. It is also an important centre in South India for snake worship. Special rituals are performed during Brahmarathotsava, i.e., on the day of Pushya shudda Shashti. Narasimha Jayanti is the other major festival celebrated here.<br />
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<b>History Ghati Subramanya Temple:-</b><br />
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Subramanya lord is elder son of Shiva and Parvathi. Lord Ganesh is youger brother of lord Subramanya. Subramanya is considered as lord of Snakes. Subramanya is also known as Shanmuka.<br />
Ghati Subramanya temple is considered to be one of the most famous pilgrim centres around Doddaballapur, Bangalore rural district. Ghati Subramanya temple is basically dedicated to Shri Subramanya and Shri Lakshmi Narasimha. Amazing and uniqueness of this temple is both the idols are in one stone, Whereas Sri Subrahmanya is facing east and Sri Lakshmi Narasimha is facing west. Lord Narasimha God can be viewed only in Mirror which is placed behind the Idol. The temple also has idols of Adi Shesha and Vasuki along with main lord Subramanya.<br />
The lord Subramanya is placed on peacock in the main chamber. The mud from Red Ants is collected from main Chamber and distributed among the devotees. There is huge and high Single Pillar is placed right in front of main Temple, which is called as “Garuda Stamba”. Nominal fee is charged for poojas. For Special Darshan there is little extra fees is charged.<br />
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Ghati Subramanya temple is dedicated to Lord Subramanya and Lord Lakshmi Narasimha. It is said to be the idol of Lord subrahmanya was self originated, and then the Temple was built later. The peculiar thing about this temple is Lord Subrahmanya is facing east and Lord Lakshmi Narasimha is facing west, both Idols are in a single image. You can get blessings of Lord Lakshmi Narasimha by praying through a mirror placed inside to see both the idols together.<br />
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This popular, old temple attracts many visitors throughout Karnataka. There will be special poojas at the time of Special occasions like Brahmarathotsava, on the day of Pushya shudda Shashti.<br />
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The very famous, Temple Festival called Narasimha Jayanti is celebrated in grandly. Occasion of Marriage functions are also held in this temple,the delicious free lunch is also provided here daily, for all Lord Subramanya devotees.<br />
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<b>Ghati Subramanya Temple(or) The Stala Purana and Kshetra Mahime:-</b><br />
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Ghati Subramanya Temple is situated in Doddaballapura Taluk, Bengaluru Rural District, around 60km from Bengaluru. Presiding deity of this temple is Lord Subramanya & another main Deity is Lord Lakshmi Narayana. An unique feature of the idol is both the Deities are carved onto the same Idol. Lord Subramanya as Seven Hooded Serpent, facing towards the Mahadwara (East) is directly visible as we enter the main temple area. Lord Lakshmi Narayana facing west is on the opposite side of the Idol and Darshan of the Lord is through a Mirror placed inside the sanctum sanctorum. The head priest of the temple, SN Subba Shastrigalu in one of visits said that the temple is more than 600 years old. We were lucky enough during that visit to hear from him the legend associated to this temple (it was one of those rare less crowded days).<br />
It was during the reign of Ghorpade clan of Sandur that the temple is believed to have been constructed and consecrated. The Ghorpades were very devout, and rulers of great virtues. Their family Deity was Lord Subramanya and the Sandur Kingdom was prosperous and the citizens were rich and happy.<br />
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A Betel Leaf trader during his travels from town to town peddling his wares used to regularly stop over in this place where he used to have his bath in Kumaratheertha (now Pushkarni, or the temple pond) have his food along the bank of this pond and used to rest on an idol witha tree above serving as shade for him. He used to hear a voice saying “rise, o rise, you are resting heavily on me” which he dismissed it away since it never appeared in his dream and passed it off as mischief of wind. One of the days the Lord appeared in his dream and tells him that he lives in about 20 Gajas (1 Gaja = 1 yard) and that his devotees live in Sandur. Tomorrow you will meet a learned Scholar, with whom you shall go and inform the king about my presence here. He will them come here and build a Temple and facilitate regular Puja rituals. Saying this the lord vanished away. He wakes up and finds the sun had already risen and goes to Kumaratheertha and after his ablutions, finds a Brahmin Scholar. He approaches him and tells him about the dream. Together they set out to Sandur to inform the king.<br />
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They appear before the king and introduces themselves as those coming from Ksheerasagara pura. They also inform him that around 2 miles into the forest from where they hail, Lord Kumaraswamy (Subramanya) has manifested who appeared in the dreams to pass on the message to the King to build a temple and arrange for regular worship. They requested the King to accompany them to this place and do the needful. The King thought that this was too small a task for him to leave all royal duties and travel to a place so far. He promises them enough monetary and other support and asks them to carry out the task themselves whereupon the Trader and Brahmin declines them saying, if we have to achieve this goal, we also have the wherewithal for it and not depend on you for support. Saying thus, they immediately leave the palace and begin their journey back to Ksheerasagarapura. Tired that they were, they decided to stay in a Brahmin house for the night and resume journey the next day.<br />
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The Lord then appears in the King’s dream in a Ugra roopa (fiery form) and curses that for dishonoring the instructions, the entire kingdom will now undergo tremendous hardships. The king immediately wakes up, begs pardon and early next morning sends out his guards in search of the trader and the Brahmin. The royal family then accompanies them to Ksheerasagarapura. They reach by around noon and begin searching for the idol in the temple. Specialty of this temple is that every rock and stone appears in the form of snake. After a long unsuccessful search they return back to the camp. The cooks then bring two big and two small rocks to create a stove for cooking. (The big rock now is part of the Main Idol of Lord Subramanya). After a while when the cook opens the lid to check if the ingredients have been cooked, he discovers to his horror that everything inside the container appeared bloodied. He was mortified with fear and rushes to the King to inform him about the same. On closer observation they also find openings of Anthills inside it and It was then decided that this indeed was the abode of Lord Subramanya.<br />
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The same evening, they also found amongst the cattle that was herded across this village, a particular cow on its return to its village, used to stand across this anthill and automatically the udder started releasing milk into the anthill. Until this day, everyone in the village used to suspect the cowherd of having milked the cow and drinking all the milk. It was the same evening when elders of the village also came to test the boy and found this miraculous sight.<br />
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After the entourage retired for the night, the Lord appears in the King’s dreams and asks him to remove the anthill which would reveal the Lord along with Lakshmi Narayana. The next morning, they discover Lord Subramanya along with Lakshmi Narayana in the form of an idol. All the families assembled there together donates land and wealth and appoints the Brahmin as the main priest of the temple. Till this date, the main priest is form the same family.<br />
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<b>Ghati Subramanya Temple</b> <b>Idol:-</b><br />
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The temple here is dedicated to Lord Subramanya and Lord Lakshmi Narasimha. It is believed that the idol of Shri subrahmanya is self originated. The uniqueness of the temple is, Sri Subrahmanya is facing east and Sri Lakshmi Narasimha is facing west in a single image. One can have darshan of Lord Narasimha through a mirror placed rear side.<br />
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This unique and ancient temple attracts many a pilgrims. Special pooja's will be performed the event of Brahmarathotsava, i.e., on the day of Pushya shudda Shashti. Narasimha Jayanti is other major festival celebrated here. Marriage functions are also held here.<br />
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It is Lord Murugan's temple and very much in tradition with the "Kukke" subramanya temple. Here you find him in the "Naga" avathar and all the "sarpa (snake) dosha" related poojas are performed here.<br />
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t is believed that the idols of the deities at Ghati Subramanya Temple are swayambhu idols, and the naga avatar can be seen of Lord Subramanya. People with sarpa dosha come here to be blessed by the Lord after offering him prayers and anominal fee. Many childless couples since ages have been visiting the temple for granting them their wish to bear children.<br />
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<b>Architecture Of Ghati Subramanya Temple:-</b><br />
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As specified above, the style of architecture in this temple is Dravidian. No one knows how long the idols have stood there for, but the Sri Subramanya Temple is believed to be an ancient one. The idol of the Lord is said to be swayambhu, meaning self-originated and not created or sculpted by anyone else. A unique aspect about the temple is that while the sculpture of the Lord Subramanya is positioned towards the East, Lord Lakshmi Narasimha stands at the back of the same idol, facing the West.<br />
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The devotees obtain a darshan of Lord Lakshmi Narasimha by way of a strategically placed mirror. The temple is particularly special for those who seek the Lord to bless them with a child.<br />
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<b>Sri Subramanya Temple – Religious Significance:-</b><br />
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The Pushya Suddha Shasti is one of the biggest festivals in this temple as this day is believed to be the birthday of Lord Subramanya. The other major festival in the temple is Narasimha Jayanthi. Skanda Shasti is also celebrated with a lot of fanfare as it is a special day for Lord Subramanya and Panghuni Uttiram, the wedding anniversary of the Lord, is also celebrated.<br />
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Vaikashi Vishakam is another special day to the presiding deity here. It is believed by the locals that the Lord is benevolent in his blessings to those who come seeking his blessings to find a compatible partner or to have a child.<br />
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<b>About The Temple:-</b><br />
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Ghati Subramanya Temple has been built in the Dravidian style of temple architecture. Lord Subramanya is also known as Sanmukha and the elder son of Lord Shiva, and is the God of snakes. Scores of devotees visit the temple each day to get a glimpse of Lord Subramanya sitting on a peacock placed in the temple sanctum. The devotees and visitors can see the idol of Lord Subramanya with a seven-headed cobra made from a single stone. People offer their prayers and milk to a snake mound so as to appease the Gods. Snakes carved onto stones, also called Nagappa, can be seen under a huge Peepal tree and devotees pray for any favors they need at this spot.<br />
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<b>Ghati Subramanya Temple Timings: -</b><br />
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Morning pooja at Ghati Subramanya Temple Starts at 7.30 am, if you reach at this time the crowd will be less. If you are interested to do Abisheakam<br />
You should wait up to 10.30 am.<br />
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<b>Events:-</b><br />
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<b>In May:-</b><br />
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<b>Narasimha Jayanthi or Pushya Suddha Sushti:-</b><br />
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This is the most important festival of this temple in celebration of Lord Subramanya’s birthday. Narasimha Jayanthi is the day celebrating the appearance of Lord Narasimha. He is said to have appeared in order to protect his devotee Prahlad from his father Hiranyakashyapu. Special poojas are held when thousands of devotees join in the celebration with drums, trumpets, horns etc. drawing the chariot.<br />
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<b>In September - October:-</b><br />
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<b>Brahmarathotsava Festival:-</b><br />
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Devotees come in great numbers to visit the temple during the Brahmarathotsava festival. It is celebrated with great pomp and show, with Lord Subramanya riding the Brahmaratha. It is believed that Lord Bhrama is the originator of this festival; he worshipped Lord Balaji on the banks of the River Pushkarini in Tamil Nadu thanking him for looking after mankind. For nine days during the festival thousands make way for the procession where the chariot is pulled by canes. These canes are a great matter of possession and pride once the Car Festival comes to an end.<br />
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<b>In December:-</b><br />
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<b>Cattle Fair:-</b><br />
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The cattle fair held here in December is very famous and ryots from neighboring states of Tamil Nadu, Andhra Pradesh, Kerala and Maharashtra as well as from many parts of Karnataka participate in it.<br />
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<b>Festivals/Pujas:-</b><br />
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* Special puja's will be performed the event of Brahmarathotsava, i.e., on the day of Pushya shudda Shashti. Narasimha Jayanti is other major festival celebrated<br />
Suneel Gudipati in front of Ghati Subramany templeSuneel Gudipati in front of Ghati Subramany temple<br />
Suneel Gudipati in front of Ghati Subramany temple<br />
here.<br />
* Skanda Shashti, Vaikashi Vishakam and Narasimha Jayantiare major festivals celebrated here.<br />
* Marriage functions are also held here.<br />
* Free lunch is provided daily for the devotees.<br />
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<b>Nearby Temples:-</b><br />
<b><br /></b>
<b>Shri Shanimahatma Temple :-</b><br />
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Shani also known as Shanishwara is considered to be one of the nine planets in Hindu astrology. This temple is located few kilometers away from bangalore in Nelamangala, this temple is dedicated to Lord Shanishwara, one of the planets in Hindu astrology and Shaniswara is an embodiement of Saturn.<br />
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<b>Shri Veerabhadra Temple :-</b><br />
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Located in Ramdurg Taluq of Karnataka, Shri Veerabhadra Temple is positioned in the Belgaum district. The Godachi Jatre which is a fair is held in the reputation of Shri Veerabhadra, the chief deity of the main temple. Veerabhadra was shaped by Lord Shiva to destroy Daksha’s Yagna. The temple is sculpted in a combined style of Vijayanagara and Chalukya architecture. The entrance is constructed in the Chalukyan style and the Garbhagraha or the sanctum replicates the Vijayanagara style of temple building. It is a popular believe that artisans and merchants from nearby village gather in this Godachi Jatre to display and sell their wares.Days of Amavasya and Poornima are of special significance here and thousands of pilgrims and visitors mark their presence in the temple on these ospicious occassions.<br />
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<b>How to Reach:-</b><br />
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<b>By Road:-</b><br />
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Ghati Subrahmanya it is about 60 kms from Bengaluru and has to be reached via Doddaballapur. You can reach Doddaballapur from Bengaluru Kempegowda Bus Station (Bengaluru Majestic). Direct buses are available but they are not frequent. Local transportation is available from Doddaballapur to Ghati Subrahmanya.<br />
If you intend to use your own vehicle then, take the road which leads you to Devanahalli (New International airport). From there take a left turn which takes you to Doddaballapur. From Doddaballapur, it is about 10 kms.<br />
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<b>By Rail:-</b><br />
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Nearest Railway station: Makali Durga on the Bengaluru - Guntakal line.<br />
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<b>By Air:-</b><br />
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Nearest Airport: Devanahalli, Bengaluru. </div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com39tag:blogger.com,1999:blog-7798698404473324241.post-11950625127501772532017-04-27T03:55:00.001-07:002017-04-27T03:55:11.457-07:00Hoysalaeswara Temple In Belur And Halebidu<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Hoysalaeswara Temple</b><br />
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Halebid (also pronounced as Hale'beedu) literally means 'the old city'. Beedu also stands for layout or a place of human habitat. The Hoysalas ruled this city for about 150 years. Then it was sacked by the armies of Malik Kafur in the early 14th century, after which it fell into a state of disrepair and ignore.<br />
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It is located on the banks of river Yagachi. According to inscriptions discovered here, Belur was also referred to as 'Velapuri'. Belur is known as Dakshina Varanasi or South Banaras for its temples. Though Belur and Halebidu and just 16 kms away, they are always referred to as Belur and Halebidu as if they are one. But indeed they are one in their grandeur of erstwhile era.<br />
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The temples of Belur and Halebid are best known for their south Indian architecture. The temples at both these places are built by renowned architect Jakkanna Acharya (Amarashilpi Jakanaacharya). The temples are carved with scripts of Hindu mythology. The 12th century temple at Belur has many figures known as Madanikas or dancers. It has many pillars of different designs. Later the capital was shifted to Dwarasamudram (Halebid).<br />
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Both these temples have carving of Puranas, the Upanishads and other mythological characters from the Ramayana and the Mahabharata. With these exquisite designs one loses himself in its beauty.<br />
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The 12th century Chennakesava Temple at Belur is the symbol of Hoysalas over the Cholas in the great battle of Talakadu. The exterior is covered with a variety of intricately-carved sculptures and friezes. The interior contains exquisite panels A tall stone pillar in the temple courtyard is balanced, amazingly, only by its centre of gravity.<br />
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The word Halebeedu means ‘ruined city’; earlier it was called as Dwarasamudra which meant ‘entrance to the ocean’. Halebeedu was the royal capital of the Hoysala Empire in the 12th century. It was during this period, many temples were constructed. Halebeedu’s fall began after it was invaded by the Delhi sultanate.<br />
Tourist can see many prominent temples like Hoysaleswara temple, Shantaleshwara temple and Kedareshwara temple which had been built by Ketamala and dedicated to Vishnuvardhana, ruler of Hoysala Empire. The temples are named after the Vishnuvardhana Hoysala and his wife, Queen Shantala.<br />
These temples are built out of Chloritic Schist, a soft stone which allows minute detailing work on the walls of the temple. The sculptures of the temple reveal the usage of ivory and sandalwood in the construction of these temples. The temples are often compared with the temples of Khajuraho because of the heavy carvings and magnificence.<br />
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<b>Architecture Of Hoysalaeswara Temple:-</b><br />
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The remarkable structure of this temple has been acclaimed as a perfect exemplar of Hindu style of architecture. Its architecture is often regarded as the 'supreme climax of Indian architecture'. In the exteriors, many projections and recesses in the walls make the structure quite complex; in contrast to it, the interiors appear simple. The exterior walls of the temple have a splendid assortment of stone sculptures.<br />
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Hoysaleswara Temple is particularly known for its wall sculptures that are imprinted right from the outset of the outer wall. Opening with an image of dancing Ganesha on the left hand side of the south entrance, the series ends with a different image of Ganesha on the right hand side of the north entrance. The whole collection has not less than 240 images. The most complicated of all sculptures, are traceable in the beams, over two of the entryways, one on the southern entryway and other on the eastern entryway.<br />
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The interiors of the temple are quite plain except for the lathe turned pillars that dash in rows flanked by the north and south doorways. Making the forefront of the each shrine, the four pillars are the most elaborate having 'madanika' sculptures in their brackets. The massive temple has four porches serving as its doorways. Generally, only one porch is left open for entry that lies in the north.<br />
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The superstructure on the shrines is known as 'Sunakasi', which used to be a row of ornamented miniature roofs on top of the attics of the hall, are all gone astray. Even the towers of the shrines are not there. The temple was constructed at a height to grant adequate horizontal and vertical space to illustrate large and small sculptures.<br />
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<b>Garuda Pillar :-</b><br />
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Garuda Stambha (Pillar) is an attention-grabbing structure of Hoysaleswara Temple. Garudas were known to be the selected bodyguards of the kings and queens. They used to live and move with the Royalty with the sole aim to defend their master. At the death of their master, they committed suicide. In the southern side, the pillar demonstrates heroes flanking knives and cutting their own heads. The inscription on the pillar commemorates Kuruva Lakshma (bodyguard of Veera Ballala II).<br />
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<b>Importance of Halebid:-</b><br />
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Halebid temple statue of Ganesha The main attraction of Halebid is Hoysaleshwara temple. This temple has lord Hoysaleshwara and Lord Shantaleshwara. Plenty of sculptures have been carved on the outer wall and is the speciality of this temple. The Kedareshwara temple, this was built by Ballala - II and decorated with sculptures and panels in typical Hoysala style. Shrine on either side of Navaranga hall inside. The basement shows the rows of Elephants, Horse, Lion and an imaginary animal called Makara. Pushpagiri is situated 3 Kms nearer to Halebid. This has got temples of Lord Mallikarjuna, Lord Vishnu and Goddess Parvathi. These are all built during Vijayanagara period. Lord Chatteshwara temple in Chattachattanahalli which is 3 Kms from Halebid. Sri Ranganatha temple with the 6 ft statue of Lord Ranganatha with Brahma taking birth in the lotus at Nabhi (Navel) and Aridevi serving at his feet. Basadi halli (Jain Mandir) is very nearer to Hoysaleswara temple. Three jain temples Parswanathaswamy (14 ft height, made of black stone), Adinathaswamy (central mandir) and Shanthinathaswamy (located at east of Shanthinathaswamy) can be seen here.<br />
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<b>About Ideal:-</b><br />
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Hoysaleswara Temple has two shrines, one dedicated to Hoysaleswara and another for Shantaleswara (named after Shantala Devi, queen of King Vishnuvardhana). Standing on a raised platform, the temple is made out of Chloritic Schist (Soapstone, also known as potstone). Both of the shrines are located next to each other, facing the east direction. The shrine comprises the Shiva lingam (phallic form of Lord Shiva), the universal symbol of Lord Shiva.<br />
Besides the other shrines, there is one shrine that is dedicated to Lord Surya. Here, Sun God is depicted in the 7 ft tall image. The halls comprise huge images of Nandi, the attendant of Lord Shiva. Hoysaleswara Temple stands as a testimonial of the bygone era. The outstanding structure of the temple has been accredited for being the epitome of Hindu architecture.<br />
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<b>History of Hoysaleswara Temple:-</b><br />
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It is known that the famous temple derived its name from the King Vishnuvardhana Hoysaleswara, who built the temple. A large amount of contribution was received from the Shaivas for the construction of the temple. It was built to compete with the Chennakesava temple which was under construction as a Vaishnava temple. The Hoysaleswara Temple is surrounded by ponds, mantapas and lakes. It is well known for the sculptures and architecture of Hoysala period.<br />
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This magnificent shrine dedicated to Lord Shiva is the largest and the best among Hoysala temples. Its construction was started in 1121, by “Ketumalla”, one of the officials of Vishnuvardhana and could be completed only by are more profusely carved. Even after working diligently for about a century, there are still some unfinished portions in this amazing edifice. The sculptural extravaganza has been lavishly praised by the experts, critics and common visitors. James Fergusson, an art and architecture expert known for being guarded with admiration was mesmerized by the beauty of the shrine. He remarks that the temple “may probably be considered as one of the most marvelous exhibitions of human labour to be found even in the patient east”. Percy Brown, an authority on Indian architecture wrote – “…this temples (Hoysaleswara)…is without exaggeration, one of the most remarkable monuments ever produced by the hand of man”. The complex consists of two identical temples, each with its own array of navranga and sukhanasi and Nandi mandapas. Both the sanctums have a characterstic star shaped ground plan and are set on a stone platform as seen in other Hoysala shrines. The temple on the northern side is named Shantaleshwara, after Shantala Devi, the beloved queen of Vishnuvardhana, while the southern side shrine is the Hoysaleswara temple. The two temple halls are joined by a common verandah creating a spacious columned interior. Thousands of intricately carved sculptures depicting scenes from the mythological epics Ramayana, Mahabharata, puranic legends, bheasts and beauties etc. adorn the temples walls. The horizontal and vertical friezes create a marvelous inerplay of light and shade. The lower portion of the temple are decorated with one of the most richly sculptured friezes whci run continuously along the wall. Above the friezes are larger figures of various mythological deities of Hindu pantheon. The upper portion of one wall has beautifully perforated screen, a hallmark of Hoysala art and exquisite figures of divinities set on pedestals with canopies. There are about thirty five thousand sculpted pieces in the shrine, noted for their breathtaking beauty, but the south doorway unrivalled for its filigree work is considered to be a master piece of delicate carving. The central figure portrays Lord Shiva with demon Andhakasur under his feet, while on the either side of the lintel are Hoysala motif depicting a man single – handedly fighting a tiger. Both the sanctums enshrine a east facing lingam, preceded by a Nandi bull, the celestial vehicle of Lord Shiva. Behind the nandi are the large figures of Lord Suryanarayan with seven horses and Arunadeva. The interiors of the temple are equally impressive with ornately carved pillars. The capitals of the pillars were once adorned with exquisite sculptures of voluptuous beauties known as Madanikas. But, now only one such figure has survived, while others are missing. The temple was restored recently, but it is no more active, as worship has been ceased here.<br />
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<b>Significance of the Halebidu:-</b><br />
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The Hoysaleswara Temple and the Kedareswara Temple are popular tourist destinations of Halebidu. These temples are known for the intricate carvings which portray the golden age of Hoysala rule. Every sculpture is different from the other; the granular details of the postures are amazing.<br />
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The Temple complex consists of two Hindu temples, Hoysaleswara temple and the Kedareswara Temple and a Jain basadi, which has three temples within it.There is also an archaeological museum within the complex which helps you understand the importance of the sculptures and carvings of the shrines.<br />
This archaeological museum was built in 1970 and consists of almost 1500 sculptures and inscriptions that have been recovered from the nearby places.Besides an enclosed gallery, there is also an open air museum, which displays an 18 feet image of a Tirthankara, Lord Krishna and Shiva in Tandava posture, Nataraja, Goddess Saraswati and dancing Ganesha.<br />
These temples are constructed with soapstone.The walls of the Hoysaleswara temple are adorned with carvings of Hindu mythology, images of flora and fauna, dancers and shilabalikas. The temple is guarded by two monolith sculptures of Nandi the vahana of Lord Shiva, on each side.<br />
The Jain basadi of the temple complex also exhibit fine sculptures, depicting the rich traditions and believes of Jainism.One of the Jain basadi is known as the Parshvanatha basadi. This basadi consists of a large sculpture of Lord Parshvanatha, which is 18 feet in height and made of black stone. A seven headed serpent over the head of the idol is considered to be guarding the deity.The 12 pillars of the Parshvanatha basadi are exquisitely carved out of a rock.<br />
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The Lakshmi Narayana idol of Hoysaleswara temple is famous due to its perfect carvings.<br />
The outer walls of the Hoysaleswara temple are adorned with sculptures of various deities of Hindu mythology.<br />
The entrance of the Hoysaleswara temple is also adorned with sculptures of decked up elephants in a battling mood. This sculpture represents the way of entertainment of ancient India, where elephant fights were common.<br />
The Kedareswara Temple represents the Trikutchala layout.The Kedareswara Temple also consists of a life size sculpture of Nandi.The Ganesha sculpture of the Kedareswara Temple is erected outside the Kedareswara temple, which seems to guard the temple of Lord Shiva.The relief of Lord Vishnu at the Kedareswara temple is in a standing posture, flanked with images of goddesses on both sides.<br />
The relief of Arjuna at the Kedareswara temple depicts excerpts from the great Indian epic, Mahabharata.The Kedareswara temple also exhibits different avatars of Lord Vishnu, like the Varaha and Bamana avatar.<br />
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<b>Places Of Interest:-</b><br />
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<b>Archaeological Museum:-</b><br />
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It is located in the landscaped garden in front of the Hoysaleswara temple and exhibits a rich collection of Hoysala sculptures.<br />
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<b>Kedareswara Temple:-</b><br />
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It was built by Veerballala II and his younger queen Abhinava Ketala Devi in 1319. the shrine was described as a “Gem of Indian Architecture” by James Fergusson. According to an Indian critic – the temple “looked more like a divine piece of jewellery than a building made by mortals". The beautiful star shaped structure is set on a high platform in a quiet garden. The lower portion of the temple walls bear elaborately carved friezes depicting marching elephants, charging horses, lions, mythical beasts, swans and creeper scroll works. The upper parts of the wall have about 180 images of various gods an goddesses set under ornate arches. The profusely carved doorways, ceilings and pillars inside the shrine are noteworthy.<br />
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<b>Basadi Halli (Jain Shrines):-</b><br />
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The three exquisite Jain shrines are set within a prakara to the south of Basadi Halli, not far from the Hoysaleswara temple. The temple dedicated to Jain tirthankar, Lord Parswanatha swamy is the most important. Other two shrines are dedicated to Shantinathaswamy and Adinathaswamy.<br />
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<b>Sri Ranganatha Temple:-</b><br />
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It enshrines a magnificent image of Lord Ranganatha, reclining on the coil of a serpent. Lord Brahma is seated on the lotus emerging from the navel of Lord Ranganatha and Aridevi serving him at his feet.<br />
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<b>Chennakesava Temple:-</b><br />
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Located at Belur, this temple was built during the Hoysala rule. Dedicated to Lord Chennakesava, an incarnation of Lord Vishnu. This temple is known for its fine sculptures and intricate carvings.<br />
Sri Veera Narayana Temple: Located at 12 km from Halebidu, this temple is another gem of Hoysala architecture. The temple is mythologically important as it is believed that Bheema, the second brother of the Pandava brothers of the Great Indian epic of Mahabharata defeated demon Bakasura. Built in the 13th century, this temple is dedicated to three incarnations of Lord Vishnu.<br />
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<b>Shravanabelagola:-</b><br />
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A popular Jain pilgrimage, this historical site is located at 50 km from the Hassan district. It is famous for the tallest monolithic statue, a Bahubali statue of 58 feet made of granite.<br />
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<b>Chamundeswari Temple:-</b><br />
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Located at Mysore, the Chamundeswari Temple is dedicated to Goddess Durga. With various sculptures and a glorious history, this is one of the most beautiful temples of the state.<br />
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<b>Ranganathaswamy Temple:-</b><br />
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Situated at the Srirangapatna Island, this temple is dedicated to Lord Vishnu. Within the massive temple complex of Ranganathaswamy Temple, there are precious relics exhibiting Hoysala and Vijaynagara architectural style.<br />
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<b>The Mallikarjuna Temple:-</b><br />
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This temple is dedicated to Lord Mallikarjuna and Goddess Parvati and is unique, being built by the Vijaynagara rulers using old materials.<br />
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<b>Halebid Temple Timings:-</b><br />
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07.00 am - 09.30 pm.<br />
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<b>Halebid Temple Entry Charges:-</b><br />
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Free Entrance<br />
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<b>How to Reach Hoysaleswara Temple:-</b><br />
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<b>By Air:-</b><br />
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The nearest airport is Bangalore and Mysore, from there one will have to reach the temple by road.<br />
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<b>By Rail:-</b><br />
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The nearest railway station is located at Bangalore and Mysore and there are various trains running from Hassan to Mysore and Bangalore.<br />
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<b>By Road:-</b><br />
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The temple is very close to Halebid and there are regular buses plying from Halebid to Hassan. One can easily take a bus or train to Hassan from Bangalore.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com9tag:blogger.com,1999:blog-7798698404473324241.post-7806641234518321082017-04-10T05:14:00.000-07:002017-04-10T05:32:46.724-07:00Significance Of Aswayuja Masam <div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Aswayuja Masam</strong> <br />
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Aswayuja Masam is named after the star Ashwini. If the star during the Purnima of the month is Ashwini it is called as Aswayuja or Ashwayuja Masam. Aswayuja Masam is the seventh month as per the Telugu Calender and this month is glorified as “ESHA” in Vedas.<br />
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There are a lot of fetivals in Ashwayuja Masam. The most important being Dassera and Deepavali or Diwali. Aswayuja Masam is more important for the followers of Durga Devi. Ashwayuja Masam is the best to worship the Goddess Durga. In all the Shakti Temples worshipping of Mother Goddess Durga starts from the first day of Aswayuja Masam.<br />
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From Ashwayuja sukla Padyami to Ashwayuja Sukla Dasami the nine forms of Durga are worshipped. In Vaishnava temples Goddess Laxmi is worshipped in the famous Ashta Laxmi or eight Laxmi forms.<br />
The Navami Vratam, Jaya Vyapti Vratam, Atla Taddi which is one of the important Vratam are in Aswayuja Masam.<br />
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<strong>Durga Devi Worshipped in Aaswayuja Maasam :-</strong><br />
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Aaswayuja maasam is also pronounced as Aasweeja or Aasweena maasam. Aasaa/Aasee means Sthree (woman); Yuj/Yuja means added to/included. Worshiping the universal divine mother Goddess Shakthi (feminine energy) is exclusively added to the religious calendar of Aaswayuja maasam.<br />
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In Hindu philosophy the nature is said to be an embodiment of the universal divine mother. Devi sooktham describes divine mother as queen of the universe. Sri Lakshmi ashtottara sathanaama stothram eulogizes Goddess Lakshmi as Prakruthyai namaha. She is the nature. Universal Divine Mother Goddess with whatever name one may call (Durga; Lakshmi; Saraswathi); she is Maaya (illusion); she is Shakthi (divine energy) and she is Prakruthi (Nature).<br />
Certain positions in the Nature have surfaced a point of level that can never be encroached upon and have to be recognized with due respect without any compromise. One such position is that of a Mother who is given a unique and sacred place that can never be filled by any other element of nature. She is depicted as an epitome of benevolence, love and affection.<br />
The dictum says Maathru Devo Bhava; Mother is God; she is to be adored. We have many examples in Hindu Sanaatana Dharma where, several sages, devotees, great personalities and even the incarnations of Lord Vishnu have eulogized the paramount significance of this dictum which has not changed over ages.<br />
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<span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">We are kindly providing a list of Naivedhyams for Navaratri (as per the standard procedure):-</span></span><br /><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">1. First day – Shailaputri NavaDurga is worshipped as Shree Kanaka Durga – Chalividi (fried rice), vadapappu (boiled Bengal grams), and payasam (sweet rice) naivedyam. </span></span><br /><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">2. Second day – Brahmacharini NavaDurga is worshipped as Balatripura Sundari Devi – sweet boondi and chickpeas naivedyam.</span></span><br /><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">3. Third day – Chandraghanta NavaDurga is worshipped as Gayatri Devi – Rava (wheat semolina) kesari and pulihora (sour rice/tamarind rice/lemon rice) naivedyam. </span></span><br /><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">4. Fourth day - Kushmanda NavaDurga is worshipped as Annapurna Devi – Pongali (cooked sweet rice-dal) naivedyam.</span></span><br /><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">5. Fifth day – Skanda Mata NavaDurga is worshipped as Lalitha Tripura Sundari Devi – Pulohorai/Pulihora (sour rice/tamarind rice/lemon rice) and Pesara boorelu (recipe of Green grams) naivedyam .</span></span><br /><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">6. Sixth day – Katyayani NavaDurga is worshipped as Saraswati Devi – bellam Atukulu (beaten rice with jaggery), Senaga pappu (Bengal gram), and coconut are offered as naivedyam. </span></span><br /><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">7. Seventh day – Kalaratri Mata is worshipped as Mahalakshmi Devi – Ksheerannam (rice boiled in milk), bellam (jaggery), and sugar are offered as naivedyam. </span></span><br /><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">8. Eighth day – Mahagouri NavaDurga is worshipped as Sri Durga Devi – Garelu (Vedda) and lemon juice are offered.</span></span><br /><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">9. Ninth day – Siddhidhatri NavaDurga is decorated and worshipped as Mahishasura Mardhini Devi – Chakra Pongali (pudding) is offered as naivedyam. </span></span><br /><span style="font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">10. Tenth day – Durga Devi is worshipped as Sri Rajarajeshwari Devi – Pulihora and garelu are offered.</span></span><br />
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<strong>Lord Vishnu In Worshipped In Aaswayuja Maasam :-</strong><br />
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Lord Vishnu in the name Sri Padmanaabha is the governing Lord (Maasa Niyaamaka) of Aaswayuja maasam. Padmanaabha means the one who has a Lotus like navel; the one who has Lotus in the navel; the one whose navel in the form of a Lotus has given birth to the creation of the Universe and is its source. We find reference to the word Padmanaabha in sloka # 6; 38 and in the Dhyaana sloka of Sri Vishnu Sahasranaama Stothram (Saantaakaaram Bhujaga Sayanam Padmanaabham). Lord Vishnu resides not only in the lotus called universe (Brahmaanda Kamala) but also in our Hrudaya Kamala, i.e. in our heart of hearts.<br />
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<strong>Tirumala Bhramostavam In Aaswayuja Maasam :-</strong><br />
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As per Hindu lunar calendar three major religious events occurs during Aaswayuja maasam; seventh one among lunar months. They are Tirumala Srivaari Navarathri Brahmotsavam at Tirumala Kshethra; Devi Navarathri festival popularly called Dasara and the month ending with another famous and popular festival among Hindus viz. Naraka Chaturdasi/Deepaavali the festival of lights.<br />
During Aaswayuja maasam when Sun is transiting in Kanya Raasi (Virgo) Lord Venkateswara is worshipped through Brahmotsavam a unique car festival conducted at Tirumala Kshethra for nine days starting from Aaswayuja Sukla Prathama thithi. On parallel days Goddess Shakthi (Durga) is also worshipped across the country. This period of worshiping the Divine Energy is popularly known as Devi Navarathri or SharanNavarathri. We find such nine day (Navarathri) celebrations being held for Lord Sri Rama called Rama Navarathri; for Lord Ganesha called Ganesha Navarathri. Even the Brahmotsavam festival held at Tirumala for Lord Venkateshwara is also a nine day and night celebration.<br />
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Vijaya Dasami is also revered as Buddha Jayanthi, the day Lord Vishnu was born as Buddha. Aaswayuja maasam is the sacred month, Saint Sri Madhvacharya, the founder proponent of Dvaita (Tattvavaada) philosophy was born at Paajaka Kshethra near Udupi on the auspicious day of Vijaya Dasami that is celebrated as Madhva Jayanthi. Aaswayuja Bahula Trayodasi is reckoned as Dhanvanthari Jayanthi.<br />
In the concept of Pithru Yagna, first lunar day of Aaswayuja maasam is earmarked for performing sacred rites to Mother’s father (Maatamaha) called Dauhithru Karthruka Maatamaha Sraaddha being performed by daughter’s son to his maternal grandfather. This is possible only when a person doesn't have sons but has daughter. This is an exceptional case where a person (Jeevat Pithru) performs ceremony when his father is alive. <br />
Aaswayuja maasam is favourite month of Goddess Shakthi who is worshiped throughout the month in some form or other. Starting from the very first day the Divine Mother is also worshipped on several other days of the month apart from Devi Navarathri festival; viz. on Vijaya Dasami day as Goddess Aparaajitha; on the full Moon day Goddess Lakshmi is worshiped (Kojagara Vratha); on the day of Bahula Dwaadasi (12th day of the dark fortnight) as Go-Maata (Cow) called Govatsa Dwaadasi; on the day of Bahula Trayodasi, Goddess Ganga is worshiped (Jalapoorna Trayodasi); on the new moon day (Amaavaasya) Goddess Lakshmi is worshiped (Deepaavali) etc. apart from in various other names as per the local/regional customs and traditions.<br />
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Certain positions in the Nature have surfaced a point of level that can never be encroached upon and have to be recognized with due respect without any compromise. One such position is that of a Mother who is given a unique and sacred place that can never be filled by any other element of nature. She is depicted as an epitome of benevolence, love and affection. The dictum says Maathru Devo Bhava; Mother is God; she is to be adored. We have many examples in Hindu Sanaatana Dharma where, several sages, devotees, great personalities and even the incarnations of Lord Vishnu have eulogized the paramount significance of this dictum which has not changed over ages.<br />
Aaswayuja maasam is also pronounced as Aasweeja or Aasweena maasam. Aasaa/Aasee means Sthree (woman); Yuj/Yuja means added to/included. Worshiping universal divine mother Goddess Shakthi (feminine energy) is exclusively added to the religious calendar of Aaswayuja maasam. In Hindu philosophy the nature is said to be an embodiment of the universal divine mother. Devi sooktham describes divine mother as queen of the universe. Sri Lakshmi ashtottara sathanaama stothram eulogizes Goddess Lakshmi as Prakruthyai namaha. She is the nature. Universal Divine Mother Goddess with whatever name one may call (Durga; Lakshmi; Saraswathi); She is Maaya (illusion); She is Shakthi (divine energy) and She is Prakruthi (Nature). <br />
It is befitting to call Aaswayuja maasam as the Divine Mother centric month dedicated to adoration of the mother of mothers the universal divine mother.<br />
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<strong>Sarvamangala Maangalye Sive Sarvaartha saadhike</strong><br />
<strong>Saranye Thrayambake Devi Naaraayani Namosthuthe.</strong><br />
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<strong>Kedara Vrat In Aaswayuja Maasam :-</strong><br />
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Kedara Vrat is observed on Bhadrapada Sukla Ashtami. It is believed that Lord Parvati had obtained the half part of Lord Shiva by performing this Vrat.<br />
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The birthdays of Sri Madhavacharya and Dhanvantri the doctor of Gods is in Ashwayuja Masam.<br />
Pasankusa Ekadashi, Vishoka Dwadasi are also part of Aswayuja Masam. Pasankusa Ekadashi Vrat will help to overcome going to hell as it acts as a Ankush (an instrument used to control) on the Yama Pasham or the death rope. Hence it is known as Pasankusha (Pasa=rope, Ankusha=control) Ekadashi.<br />
The Madana Dwadasi Vrat that is observed on Karthika Sudha Dwadasi, the initiation is done the Ashwayuja Sukla Ekadashi. This Vratam is good for happy married life for women.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com1tag:blogger.com,1999:blog-7798698404473324241.post-62595797537773144532017-04-10T04:13:00.002-07:002017-04-10T04:13:48.374-07:00Significance Of Jyeshtha Maasam <div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Jyeshtha Maasam</strong> <br />
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Jyeshtha maasam is that the sacred month within which Sri Vishnu Paadodbhavi, holy watercourse Ganga (Ganges) had descended on earth because of the vigorous efforts and penance of King Bhagiratha. though hindu calendars indicate Jyeshta sukla Dasami because the day of Gangaavatharana that’s commemorated as Bhaagirathi Jayanthi or Ganga Jayanthi, Dharmasindhu indicates Jyeshta Sukla Dwaadasi because the day of Gangaavatharana.<br />
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A self-denial called Dasa Paapa Hara Vratham is ascertained throughout the primary 10 days of Jyeshtha maasam ranging from Sukla Prathama (Paadyami) and ending on Sukla Dasami. Throughout this era divinity Ganga is worshiped by taking tub within the holy watercourse Ganga early within the morning before sunrise. Those living in Kaasi Kshethra is needed to require tub in Ganga watercourse at Dasaaswamedha Ghaat and people are staying aloof from Ganga ought to take tub a minimum of in any near watercourse. If no river is obtainable one ought to take tub by recollecting the holy Ganga. On the tenth day Dasa paapa hara vratham is ascertained by solely worshiping divinity Ganga, giving charity to a minimum of 10 Brahmin couple and fitly honouring them with new garments at the side of Dakshina and feeding them. Charity of Thila (Black benny seeds), Wheat (Yava) and Go-daana are prescribed on these days.<br />
Jyeshta maasam has a lot of significance in Hindu philosophy and is the third month in the hindu lunar calender. Purnima (Full Moon day) during Jyeshta masam is known as Mahaa Jyesti and Manvaadi, during this day moon comes nearer to the constellation of Jyesta star and hence this month is known as Jyeshta. Prime Deity of Jyeshta month is Lord Brahma.<br />
During Jyeshta maasam we have Aaaraadhana festivals of Madhva Saints Sri Vaadeendra Theertharu (Mantralayam), Sri Sreepaada Raayaru (Mulabagalu) and Sri Vijayeendra Theertharu (Kumbhakonam).<br />
Jyeshta means elderly, most ancient, the oldest, senior most, supreme, eldest of all beings, the first and the foremost, who else, none other than Lord Vishnu. In Sri Vishnu Sahasra Naama Stothram sloka number 8 we find Lord Vishnu being referred to as Jyeshhtah Sreshhtah Prajaapatih. Lord Vishnu is the supreme Brahma who has created Chaturmukha Brahma the creator. That’s why Lord Vishnu is also referred to as Prajaapathih. He is the best (Sreshtah) among the best. Maasa Niyaamaka (governing Lord) of Jyeshta maasam is Lord Vishnu in the form of Trivikrama. It is a very popular name of Lord Vishnu that we come across in Vishnu related prayers and epics. Trivikramah means the one who has conquered the three worlds. In Sri Vaamana avathara, Lord Sri Vishnu in order to suppress the pride of King Bali, assumed the cosmic form Trivikrama roopa and measured the three worlds (entire universe) with his three steps. <br /><br />In Sri Ganesha worship we find Lord Maha Ganapathi being referred to as Jyeshtaraajam the senior Lord that we come across in the popular Vedic sloka Ganaanaam Twaam Ganapathi Gam Havaamahey… In Sri Sooktham we come across reference to Jyeshta in sloka # 8 Jyeshtaam-alakshmeem, the one who is elder to, born prior to and who is just opposite of Goddess Lakshmi Devi.<br />
Jyeshta maasam is the sacred month in which Sri Vishnu Paadodbhavi, holy river Ganga (Ganges) had descended on earth due to the vigorous efforts and penance of King Bhagiratha. Though religious calendars indicate Jyeshta sukla Dasami as the day of Gangaavatharana that is commemorated as Bhaagirathi Jayanthi or Ganga Jayanthi, Dharmasindhu indicates Jyeshta Sukla Dwaadasi as the day of Gangaavatharana.<br />An austerity known as Dasa Paapa Hara Vratham is observed during the first ten days of Jyeshta maasam starting from Sukla Prathama (Paadyami) and ending on Sukla Dasami. During this period Goddess Ganga is worshiped by taking bath in the holy river Ganga early in the morning before sunrise. Those living in Kaasi Kshethra are required to take bath in Ganga River at Dasaaswamedha Ghaat and those who are staying away from Ganga should take bath at least in any nearby river. If no river is available one should take bath by recollecting the holy Ganga. On the tenth day Dasa paapa hara vratham is observed by exclusively worshipping Goddess Ganga, giving charity to at least ten Brahmin couple and suitably honouring them with new clothes along with Dakshina and feeding them. Charity of Thila (Black sesame seeds), Wheat (Yava) and Go-daana are also prescribed on this day.<br />
If ten Yogas (strengths) are coinciding on the day of Jyeshta sukla Dasami it is considered as highly meritorious that can absolve one from committing ten ghastly sins. These ten strengths are ...<br />
Jyeshta maasey, sithey pakshey, Dasamyaam, Budha-Hasthayo, Vyatheepaathey, GaraaNandey, Kanyaa-Chandrey, Vrushou-Ravey…<br />
[Coinciding of Jyeshta maasam, sukla paksha (bright fortnight), Dasami thithi (tenth day), Budha Vaasare (Wednesday), Hastha star (constellation), Vyatheepaatha Yoga, Garaji karana, Aananda Yoga, Moon in Kanya (Virgo) raasi, and Sun in Vrushabha (Taurus) raasi].<br /> <br />
<strong> Nirjala Ekaadasi:-</strong><br />
<br />Ekaadasi falling in sukla paksha of Jyeshta maasam is known as Nirjala Ekaadasi. Nirjala means abstaining from taking water. As per the norms of Ekaadasi, fasting should be observed on every Ekaadasi day without taking even water. However, if total fasting is observed without taking even water at least on the day of Ekaadasi that occurs during the bright fortnight of Jyeshta maasam, the merits of it are believed to be equivalent to that of observing 24 Ekaadasis that generally occurs during a year. It is said that Sage Sri Vedavyaasa had explained the merits and significance of Nirjala Ekaadasi to Sri Dharma Raaja and Sri Bheemasena as per the directions of Lord Sri Krishna.<br />
Full Moon day (Pournami) during Jyeshta maasam is reckoned as Manvaadi when Manvanthara had begun which is a sacred day for giving charity and for performing Pithru Thila tharpana (Shannavathi). Charity of black Thil seeds (sesame) is prescribed on this day. When Jupiter (Bruhaspathi) and Moon are together in Jyeshta constellation and Sun is in Rohini constellation on the day of Jyeshta Pournami it is referred to as Mahaa Jyeshti which is considered as highly meritorious day for performing sacred deeds like Theertha snaana (taking bath in a holy river) and for giving charity. <br /><br />
<strong>Jyeshta Pournami:-</strong><br />
<br />Jyeshta Pournami is celebrated as Vata Saavithri Poornima when we observe married women performing special pooja rituals at the base of a Banyan tree (Vata Vruksha) for the good health and longevity of their spouse. There is also a tradition of performing this Vratha on Jyeshta Bahula Amaavaasya day. This vratham is assigned and named after Maha Pathivratha Shiromani, Savithri who fought with Yama Dharmaraja the Lord of death to bring back the life of her deceased husband Satyavanta. Hence, it is known as Vata Saavithri Vratham. This festival is celebrated across the country by married women and in some parts of the country we observe women resorting to fasting on this day.<br />
At Tirumala Sri Venkateswara Swamy temple an annual ritual known as Jyeshtaabhishekam is held during Jyeshta maasam for three days starting from Sukla Trayodasi. During this ritual gold plating of the Utsava Vigrahas (procession idols) of Malayappa Swamy (Lord Venkateswara), Sri Devi and Bhoo Devi will removed and all the pooja rituals will be held to the original idols. Thereafter the idols are covered again with the gold plating. <br /> <br />During Jyeshta maasam we have Aaaraadhana festivals of Madhva Saints Sri Vaadeendra Theertharu (Mantralayam), Sri Sreepaada Raayaru (Mulabagalu) and Sri Vijayeendra Theertharu (Kumbhakonam).<br />
<br />The full moon day of the month of Jyeshta is known as JyeshtaPournima. On this particular day, Vatasavitri Vrat is observed by married women with the main objective of prolonging their married life just like how Goddess Savithiri did in her personal life.<br />
The Hindu devotees give much importance to Savithri. Among the popular Goddess, one of the famous chaste women in Bharat is Savithri. She is largely considered as a role model by the women folk. She is also regarded as the perfect symbol of eternal married life.<br />
In this vrat, the important Deities of the Vrat are Savithri along with Brahma is the main Deity. On the other hand, Satyavan, Narad and Yama are considered as the subordinate Deities. The Hindu devotees give much importance to banayan tree on this day because when Lord Yama directly took away the life of Satyavan, his beloved wife debated for nearly three days with Yama on this matter. Finally Yama was appeased with her and successfully brought back Satyavan to normal life. It is to be remembered that the entire discussion between Savithri and Yama took place under a banayan tree.<br />
It is to be largely noted that the banyan tree lives on with time and survives even the direct and indirect dissolution of the Universe. It is to be remembered that a child named Mukunda slept on a banyan leaf during the dissolution of the Universe. Under the everlasting banyan tree in Prayag, Ram, Lakshman and Sita rested. This particular tree is the resting place for Madhav, Narasimha, Mahesh, Vishnu and Brahma.<br />
Ganga Dussehra is celebrated as the avatarana or descent of the Ganges from heaven to earth. The day of the celebration, Ganga Dashahara, the dashami (tenth day) of the waxing moon of the Hindu calendar month Jyestha, brings throngs of bathers to the banks of the river. A soak in the Ganges on this day is said to rid the bather of ten sins (dasha = Sanskrit "ten"; hara = to destroy) or alternatively, ten lifetimes of sins.<br />Nirjala Ekadashi is celebrated on shukla paksha (waxing moon) ekadashi (11th day) of Jyeshtha. It is the most sacred and auspicious ekadashi among all 24 ekadashis in a year. One can attain the benefits of all 24 ekadashis by fasting on this day.<br />Vat Purnima is a celebration observed in Maharashtra and Karnataka, India. It is celebrated on the full moon day (the 15th) of the month of Jyeshtha on the Hindu Calendar, which falls in June on the Gregorian Calendar. Women pray for their husbands by tying threads around a banyan tree on this day. It honors Savitri, the legendary wife of Satyavan who escaped death for her husband's life.<br />Snana Yatra is a bathing festival celebrated on the Purnima (full moon day) of the Hindu month of Jyeshtha. It is an important festival of the Jagannath Cult. The deities Jagannath, Balabhadra, Subhadra, Sudarshan, and Madanmohan are brought out from the Jagannath Temple (Puri) and taken in a procession to the Snana Bedi. They are ceremonially bathed and decorated for a public audience.<br />Sitalsasthi Carnival is being conducted in this month on the day of Jyeshtha Shuddha Shashthi in Odisha for many centuries.<br />.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com7tag:blogger.com,1999:blog-7798698404473324241.post-72829036128659848862017-04-10T03:51:00.004-07:002017-10-31T09:18:30.395-07:00Significance Of Vaishaka Masam <div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Vaishaka Masam</strong> <br />
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The greatness of vishaka masa was first put across by sage narada to king ambarisha..Vaishaka masam is said to be the most dearest to lord vishnu.If a person takes a holy bath in karthik masam they incur 10 times benefit than taking bath in other months, if a holy bath is taken during margarshira month they incur 100 times benefit, if taken during mag masam they incur 1000 times benefit, if taken during vaishaka masam the benefit occurred cannot be described in one's life time.<br />
Just as there is no yuga equal to that of krta, there is no masam equal to that of vishaka for holy bath. For a period of 144 minutes from 4:000 am all the tirtha dieties enter into rivers, lakes, etc. as commanded by the lord. Their only sole purpose is to purify all the beings that take bath during that time.<br />
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A person who bathes in the morning during vaisaka masamam in any river or lake shall be liberated from the sins committed ever since the birth. If a person bathes in either one of the seven gangas namely ganga, budhi ganga, yamuna, sarasvathi, kaveri, narmada and krshna is liberated from sins acquired during crore of births.<br />
One who donates water sheds to the needy during this month elevates a crore of the memebers of his fmily, and is honoured in abode of Vishnu.If cool water is given to disciplined brahmin oppressed by thirst; that act incurs the merit of more than thousand rajasuya yagans.If upon the request of a brahmin, a person gives a footware during this month, is born as a king during next birth.<br />
As said earlier the greatness of vishaka month cannot be told completely, therefore a devtoee of vishnu, who with his control over their senses and food takes holy dip, spend most of their time chanting the Lord 's name and by giving charitable gifts during the vishaka masam is said to be very dear to Lord Vishnu.<br />
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<strong>Legend Of Vaishaka Masam :-</strong><br />
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According to Narada muni, Kartika(Tulam-Vrischikam), Magha(Makaram-Kumbham) and Vaisakha(Medam-Idavam) are the finest months, but of these three, Vaisakha is supreme. Vaisakha has the capacity to remove the sins of past births and liberate the worshipper from worldly bondage. It is the best month for dharma, yagna, rituals and tapasya, as it is the most suitable compared to other seasons. Vasant (some write basant) or spring is conducive for worship for the common man ( householder) and during this time, from Meena to Karkata ( Pisces to Cancer) i.e. from Chaitra Sankranti to Shravana Sankranti, Vishnu roams the celestial woods and gardens with Rama. During Vaisakha, Vishnu tests his devotees, as those who sit idle during this month, without any puja or dAna, suffer a fall in dharma. The four purusharthas, namely, Dharma, Artha, Kama and Moksha are attainable with Vaisakhadharma, i.e., worship and rituals during this month will yield nothing less than the fruits of these highest goals. At a more mundane level, it grants ayu (longevity), yash (fame) and pushti (sustenance) and the unending blessings of Vishnu.<br />
Vaisakha is the month par excellence for doing dAna (charity), yagna (fire sacrifice some write yajna), vrata (fasting ritual) and snan (bathing).<br />
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According to sacred scripts it is said that, Tretha Yuga had commenced on 3rd day of the bright fortnight (sukla Thrutheeya) in the Hindu lunar month Vaisakha Masam; Krutha Yuga on the 9th day of the bright fortnight (sukla Navami) in Kaartheeka Masam; Kali Yuga on 13th day of the dark fortnight (Trayodasi) in Bhaadrapada Masam and Dwaapara Yuga on the New Moon day (Bahula Amaavaasya) in Maagha Masam.<br />
As per the above Time schedule Akshaya Thrutheeya can be assumed as the day when Tretha Yuga had commenced known as Tretha Yugaadi. It is also believed to be the day when one of the Kalpas’ had begun.<br />
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<strong>Auspicious Day:-</strong><br />
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Akshaya Thrutheeya is the sacred day Lord Parashuraama (Lord Vishnu’s Avathara) was born celebrated as Sri Parashuraama Jayanthi.<br />
According Simhachala Kshethra Mahatmya, Akshaya Trutheeya is the sacred and auspicious day; Lord Vishnu manifested in dual form (Varaaha + Naarasimha) at Simhachala Kshethra during Krutha Yuga.<br />
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<strong>Quote From Mahabharatam:-</strong><br />
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In Mahabhaaratha, Lord Sri Krishna is said to have enlightened Dharmaraja about the significance of Akshaya Thrutheeya. Sacred scripts like Vishnu Purana; Bhavishyottara Purana are said to have described the prominence of Akshaya Thrutheeya.<br />
Special celebrations are held at all Vishnu related temples on this sacred day of Akshaya Thrutheeya, also known as Maadhava Trutheeya occurring in the holy and meritorious month Vaisaakha maasam during Vasantha Ruthu. Vaisaakha maasam is also known as Maadhava maasam in the name of Lord Vishnu who is also known as Maadhava.<br />
We find even the Brundavanas of Sri Raaghavendra Swamy including the Moola Brundavana at Mantralayam will be adorned with Chandana on the day of Akshaya Thrutheeya.<br />
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<strong>Change In Planetary Consetellation:-</strong><br />
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Astrologically Akshaya Thrutheeya is the day the royal planets (luminaries) Sun and Moon will be in their signs of exaltation; Sun in Aries (Mesha Raasi) and Moon in Vrushabha Raasi (Taurus). If the day is also coinciding with Wednesday and Rohini constellation it is considered to be highly meritorious.<br />
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<strong>Customs & Traditions Of Akshaya Thrutheeya:-</strong><br />
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(What is to be done on this day?)<br />
On this auspicious day one should take head bath early in the morning. Taking bath in the river Ganges on this sacred day is said to be highly meritorious.<br />
Giving Thila Tharpana to fore fathers is prescribed on this sacred day which is considered to be meritorious.<br />
Lord Sri Maha Vishnu should be worshipped in the form of Sri Varaaha, Sri Lakshmi Naarasimha, Sri Krishna and Sri Lakshmi Naaraayana.<br />
Worshiping Lord Sri Krishna with Chandana (sandalwood paste) on this day is given lot of significance and merits. It is said that, one who worships Lord Sri Krishna with Chandana on this day will attain Vishnu Loka.<br />
Ya: karothi thruteeyaayaam Krushnam<br />
Chandana Bhooshitham!<br />
Vaisaakhasya sithe pakshe<br />
sayaachyuta mandiram!!<br />
Reciting Vishnu Sahasra Naama Stothram; stothras related to Lord Varaaha and Lord Lakshmi Naarasimha; on this day are prescribed.<br />
Reading/Listening Sri Venkatesa Mahaatmya (Srinivasa Kalyaanam) Puraana for a week days starting from this day is highly meritorious.<br />
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<strong>Charity (Daanam) Of This Day:-</strong><br />
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Giving charity on this auspicious day is given lot of significance; which is said to be highly sacred; celestial that will give multi-folded meritorious results. Though there are many types of charities that can be given; giving Udaka Kumbha Dana on this day is given lot of prominence.<br />
Udaka means water, Kumbha means pot. Giving charity of water stored in a pot made up of Copper, Silver, or at least earthen pot (made up of mud) covered with a new cloth to a Brahmin on this auspicious day is said to be sacred and highly meritorious.<br />
Yesha DharmaGhato Dhattoh Brahma Vishnu Sivathmaka<br />
Asya Pradhanathsakalam mamasanthu manoratha<br />
Meaning: Let this water pot called Dharma Ghata signifying the trinal lords (Brahma, Vishnu and Siva) bring unto me fulfillment of all desires. This can be given either in memory of fore fathers or to please the deities.<br />
Apart from Udaka Kumbha Daana; giving charity of wheat; curd rice; umbrella; paada raksha (chappals); vasthra (clothes); Gho-Daana (cow), Bhoodana; Hiranya Daana (Gold/silver/Cash) on this day is considered to be sacred, punyadayaka which will produce multifold and everlasting (Akshaya) merits.<br />
Yava homa, Yava Daana (charity), Yava Bhakshana is prescribed on this day that is highly sacred that helps in getting the sins diluted. Only one time meals is prescribed on this day.<br />
Vaisakha Masam is considered as one of the most sacred months among the Hindu Lunar Months. According to Skandha Puraana; Krutha Yuga among the ages; Holy river Ganga (Ganges) water among the Theerthas; Jala Daana (donating water) among charities; and Vaisaakha maasam among the months are said to be the best.<br />
It is the sacred month in which three of Lord Vishnu’s incarnations’ viz. Parashuraama (sukla Thrutheeya); Naarasimha (sukla Chaturdasi) and Kuurma (sukla Pournami) avatharas have taken place.<br />
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<strong>Akshaya Truteeya:-</strong><br />
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Vaisaakha Sukla Trutheeya is celebrated as Akshaya Thrutheeya one of the most auspicious days in Hindu calendar. According to sacred scripts it is said to be the day Tretha Yuga had commenced reckoned as Tretha Yugaadi.<br />
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According Simhachala Kshethra Mahatmya, Vaisaakha maasam is the sacred month Lord Vishnu manifested in dual form (Varaaha + Naarasimha) at Simhachala Kshethra during Krutha Yuga.<br />
Among the incarnations of Lord Vishnu; Naarasimha avathara has attained a rare significance and unique importance. All His avatharas are generally in a single form. But Nrusimha avathara is that of a dual form; Nara + Simha.<br />
According to sacred scripts, Naarasimha-avathara occurred in Krutha Yuga during Vaisaakha maasam on the lunar day of sukla Chaturdasi in the constellation of Swathi during Pradosha time. To commemorate incarnation of Lord Naarasimha, special celebrations are held every year on this day called Nrusimha Jayanthi.<br />
Vaisaakha maasam is the sacred month Lord Venkateswara (Sreenivaasa) married Goddess Padmavathi Devi on the auspicious day of Vaisaakha sukla Dasami according to Bhavishyottara Puraana. Commemorating this event a three day festival of Sri Sreenivaasa Kalyaanam is performed on this day at the sacred Tirumala hills.<br />
At the famous temple of Sri Satyanarayana Swamy at Annavaram in Andhra Pradesh; Kalyaanotsavam celebrations are held on the sacred day of Vaisaakha Sukla Ekaadasi.<br />
Electional astrology considers Vaisaakha maasam as one of the most auspicious months for performing auspicious ceremonies like marriage; upanayanam; gruha pravesa etc.<br />
Seventh day in Vaisakha maasam (Sapthami) is known as Ganga Sapthami or Gangotpatti the day Holy Ganga came out of Sage Jahnu’s ear and thenceforth came to be known as Jaahnavi.<br />
According to certain calendars it is the sacred month in which Lord Hanuman said to have born on Vaisaakha Bahula Dasami celebrated as Sri Hanuma Jayanthi on.<br />
Vaisaakha Bahula Amaavaasya is celebrated as Sri Sanaischara Jayanthi the day Lord Shani Mahaatma (Saturn) was born.<br />
Sri Badarinaath temple at the famous Badari Kshethra gets opened for public darshan during Vaisaakha maasam.<br />
Full Moon day during Vaisaakha maasam is known as Mahaa Vaisaakhi when the Moon will be at or nearer to the constellation of Visaakha star and hence the name Vaisaakha maasam. Vaisaakha maasam is the month in which Sun’s transit into Vrushabha raasi takes place known as Vrushabha Sankramana.<br />
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<strong>Austerities-Customs & Traditions during Vaisakha maasam:-</strong><br />
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Praathah Snaana (taking bath early morning) starting from Chaithra Sukla Pournami to Vaisaakha sukla Pournami; Thila tharpana and donating water (Udaka Kumbha daana) are prescribed during Vaisaakha maasam.<br />
Worshiping Lord Vishnu with Krishna Thulasi; Chandana (sandalwood paste) during Vaisaakha maasam is considered as highly meritorious and mukthi daayaka.<br />
Watering of Banyan tree; performing circumambulations around the Aswatta Vruksha; Go-Seva (caretaking of/service to cows) are some of the austerities recommended during Vaisaakha maasam considered to be meritorious.<br />
Paaraayana (reading) or Listening or sponsoring of Sri Venkatesa Mahaatmya (Sreenivaasa Kalyaanam) starting from Akshaya Thrutheeya for a week days up to the sacred day of Vaisaakha Sukla Dasami is highly meritorious.<br />
Performing or participating Sreenivaasa Kalyaanam on the day of Vaisaakha Sukla Dasami is highly meritorious.<br />
Thila daana; Thila Snaana; Thila Homa; Thila-thyla Deepa Daana; Thila Tharpana are prescribed on the day of Vaisaakha Sukla Pournami.<br />
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<strong>Charities prescribed for Vaisaakha maasam:-</strong><br />
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Vaisakha Masam is the most sacred and celestial month for giving charities. Among charities to be given during Vaisaakha maasam; donating water (Udaka Kumbha Daana) is given high prominence.<br />
It can be given throughout the month and most important days for giving Udaka Kumbha daana are; on the day of Akshaya Thrutheeya; Vaisaakha Pournami; on the day of Vrushabha Sankramana;<br />
Other charities prescribed for the month.<br />
Apart from Udaka Kumbha Daana; charity of<br />
wheat;<br />
curdrice;<br />
umbrella;<br />
paadaraksha(chappals);<br />
vasthra(clothes);<br />
Gho-Daana(cow),<br />
Bhoodana(donatingland);<br />
HiranyaDaana(Gold/silver/Cash);<br />
Honey;<br />
are prescribed to be given during Vaisaakha maasam.<br />
With so much of sanctity and auspiciousness assigned to the meritorious Vaisakha Masam; it is one of the most favourite months of Lord Sri Hari referred to as Maadhava Masam and Lord Vishnu known as Madhusuudana is the presiding Deity of this month.<br />
We find a reference to the words Maadhava and Madhusuudana in sloka #8; 18; 78 of Sri Vishnu Sahasra Naama Stothram. Maadhava means one who is consort of Goddess Lakshmi Devi; one who is the bestower and Lord of superior knowledge.<br />
Madhusuudana means the one who has killed the demon Madhu; one who is a great nourisher and who is as sweet and delicious as Honey; one who directs an individual towards performing good deeds, attaining true knowledge and the one who was born in the clan of King Madhu.<br />
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<strong>Cultural Beliefs:-</strong><br />
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According to the skanda puranam, vaisakha masam is the best month. In this month the Lord Vishnu has three incarnations as Sage Parushurama, Lord Narasimha and kurma. It is also believed that treat yuga is formed on sukla tritiya.<br />
In simhachalam, Lord Vishnu is in the form of “Varaha Narasimha”, two forms varaha and Narasimha. Usually he will have only one form but in this month he is in two forms. Special celebration called “chandanavostavam” is performed every year on akshaya tritiya.<br />
People believe that Lord Vishnu tests in this month and helps them to attain the aims of life (dharma, artha, kama and moksha) with following the rituals of vaisaka masam. This helps them to get good health and wealth. Good deeds such as poojas, yagna and homam have to be conducted.<br />
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<strong>Pooja Procedure for Vaisakha Masam:-</strong><br />
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Daily wake up and do bath in the brahma muhurta time.<br />
Workship Lord Vishnu with Krishna Tulasi and sandalwood paste.<br />
Recite Sri Vishnu Sahasra Naama Stothram.<br />
Do parayanam of Srinivasa Kalyanam on Vaisaka Sukla Dasami.<br />
Read Vaiska puranam daily a chapter to know the details.<br />
Try to water a banyan tree and do pradakshina.<br />
Give service to cows.<br />
Donating water and Tila Tarpanam has to be done.<br />
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<strong>Significance:-</strong><br />
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The important festivals of Vaisaka masam are <br />
Akshaya Tritiya or Parasurama Jayanthi: Akshay Tritiya comes on the third day of Vaisaka Masami e vaisaka sukla tritya. “Akshaya” is inexhaustible and “Tritiya” means third day. It is also called as Akha Teej. The day is very auspicious for starting new ventures, marriages, business, new constructions, investing, property, applying for jobs etc.<br />
Sri Padmavathi-Sreenivaasa Kalyaanam: This comes on the tenth day ie Vaisaka Sukla Dasami. SriVari Kalyanotsavam(Padmavathi Srinivasa Kalyanam) is performed.<br />
Sri Nrusimha Jayanthi: This comes on Vaisaka Sukla Chaturdasi. Lord Vishnu is incarnated as Lord Narasimha and killed King Hiranyakashyap to establish dharma and protect the mankind.<br />
Sri Sanaischara Jayanthi: This comes on Vaisaka Bahula Amaavaasya. Lord Shani was norn on this day.People effected by the Elinati shani, Ashtama Shani and who are under the shani dasha or antardasha has to do powerful prayer Sri Narasimha Stuthi to overcome the difficulties.<br />
Vaisaka saptami is known as Ganga saptami as the holy river Ganga came from the ears of sage jahnu.<br />
Full moon day of vaisaka masam is known as Maha Vaisakam because the moon will be near to the visakha Nakshatra(star) chitta so the masam is called as Vaisaka Masam.<br />
Interesting Facts:<br />
Performing charities is the good aspect in this masam.<br />
Donation of water, food and clothes are considered as the most frequent charities.<br />
Bathing in the brahma muhurtam time at the sacred rivers and worshiping Lord Vishnu.<br />
Observing Vishnu Pooja before sunrise will help to remove all the sins committed.<br />
During Vaisaka Masam in tirumula Srivari Kalyanotsavam and a special three day festival called as Padmavathi Srinivasa Kalyanam is performed.<br />
Preforming the kalyanam or participating is very much meritorious.<br />
Tila Daanam has to be done on Vaisaakha Sukla Pournami.<br />
Charities like food, water, clothes, chappals, umbrella, cow, Land,gold and silver and honey are prescribed.<br />
Donating water is given high preference from the month starting to till Vaisaka Sukla dasami.<br />
Scientific Reasons:<br />
Vishaka month comes in high Summer in India. Every where people face water scarcity and people suffer with heavy thirst. Here comes the tradition to save life's of living organisms in the name of charity.<br />
Water in rivers and sea will have many medicinal benefits.<br />
Bathing tightens the blood vessels and all the exhaust blood and the waste products.<br />
Doing charity will the people in need and some self-satisfaction and helps us to relive from stress.<br />
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<strong>Special Days in Vaisakha Month:-</strong><br />
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Akshaya Tritiya is the most important day in Vaisakha month. Other important days of this month are Sree Shankara Jayanthi, Buddha Jayanthi (Vaisaka poornima), Subrahmanya Jayanti (Vaikasi Visakham), Narasimha Jayanti and Dattatreya Jayanti. The Vaisaka Festival of Kottiyoor Perumal Temple in Kannur district(Kerala) also begins in this month.<br />
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<strong>Akshaya Tritiya:-</strong><br />
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Akshaye Tritiya, falling on the third day of the bright half of the lunar month of Vaisakha of the traditional Hindu calendar, is one of the four most auspicious days of the year for Hindus.<br />
The word Akshaya, a Sanskrit word, literally means one that never diminishes, and the day is believed to bring good luck and success. It is widely celebrated in all parts of India by different sections of the society irrespective of their religious faith and social grouping. The day is particularly considered auspicious for buying long term assets like gold and silver, including ornaments made of the same; diamond and other precious stones; and the real estate. The legend states that any venture initiated on the auspicious day of Akshaya Tritiya shall continue to grow and bring prosperity. Hence, it is normal to see many of the new ventures, like starting a business, ground breaking for construction etc on the Akshaya Tritiya Day. According to Hindu mythology, on this day the Krita yuga began.<br />
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It is believed that by doing a good deed on this day one can earn Punya for life. Every minute of this day is considered sacred. It is considered to be one of the most auspicious days of the Vedic Calendar. Every moment on the Akshaya Tritiya day is auspicious and there is no need to look for a muhurat on the day.Hindus, Buddhists and Jains celebrate this day. It is believed that Satya Yuga (Krita yuga) and Treta Yuga started on this day. On this day the Sun and Moon are at their peak of brightness. Veda Vyaasa dictated and Lord Ganesha started to write the Mahabharata on this day.<br />
New beginnings like weddings, business ventures, new deals, new audit books, business trips are considered to bring luck. Valuables bought on this day, such as gold is deemed auspicious. It is believed that gold multiplies if bought on this day. Akshaya Tritya is an occasion known for bringing communities together. The day is considered auspicious by Hindus and Jains for the purchase of gold, an expression that in some ways is indicative of wealth, beauty and joy. In Rajasthan, the day is called Aakha Teej and is considered very auspicious for weddings as well. With the mass media and marketing, this day has been taken over by marketers to promote sales and bookings for Gold jewellery, houses, consumer electronics.<br />
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Akshaya Tritiya, the third day of the bright-half of the lunar month of Vaisakha is considered as one of the most sacred days of the year. The word, "Akshaya" means one that never diminishes. Hence, starting a new activity or buying valuables on this day is considered to certainly bring luck and success. The religious merit that is acquired by giving gifts on this day becomes inexhaustible. Many buy new gold jewelry on this day. Most Jewel stores stock in new jewelry models for this occasion. "Lakshmi-inscribed" gold coins, diamond jewellery and golden dollars with the pictures of many gods and goddesses. The day is generally observed by fasting and worship Lord Vasudeva with rice grains. The day gains more importance when it falls on a Monday or under Rohini Star. A dip in the Ganges on this day is considered to be very auspicious. Akshaya Tritiya is also called Navanna Parvam. Akshaya Tritiya falling on a Rohini star day is considered more auspicious. Lord Kubera, considered to be the richest, is one amongst the Astadikpalakas. Lakshmi Tantram says that this Lord will himself pray to Goddess Lakshmi on this day.<br />
The pujas we have to perform on Akshaya Tritiya include Kubera Lakshmi Puja. This puja has to be performed on this day only. The puja should commence in the morning and end in the evening. From the next day onwards, one has to perform the puja regularly for 108 times by reciting the moola mantra. A photo of Goddess Lakshmi Devi along with Sudarsana Kubera Yantra could be used for the puja. Light with pure ghee should be used. Also light dhoop sticks with Kumkum and turmeric can be used.<br />
The day is generally observed by fasting and worship Lard Vasudeva with rice grains. The day gains more importance when it falls on a Monday or under Rohini Star. A dip in the Ganges on this day is considered to be very auspicious. Akshaya Tritiya is also called Navanna Parvam. This day also happens to be Balarama Jayanti. Akshaya Tritiya falling on a Rohini star day is considered more auspicious. Lord Kubera, considered to be the richest, is one amongst the Astadikpalakas. Lakshmi Tantram says that this Lord will himself pray to Goddess Lakshmi on this day. Most of us are already aware of Dharma, Artha, Kama and Moksha. Out of these, Artha plays an important role. Artha here means money. Even decades passes by, the importance of Artha remains the same. Without Artha, nothing can be achieved. Here Artha merely does not only mean money but also includes honour, happiness etc. " A child can survive without his mother but he cannot survive without Lakshmi" says Shri Devi Bhagavatha Maha Puranam.<br />
Lord Surya gave Yudhishtira a bowl called Akshaya Patram (meaning inexhaustible vessel) on Akshaya Tritiya day. It was a wonderful vessel, which held a never-failing supply of food to the Pandavas every day. When the Pandavas began their exile in the forest, Yudhishtra was despondent at his inability to feed the holy sages and others who accompanied him. At this, Dhaumya, the priest of the Pandavas, counselled him to pray to Lord Surya. Pleased with Yudhishtira's prayers, Lord Surya blessed him with the Akshaya Patra, a vessel that would give unlimited food every day till Draupadi finished eating.Lord Krishna also once partakes food from the Akshaya Patra, when sage Durvasa arrived at the Pandavas' place with his disciples. When Durvasa arrived, there was no food left to serve him, since Draupadi had already finished eating. The Pandavas became anxious as to what they would feed such a venerable sage. While Durvasa and his disciples were away at the banks of the river bathing, Draupadi prayed to Lord Krishna for help. As always, they were once again saved by Him, who partook of a single grain of rice from the Akshaya Patra and announced that He was satisfied by the meal. This satiated the hunger of Durvasa and all his disciples too, as the satisfaction of Lord Krishna meant the satiation of the hunger of the whole Universe. Akshayapatra, in current usage, refers to any store that is inexhaustible. On Akshaya Tritiya the Pandavas unearthed weapons, which helped the latter to gain victory over the Gandharvas to save the Kauravas in Kamyaka Vana.<br />
The Ganga river, the most holy and sacred river of India, descended to the earth from the heaven on Akshaya Trithiya day. There are several Hindu beliefs that give various versions of the birth of Ganga. According to one version, the sacred water in Brahma's Kamandalu (water-vessel) became personified as a maiden, Ganga. According to another (Vaishnavite) legend, Brahma had reverently washed the feet of Vishnu and collected this water in his Kamandalu. According to yet a third version, Ganga was the daughter of Himavan, king of the mountains, and his consort Mena; she was thus a sister of the goddess Parvati. Every version declares that she was raised in the heavens, under the tutelage of Brahma. Several years later, a king named Sagara magically acquired sixty thousand sons. One day, King Sagar performed a ritual of worship for the good of the kingdom]. One of the integral parts of the ritual was a horse, which was stolen by the jealous Indra. Sagara sent all his sons all over the earth to search for the horse. They found it in the nether-world (or Underworld) next to a meditating sage Kapila. Believing that the sage had stolen the horse, they hurled insults at him and caused his penance to be disturbed. The sage opened his eyes for the first time in several years, and looked at the sons of Sagara. With this glance, all sixty thousand were burnt to death. The souls of the sons of Sagara wandered as ghosts since their final rites had not been performed. When Bhagiratha, one of the descendants of Sagara, son of Dilip, learnt of this fate, he vowed to bring Ganga down to Earth so that her waters could cleanse their souls and release them to heaven. Bhagiratha prayed to Brahma that Ganga come down to Earth. Brahma agreed, and he ordered Ganga to go down to the Earth and then on to the nether regions so that the souls of Bhagiratha's ancestors would be able to go to heaven. Ganga felt that this was insulting and decided to sweep the whole earth away as she fell from the heavens. Alarmed, Bhagiratha prayed to Shiva that he break up Ganga's descent. Ganga arrogantly fell on Shiva's head. But Shiva calmly trapped her in his hair and let her out in small streams. The touch of Shiva further sanctified Ganga. As Ganga travelled to the nether-worlds, she created a different stream to remain on Earth to help purify unfortunate souls there. She is the only river to follow from all the three worlds - Swarga (heaven), Prithvi (earth) and, Patala (neitherworld or hell). Thus is called "Tripathagā" ( one who travels the three worlds) in Sanskrit language. Because of Bhagiratha's efforts Ganga descended on to earth and hence the river is also known as Bhagirathi, and the term "Bhagirath prayatna" is used to describe valiant efforts or difficult achievements.<br />
Akshaya Trithiya is the wedding day of Goddess Madhura Meenakshi and Lord Sri Sundareswara. In order to answer the prayers of the second Pandya king Malayadwaja Pandya and his wife Kanchanamalai, Goddess Parvati appeared out of the Holy Fire of the Putra Kameshti Yagna performed by the king. According to another legend, the goddess herself had given a boon to Kanchanamalai in one of her previous births that she will have the privilege of mothering the goddess. This girl, who came out of the holy fire had three breasts, to the king's shock. A voice from the heavens told him not to worry and added that the third breast would vanish as soon as the girl meets her future husband. The happy king named the girl as 'Tadaatagai' and brought her up. The girl did not have any realization of her birth and she grew up as a normal human girl. Being the heir to the throne after Malayadwaja, Tadaatagai was trained carefully in all the 64 sastras (fields of sciences), which includes warfare, too. As the time came when Tadaatagai should be coronated, according to the customs, she had to wage war on the three worlds across eight directions (Digvijayam). After conquering Satyaloka (Lord Brahma's Abode), Vaikuntha (Lord Vishnu's Abode) and Amaravati (the Divine Abode of the Devas), she advanced to Kailasha (Lord Siva's Abode). She very easily defeated the Bhoota ganas and Nandoi (the celestial bull of Lord Siva) and headed to attack and conquer Siva. No sooner than she looked at Lord Siva, she was unable to fight and bowed her head down due to shyness; the third breast vanished immediately. Tadaatagai realized the reason and understood that Lord Siva is her destined husband. She also realized that she was the incarnation of Goddess Parvati. Both Lord Siva and Tadaathagai return to Madurai and the king arranged the coronation ceremony of his daughter, followed by her marriage with Lord Siva, the next day. The marriage was supposed to be the biggest event on earth, with the whole earth gathering near Madurai. Vishnu, the brother of Meenakshi presided over the marriage function and did the Kanya Dana.<br />
Jagad Guru Sankaracarya during his Brahmacari Bhikshatana one day visited the house of a poor Brahmin lady, whose husband also went to the village for Bhiksha and nothing was available in the house to offer. She was very much upset and worried that she could not offer any thing to such a great person who came to her house. She earnestly searched for some thing to be given in her house. At last she found an Amla fruit (Nellikka - Emblic myrobalan). She was feeling very shy to offer but she gave it with all humility and respect in the bowl of Sankaracarya. Sri Sankaracarya was very much moved at the sight of the poverty, stricken woman and immediately in an extempore way started imploring Goddess Lakshmi to be merciful towards this poor Brahmin lady to drive away her poverty. He recited twenty two slokas in praise of Goddess Lakshmi Who was very much pleased and appeared (Satkshathkara) before Sankaracarya and asked for his cause and all of prayer. Sankaracarya pleaded her to grant riches to the Brahmin lady. Goddess Lakshmi said that this Brahmin lady did not qualify to get any riches in this life as she did not to do any charities in her previous life and carry consideration and she deserves sufferance and justified her stand of not confering any wealth on her. Sankaracarya while accepting her sand replied that in this life she gave him Amla fruit with very great reverence inspiteof not having any thing due toher extreme poverty and this act ofher alone will justify to shower riches on her. Hearing upon this Goddess Lakshmi was greatly moved and immensely pleased with the advocacy of the argument of Sri Sankaracarya and showered instantly golden rain of Amla fruits (Emblic myrobalan). Thus the stotra of Sankaracarya towards Goddess Lakshmi was sacred, famous and popular known as Kanakadhara Stotra. Bhagavatpada Sankaracarya’s Kanakadhara Stotra also called by him as Surarnadhara Stotra studded with Anugraha Bijakshar as aiming at Sri Lakshmi. This event happened on an Akshaya Trithiya Day and the home of that brahmin lady is now famous as Swarnathu Mana. Remembering this incident, Akshaya Tritiya Kanakadhara Yajnam is performed on this day at Kalady Sree Krishna Temple, the family temple of Jagadguru Adi Shankaracharya.<br />
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<strong>Akshaya Tritiya: Revealing the Importance of Daana Mahima:-</strong><br />
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Akshaya Tritiya, commences on the third day of the bright half of the lunar month of Vaisakha of the traditional Hindu calendar. This day is considered as one among the four most auspicious days of the year for Hindus. Akshaya Tritiya is gaining much reputation during the past decade. It is alleged that gold multiplies if bought on this day. Highlighting this belief, the jewelries attract customers with vivid discount features and presents. Most of the people have only limited knowledge about this day, as they consider Akshaya Tritiya, the day for buying gold so that prosperity will come to them. The name implies that whatever endeavor we do in this day will become auspicious and perpetual.<br />
The Sathyayuga( Kirtha yuga) begins on Akshaya Tritiya .The incarnation of Vishnu, Balarama, brother of SriKrishna incarnated on this day. MadhuraMeenakshi Devi and Sundaraswara Siva got married in the presence of Lord Vishnu in this day.During Akshaya Tritiya, Saint Bhageeratha , meditated to bring Ganga Devi to earth ,for attaining Mokhsa to the souls of Sagaraputhras, who were cursed by Kapila Maharshi.It is believed that in this day, Aadi Shankara ,recited Kanakadhaara Sthothram to create golden showers of Gooseberry for a poor Brahmin mother who gave Shankara a small berry fruit as Bhiksha. In North India , during this day any virtuous activities can be done without noting Muhoortha. Hence marriages and house warming ceremonies are celebrated more on Akshya Tritiya.<br />
The Matsya Purana, Skanda Purana and Bhavishya Purana describes the importance of Akshya Tritiya emphasizing the Daana Mahima and Vishnu Pooja ,that to be done on this occasion.<br />
In Matsya Purana chapter 65, Lord Mahadeva describes the importance of Akshaya Tritiya and Akshaya Tritheeya Vratha Vidhi. Lord Says - “Oh Narada, I will explain all the rules and procedures of Tritiya day so as to flourish all the noble wishes. You have to do Dana, Havana, and Japa so as to get immense and uncountable prosperity and whoever do Vratha and fasting, will be blessed with good results. Akshaya Tritiya with Karthika Nakshathra is considered to be a divine day. The Homa-Havana-Japa rituals done on this day is stated as Akshaya (eternal). Akshaya Santhana ( virtuous children) and Punya will be showered on to those who undergo Vratha on this day. In this day one should worship lord Vishnu with Akshatham (dry rice and Paddy grains). Hence the name Akshaya Tritiya orginates. The Padmapurana prohibits using Akshatham for Vishnu Woirship(nakshathairarchayeth vishnum - Padmapurana 6:16:20). Akshya Tritiya is the only day in which Akhsatham can be used for Vishnu Pooja. Rest of the days white gigelly must be used. On this day take bath in Akshatha mixed water, worship Vishnu idol using Akshatha, and with Akshatha, do Dana Karma for knowledgeable Bhrahmins. After that eat the Nivedya. Oh! Maharshi Narada, who ever human, following this rituals will be blessed with eternal providence. Whoever done this vratha once in a year gets equal benefits of doing all the Tritiya Vrathas all over the year. Whoever human worship Janardhana Swamy Vishnu during this day following all the rules and regulations of Akshaya Tritiya, will get the prosperity of Raajasooya Yaga and finally attain abode of Lord Vishnu.<br />
The Uthara Parva chapters 30 to 33 of Bhavishya Maha Purana says the significance of Akshya Tritiya. Lord Sri Krishna describes the importance of Akshya Tritiya to King Yudhishtira. Sri Krishna says, “ Oh King Yudhishtira, listen to the story of Shukla paksha Tritiya of Vaishakha Month. Any Karma, Snana, Japa, Homa, Swadhyaya done on this day will become eternal. Sathya yuga has begun in this day. Hence this Thithi is also named as Kritha Yugaadi Tritiya. This day washes all the Papas and brings in endless peace and prosperity. You please hear a famous story about Akshaya Thritheeya.<br />
In Shaakala city, there lived a merchant named Dharman, who was very truthful, righteous, and respectful towards Bhrahmanas, whom he worshipped too. He came to know about the importance of Akshaya Tritiya commencing along with Rohini Nakshathra and Wednesday; that whatever Dana made in this day will become eternal and prosperous. On that day, he bathed in Ganga River and paid homages to his forefathers. After that he offered Dana in the form of food, cloth, water, gold etc to Brahmins very piously. He completely believed in the significance of this date. After some years Dharman died and reborn as King of Kushavathi. Due to the Punya made in previous birth, the King received no scarcity for wealth and affluence, which was immensely showering on him. The King made many Danas, but his wealth didn’t decline and increased countless.<br />
Oh King Yudhishtira , understand the result of Akshaya Tritiya as interminable. Now hear the Vratha Vidhi during this day. Offer Dana to those who deserve, in the form of food( with all the “rasa”), Jala Kumbha, various fruits, cows, land, clothes and gold. All these should be beloved to you also. Whatever Karma (deed) done in this day will not become terminated. That’s why Saints consider this day as “Akshaya Tritiya”<br />
In the 23rd chapter of Skandapurana; Vaishnava khandam; Vaishakha mahaathmyam, Shruthadeva explains the importance of Akshaya Thritheeya.Whoever undergo Snaana (bath) during sun rise; worship Lord Vishnu and hear Bhagavan’s stories in this day will attain Moksha. And whoever does Dana karama on this occasion, will receive eternal prosperity for his deeds, under the supreme command of Lord Vishnu.<br />
All these references from Puranas on Akshaya Tritiya portray the implication of Dana Karma. The Puranas advices not to buy your favorite items during this day, but to donate them so as to perceive eternal prosperity and peace.<br />
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<strong>Balarama Jayanti:-</strong><br />
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The Vaisakha Shuklapaksha Tritiya or Akshay Tritiya is also traditionally celebrated as the birth day of, Lord Balarama or Sankharshana the eighth avatar (incarnation) of Lord Vishnu. He is also known as Halayudha and Balabhadra. Balarama is described as being physically very strong, in fact 'bala' in Sanskrit refers to 'strength'. Balarama is the elder brother of Lord Krishna. Also he is acknowledged as a manifestation of Anantha or Adishesha, the divine serpent on whom Vishnu rests. Balarama Jayanti is celebrated in many Balarama Temples in Kerala like Aluva Srikrishna Balarama Temple, Mazhoor Balarama Temple, Nenmini Balarama Temple and Balarama Shrine in Aranmula Parthasarathy Temple. Chant Balarama Sahasranama Stotra on this day.<br />
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<strong>Sree Sankara Jayanti:-</strong><br />
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Vaisakha Shukla Paksha Panchami is the birth day of Jagadguru Adishankaracharya. Shankracharya was one of India's foremost philosophers. Shankara was born on Vaisakha Shukla Paksha Panchami in a Nampoothiri Brahmin family in 788 AD in a village named Kaladi on the banks of the river Poorna (now Periyar) in Eranakulam district of Kerala. His parents, Shivaguru and Aryamba, had been childless for a long time and the birth of Shankara was a joyous and blessed occasion for the couple. Legend has it that Aryamba had a vision of Lord Shiva and promised her that he would incarnate in the form of her first-born child on Vaisakha Shukla Paksha Panchami. Shankara Jayanti is celebrated with utmost fervor in Shankara Maths all over India. Shringeri Sharada Peetham in Karnataka, Shankar Math in Hyderabad, Kanchi Kamakoti Peetha in Kanchipuram are some places where the celebrations attract a large number of devotees. In Kerala Shankra Jayanti is celebrated at Vadakkunnatha Temple, Brahmaswom Madams, Kalady Sree Shankara Janmasthanam etc.<br />
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<strong>Narasimha Jayanti:-</strong><br />
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Lord Narasimha ("man-lion") is the fourth incarnation (Avatara) of Lord Vishnu. He is worshipped in deity form by a significant number of Vaishnava groups throughout India (especially in the South) and is primariliy known as the 'Great Protector', being a form of Vishnu who specifically defends and protects his devotees in times of need. The most famous story regarding Narashima is described in the Bhagavata Purana : In his previous avatar (incvarnation) of (Varaha), Vishnu killed a rakshasa known as Hiranyaksha. Hiranyaksha's brother Hiranyakashipu, greatly angered by this, started to abhor Lord Vishnu and His followers. Further, he decides to put an end to Vishnu by gaining mystical powers through performance of a great penance for Brahma, the chief among the demigods (devas). Brahma, pleased with his austere penance, then appeared before Hiranyakashipu and granted him a boon. Hiranyakashipu asked for the following:That he would not die on Earth or in Space, nor in fire or water, neither during the day or at night, neither inside a building nor outside, not by a weapon of holding (i.e a sword) or throwing (i.e an arrow), nor by anyone created by Brahma. Thus being granted this boon, Hiranyakashipu then believed himself to be immortal and decided it was now time to avenge the death of his brother Hiranyaksha.<br />
Meanwhile, while Hiranyakashipu had been performing his penance, the divine sage (rishi) called Narada protected Hiranyakashipu's wife Kayadhu after her home had been overtaken by a war party. While under the guidance of Narada, her unborn child (Hiranyakashipu's son) Prahlada, was affected by his transcendental instructions even at such a young stage of development (through the sound vibrations). Thus, Prahlada when born was gradually recognised as being a very devoted follower of Vishnu, much to his father's disappointment.As Prahlada grows in age, his father Hiranyakashipu becomes upset at his devotion to Vishnu, who he sees as his mortal enemy. Eventually his anger leads him to attempt to kill the boy Prahlada in many ways, but each time Prahlada is protected by Vishnu's mystical power. When asked, Prahlada refuses to acknowledge his father as the supreme lord of the universe and claims that Vishnu is omnipresent.<br />
Finally in disgust Hiranyakashipu points to a particular pillar and asks if his Vishnu is in it? Prahlada answers, He was, He is and He will be. In an alternate version of the story, Prahlada answers He is in pillars, and he is in the least twig. Hiranyakashipu, unable to control his anger, smashes the pillar with his mace, and then following a tumultuous sound, Vishnu in the form of Narasimha appears from it and in defence of Prahlada moves to attack his father. In order to kill Hiranyakashipu and not upset the boon given by Brahma, the form of Narasimha was chosen. Hiranyakashipu could not be killed by human, deva or animal, Narasimha is neither one of these, as he is a form of Vishnu incarnate as a part-human, part-animal. He comes upon Hiranyakashipu at twilight (when it is neither day nor night) on the threshold of a courtyard (neither indoors nor out), and puts the demon on his lap (neither earth nor space). Using his nails (neither animate nor inanimate) as weapons, he disembowels and kills the demon. This day (Vaisakha Shukla Paksha Chathurdasi) is celebrated as Narasimha Jayanti.<br />
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<strong>Vaikasi Visakham - Subrahmanya Jayanti:-</strong><br />
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Vaisakha Pournami (full moon day in Vaisakha month) is also famous as Vaikasi Vishakam or Vaigasi Vishakham. It is the birth day of Lord Subrahmnaya or Muruka. Vaikasi Visakam is a major festival observed in Lord Muruga temples. The asterism Visakam is the birth star of Lord Muruka. So Muruka is called Visaka.<br />
Sati, the consort of Shiva immolated herself at Daksha Yaga, which was later destroyed by Shiva. Shakti was reborn as Uma, or Parvati the daughter of the mountain king Himavaan (the Himalayas). Shiva withdrew himself from the universe and engaged himself in yogic meditation in the Himalayas. In the meanwhile, the demon Surapadman ravaged the earth and tormented its beings. It was realized by the gods that only the son born of Shiva and Parvati could lead the gods to victory over Tarakasuran, Surapadman and their demon companions. They plotted with Kaama, the lord of desire, to shoot a flower arrow at Shiva, as he sat in meditation, so as to make him fall in love with Parvati. When Kaama aimed his arrow at Shiva, he opened his third eye and burned him to ashes instantly. Upon hearing the pleas of Kama's wife Rati, he brought back Kama to life, in flesh and blood for her sake, and in a formless state for others. The Devas manage to get Shiva married to Parvati (who was Dakshayani, reborn) by having Manmatha (also known as Kama), the god of love awaken him from his penance, incurring his wrath by opening his third eye of destruction, and being destroyed and resurrected. Shiva hands over his effulgence of the third eye used to destroy Manmatha to Agni, as he alone is capable of handling it till it becomes the desired offspring. But even Agni, tortured by its heat, hands it over to Ganga who in turn deposits it in a lake in a forest of reeds(Shara). The child is finally born in this forest(vana) on Vaisakha Pournami(Vaikasi Vishakam) day with six faces (hence Muruka is also called Shanmugha and Sharavanabhava). He was raised by the six Kartika damsels. He thus got the name Kartikeya. Worship Lord Muruka on vaikasi vishakam day.<br />
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<strong>Visakha Poornima (Vaisakha Pournami) - Buddha Pournami:-</strong><br />
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Visakha Poornima (Vaisakha Pournami) - Buddha Pournami or Buddha Poornima, the principal annual ceremony for all the Buddhists, which falls on the full moon night in the month of Vaisakha commemorates the birth anniversary of Lord Buddha, founder of Buddhism. His life from birth, through marriage, renunciation, enlightenment to maha samadhi is fascinating. Even though he had left his mortal coil over two thousand five hundred years ago, the spirituality created by him has not diminished - it is timelessly ancient. Buddhists celebrate this day with prayer meets, sermons on the life of Gautama Buddha, religious discourses, continuous recitation of Buddhist scriptures, group meditation and processions, worship of the statue of Buddha.<br />
In Hinduism, Lord Buddha is viewed as an Avatar or incarnation of Lord Vishnu. According to Bhagavata Purana, Buddha is the twenty-fourth of twenty-five avatars, prefiguring a forthcoming final incarnation (Kalki). Similarly, a number of Hindu traditions portray Buddha as the most recent (ninth) of ten principal avatars, known as the Daśāvatāra (Ten Incarnations of God). The Buddhist Dasharatha Jataka represents Rama as a previous incarnation of the Buddha as a Bodhisattva and supreme Dharma King of great wisdom. So hindus also worship Buddha on Buddha Poornima day.<br />
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<strong>Periyalvar's Jayanti:-</strong><br />
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Vaiksakha or vaikasi Pournima is also Periyalvar's jayanti. Periyalvar was one among the 12 Alvars. The Alvars (alvar means "one immersed in God") were twelve Vaishnava saints, who during the early medieval period of Tamil history (between the seventh and the tenth centuries CE) helped to revive devotional Hinduism (bhakti) through their hymns of worship to Vishnu and his incarnations. Periyalvar was born into a Brahmin family in Srivilliputhur, near Madurai in the 6th or 9th century(conflicting reports) and was named Vishnuchittar meaning "one who has Vishnu in his mind". Legend says he rejected the vedic philosophical debates of his upbringing to focus on Bhakti, especially on doing simple tasks for God. He would make garlands of flowers for the deity of the temple. One day the Pallava king of the land had a competition between scholars to find one who would explain philosophical principles. Vishnuchittar won the competition by explaining that the path to moksha is by service to God. Legend goes that the king honored Vishnuchittar and God himself came down to earth to see this. Vishnuchittar composed a couplet called "pallandu"(also called Thirup-Palandu out of respect) translating to "Long live for many years, Long live for many years for Hundreds of thousands of years!" to God. This is a very important prayer in Srivaishnava liturgy today. Vishnuchittar composed some pasurams in the 4000 Divya Prabhandham called Perialvar Tirumozhi where he explores a devotee's love for God through the metaphor of Yashoda's motherly love for Krishna. He was the adopted father of Kodhai or Andal, the only woman alvar.<br />
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<strong>Dattatreya Jayanti:-</strong><br />
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Dattatreya or Datta is the son of Sage Athri and Anasooya Devi. The name Dattatreya can be divided into two words - "Datta" (meaning given) and "Atreya" referring to the sage Atri, his physical father). Various Hindu sects worship him differently. In the Nath tradition, Dattatreya is recognized as an Avatar or incarnation of Shiva and as the Adi-Guru (First Teacher) of the Adinath Sampradaya of the Nathas. Although Dattatreya was at first a "Lord of Yoga" exhibiting distinctly Tantric traits, he was adapted and assimilated into the more devotional Vaishnavite cults; while still worshiped by millions of Hindus, he is approached more as a benevolent god than as a teacher of the highest essence of Indian thought. Dattatreya is credited as the author of the Tripura Rahasya given to Parasurama, a treatise on Advaita Vedanta. Dattatreya was born on Vaisakha Krishna Paksha Dasami day and is celebrated as Dattatreya Jayanti.<br />
The sun is a natural giver, giving freely to one and all. Those born in Vaisakha are natural social reformers since they have an integral part of the sun within them. They stand out brilliantly in life, easily overshadowing others. Basaveshwara,Ramanujacharya, Adi Shankaracharya, Swami Chinmayananda and Gautam Buddha were born in this month . Thus, between Akshay Tritiya and Buddha Poornima, there is a celestial gathering and many Mahatmas are born. Almost all social reformers are born during this period and they believed in one thing, Change yourself. The world outside will change dramatically when you change yourself. As the month is summer donating water to the needy helps them.<br />
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<strong>Shanishchara Jayanti :-</strong><br />
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Shani Jayanti is considered to be the day on which Lord Shani was born or appeared on earth. This day is also known as Shanishchara Jayanti or Sani Jayanthi.<br />
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Lord Shani is one of the nine planets (Navagrahas) of Indian astrology. Navagrahas are the nine celestial deities in Hinduism. Lord Shani is also called as 'Shaneeswaran', 'Sani dev', 'Sanischara bhagwan' or 'Chaya Putra'. Lord Shani is the god of Shanivar (Saturday). Lord Shani is the son of Surya (Sun God) and his wife Chaya.<br />
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Shani Jayanti or Sani Jayanthi is observed on Amavasya (New moon day) in Vaishakh month or Vaisakha masam. This day is also observed as ‘Shani Amavasya’.<br />
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This year Shani Jayanti has immense impact and spiritual significance as apart from Amavasya, there is also a Solar Eclipse (Surya Grahan)! <br />
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The Hindu religious devotees can do ordinary prayers at Shani Temples or Navagraha Temples.They can visit Lord Ganesha termples as it is regarded as very fortunate.<br />
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It is to be noted that Shani Jayanti is celebrated in a grand manner in many temples such as all Navagraha Temples in Karnataka and Tamil Nadu, Sri Kalahasti Navagraha Temple, Mandapalli Mandeshwara Swamy Temple, Wargal Shaneeshwara Temple in Medak district of Andhra Pradesh. It is to be remembered that Sani Jayanthi is the most important festival in Shani Shingnapur Shaneshwara Mandir. In these said temples, a lot of rites and rituals are performed on Shani Jayanthi day so all the devotees can participate in these activities.<br />
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The Hindu religious devotees can observe fasting on this particular day. They can do fasting as observed on a saturaday as Shanivar Vrat (Fast on Saturday). It is to be remembered that during Shani Trayodashi, Shani Amavasya and ‘Shani Jayanthi’ days the devotees can perform ‘Shani Shanti puja’ and ‘Shani Thailabhishekam’.<br />
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The devotees can perform Shani puja. This particular puja can be done by those who are having Shani dosham. They can also conduct Shani homam or yagya with the assistance of an acharya or purohit on these days. They can also indulge in Shani Shanti puja in order to solve the affect of Saturn in their horoscope. The devotees can fix the horse shoe ‘U’ shaped on the main entrance door of the house, wear the horse shoe ring on the middle finger and install Shani Taitisa and mala in the chapel.<br />
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lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com3tag:blogger.com,1999:blog-7798698404473324241.post-63236554331640335902017-04-08T02:42:00.003-07:002017-04-08T02:42:37.670-07:00Durga Temple Aihole In Karnataka<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Durga Temple Aihole</strong><br />
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Durga Temple Aihole, the cradle of temple architecture in Karnataka built between the 7th – 8th centuries by the Chalukyas. Interestingly, this temple is not dedicated to the Goddess “Durga”. It takes the name after the word “Durg” or fortress which probably refers to a fort built close by . Almost all the monuments in this town are between 1200-1300 years old. W e are celebrating Karnataka Rajyoutsav or the day when Karnataka as a state was formed today. And what better way to celebrate than to visit a destination that is very ancient and filled with rich heritage.<br />
"Aihole" is one among those places in India where the temples outnumber the houses. Aihole is considered as the "Cradle of Hindu Temple Architecture" or "Primary school for South Indian Temple Architecture". This place served as a capital to the Western Chalukyan rulers. It can be also linked to pre historic age, Buddhist and Jainism. There are around 140 temples in this region and the sad part is that almost all are ruined. There is a continuous effort on the part of the ASI to improve and restore the place. Aihole can also be considered a Laboratory, since there was experimentation with various architectural styles in which the temples were constructed .<br />
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This temple is the circumambulatory provision inside the temple (corridor around the shrine that continues to the Mandapa). The outer walls of the temple have intricately carved figures of Narasimha, Mahishasuramardini, Varaha, Vishnu, etc . Pierced windows are provided with pleasing patterns to allow light into the hall. The shikara seems to be influenced from the North Indian style of architecture<br />
<br /><strong>Mythological Origin:-</strong><br />
<br />One of the most notable places in the history of art in the State, Ayyavole and Aryapura are the names mentioned in the inscriptions. Now the place is called as Aihole, Aivalli and Ayyhole.Mythologically, It is believed that Saint Parusharama after fulfilling his vow of avenging his father’s murder is said to have come down to the Malaprabha River and washed his blood stained hands and the Axe.The river water turned red due to the blood on the axe. A local lady saw the red water and shouted Ayyo, Hole! (Oh No, Blood!) and hence the name Aihole.<br />
Agasthya is believed to have killed Vatapi’s brother, the giant Ilvala, here and thus the name ‘Ilavalapura’ according to another version.Another version said that The name “Aihole” came from the words Ayya hole, or city of scholars (in Sanskrit, Arya Pura).<br /><br />The origin of the name is not the Durga goddess, but a fortress, maybe an enclosure which surrounded the temple or it was a part of fortification, probably of Maratha rulers.<br /><br />It is dedicated to either Vishnu or Shiva as the representations of Vishnu are as numerous as those of Shiva. The most original feature of the temple is a peristyle delimiting an ambulatory around the temple itself and whose walls are covered with sculptures of different gods or goddesses.<br /><br />Two staircases provide access to the porch at the entrance of the temple itself. The sober and square pillars are decorated with characters around the porch and the entrance to the peristyle. The parapet is carved with niches and small animals. The porch gives access to rooms with pillars ('mukhamantapa' and "sabhamantapa") to get into the heart of the shrine (garba griha).<br />
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<br /><strong>Legend Of Durga Temple Aihole:-</strong><br />
<br />Situated on the banks of River Nandini, amidst beautiful surroundings, is the spiritual energy center of South Kanara district. Goddess Durga is the loving and caring mother of the people of South Kanara. Surrounded by lush green fields and beautiful hills, Kateel has become a famous pilgrimage and a tourist center over the years.<br />
The legend behind this place of worship goes something like this. A severe drought hit this place and it had not rained for years. There was absolutely no vegetation and Even Brahmins were forced to eat meat and the people were on the verge of giving up their principles. The great Sage Jabaali disturbed by this situation used his 'Jnana Drishti', and found out that Arunasura the demon who escaped from death and fled when Goddess Durga killed Shambasura had made the people stop all yagas and yajnas as a revenge against the 'devas', thus leading to drought and scarcity for years.<br />
In the mean time Arunasura acquired a boon from Brahma that he would not suffer death from any two legged or four legged being or from any weapon. Brahma also powered him with Gayatri Mantra. After acquiring these powers, Arunasura defeated the devas and conquered heaven. The Devas prayed Goddess Durga for help.<br />
One day Goddess appeared in Arunasura's garden as a beautiful woman. Seeing the lady, ArunasuraDurga Temple, Durga Temple tours, Visit Durga Temple of Karnataka, Temple tour of Durga Temple, Religious placeapproached her. The beautiful lady reminded him that she had killed Shambasura and from whom Arunasura had escaped death. Arunasura got angry and tries to kill the woman with sword. The Goddess suddenly turned into a stone. Arunasura slashed the stone with the sword, then a vast swarm of bees emerged from the stone and stung him.<br />
Devotees and followers from all over the world come to Kateel every year in huge numbers to participate in Simhamaasa, Navarathri and other holy occasions. Several educational institutions are also run through the temple's trust. The temple's trust also encourages several forms of arts. Notable among them is the yakshagana dashavathara mela, which was started as an offering to the goddess. During dussera, navaratri and other annual celebrations several sacred rituals like, Chandika Havana, thula bhaara, Veda parayana, hari kathas etc are performed.<br />
<br /><strong>Architure Durga Temple, Aihole:-</strong><br />
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The Durga temple is an example of southern (Dravidian) architectural type, with a later northern type superstructure imposed upon it-an incongruity apparent from the fact that the superstructure is a square structure clumsily fitted over an apsidal cella. The temple stands on a high moulded upapitha (sub-base), apsidal on plan and carrying a peripheral row of columns on its edge that surround the moulded adhishthana and walls of an apsidal vimana and its front mandapa. Thus the colonnade forms a covered circumambulatory with a sloping roof. The open mandapa is continued forward on a base of smaller width. The peripheral pillars of the front mandapa and those at the forward end of the circumambulatory have large statuary on them. The adhishthana inside is again apsidal, moulded with all the components, and carries the apsidal wall enclosing the inner apsidal wall of the cella or garbha-griha and a closed maha-mandapa in front of it, with two linear rows of four columns in each row that divide it into a central nave and lateral aisles. <br />
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The central nave has a higher flat roof raised over a sort of clerestory in front of the cella-entrance, and two lateral aisles have sloping roofs, at a lesser height than the central roof. The aisles of the maha-mandapa are continuous on either side, with a closed inner circumambulatory between the inner or outer walls of the cella, which again has a sloping roof. The adhishthana of the apse is projected forward into the porch like front mandapa of a lesser width with four pillars in two rows. <br />
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The reliefs on the adhishthana and outer wall are cantoned by pilasters and enclose niches which are framed by shrine-fronts of all the patterns of northern and southern vimanas, kuta, sala, panjara, udgama, etc., and contain bold sculpture. The four recesses, two each between the three bays on the north and south sides and two more between the three bays round the apse-end, are provided with perforated windows. Over the inner wall of the cella perhaps rose the original apsidal griva and sikhara, as in the temples at Ter and Chejarla either with a wholly-solid core or supported by props inside. <br />
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The advanced features of the temple, the variety of evolved shrine-fronts displayed in its niches, the style of its sculpture, its diverse corbel-forms and the existence in it of a chute, water-spout and the gargoyle-like pranala-a late feature-would justify placing the temple in the eighth century. This is also indicated by an inscription of Chalukya Vikramaditya II (733-46) on the ruined gopura at the south-eastern part of the enclosing-wall. The name 'Durga' for the temple is misleading, since it was not dedicated to Durga, and is due to the fact that till the earlier part of the last century the temple formed part of a fortification (durga), probably of the Marathas.<br />
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<br />Oblong and apsidal plan marks the structure of this Durga temple. This ensures that the pillared corridor that is found between the porch and the main shrine contains the main sanctum sanctorum and has enough space for the devotees to do a circumambulation ritual around the principal shrine. The pillars have tiny openings through which the apse gives an outward view.<br />
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As per the ancient architectural definitions of the Hindu religion, the style of this Durga temple is classified as “Gajaprastha”, meaning the backside of an elephant. This pattern is a little unusual for Hindu temples and it was believed that this style was an inspiration of architecture in Buddhist monasteries. However, it was later revealed that the Indian architecture had mentioned about this style years before the Buddhist style of architecture was formed. The Garba Griha or the main sanctum sanctorum has a huge tower which signaled the construction of future towers and vimanas.<br />
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<br /><strong>Significance of the Durga Temple Aihole:-</strong><br />
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The Durga Temple Aihole is one of the architectural wonders of Aihole. The Durga Temple Aihole is quadrilateral in shape. The contour of the temple exhibits the Gajaprasta style, that is, the backside of an elephant. Durga Temple Aihole is impressive with numerous pillar reliefs which exhibit the unique Chalukya architectural style. Also known as the fortress temple, the Durga Temple Aihole depicts a Buddhist chaitya and is adorned with exquisite carvings. One of the most beautiful sculptures of the Durga Temple Aihole is that of Goddess Durga.<br /> The seven headed serpent carved at the ceiling of the Durga Temple of Aihole is another impressive work by the artisans. All the walls of the Durga Temple are decorated with sculptures of Hindu gods and goddesses. The temple also comes with a porch and an entrance to the epistle. Through the porch you can enter the rooms of the temple. There are several rooms within the Durga Temple along with a Garba Griha. This is the main part of the shrine where the spirit of the shrine is located. There are two main pillars of the temple, namely, the Mukha Mantapa and the Sabha Mantapa.The elevated plinth, the high galleries and the moulded adisthana are the other characteristics of the Durga Temple. The fine sculptures of Lord Narashima, Goddess Chamundi and Lord Shiva are the other attractions of the Durga Temple.<br />
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<strong>Best Time to Visit:-</strong><br />
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The climate in Aihole belongs to the tropical-dry type. It is different from other parts of the Karnataka. Summer and winter are the predominant seasons in Aihole. The district experiences reasonable amounts of rainfall between these two seasons. Though other districts experience rainfall all through the year, Aihole witnesses the same only during the monsoon season. The winter season that can be experienced in the months of October, November, December and January, are the best time to visit this place. During this time, the maximum and minimum temperatures in this area are 25 degrees Celsius and 18 degrees Celsius respectively.<br />
<br /><strong>Nearby Temples:-</strong><br />
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There are almost 125 temples at Aihole, the ancient capital of the Chalukya dynasty. Temple architecture of Aihole can be divided into two phases; one is the 4th and 5th century and the other is the 12th century. Numerous temples were built during this time span and every temple is unique in itself. Artisans experimented with the styles and created gems out of rock.<br />
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<strong>Some of the famous temples near the Durga Temple are:-</strong><br />
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<strong> Lad Khan Temple:-</strong><br />
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Dedicated to Lord Shiva, this is one of the oldest Hindu temples of India. Located to the south of the Durga Temple, this rock cut temple is exquisite with floral patterns and delicate lattice work on its floor and walls.<br /> <br />
<strong>Ambigera Gudi Temple:-</strong><br />
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Situated just opposite to the Durga Temple, it is a complex of three temples. The Ambigera Gudi Temple is dedicated to Lord Surya and Lord Vishnu and exhibits a beautifully engraved lotus at its ceiling. This 10th century construction reflects the Nagara style of architecture with shikaras, mandapas and sanctums.<br /> <br />
<strong>Mallikarjuna Temple:-</strong><br />
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Dedicated to Lord Shiva, this temple is located at the small town of Basaralu. Reflecting the Hoysala style of architecture, this shrine comes with a trikuta, which means three shrines are connected with a common hall. Built over a platform, this temple comes with a decorative pot, known as kalasa, a Hoysala crest, that is, the emblem of a Hoysala warrior and decorative walls.<br /> <br />
<strong> Chikki Temple:-</strong><br />
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This is a Jain temple built in 1204 AD. The temple pillars are engraved with Kannada inscriptions which narrate the era of Ratta King Kartaveerya IV and Sevuna Yadava Krishna.<br /> <br />
<strong>Eniyar Temple:-</strong><br />
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A group of eight temples, this temple complex is located at the western outskirts of the Aihole village. While the first two temples do not have images, the third temple is dedicated to Lord Shiva. The other temples are adorned with the images of Gajalakshmi, Ganapati and Karthikeya.<br /> <br />
<strong>Hucchimalli Temple:-</strong><br />
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One of the oldest temples of Aihole, the Hucchimalli Temple is dedicated to Lord Shiva. The temple comes with a large hall and engraved with beautiful works.<br /> <br />
<strong>Jain temple, Meguti temple:-</strong><br />
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This Jain temple is located at a hilltop, just at 16 kms from Aihole. The temple is built with mortar and comes with a 16 columned porch and hall extensions.<br /> <br />
<strong>Ravana Phadi rock-cut temple:-</strong><br />
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This is a sandstone temple of Aihole, dedicated to Lord Shiva. The temple houses a wonderful sculpture of Nandi, the Vahana (vehicle) of Lord Shiva. The temple also comes with numerous small pillars.<br />
<br /><strong>How To Reach:-</strong><br />
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<strong>By Air :-</strong><br />
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Kateel is located about 5 kilometers from the Bajpe Bus stand. As such going to Bajpe, using the Kavoor- Marakada Route is the most convenient as the road is well maintained since it is also the access route to the Mangalore Airport.<br />
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<strong>By Rail :-</strong><br />
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The Nearest Railway station is Bagalkot.<br />
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<strong>By Road :-</strong><br />
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Aihole is connected by road to: Pattadakal (17 kms), Badami (46 kms) Bangalore (438 kms). Further the winding roads amidst green hills and valleys make it a very pleasant and memorable experience. Once in Bajpe town, take the straight road leading north to go to kateel. There are service busses plying between Mangalore and Kateel at a frequency of about 10 busses an hour. Cost by Bus About Rs. 10-15/- </div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com3tag:blogger.com,1999:blog-7798698404473324241.post-68144967353844413662017-04-08T01:54:00.001-07:002017-04-08T02:01:40.277-07:00Keshava Temple at Somanathapura In Karnataka<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong> Keshava Temple at Somanathapura</strong> <br />
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Somanathapura is famous for the Chennakesava Temple built by Soma, a dandanayaka in 1268 CE under Hoysala king Narasimha III, when the Hoysalas were the major power in South India. The Keshava temple is one of the finest examples of Hoysala architecture and is in a very well preserved condition. The temple is in the care of the Archeological Survey of India as a protected heritage site and visitors are allowed only from 9:00AM to 5:30PM. <br />
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Located on the banks of Cauvery River, Chennakesava Temple was built in 1268 by Somnatha, a general of King Narasimha III. The temple stands on a raised platform like other Hoysala temples. The temple comprises three shrines and three wonderfully carved peaks with a common Mandapa. The three sanctums once housed beautifully carved idols of Keshava, Janardhana and Venugopala. Today, the idol of Lord Kesava is missing but the other two are still worshipped by the visitors.<br />
The Somnathpur temple is famous for its elaborate and intricate sculptures. The temple is enclosed in a walled courtyard with a mandapa running along the wall. The temple is built on an elevated star shaped platform. At the temple, the outer walls of the main temple are decorated with a series of star-shaped folds and the entire surface is covered with carved stone plaques. The walls above the plinth are also carved with exquisite figures of gods and goddesses taken from the Hindu puranas and arranged in vertical panels.<br />
The most characteristic feature of this temple is its 16 different ceilings, each depicting a different stage of a blooming plantain (banana flower). Small and large pieces of finely carved stone chips are set in complicated patterns. One of the main highlights of this temple is the central wall space. There are images of deities decorated with heavy jewellery, bangles on every arm, towering crowns and chunky anklets. The vimana over the sanctums have greatly carved images of gods.<br />
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The Kesava temple is a fantastic piece of art. It consists of three identical shrines built on a raised platform - with a common entrance chamber in an enclosed courtyard.<br />
The main shrine is dedicated to Kesava; however there is no image of worship now. The other shrines are dedicated to Janardhana and Venugopala.<br />
These shrines are only about 30 feet in height. Yet they are covered profusely with ornate sculpture of the highest order, as seen in the Hoysala temples of Belur and Halebidu, with themes from the Indian epics, nature and so on.<br />
An open corridor runs around the circumambulatory path and it has sixty four cells, meant for housing images of divinities (as in the kailasanatha temple at Kanchipuram). These cells are now bereft of images.<br />
The temple is regarded as perfect in symmetry with exquisite stone carvings. As it stands in the middle of a walled compound, the temple is an open verandah having 64 cells. It consists of carved pinnacles and a common Navranga that stands on a raised platform. The excellent architecture on this temple is symbolic of the master craftsmanship done by Mallitamma. The exterior walls of the temple are adorned with exquisite sculptures of Vishnu and there are images of 194 other idols as well. The Hindu mythological characters are sculpted on the walls of the temple. There are three splendidly carved sanctums that of the idol of Lord Keshava, Lord Janardhana and Lord Venugopala of which the idol of Lord Keshava is missing.<br />
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<strong>History Of Keshava Temple, Somanathapura :-</strong><br />
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The Keshava Temple at Somanathapura was constructed by a commander of the Hoysala Army, Somanatha. This general had just established a small town here named after himself – Somanathapura. Obviously enjoying the favor of his overlord, the Hoysala King Narasimha III, he appealed to the king for permission and resources to undertake the project of building the magnificent temple. With the blessing of the king, the construction was started.<br />
The construction of the temple was completed and consecrated in 1268 AD. There is an Old Kannada inscription on a stone slab in the temple which gives all these details.<br />
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Somnathpur is a small village in the Tarumakudalu Narasipur Taluk of the Karnataka district and is situated about 0.8 kilometre (half a mile) from the Kaveri river. It is about 32 kilometres (twenty miles) from Sirangapatnam. According to epigraphical records, Somnath (Soma), an officer under Narasimha III (A.D. 1254-1291), built the Kesava temple in A.D. 1268. The temple is situated in a courtyard measuring 65.53 by 53.95 metres (215 by 177 feet) the main structure is placed on a metre (three feet) high stone platform. It is a three-celled structure (Trikutachala), the main cell facing the cast and the other two facing the north and south; they are surmounted by three elegantly carved towers which are identical in design and execution.<br />
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<strong>Outer Wall:-</strong><br />
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<strong>Temple of Somnathpur:-</strong><br />
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On both sides of the entrance, there runs around the front hall a railed parapet (Jagati) and from the bottom upwards horizontal friezes of elephants, horsemen, scroll - work scenes from the Epics and the Puranas, turretted pillars, miniature erotic sculpture, and lions intervening between them, and a rail divided into panels by double columns with tiny figures, have enhanced the beauty of the temple. Above them are perforated stone windows (Jali); they are also beautifully decorated with filigree work and images. From the corners on both sides of the entrance, where the rail parapet ends, there begins a row of large images with different types of ornamental canopies. Just below these images there are six horizontal friezes the first four are identical with the railed parapet design but the fifth and sixth have a frieze of mythical beasts (Makaras) surmounted by' a row of swans (or peacocks).<br />
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<strong>Somnathpur Temple Wall OutSide:-</strong><br />
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We can easily sum up the number of large images on the walls as one hundred and ninety-four. There are fifty-four in the south cell; in the corner between the west and north cells there are only fourteen figures, and there are fifty-four images round the north cell. The Brahmanical deities represented by the above images are Vishnu and his different incarnations (i.e., Narasimha, Varaha, Hayagriva, Venugopal and Parasurama), Brahma, Shiva, Ganapati, Indra-Indrani, Hara-Parvati, Manmatha, Surya, Garuda, Shakti, Mahishasura-mardini, Karttikeya, Lakshmi, Sarasvati and a Gandharva. Moreover, apart from the friezes of the Epics and the Puranas the portions running round the south cell presents scenes from the Ramayana; the west cell has scenes from the Bhagavata-Purana and the north has representatives Mahabharata stories.<br />
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<strong>Internal Arrangement:-</strong><br />
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As the temple contains three cells, each cell consists of a Garbha-griha (Adytum) and a Sukhanasi (vestibule). On the chief cell (Garbha-griha), just opposite to the main entrance, there was a Vishnu (Keshava) image about 1 .52 meters (5 feet) high, but it has been stolen. As a result, it is absolutely a dead temple; nobody cares to offer puja (worship) here. However, the authorities have replaced the lost Vishnu image by another of the same size. The temple is now under the exclusive control of the Archaeological Survey of India.<br />
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<strong>Somnathpur Temple:-</strong><br />
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The north cell has a beautiful image of Janardana, of about 1.88 meters (6 feet) height, and Venugopala (Krishna) of the same height breaks the monotony of the southern cell. With a great amount of ecstasy VenugopaIa is playing his flute before his rapt listeners, including men and animals. And this panel is really a magnificent specimen of medieval Indian art. Thus, judging from the figures here the lost image of Keshava (Krishna) must have been a piece of wonderful worksmanship. The lintels of both the Garbha-griha and the Sukhanasi doorways of all the cells are carefully decorated.<br />
The chief cell of the Garbha-griha doorway depicts a seated figure of Vishnu at the top, an image of Lakshmi-Narayana in the centre and the ten incarnations of Vishnu at the bottom. As the base there is a tiny elephant over the Sukhanasi doorway, Paravasudeva and Keshava are also seen, apparently Vishnu as a Dvarapala (door-keeper) is on the jambs of both the doorways.<br />
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<strong>Temple of Somnathpur:-</strong><br />
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The Navaranga (central hall) has six ceiling panels and the Mukha-mandapa (front hall) has nine. All of them are 0.91 meter (three feet) deep and are artistically executed with the plantain flower (Kadali-Pushpa) design; and formerly difficult colors were painted on them. Four bell-shaped pillars support the Navaraga and fourteen of them hold the Mukha-mandapa; they are all artistically-designed.<br />
Like many other Hoysala temples, some names of the scupltors are engraved on the pedestals of different images. <br />
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They are Mallitamma (Malli), Baleya, Chaudeya, Bamaya, Masanitamma, Bharmaya, Nanjaya and Yalamasay. Thus, the sculptor Mallitamma played a very significant role in the decoration of the Keshave temple at Somnathpur. Most probably he was the artist mainly responsible for the magnificent work to be seen there. In A.D. 1249, he also worked in the Lakshmi-Narasinha temple at Nuggihalli in the Channarayapatna Taluk of Hassan district, and we necessarily must attach great historical value to three temples for their unique contribution to Indian plastic art. In this connection, we should discuss the role of the legendary sculptor, Jakanachari, who is believed to have constructed many temples of the Hoysalas. But no such name has been found in any temple of Karnataka. It may be a corruption of the Sanskrit word Dashinacharya, that is, a sculptor of the South school" and perhaps does not denote any particular artist. There is another possibility that he was the chief architect and sculptor of many Hoysala temples; and unlike an ordinary artist he did not like to inscribe his name on them.<br />
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<strong>Somnathpur Temple Hall:-</strong><br />
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There are many temples and Jain-bastis which were embellished with same amount of skill. Among them Lakshmidevi, Kappe-Channigarah, Kirtinarayana, Trimurti, Kedareshvara, Harihara, Someshvara, and many others, are of great artistic value and they were built during the heyday of the Hoysalas. “Whether we look at these temples as disinterested historians or art critics or engineers interested in the details of their structure and beauty, one fundamental truth stands out for all time, that from faith springs devotion and from devotion the virtues of courage, patience, sacrifice and intelligence. For otherwise it is hard to explain the enormous amount of labour and skill that hosts of masons and sculptors poured for centuries into the construction of these exquisite temples. To modern generations, they have become a legend. But still many devotees of Hindu culture who seek inspiration and enlightenment from a knowledge of the past will not be disappointed by a pilgrimage to these centre’s of ancient art of Mysore.”<br />
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<strong>Deity and sculptures:-</strong><br />
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The ceiling of hall is supported by lathe curved pillars. Between pillars, the ceiling is arched as well as intricately decorated. These decorations comprise multi-petalled lotuses, banana bud motifs depending on stepped ponds as well as ananta (snake) knots indicating eternity. Among the three shrines, one is dedicated to Keshava, however the idol is missing from the sanctum. Another two shrines accommodate idols of Janardhana and Venugopala (the three idols are different incarnation of Lord Vishnu). That is exactly a Vaishnava temple and you can find no representation of any types of Hindu God Shiva.<br />
Many sculptures are usually of depictions of the prosperity of that period including members of royal family driving well decorated chariots, soldiers as well as commoners driving horses, camel drawn vehicles, dancers, musicians, hunters armed with bows & arrows and along with their dogs, and going for the hunt. You can find sculptures of palaces of the kings protected by armed guards, jewellery including pendants, bracelets, waistbands and necklaces as well as female with unique hair styles too.<br />
The names of the many architects and sculptors are found from which it is clear of the fact that designers used to be both local as well as from outside the province. The well-known Ruvari Mallithamma, Masanithamma, Chameya, Rameya, Chaudeya as well as Nanjeya are accounted as locals whereas Pallavachari and Cholavachari are considered artists belonging to Tamil region.<br />
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<strong>Keshava Temple, Somanathapura – Facts:-</strong><br />
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This Hoysala temple is stunningly beautiful. Unfortunately, this temple is no longer used as a place of worship because the idols here have been broken and the temple was desecrated by the invading armies of the Muslim Sultanate. But the beautiful temple still charms visitors and reminds people of the magnificent artistic and engineering achievements of the era.<br />
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<strong>How to Reach to Keshava Temple, Somanathapura:-</strong><br />
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Somanathapura is 38 km from Mysore. You can get bus service from Mysore and Srirangapatna to Somanathapura. There is also a Railway Station in Somanathapura. You can visit this temple throughout the year, as there is no particular time.<br />
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<strong>By Air:-</strong><br />
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Bangalore International Airport<br />
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<strong>By Rail:-</strong><br />
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Maddur<br />
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<strong>By Road:-</strong><br />
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Somanathapura is well connected by road network.<br />
One can reach Somanathpura from Mysore via T. Narasipura and Bannur<br />
Somanathapura can be reached from Bangalore via Ramanagara, Channapattana, Maddur and Bannur.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com2tag:blogger.com,1999:blog-7798698404473324241.post-38105504249970544952017-04-07T23:25:00.001-07:002017-04-08T00:39:48.251-07:00Bhadravathi Sri Lakshmi Narasimha Temple<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Lakshmi Narasimha Temple</strong><br />
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Built by the Hoysala rulers in 13th century, the Lakshmi Narasimha Temple is highly acclaimed by the tourist for its architecture, sacredness and serenity. The architecture of the temple is superb and worth noting. You cannot see any tall and highly carved gopuram in this temple, as seen in many other temples, but the walls of the temple are beautifully designed. Lakshmi Narasimha Swami temple stands on a platform about 3 feet high. A flight of five small steps take you to the platform on which three steps lead you inside the temple.<br />
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A tall dwajasthambam stands in front of the temple outside in the compound wall. Besides this dwajasthambam there is a stone pillar on a small pedestal.<br />
The temple that is located in the Old Town area of Bhadravathi is now maintained by the Archaeological Department of Karnataka State. Once you are in Bhadravathi, you can avail any local transport to reach to this temple. If you are in your car, then ask the locals to direct you to the temple.<br />
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This is a Trikutachala Temple, with 3 main deities inside the sanctum, the main god being Lakshmi Narasimha, and the other two, Venugopala and Purushottama. The architecture stands testimony to the artistic peaks it reached during the reign of Veera Narasimha's father, the great Ballala II and grand father, Vishnuvardhana.<br />
The town of Bhadravathi is mythologically described to have gotten formed when Lord Vishnu, taking the form of Varaha, rescued Bhudevi from under the sea, from the clutches of Hiranyaksha. When Varaha lifted the earth supported by his sharp tusks, the two trenches formed gave birth to the rivers Tunga and Bhadra. Also, the town of Bhadravathi was for long known as "Vankipura", named after the sage Vanki who had performed penance and had worshiped lord Lakshmi Narasimha in this region for a long time.<br />
The temple is situated right at the middle of the old town, and is well maintained with daily puja happening with great fanfare, and regular local visitors to the temple have kept the premises in good condition. <br />
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<strong>Lakshmi Narasimha Temple Temple plan:-</strong><br />
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According to art historian Gerard Foekema, being a triple vimana (cella or shrine) construction it qualifies as a trikuta, which less commonly exhibits a tower one each of the three shrines. The temple is built on a jagati (a platform that is about a meter high) which serves the purpose of pradakshinapatha (circumambulation) as the shrine has no such arrangement in Hoysala temples. The entrance to the temple is through an open pillared hall or porch (mukhamantapa) followed by a closed hall (mantapa or navaranga). The porch consists of an awning supported by lathe turned half pillars and parapets on either side. The inner wall of the shrine is square and plain where as the outer wall is stellate (star shaped) with numerous recesses and projections that are used for decorative relief. The closed central hall which has no windows connects to the three sanctum via a vestibule (called sukhanasi). The vestibule also as a tower (also called sukhanasi) which looks like a low protrusion of the main tower over the shrine. The outer wall of the vestibule is decorative but inconspicuous because it appears like a short continuation of the shrine outer wall. The ceiling of the closed hall is supported by lathe turned pillars.<br />
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With regards to outer wall decoration, what Hardy calls "two tier", Foekema designates as the "old style" with two sets of eves: one eaves runs around the temple where the superstructure meets the outer wall of the shrines, below which are miniature decorative towers on pilasters (called aedicula). Below this is a second eves followed by a panel of Hindu deities in relief and finally a set of moldings at the base. The design of the tower, according to art historian Percy Brown, is a characteristic feature to the Hoysala art. According to Brown, the stellate form of the base of the shrine with its projections and recesses is carried through the tower giving it a "fluted effect". The tower is divided into tiers with each tier diminishing in height and culminating in an umbrella like structure. Brown also claims the lathe turned pillars with four brackets above are a signature style of the 11th-13th century Chalukya-Hoysala architectural idiom.<br />
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<strong>Religious importance of this place:-</strong><br />
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There is a deep religious importance, which you are likely to come across, whenever the main concern deals with bhadravathi laxmi narasimha temple, your ultimate destination to pay tribute to Lord Vishnu. The presiding deity as related to this temple is of Lord Narasimha, and he is mainly defined as the incarnation of Lord Vishnu. The architecture of this temple is mind boggling and with amazing cultural ethics of Hoysala rulers. It is not just worth admiring, but you will fall in love with each of its carving, from the first time you see. This temple is mainly known for its Nakshtra styled platform, which is hard to find, these days.<br />
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<strong>More about presiding deity:-</strong><br />
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As mentioned earlier, this temple is known for its presiding deity of none other than an incarnated idol of Lord Vishnu, also known as Lord Narasimha. Apart from that, this temple is also known for having some other idols, as well, which are enough to enrich the value of this temple. Those idols are of Lord Purushottama, Lord Sri Krishna, Goddess Sharadamba and Lord Ganesha. These are additional four idols, which surround the main idol of lord Narasimha, the protector of mankind and slayer of evil demons and spirits.<br />
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<strong>More about the deity:-</strong><br />
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The artistic design of this temple is done in such a manner, which makes the temple stands on Jagati. The outer area of this temple comprises of two tier decoration, and located inside is the idol of Lord Vishnu’s incarnation, Lord Narasimha. Just like the temple, the idol of Lord Vishnu was also stated to be 800 years old. There are some images of Ganesha, Purushottama, Sri Krishna and Sharadamba, which enhances the beauty of this place more.<br />
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<strong>More about other shrines:-</strong><br />
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The temple itself is a mark of beautification, and there are no such other shrines, which can be seen, surrounding the location. There is a closed central hall, which can easily connect to three sanctum, which the help of a vestibule. This tower looks like low protrusion, as related to major tower.<br />
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<strong>Nature of worship for you:-</strong><br />
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There are different natures of worships, which you are likely to come across, when the main concern lays with laxmi narasimha temple. However, before you even try to opt for this arena, wait no longer and get acquainted with bhadravathi laxmi narasimha temple timing first and start looking for the worshipping values, accordingly. Because of the divine anger form of Narasimha, high level of attention is always asked for. As per the legend unfolds; only lifelong celibates will have the golden opportunity to serve as priests to perform best daily puja. People are always asked to provide complete dedication, before performing such religious values.<br />
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<strong>Other festivities waiting for you:-</strong><br />
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The main celebration that can be seen in this temple takes place during Navaratri service. There are several other programs, which surround the important cultural values of this place. No matter whatever kind of celebration you are likely to deal with, people are always asked to get acquainted with lifelong celibates or Brahmacarya to perform such religious rites. Apart from performing some daily pujas, you are also asked to get acquainted with some religious festivals, by this priest only. The idol of Narasimha is in a relaxed position, with the main aim to protect Prahlada.<br />
There are different types of prayers, which are performed to pay tribute to Lord Narasimnha and those are Narasi?ha Pra?ama Prayer, The Narasi?ha Maha-Mantra, Kamasikha A??akam and Dasavatara Stotra, which was provided by Jayadeva. Some priests are also known for performing Divya Prabandham, as another important sloka to be recited during any festivity, for your use and demands.<br />
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<strong>Significance of the Lakshmi Narasimha Temple:-</strong><br />
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The Lakshmi Narasimha Temple of Bhadravathi is another example of magnificent Hoysala form of architecture. Some of the basic characteristics of the Lakshmi Narasimha Temple of Bhadravathi are:<br />
The statue of Lord Narasimha is in a relaxed position, protecting his devotee Parhlada.<br />
Lakshmi Narasimha Temple comes in a triple form, known as Vimana. While one of the shrines is south facing, the other two are north and west facing. Soapstone has been used to construct the temple. If you touch the walls there is a soapy feeling and the stone is really tender. There is a flagpole, known as dwajasthambam just in front of the temple. The temple stands on a raised platform, known as jagati. About a metre high, this platform was used by devotees to circumvent (pradakshin) the temple. In the Hoysala form of architecture there is no specified path to paradakshin temple.The Lakshmi Narasimha Temple of Bhadravathi also has special pillars, known as lathe pillars along with parapets. This type of shiny black pillars defines the architectural style of 11th and 13th century Hoysala architecture. The lathe pillars not only enhance the beauty of the temple but also provide support to the ceiling of the large temple.<br />
The inner wall of the temple has been kept plain and simple while the exterior wall is star shaped, nakshatra shaped, providing enough space and scope for decoration. The external wall has two eves. The first eve consists of small towers which exhibit miniature decorations on pilasters, known as aedicule. The second set of eves is followed by a panel engraved with the images of deities and by a set of mouldings. The stellate tower is another special form of Hoysala architecture. The tower has been adorned with processes and recesses throughout the tower. It looks more like a flute from a distance. The tiers of the tower step by step diminish in height to form an umbrella. Some of the important sculptures of the Lakshmi Narasimha Temple of Bhadravathi are Lord Krishna playing flute and a man with serpent. The central hall of the temple is unique with now windows and is connected with the other sanctums. There is a slab in Kannada inscription at the temple which exhibits the construction details.<br />
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<strong>History Of Lakshmi Narasimha Temple:-</strong><br />
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With time Vankipura came to be called Benkipura and Benki Pattana, meaning ‘City of Fire,’ because of the presence of huge iron ore deposits and the consequential establishment of several furnaces here that produced firearms for export. Historical records point to the Lakshminarasimha Temple as having been restored by Hoysala emperor Vishnuvardhana’s grandson Veeranarasimha in the 13th Century.<br />
Legend has it that during Rama’s rule of Ayodhya, when he made rounds of his kingdom to ascertain the welfare of his people, he observed his shadow appeared in two forms: one as a vanara or monkey, and the other as a human. Puzzled by this unusual phenomenon, he sought the reason for this.<br />
The twin shadows apparently were caused because he had been cursed by the vanara king Vaali whom he had killed, not face-to-face, but while hiding himself behind a tree in a confrontation that was really between Sugreeva and Vaali. This was contrary to the Kshatriya traditions. To be relieved of Vaali’s curse, Rama was asked to go to the sacred Tungabhadra river, pray to Lord Narasimha and install the Ishwara lingam.<br />
The ornate Lakshminarasimha Temple in Bhadravathi may not display the grandeur and sculptural profusion associated with the Hoysala shrines at Belur, Halebid or Somanathapura, but it more than makes up for this by being replete with fascinating tales from mythology.<br />
The Temple also finds mention in the Mahabharata. Following the battle of Kurukshetra, Arjuna asks Lord Krishna the means by which he could atone the sin of killing his own kith and kin in the war. Krishna suggests that the mere darshan of Lord Laksminarasimha at Vankipura would enable the atonement.<br />
There are several unique features associated with the Temple which is also referred to as a swatantra or independent temple. Normally, when the design and layout of a city is planned, temples are located either on the outskirts where the installed deities serve as guardians of the city; or, in spaces found vacant after allocations have been made for various other facilities within the city.<br />
Contrary to this norm, the Lakshminarasimha Temple in Bhadravathi was the first structure to be planned while the city’s layout was still being designed. The rest of the city came up around the Temple. It was also the first building in the city to be illuminated when electricity was first introduced.<br />
The dhwajasthamba and garudasthamba greet us as we enter the courtyard. The Temple is built on a three feet-high star-shaped platform that appears to rest on the back of ashtadikgajas (eight elephants). This is symbolic of the fact that elephants were used to transport the stones from the quarry required for building the structure.<br />
The exterior walls along the circumambulation path contain sculptures of deities, apsaras, musicians and dancers, some of which are defaced and damaged. However, the turrets, sculpted on the higher reaches of the wall, over a hundred of them, are intact and represent models of towers seen in various temples of India.<br />
Three steps from the platform takes us to the interiors that comprises, from outside-in, the typical trio of chambers: the navaranga, sukhanasani and the garba griha. Unlike in several other Hoysala temples where the bhuvaneshwari or ceiling of the navaranga contain the sculptures of the main deity surrounded by the ashtadikpalakas or eight guards, this Temple has sculptures of the banana flower on its ceiling.<br />
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<strong>Lakshmi Narasimha Temple Timings:-</strong><br />
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The temple is open throughout the year. There are no holidays and no such best time to visit.<br />
The temple opens early in the morning at 6.00 am to the visitors. The temple is closed at the afternoon.<br />
The temple again opens at 6.30 pm at evening and closes at 9 pm.<br />
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<strong>Festivals celebrated at Lakshmi Narasimha Temple:-</strong><br />
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Besides the regular rituals, there are annual festivals celebrated here.<br />
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Twice in the year – during Uttarayana and Dakshinayana, it has been observed that the rays of the sun fall directly on Lord Narasimha in the sanctum sanctorum. The idol of Venugopalaswamy, flute in hand, surrounded by gopis, cows and cowherds, is dressed up as Mohini and bedecked with butter, especially on the occasion of Janmashtami.<br />
Karnataka takes pride in housing only one of two shrines supposedly built for Purushottama in the whole of South India, the other being in Tamil Nadu. On Vaikunta Ekadashi, he is decked as Srinivasa and on all the nine days of Navaratri he is adorned in different ways.<br />
On Durgashtami, he is dressed up as Lokanayaki and on Vijayadashami day he is attired like a king. Besides the three main shrines, there are smaller sanctums dedicated to Benne Vinayaka whose belly gets adorned with butter and to Sharadamba, the goddess who bestows knowledge and wisdom.<br />
The Temple takes on grand festive hues for seven days during Buddha Purnima with rathothsava or the chariot festival when the Temple chariot is taken in aprocession.<br />
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<strong>Dussera:-</strong><br />
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During this festival, the iconic deity of Lord Narasimha is taken round the city in a grand procession. This festival takes place at the Hindu month of Ashvin, which is anytime between September and October.<br />
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<strong>Navaratri Festival:-</strong><br />
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This festival is celebrated with great pomp and glamour at the temple complex. This festival generally takes place couple of times in a year. Once anytime between March and April and another time between September and October.<br />
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<strong>Vaikunta Ekadasi:-</strong><br />
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This is the 11th day of the waxing moon in the Hindu month of Magh and an auspicious day for the Vaishnavaite cult. Worship attains a different dimension here, on this day. This festival generally takes place anytime between December and January.<br />
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<strong>How to Get to Lakshmi Narasimha Temple:-</strong><br />
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Bhadravati is well connected by rail, road and air. It is located 255 km away from Bangalore, 19 km from Shimoga and 170 km from Hubli.<br />
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<strong>By Road:-</strong><br />
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From Bangalore: All KSRTC buses that start from Bangalore to Shimoga stop here at Bhadravati. The journey will be around six hours.From Shimoga: To reach Bhadravati from here, you can either book a taxi or take a KSRTC bus. The journey may not be that comfortable but will be economical.<br />
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<strong>By Rail:-</strong><br />
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The railway line from Birur-Bangalore passes through this city. Apart from this many trains from Bangalore to Shimoga also stop at Bhadravati. Another option would be to catch a train to Birur and switching over to a bus/ train heading to Bhadravati.<br />
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<strong>By Air:-</strong><br />
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The nearest airport to Bhadravati is Hubli, located at a distance of around 170 km. There are daily flights to Hubli from Bangalore and Belgaum. There is also an option of using the Mangalore airport which is 180km away.<br />
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lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com4tag:blogger.com,1999:blog-7798698404473324241.post-38944672680412994382017-04-07T23:00:00.001-07:002017-04-23T02:23:22.309-07:00Shravanabelagola Lord Gomateshwara in Karnataka<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Shravanabelagola</strong><br />
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Shravanabelagola is a samll town in Hassan District of Karnataka State. It is one of the most impressive and important Jain pilgrim center in India. Shravanabelagola is located at an altitude of 3350 feet above sea level in between the Indragiri (Vindhyagiri) and Chandragiri hills. The town of Shravanabelagola is known for its senic beauty as well as for its religious sanctity.<br />
A small water tank midst Shravanabelagola town is called "Belagola" in Kannada language, "Bel" means white and "kola" means the pond, an allusion to the beautiful pond in the middle of the town. Shravanabelagola reached a high point in architectural and sculptural activity under the patronage of Gangas of Talakad. Shravanabelagola has more than 500 inscriptions.<br />
You can easily walk between the major attractions in Shravanabelagola. Shravanabelagola town has the Jaina matha with very old paintings on its walls. There is also a Sanskrit Patashala to study Sanskrit and Shastras. Shravanabelagola has 28 Jain temples that are spread across the town and the two hillocks Indragiri and Chandragiri. Regular poojas are conducted by the Jaina priests appointed by the Jain Mutt at all the temples as per Jain rituals.<br />
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Shravanabelagola is famous for the Bahubali Statue which is supposed to be the tallest monolithic stone statue in the world with a height of 58 feet carved out of a single block of granite. The Gomateswara temple is built on top of a hill at an altitude of 3347 feet, called as Vindhyagiri hill (also known as Doddabetta or Indragiri). About 620 steps provide access to this temple from bottom of the hill. The nude statue of Bahubali is carved carefully with much perfection.<br />
Lord Gomateshwara (Lord Bahubali) was son of the first Jain tirthankara named Lord Adinatha. Lord Adinatha had 99 other sons and when he renounced his kingdom, there was a big fight between the two brothers, Bahubali and Bharatha, over the kingdom. Bharatha lost this battle, but Bahubali did not feel any happiness on seeing his brother's defeat. He then gave the kingdom to his brother and then attained Kevalagnana.<br />
The statue was carved during the period of Chamundaraya, a minister of the Ganga King Rajamalla between 982 and 983 CE. The town of Shravanabelagola is famous with several Jain temples and historical sites.The main temple of Gomateswara is located on Vindhyagiri hill along with Odegal Basadi, Tyagada Kamba, Siddhara Basadi, Chennanna Basadi, Akhanda Bagilu, etc. Chandragiri is home for about 14 shrines among which Chamundaraya Basadi, Chandragupta Basadi, Chandraprabha Basadi, Kattale Basadi and Parshwanatha Basadi are important.<br />
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<strong>History Of Lord Gomateshwara :-</strong><br />
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The popular Shravanabelagola Temple of Lord Gomatheeswara is one of the most important Jain pilgrimage sites in Karnataka, which is renowned for its tallest monolithic statue of Lord Gomatheeswara. The statue of Lord Gomatheeswara or Lord Bahubali is a huge statue with approximately 17mts of height that towers over everything else in its vicinity. The statue was installed by one Chavundaraya in 989 AD, who was apparently a minister of Ganga King Rachamalla Sathyavakya, and is situated at the top of Indragiri hill.<br />
Depicting superb craftsmanship, the statue of Lord Gomatheeswara is a colossal rock cut statue of Saint Gommata, which has been described as the mightiest achievements of ancient Karnataka in the sphere of sculptural art. The statue is also known as Lord Bahubali and is a nude sculpture in an upright position of meditation that is known as ‘Kayotsarga’. The statue is accessible through a flight of more than 500 steps and offers a picturesque view of the plains as well as nearby hills.<br />
The eyes of the statue are open and are viewing the world with a detachment that only a learned man can possess with perfectly chiselled facial expressions. A faint smile is visible at the corner of his mouth that embodies a calm vitality. The amazing part of the statue is that the statue is standing without any support from thigh upwards and the whole figure is standing on an open lotus. The statue is accompanied by two opulently ornamented and intricately carved royal servants named yakshi complimenting the main figure.<br />
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The statue is referred to as ‘The statue of Gomateshwar’ by the Kannad people of Karnataka and the same is referred to as Bahubali by the Jains. Every twelve years, at the Shravanabelagola hill, thousands of devotees, tourists come to celebrate the ‘Mahamastakabhisheka festival’. Devotees sprinkle water on the statue from a high platform. After water is sprinkled, the statue is bathed with tons of milk, sugarcane juice, and the saffron flowers paste. The next Mahamastakabhisheka festival is expected to be held in the year 2018.<br />
The best part of the Shravanabelagola Temple of Lord Gomatheeswara is the special festival called Mahamastakabhisheka or head anointing festival. The highlight of this festival is that the statue of Gomatheeswara is bathed with a sacred blend of thousands of gallons of milk, honey and some special herbs, which is then distributed amongst the devotees and pilgrims. The whole sight of bathing the huge statue of Lord Gomatheeswara is awe inspiring; however the best part of the festival is in the end when the statue receives a flower shower from a helicopter.<br />
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<strong>Architecture Of Shravanabelagola :-</strong><br />
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The Shravanabelagola Gomatheeswara statue is the largest monolithic idol in the world. It spans centuries with different ruling dynasties and kings adding their own contributions and so is a living historical evidence of the last millennia. Historians describe the idol of the Lord as both magnificent and munificent – both beautiful and graceful, breath taking yet serene.<br />
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It is this impossible combination of beauty and serenity that gives the Shravanabelagola its unique appeal. Standing 57 feet tall, the Lord is a beacon for the world weary who flock here to shed their worldly burdens and to embrace a life of peace and ahimsa, meaning non-violence.<br />
Shravanabelagola – Religious Significance<br />
Bahubali, as the Jains call Lord Gomatheeswara, offers the path to eternal happiness by helping man live a life attuned to the natural world around him and not causing any harm to any living being. The Jains believe that Bahubali is endowed with great qualities that inspire renunciation, enlightenment and to attain salvation.<br />
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<strong>Major Attractions:-</strong><br />
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The biggest attraction of this shrine is obviously the statue of Bahubali. Open eyes denote that his detachment from the material world and the anthill in the background indicates the never ending self-punishment of Bahubali. Engraved in this anthill are a snake and a creeper which wrap around the hands and legs of the statue. This structure stands on an open lotus portraying its completeness.<br />
Apart from the statue, there are fourteen other Jainism shrines on the hills of Chandragiri. There are statues of all the twenty-four Tirthankaras of Jains along with the great king, Chandragupta Maurya, who was also buried here. The best time to visit this temple is during the Mahamastakabhisheka festival.<br />
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<strong> Attractions Of Gomateshwara Statue:-</strong><br />
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The Gomateshwara statue in Kayotsarga’s posture is the most amazing sight in Shravanabelagola. It is that of a Digambar (nude) form of Bahubali standing on an open lotus depicting the atonement. On either side of the statue stand two chauri bearers while the anthill in the background signifies unceasing devotion; entwining branches with flowers and bunches of fruits and a snake on the upper limbs of Gommateshwara are carved beautifully.<br />
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<strong>Around the temple:-</strong><br />
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This does not nullify the other marvelously crafted shrines and basadis at the foot hills of Chandragiri and Vindhyagiri Hills; sculpted with single minded devotion to their lord with the temple architecture style of the Hoysala period. Kanchina and Lakki pond at the base on the plains below the hills are two such places where one can take a relaxed walk and spend some time in the surroundings. Chavundaraya basadi, Chandragupta basadi and many more are scattered around the hills simple and yet profound in their history, giving us an insight into the times and culture of the Hoysala and Western Ganga Kingdoms. More than 800 inscriptions dating from 600 to 1830 are found all around Shravanabelagola. The stories about the glory and the power of the Western Ganga Dynasty, the Hoysala kingdom, the Vijayanagar Empire and the Wodeyar Dynasty are told by some of the inscriptions found on the Chandragiri hill while Lord Gomateshwara’s statue towers above all. One should visit Hassan (57km), Mysore (83km) and Arasikere (63km) too while visiting<br />
Shravanabelagola.<br />
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<strong> Events:-</strong><br />
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Once in 12 years.Next one is in 2018.<br />
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<strong>Tirtha and Tirthamkara:-</strong><br />
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The etymological basis of a Tirtha as a holy place of worship can be properly traced to the term Tirthamkara which signifies a liberated soul according to Jain religions tradition. A Tirthamkara is one who has eliminated the last vestiges of Karmic pollution attaching to the soul through a rigorous ascetic regimen prescribed in Jain religious canon, known as agamas and has attained omniscience. He thus becomes a creator of a Tirtha or a Tirthamkara, a fordmaker. It is by means of this Tirtha, or ford, a worldly being can cross this life and attain moksa. It is in this context of the unique Jain connection of the term Tirtha, a historic genesis of the temple tradition and idol or icon worship can be traced in Jain religious practices since prehistoric times.<br />
In the allegorical or spiritual sense, the dictionary meaning of the term‘pilgrim’ is “one journeying through life as a stranger in this world.” As a matter of fact, in Jainism a place of pilgrimage is called a tirtha or tirtha-ksetra. A tirtha (Literally, a ford) is so called because it helps the aspirant in crossing the ocean of samsara which is full of pain and suffering and in attaining liberation from the unending round of rebirths.<br />
A Jain Tirthamkara is a maker of such a ford or bridge. The very concept of pilgrimage, of going to a sacred place for spiritual edification is embodied in the term Tirthamkara which is the ultimate symbol of Jain liberation and also the ideal. It is thus are extension of the process of ritual of worship in Jainism.<br />
Pilgrimage to holy places, Tirtha-Ksetras for a Jain is a concrete reminder of the Jain Tirthamkaras, deities, and events in their lives such as birth, nirvana which is held to be sacred and memorable. A visit to such places is meritorious and spiritually purifying.<br />
Such exalted sites of Jain pilgrimage fall into four categories. The Kalyanaka Ksetras associated with the birth and other memorable events in the life of the Tirthamkara ; the Siddha-Ksetras or Tirtha-Ksetras where countless arahats- liberated non-Tirthamkaras- attained liberation; nirvana-bhumi, where certain Tirthamkaras attained liberation; the Atishaya-Ksetras associated with miraculous events in the lives of great monks and Kala-Ksetras reputed for their artistic monuments, temples and images many a time, more than one of these characteristics are present at one and the same site.<br />
As the Jain Tirthamkaras and ascetics have always carried out their austerities in secluded places, forests, far from the human habitation and mountain-tops, it is not surprising that the Jain Tirtha-Ksetras are situated in such places in the midst of captivating scenery and peaceful surroundings conducive to concentrated meditation and spiritual contemplation.<br />
The sacred association of the place (such as nirvana, birth of Tirthamkara) give it an added sanctity. Jains place great value upon pilgrimage to such shrines. Indeed, a common Jain considers it an important goal of his life to make at least one visit, with his family if possible, to one or more of several Tirtha-Ksetras Jainism holds as sacred.<br />
During the pilgrimage the entire time is spent in different religious activities such as continence, abstinence, fasting worship, meditation, study of scriptures, listening to religious discourses, chanting and recitation of religious hymns or devotional songs and charity.<br />
In Jainism, pilgrimage is a ritual that is shared by the laity and the monastic community. Pilgrimage lends structure to the wanderings of Jain monks and nuns, who are forbidden from living long in one place and who thus spend their ascetic life in traveling on feet from one place to another except during the rainy season- Varshayoga or Chaturmasa.<br />
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<strong>Mythological Background of Gommateswara:-</strong><br />
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Bahubali Gommateshwara was the second son of Rishabhanatha, the first Jain Tirthankara and his queen Sunanda. He had a step-brother named Bharata. After the renunciation of Rishabha, the two sons, Bharata and Bahubali, get two different regions of the Rishabha’s kingdom to rule over. Bharata soon began to subdue the various principalities around him, and even wanted his brother Bahubali and ninety eight others to submit to him. All except Bahubali gave up their kingdoms and became monks. Bahubali alone refused to surrender.<br />
So Bharata challenged Bahubali on the battlefield and engaged him in duel. As Bahubali was about to overpower Bharata, he suddenly realized the absurdity of pride in physical victory and gave up the fight and became a monk and began to perform various penances as a Jain Sramana. He steadfastly observed penance in a Kayotsakga pose braving the rigors of sun, rain and storm. The beasts of the Jingle attacked him. Ants built their little mounds at his feet. Serpents crawled up his legs. Creepers sprang up and entangled his body. But undeterred he remained firm in his resolve to attain liberation.<br />
Yet, unable to attain Kevala-Jnana, as he still harboured pride, he stood erect conscious of his suffering. His father, Rishabhanatha the Tirthamkara asked his daughters Brahmi and Sundari to go and persuade him to give up his pride. Bahubali did so and achieved enlightenment.<br />
Bharata erected a stature of his brother at Podanpura. In the course of time, this region was overgrown with forest and the image became invisible to all but the initiated. According to Jain tradition, it was Bahubali who attained salvation first during the Avasarpini, Descending half-cycle of time-era, and so being the first man to attain liberation he became an object of universal worship.<br />
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<strong>Mahamastakabhisheka festival of Sravana Belagola Gommatesvara:-</strong><br />
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The pratishthapana mahotsava, the consecration ceremony, of the great Gommateswara image took place on Sunday, 13th March, 981 from 3.12 a.m. to 5.06 p.m. the day according to Indian calendar being from sunrise to sunset.<br />
The consecration rites were conducted according to the rules prescribed in the Jain texts by Chamundaraya, the commander-in -chief of the kings of the Ganga dynasty of Talkad. It was a grand event, its scale befitting both the huge rise of the image as well as the exalted statue of the Yajamana, the host, Chamundaraya.<br />
Among the many rituals in the consecration ceremony there is the abhisheka or the sacred bath, According to a legend, when Chamundaraya attempted to perform the ‘panchamrita-abhisheka’ ceremony, or bathing of the image with five liquids, viz. milk, butter, honey, sugar, and water with a faint air of vanity.<br />
Vast quantities of these five substances were collected in many hundreds of pots, but to the intense annoyance of Chamundaraya, when the liquids were poured from a great scaffolding upon the head of the image they would not descend below the navel of the image. He tried again and again but in vain, and thus the intention of bathing the image from head to foot was frustrated. Then a celestial nymph Kushmandini appeared disguised as an old poor woman, holding the five liquids in a small silver pot a beliya gola – and declared that she would accomplish what the valiant commander had failed to achieve.<br />
Chamundaraya first laughed at the suggestion but later permitted her to make the attempt. Whereupon she poured the contents of her small silver pot, and lo, the sacred liquid at once flowed down and completely bathed the image! This old woman was none else than the Gullikajiji and her devotion did a miracle which a mighty minister like Chamundaraya could not do. Chamundaraya, the great warrior and creator of the image accepted his defeat at the feet of this humble devotee and repented for having succumbed to the feelings of pride and arrogance at having caused such a magnificent statue to be sculpted.<br />
He now approached the task with humble devotion and the panchamritabhisheka covered the image from head to toe. From that time the town came to be known as Beliya gola, the silver pot or a tank of pure water, and the head-anointing ceremony was performed periodically. Chamundaraya erected an image of the old woman Gullikajiji just opposite to the colossus outside the door. No better homage could ever have been paid by a magnanimous vanquished to his victor in more dignified manner than this.<br />
The abhisheka, as a rule, is a daily event for any image in worship, but the colossal size of the Gommateshwara image makes it impossible. Thus only the feet of the image are bathed daily in what is known as pada puja, and the head-anointing ceremony, or the mastaka-bhisheka performed occasionally.<br />
Later the ceremony of mastakabhisheka came to be termed as maha mastakabhishakas. As it was performed at certain conjunctions of the planetary bodies at intervals of 10 to 15 years. The ritual is impressive and spectacular with many monks and priests and thousands of pilgrims taking part in it. The mahamastabhisheka is thus popularly known as the Grand Festival of Head-Anointing Ceremony of Sravana Belagola.<br />
The festival begins a few days earlier and terminates a few days after the day of mahamastakabhisheka. During this period various festivals and pujas take place. On the morning of the Grand abhisheka the courtyards in front of colossus presents a glorious sight. On the ground, strewn with layers of fresh green paddy, 1008 coloured Kalasha or pots are arranged in a geometrical pattern. Each pot has a cocoanut with green mango leaves fastened to it with auspicious colour thread. Of the 1008 pots, 900 are used for the first anointing 103 for the second and only 5 for the third and last anointing.<br />
When the ceremony is due to start a number of Jain priests take up their positions on a high scaffolding especially erected for the purpose. Each priest holds in his hands one Kalasha, or pot of milk and one of ghee. At the signal of the officiating dignitary they lustrate the image first with milk and then with ghee.<br />
After this first purifying bath or anointing, the Jain priests offer worship to the Gommatesvara image till noon. At the stroke of one O’clock the great mahamastakabhisheka begins. In the former times, when Sravana Belagola was within the territories of Mysore State, the Maharaja of Mysore State had the hereditary privilege of per-forming the first puja of the image on the occasion.<br />
As the appointed hour draws near, a thousand priests climb to their places on the scaffolding with pots of water. Suitable music is played by the temple musicians while the priests chant hymns and prayers from the Jain sacred texts. At the auspicious moment the thousand pots of water are emptied over the image amidst shouts of Jai Jai.<br />
The huge proportions of the graceful colossus, whose head is anointed on that day by thousands of priests and pilgrims gives to the ritual an impressive character. The festival begins about a fortnight earlier and terminates after a fortnight of the Mahamastakabhisheka.<br />
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<strong>Chamundaraya, the Builder of Gommateswara:-</strong><br />
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Chamundaraya, the illustrious general of the Ganga kings of Mysore, in the last quarter of the Tenth Century A.D. caused the present colossus of Gommata to be built by Arishtanemi a superb artist, under the guidance of his own gurus, Ajitasen Acharya and Nemichandra Siddhantha Chakravartin, in order to fulfill the pious wish of his own mother, Kalala Devi.<br />
Short film of Shravanabelagola festival by Karoki Lewis<br />
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<strong>Bili-gola (white pond):-</strong><br />
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Bili-gola (white pond) nestling between the two hills, became Belgola, and consistently used between 650 A.D. and 1889 A.D. Shramana or Shravana after Digambar monks used this place, was added to form Shravanabelagola. Apart froe there are two ponds on Vindhyagiri , three on Chandragiri, there are ponds or tanks near almost every monument. There is no record of construction of ponds before time of Gangaraja (early 12th cent.). There are 7 temples in the town and — more in Jinanathapura and surrounding areas. The foundation of Jmnanathapura a northern foot of Chandragiri was undertaken by Gangaraja in 1117. The Santivara Basadi located here, is the most ornate of the Hoysala Basadis in Karnataka.<br />
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<strong>The present seer of Shravanabelagola :-</strong><br />
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The present seer of the Dharmapeetha of Shravanabelagola is Sri Charukeerthi Bhattaraka Swamiji. His earlier name was Rathnavarma. He accepted his sainthood when he was 20 years of age. Sri Charukeerthi Bhattaraka Swamiji became the seer of the Dharmapeetha of Shravanabelagola on April .<br />
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<strong>Location:-</strong><br />
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Shravanabelagola is located 51 km south east of Hassan in Karnataka at an Altitude of about 3350 feet above sea level. There are excellent roads from Bangalor and Mysore. The nearest airport is Banglore which at a distance of 157 km. and the nearest railway station is Hassan. Shravanabelagola is wedged between two rocky hills - the Vindyagiri and the Chandragiri.<br />
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<strong>Shravanabelagola Temple Timings:-</strong><br />
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Shravanabelagola Temple opens its gates at 6 A.M. and closes at 6:30 P.M.<br />
However, it remains closed from 11:30 A.M. to 3:30 P.M.<br />
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<strong>Shravanabelagola Temple Food Timings:-</strong><br />
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Prasad is offered to all the devotees from 12 noon.<br />
Pilgrims can offer dry fruits as Prasad to the Lord.<br />
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<strong>Poojas and Rituals at Shravanabelagola Temple:-</strong><br />
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There is a special ritual that needs to be observed before the head anointing ceremony is held. This consists of a big wooden scaffolding which is constructed around the Lord Gommateshwara statue. Thousands of pilgrims arrive for this occasion. And, the most important part of this festival consist of chanting holy mantras and pouring gallons of milk, honey and precious herbs that are poured over the head of the statue. The devotees believe that while the offerings are poured over the icon, a strong spiritual energy is passed from the auspicious deity. These offerings are made available to the people who stand in a queue and are believed to assist pilgrims in their search of enlightenment.<br />
And the ritual of the Mahamasthakabhisheka ceremony consists of a beautiful ceremony where the icon is anointed with a mixture comprising of water, turmeric, rice flour, sugarcane juice, sandalwood paste, saffron, gold and silver flowers. The next head anointing ceremony will be held in 2018.<br />
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<strong>Nearby Temples:-</strong><br />
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<strong> Halebid Temple:-</strong><br />
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Halebid also called as the town of Dwara Samudhra is a conventional temple complex. It is home to two Jain temples which are made from traditional soap stones. There are many sculptures of dancers, birds and animals that are still prevalent in the carvings.<br />
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<strong> Chennakesava temple:-</strong><br />
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One can visit this temple on the same day while paying a visit to the famous Shravanabelagola shrine. The Chennakesava temple is dedicated to Lord Vishnu and had been constructed by King Vishnuvardhana. There is another temple named as Kappe Chennigraya shrine that was built by Queen Shantaladevi. There are many people who believe that the temple was built over a period of 100 years. One of the major attractions in the temple consists of Darpana Sundari or a beautiful lady with a mirror. From architectural students to pilgrims, every person admires the beauty of these sculptures.<br />
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<strong>Kali Temple:-</strong><br />
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The Kali Temple was built at the edge of a lake off the main highway that connects Hassan with Halebidu. In addition, there are many beautiful carvings that are engraved on the walls of the auspicious shrine. There are many tourists who plan a visit to this sacred place of worship all around the year.<br />
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<strong>How To Reach:-</strong><br />
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<strong>By Air:-</strong><br />
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The nearest airport is at Bangalore (157 kms), regular flights of Indian and Jet Air connect Bangalore to the main areas of the country<br />
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<strong>By Rail:-</strong><br />
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Shravanbelgoda(SBGA) is a Railway station now, but it is served only by a dialy passenger train from Mysore (via Hassan). Nearest Big station is Hassan (57 Km) and Bangalore is (157 Km away). Taxi or cars are the other options from here.<br />
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<strong>By Road:-</strong><br />
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Shravanabelagola is well connected by road from all important towns in Karnataka. You can get here from Mysore, Bangalore or Hassan. Buses from Hassan are frequent. But there are no direct buses to Shravanabelagola. You have to change over at Channarayapatna. Local transport from Channarayapatna includes auto rickshaws, private cars and buses. From Bangalore you can hire a taxi or bus to reach the main town, the route is simple. After taking NH-4 from Bangalore, once you cross Nelamangala, take a deviation towards Mangalore on Mangalore-Bangalore highway (NH48). Just follow this road until Hirisave from where you will see router marking which leads to Shravanabelagola. Hirisave is 18KM from Sharavanabelagola, if you are using Google maps for navigation, then it will ask you to go further from Hirisave and then take a left: This route is not good. It is recommended to take deviation from Hirisave to reach Shravanabelagola.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com8tag:blogger.com,1999:blog-7798698404473324241.post-41246980510518139412017-04-07T07:19:00.002-07:002017-04-07T08:01:54.625-07:00Someshwara Temple In Manglore<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Someshwara Temple</strong> <br />
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Someshwar Beach located near Ullal Railway Station is a well known beach near Mangalore. This beach is famous for clean & white sands. It is one of the popular Mangalore places to visit. It is also known for the large rocks called 'Rudra Shile' situated near the beach. Someshwara Beach is a natural, safe and clean beach. The beach offers breathtaking views of the Arabian Sea and is an ideal spot for nature lovers and swimmers.<br />
Someshwar beach is well known for the large rocks called "Rudra Shile".<br />
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The other attraction of Someshwar beach is the historical Somanath Temple constructed during the rule of the famous Queen Abbakka Devi (16th century) is situated towards north. who knew no fear’, Ullal carries a great legacy. If you travel 12 km from Mangalore, you will arrive at Kotepur where the fort of Rani Abbakka Devi is located. Ravaged by time and weather, the fort stands testimony to the fearless battle Rani Abbakka Devi fought against the Portuguese. The renowned Siva temple - Someshwara Temple - is located near the fort.Presiding deity here is Lord Shiva and the temple is adorned with beautiful sculptures. In the temple premises there is the statue of great sage Parusharama. As per mythology, the coastal region of Karnataka (along with Kerala) was the creation of Parusharama. <br />
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<strong>Architecture Of Someshwara Temple :-</strong><br />
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One of the prominent temples in Bangalore, the Someshwara temple was built during the reign of the Chola dynasty. Endowed with splendid architecture, the Someshwara temple bears testimony to the architectural expertise of the Chola era. Right at the entrance of the temple, a Rajagopuram (tower) and a Dhwajastambha (massive pillar) provide glimpse of the master craftsmanship of a bygone era.<br />
Though the presiding deity of the temple is Lord Shiva, the temple houses other deities of Kamakshamma, Arunachaleswara, Bhimeswara, Nanjundeswara and Panchalingeswara as well. While the main temple was built by the Chola kings, the impressive Rajagopuram and the compound of the temple was built by chieftain Kempegowda, the founder of Bangalore.<br />
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On the eve of Shivarathri in the month of February, devotees flock to the Someshwara temple in large numbers. Worshippers jostle with each other for a darshan of Lord Shiva and the Pancha Lingeswaras. The temple celebrates Brahmotsava on the full moon day and Kamakshamma Pallaki Utsava festivals in the month of April. The deity of the temple, Goddess Kamakshamma, is taken in a procession in a Pallaki (palanquin) around the temple.<br />
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<strong>History Of Shree Somanatha Temple, Someshwara:-</strong><br />
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Sanctorium of Lord Somanatha at Shree Kshetra Someshwara is considered to be one of the 12 sacred Shiva Kshetras of Indian continent. It is situated on the banks of Arabian Sea at the Western Ghats of South India thirteen kilometres away from Mangalore. The kshetra is known as Rudrapada Kshetra, and is also a famous piligrimage centre for performing Pitrakrayas (last rituals of departed soul). It is also a hot tourist spot known for its beautiful scenic spot for viewing the sunset and for its beach.<br />
The Temple has been built at an elevated spot in form of fort and it has its own legendary history. It is believed that King Kharasura has built this temple and worshipped Lord Somanatha. Kharasura was the relative of Raavana, the demon King and as such the temple is believed to have been existing right from Ramayana period of Trethayuga.<br />
It is also believed that Pandavas of Mahabharata times visited this place and worshipped Lord Somanatha. A lake near Somanatha temple is called as "Gadha Teertha" said to have been built by Bhimasena.<br />
Historically it is said to have been built by Kings of Alupa Dynasty in 10th century A.D. The temple was under the Administrative rule of Kadambas of Banavasi, and Choula Kings of Ullala of 12th Centrury A.D. The two inscriptions found in the temple says that it was renovated in 15th Century A.D. at the time of Vijayanagara King Immadi Devaraya by Rajaguru Sree Kriyashaktri Devavodeya.<br />
The temple is surrounded by Nagabana on its southwestern side and has a Udhbhava Naga and there are other temples of Lord Siddivinayaka, Lord Gopala Krishna, Lord Janardhana and Raktheswari.<br />
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<strong>Stone inscriptions at Someshwara Temple:-</strong><br />
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Two stone inscriptions are found in the vicinity of the temple. While one is at the western side Gopura (tower) of the temple another is inscribed on a small stone pillar near Pakashala. They were numbered as 467 and 468 by the Archeology department in 1929 and reported to have been in damaged condition. Several attempts were made to read them by ephigraphies and recently it was found possible to know the details by Sri Umanathashewari, history lecturer of Sri Venkataramanaswamy college Bantwala who could read the same recently.<br />
The first inscription numbered 467 has got 25 lines and said to be written on Monday the Chandrasuddha Padya of Dondhibi Samvatsara i.e., on April 1, 1443 AD. The inscription details narrates as : "Vijayanagar Empire was ruled by Rajamaharajadhi Raja, Rajaparameshwara Immadi Devaraya between 1424 AD to 1446 AD. At that time his designated Governor Sri Triyamaka Devaodeya was ruling the Tulu kingdom of Mangalore State. During this period Sri Kriyasakthi Devaodara the Rajaguru of Vijayanagara Emperor Immadi Devaraya visited Someshwara Temple and renovated it and prescribed as certain regulations for permanent poojas and sevas of Lord Someshwara on stone inscription. The inscription regulates that the produce of the land and other otherings made by kings of Banga and Chouta Dynasty as well as by the Brahmin community be used scruplusly for the continuous pooja sevas of Lord Someshwara till sun & moon exists on the earth and utsavas and fairs to be conducted as laid down by the governers as Vijayanagar Empire. It also cautions that any misuse will lead to severe punishment and wishes good to all who obey the regulations."<br />
The second stone inscription numbered 468 bears only two links the rest of which is completely perished. The two links read as<br />
"Saka 1117"<br />
"Swasthi Samastha Bhuvivikyatha"<br />
Though we could read only there two lines on this inscriptions, it provides a lot of information on the period of this temple construction. The "Saka 1117" reveals that the temple is of more than 791 years old and the other line "Swasthi Samastha Bhuvivikyatha" reveals that it is the title of Alupa King Nalvadi Veerakalasekhara who ruled between Saka 1092 to 1142 i.e., 1195 AD. As such this line of inscription reveals the fact that the temple was built earlier than the period of Veerakulasekhara i.e., it was built before 1195 AD.<br />
It is unfortunate that we have no more details in view of the delaminated condition of the inscription. However we can predict that King Veerakulasekhara must have made offerings to Lord Someshwara as a disciple of Shiva. He was known for his bravery by defeating the Pandya Kings of Madhure to protect his kingdom Alvakheda. As described in another inscription of 1205 AD. He has also brought out Gold coins known as Mangalore Gadyanas. As such it is presumed that Alupa Kings as a disciples and devotees of Lord Someshwara might have be the great patrons of the temple and worshipping right before 650 AD itself.<br />
Queen Abbakka was the devotee of this temple and she has donated Jaladhani about 450 years back. It is well preserved in the temple and used during Jathra festval. <br />
ignificance of Someshwara Temple Mangalore<br />
A lake near Somanatha temple exists that is called as “Gadha Teertha” and said to have been built by Bhimasena.<br />
Two famous stone inscriptions are found on the temple walls. One is at the western side Gopura (tower) of the temple another is inscribed on a small stone pillar near Pakashala.<br />
The first inscription numbered 467 has got 25 lines and said to be written on Monday the Chandrasuddha Padya of Dondhibi Samvatsara i.e., on April 1, 1443 AD.<br />
The second stone inscription numbered 468 bears only two links the rest of which is completely perished. The two links read as:<br />
“Saka 1117”<br />
“Swasthi Samastha Bhuvivikyatha”.<br />
Queen Abbakka was the devotee of this temple and she has donated Jaladhani about 450 years back. It is well preserved in the temple and used during Jathra festval.<br />
Places nearby Someshwara Temple Mangalore<br />
Bekal Fort: Located 63 Kms south of Mangalore is in the state of Kerala. The unique Bekal Fort stands amidst the roaming but heartening music of the seas along with the eternal note of the unending waves, carrying the thrilling memories of a bygone era.<br />
Kadri Manjunatha Temple:it is located on Kadri hills, in Mangalore is just 3 Km away from the venue. This popular and beautiful temple is surrounded by tanks with natural springs and late rite caves. These caves are also called as Pandava Caves. It is believed that the Pandavas came to this cave and stayed there.<br />
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<strong>A Quick Look at the Someshwara Beach:-</strong><br />
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The beach is undiscovered by tourists and therefore in a pristine condition. The endless golden sands are ideal for walking or sunbathing. Someshwara beach is famous for large rocks on the beach called Rudra Shile. During high tide, the sight of waves dashing against the rocks evokes a feeling of awe for the power of Nature<br />
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One can climb the Ottinene hillock for a grand view of the Netravati River winding its way to the sea through mangroves.This hillock has lush vegetation and a number of medicinal plants grow naturally here. The Government has announced plans of developing a park for medicinal plants here. This park, to be called Kshithij Nisargadhama, is approachable from Someshwara beach.<br />
The presence of hidden rocks and currents along this stretch of the coast make this each unsuitable for swimming. The sea claims a number of lives every year as unwary swimmers are dragged by the current.<br />
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<strong>Getting To Someshwara Beach:-</strong><br />
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Someshwara beach is located 9 km from Mangalore city. The beach is close to Ullal town. Mangalore is well connected to the rest of India by road and rail. The nearest airport to Someshwara beach is Mangalore. Mangalore has a variety of hotels to suit every budget, and accommodation can be arranged at short notice.<br />
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<strong>About Ullal:-</strong><br />
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Ullal is a panchayat town in Dakshina Kannada district in the Indian state of Karnataka. Ullal town is one of the oldest towns in India. In 15th century it came under the rules of Portuguese. Still the remains of its glorious history can be seen in the beaches and other parts of Ullal. It is a small town about 8–10 km south of Mangalore close to the border between the two southern states of Karnataka and Kerala. It comprises two revenue villages, Ullal and Parmannur, in Mangalore Taluk. Ullal is located adjacent to City Corporation of Mangalore at a distance of 10 KM from District head quarters. Most of the people in ullal belong to either beary or Mogaveera ethnic group.Ullal, which was otherwise considered to be a very peaceful place became notorious for the communial riots for last few years.<br />
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The beach is undiscovered by tourists and therefore in a pristine condition. The endless golden sands are ideal for walking or sunbathing. Someshwara beach is famous for large rocks on the beach called Rudra Shile. During high tide, the sight of waves dashing against the rocks evokes a feeling of awe for the power of Nature.<br />
It is very famous for historic locations like Someshwara Temple, Summer Sands Beach Resort, Queen Abbakka’s Fort at Ranipura, Seyyad madani dargah, K Pandyarajah Ballal Institutes and college of nursing and Queen Abbakka’s basadi at melangadi. This quaint little sea town on the shore of Arabian Sea was the setting for wide-scale sea-erosion that occurred in the late 1990s and early this millennium. The local authorities however have tried to reduce the damage by placing sand bags near the advancing coastline, the benefits of this step are yet to be noted.[citation needed]. Adjacent to summer sands beach resort is subhash nagar. The remains of Rani Abbakka’s fort can be seen in the vicinity of Someshwara Temple. This Town is an important trading centre for fish and fish manure. Fishing and Beedi rolling are main occupations of the residents of this town.<br />
The beach is undiscovered by tourists and therefore in a pristine condition. The endless golden sands are ideal for walking or sunbathing. Someshwara beach is famous for large rocks on the beach called Rudra Shile. During high tide, the sight of waves dashing against the rocks evokes a feeling of awe for the power of Nature<br />
One can climb the Ottinene hillock for a grand view of the Netravati River winding its way to the sea through mangroves.This hillock has lush vegetation and a number of medicinal plants grow naturally here. The Government has announced plans of developing a park for medicinal plants here. This park, to be called Kshithij Nisargadhama, is approachable from Someshwara beach.<br />
The presence of hidden rocks and currents along this stretch of the coast make this each unsuitable for swimming. The sea claims a number of lives every year as unwary swimmers are dragged by the current.<br />
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<strong>Pooja Timmings:-</strong><br />
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5:00 AM to 1:00 PM<br />
5:00 PM to 8:00 PM.<br />
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During Annual Jathra the temple will remain open whole day and night. <br />
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<strong>Festivals at Someshwara Temple Mangalore:-</strong><br />
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The Jathra Mahotsava is the grand festival held here. It is a 7 days ritual with many a poojas and splendour.<br />
Laksha Deepotsava in the temple is held in Tula masa. On the day Kshetra pooja is held in the beginning and then Appada pooje and Ranga pooja of Sri Siddivinayaka is held.<br />
On the day of Shivarathri, Shiva pooja, Ranga pooja rituals are held and Bhootabali is given. After this the archaka of Holla sect seeks the blessing of the Main Deity for offering prasada to Kattige i.e., for Nagabana<br />
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<strong>How to Reach:-</strong><br />
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<strong>By Rail:-</strong><br />
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Thokur Rail Way Station , Kankanadi Rail Way Station are the very nearby railway station to Someshwara. How ever Mangalore Rail Way Station is major railway station 8 KM near to Someshwara.<br />
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<strong>By Road:-</strong><br />
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Mangalore , Bajpe , Ullal , Bantval , Mulki , Mudbidri , Karkala are the nearby by towns to Mangalore having road connectivity to Mangalore and Someshwara.<br />
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<strong>By Air:-</strong><br />
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Mangalore International Airport at Kenjar is the nearest airport to the temple located at a distance of about 41 Kms. </div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com4tag:blogger.com,1999:blog-7798698404473324241.post-36106839538318578092017-04-07T05:31:00.003-07:002017-04-07T21:41:20.321-07:00Nishkalank Mahadev’s temple - A Shiva Temple Middle Of Arabian Sea Koliyak, Bavnagar<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Nishkalank Mahadev’s Temple</strong> <br />
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Koliyak is located at a distance of about 23 km to the east of Bhavnagar. It is said that Pandavas established Nishkalank or Nakalank Mahadev on a new moon night of the Indian calendar month of Bhadarva. The famous fair popularly known as ‘Bhadarvi’ is held on the new moon night in month of Sharvan, as per the Indian calender. An idol of god Shankar was established in an island, over the sea about 3 km to the east of Koliyak.<br />
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Think of a temple in the weirdest of places. Under the sea. But then, the Hindus have built their temples over the hills and mountains, inside the caves, at the sea shore, near the water falls…where ever nature reveals itself in all its grandeur and pristine beauty. The temple I am talking about is Nishkalank Mahadev’s temple (Nishkalank – blemish-less or sinless; Mahadev – Lord Shiva), and it is under water during high tides in the sea and emerges during low tides to reveal itself majestically, promising its devotees to wash away all sins. As it did for the Pandavas in the epic Mahabharata, when they wanted to atone for the sin of killing their brethren, even though they were all evil incarnated.<br />
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<strong>About Nishkalank Mahadev’s Temple:-</strong> <br />
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This temple is 2 kms inside the sea. One has to travel by boat to reach this temple. The temple is immersed in the sea in the remaining hours. Tides in the sea create this effect. One can identify the temple with the help of a flag arranged on the top of temple. The devotees perform their Puja activities and return by evening. The tides are very active in this area especially on no moon day and full moon day. The devotees eagerly wait for the tides to disappear on these days.<br />
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According to historians, this temple was built by Pandavas during Mahabharath war. There will be celebrations at this temple on Mahashivarathri. This temple was built with a special care to withstand very high tides. This temple is a big question to all the modern engineers and technology experts. We should appreciate the work of ancient Indians who built this temple.<br />
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<strong>Story Linked to the Temple:-</strong><br />
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The story is from Mahabharat age. After Pandavas won the battle by killing all the Kauravas; were feeling anguish releasing that they have attained sins for killing their relatives. So as to discover reclamation for their sins, Pandavas met Lord Krishna. Krishna handed them a black Flag and a black Cow. <br />
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He asks the Pandavas to trail them, saying when both turns white, they all will be forgiven. Krishna also recommends them to apologize to lord Shiva, after that. The Pandavas followed the cow everywhere it went and conceded the flag. They marched for days, to various places but the shades didn’t change. Lastly, when they reached the Koliyak Beach, both turned white. Pandavas were dignified and sat for apologizing by meditated to lord Shiva.<br />
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Impressed by the brothers, Shiva appeared in Lingam form to each Pandava. Altogether there were 5 (Swayumbu) lingams that appeared on their own. Pleased Pandavas worshiped all the 5 linga with religious zeal. Hence, they named it as Nishkalan Mahadev. ‘Nishkalank’ means being spotless, clean, and innocent, etc. Pandavas settled down the Nakalank Mahadev on Amavasai i.e. no moon night of the Indian calendar month Bhadra. An idol of Lord Shiva was established on the island, about 3kms to the east of Koliyak. Every lingam has a Nandi fronting it. They are placed on a square platform. A pond named “Pandava Kund” is used by devotees to wash hands and legs before visiting Shiva Lings.<br />
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<strong>Watch For:-</strong><br />
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As the temple is situated in the middle of the Arabian Sea, you must be careful about the tides. There are high tides on the full moon and no moon days and thus going on these days would be troublesome for you. Though the tides are always on, but it is said that the tides make way for devotees during worship hours and cover the Shiva Lingas during night hours.<br />
Visit Time: Though the temple is open for devotees on all days of a week but every Friday, holds a special preference for devotees to visit Nishkalank Mahadev Mandir. The temple is opened for only a few hours in a day.<br />
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<strong>Legend Of Nishkalank Mahadev’s Temple:-</strong><br />
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The following temple story dates back to Mahabaratha era. Pandavas killed all the Kuravas and won the battle. Pandavas were grief stricken knowing they acquired sins for killing their own relatives. In order to find redemption for their sins, Pandavas met Lord Krishna. To remove the sins, Krishna hands over a black Flag and a Black COW. He asks the Pandavas to follow it, when both Cow and flag turns white, they all will be pardoned. Krishna also advises them to do penance to lord Shiva, after that. The angst stricken brothers followed the cow wherever it went and carried the flag. They walked for days, to different places and the color did not change. Finally, when they arrived at the Koliyak Beach, both cow and the flag color turned to white. Pandavas were exalted. And all the 5 brothers sat for deep penance, meditated on lord Shiva.<br />
Lord Shiva impressed by the brothers showed up in lingam form to each brother. As they meditated, each lingam appeared in front of each brother. In total there were 5 (Swayumbu) lingams that showed up on their own. Pandavas were delighted to see this and they worshiped all the five lingams with great devotion. Lord Shiva here is known as Nishkalan Mahadev. ‘Nishkalank’ has many meaning they are clean, pure, guiltless, to cleanse, to purify, etc. It is said that Pandavas established Nishkalank or Nakalank Mahadev on a Amavasai of the Indian calendar month of Bhadarva. The famous fair popularly known as ‘Bhadarvi’ is held on the no moon night in month of Sharvan (August), as per the Indian calendar. An idol of Lord Shiva was established in an island, over the sea about 3 km to the east of Koliyak. Each lingam has a Nandhi facing it. The lingams are spread across a square Platform. There is a pond called Pandavas pond and devotees’ first wash their hands and legs and only then they visit the Lord Shivas shrines.<br />
Nishkalank Mahadev Temple is one of the rarest of rare temples. The sea everyday withdraws, paving way for the devotees to offer their prayers. This temple is located in the middle of the sea, and devotees’ young and old alike walk all the way to reach this temple. The water just around the temple pave the way, and this is a rare sight. And after 7 pm, the temple is again covered under the fierce tide.<br />
Devotees’ throng this temple during Amavasai (no moon day), it is to be noted here that the tides are very active during full moon day and no moon day, yet devotees patiently wait for the tides to retrieve. There is strong belief that when loved ones are cremated their ashes are immersed in these waters and by doing so, one attains salvation or moksha. Besides ash, milk, curds and whole coconut are offered to the lord here. The temple festival is initiated by hoisting the flag by the clans of Maharajas of Bhavnagar. This flag is on for 364 days and is changed only during the next temple festival. And for the records, the flag has never fallen down or washed away by the tides. It stands undisturbed by the ferocious tides and has seen the deadliest earth quake that killed more than 50,000 people in 2001.<br />
This is a wonder beauty. The devotees worship not many temples that are buried under the sea. However, this temple stands as an exception.<br />
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<strong>Miracle Of Temple:-</strong><br />
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Nishkalank Mahadev Temple at Koliyak<br />
Earlier I had told you that the Gujarat sea line is different from the rest of India. And we had seen the proof of the same at Kavi Kamboi. Now let us explore the same a bit more.<br />
Let me explain step by step. We were at the Koliyak beach at around 8 am. We parked our car at a convenient place and started taking some photos and videos. It was like any other sea beach. Calm and quiet. There were lots of shacks. Most of them were not yet opened, and those few which were opened were preparing some deep fried pakoda kind of breakfast. We were one of the first visitors of the day.<br />
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We could see two poles with flags deep inside the see, may be a km or two from the beach.<br />
The calm and quiet beach of Koliyak at 8.15 am. Your eye sight is excellent if you have spotted 2 parallel vertical lines<br />
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A little while later. Can you notice the two poles?<br />
And soon it was around 9 am or so. The water was slowly receding, bit by bit, inch by inch. The tourists also started picking up. Now we could make out that the sea is not deep but very shallow. And the two poles with the flags were more visible, and were clearer.<br />
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Now it was around 11 am. So we also decided to walk there. The coastline has moved forward substantially. The path was quite slippery. We removed our chappals along the way. We had folded our pants. And with utmost care, we were walking towards those two pillars. Soon, the water receded completely. And we were also nearing the pillars.<br />
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Shop keepers are taking even push-carts to the temple !<br />
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<strong>Popularity of the temple:-</strong><br />
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Do you know why Nishkalank Temple is famous all across the world? Why is this temple popular among the Shiva devotees?<br />
The interesting fact about this temple is its location. This temple was built in the middle of the sea where the tides are very active. The devotees wait for hours to let the water recede as it is not possible for anyone to enter the temple during high tide. The water usually recedes for only a couple of hours, and it is then that the worshippers pray their beloved deity. The temple again goes under water once the clock strikes 7 in the evening.<br />
It is a popular belief among the Shiva devotees that the departed souls attain moksha if their ashes are immersed in the water near the temple.<br />
The flag that is hoisted on the temple is changed once a year on the occasion of the fair only.<br />
The flag that is of great significance to the temple has never got torn or washed away in the tides, rains or winds till date.<br />
If you are a Shiva devotee, visiting the Nishkalank temple would be an unforgettable and thrilling experience. The temple is in every sense a marvel!<br />
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<strong>Best time to visit: -</strong><br />
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March to July.<br />
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<strong>Other Attraction Near temple:-</strong><br />
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The Tourist Attraction here namely, Khodiyar Mata Rajpara is near Bhavnagar city, Gopnath Mahadev temple is near Talaja taluka, Uncha Kotda Chamunda Mata is nearMahuva city and Bagdana Bapa Bajrangdasji Maharaj Temple.<br />
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<strong>How to Reach Nishkalank Mahadev Temple:-</strong><br />
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<strong>By Air:-</strong><br />
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The Ahmedabad city distance is 196 km.<br />
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<strong>By Rail:-</strong><br />
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The Bhavnagar city Railway station is 22 km.<br />
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<strong>By Road:-</strong><br />
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Well-known bus stops are situated at koliyak village and Bhavnagar city.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com13tag:blogger.com,1999:blog-7798698404473324241.post-54987510711868264852017-04-07T04:14:00.001-07:002017-04-07T04:14:05.912-07:00Bhadkeshwar Mahadev Mandir In Dwarka Beach<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Bhadkeshwar Mahadev Mandir</strong><br />
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Bhadkeshwar Mahadev Mandir is on the hillock in the sea. The revered temple is behind the Geeta Mandir, in the west of Dwarka. During the high tide the temple gets surrounded by water, but at the time of ebb when the water level come backs to normal one can reach there very easily. There are steps to get into the temple. Chandra-Mouliswar Shiva is the presiding deity at the core of the temple. The deity form was found at the confluence of Gomati, Ganga and Arabian Sea by the Acharya Jagatguru Sankaracharya himself. In addition, there are 1200 Salgramshilas, 1300 Shiva Lingas, metal forms of 75 Sankaracharyas.<br />
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<br />Bhadkeshwar Mahadev temple is situated on a hillock in the sea. The revered temple is located behind the Geeta Mandir towards the west of Dwarka. During the high tide the temple gets surrounded by water and the stairs get submerged, but at the time of ebb when the water level come backs to normal one can reach there very easily.<br />
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Chandra-Mouliswar Shiva is the presiding deity worshipped at the core of the temple. Acharya Jagatguru Sankaracharya himself found the deity form at the confluence of Gomati, Ganga and Arabian Sea. In addition to this there are 1200 Salgramshilas, 1300 Shiva Lingas, metal forms of 75 Sankaracharyas making it a memorable experience to get the darshan form the sea and or just watching the sea from the island. A fair takes place here on the day of Mahashivratri and thousands of devotees throng to pay respect to Lord Shiva.<br />
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<strong>Other Temples in Dwarka:-</strong><br />
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<strong>Rukmani Devi Temple :-</strong><br />
<br />This small temple, 1.5km north of town, is an architectural masterpiece. Rukmini is the most important of Krishna's 16,108 wives. The temple walls are decorated with beautiful paintings depicting her pastimes with Krishna.<br />
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<strong>Beyt Dwarka :-</strong><br />
<br />Offshore from Okha, the island of Beyt Dwarka is associated with Lord Krishna. The main temple here, built in the 19th century, has several shrines and images of Lord Krishna and his 56 consorts.<br />
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<strong>Gita Mandir, Dwarka:-</strong><br />
<br />Located towards the Western Ghats of Dwarka, the amazing Gita temple is situated near the Bhadkeshwar Mahadev Mandir. The temple was built in 1970 by the leading business tycoons of India who are renowned in the world as well “Birlas”. The temple tempts to venture the ethics of the most sanctified book Bhagavad Gita.<br />
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<strong> Jageshwar:-</strong><br />
<br />The temples at Jageshwar, in the background of Darukavana, the holy deodar forest, believed by most to house the Nagesh Jyotirlinga.<br />
<br /><strong>Gomti Ghat Temples:-</strong><br />
<br />Gomti is one of the most sacred bank rivers of India. It is no less than the holy river Ganaga that falls down from the heaven directly. The river itself endow various Ghats as well as shrines where devotees where the devotees perform plenty of rituals. The river could also be seen from the famous Dwarkadhish Temple. The temple is located at the same place where river Gomti meets the giant deep and blue ocean. The temple is believed to be an image of river Gomti, it is said to be brought on the land from heaven by Vasistha Muni.<br />
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<strong>Triveni Tirth :-</strong><br />
<br />A river is holy in Hinduism, and the meeting place of 3 rivers-Hiran, Kapil and mythical Saraswati-with the Arabian sea, is triply important. The Triveni tirth is an important place of pilgrimage, specially to immerse ashes and pray for dear departed.<br />
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<strong>Bhalka Tirth :-</strong><br />
<br />The spot where Lord Krishna was mistaken for a deer and struck by a arrow hile sleeping in a deerskin. It is said Lord Krishna was cremated at Dehotsarga at Triveni Ghat.<br />
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<strong>Sabha Mandapa:-</strong><br />
<br /> Besides its beautiful temples, Dwarka is also celebrated for the Forts and Monuments in Dwarka. The impressive architectural designs showcased by these structures is a genuine visual treat. A prominent name in the register of Forts and Monuments in Dwarka is Sabha Mandapa in Dwarka. History of Sabha Mandapa,<br />
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<strong>Rangmati River:-</strong><br />
<br />A definite must include, if you are planning a Tour to Gujarat, Jamnagar promises to charm all the tourists to her land. Rich in history as well as heritage, a Tour to Jamnagar is one of the easiest ways of knowing more about the rich heritage of Gujarat. Well maintained, almost the entirety of the city of Jamnagar is a sight for sore eyes, which has grown around the course of the Rangmati River, Jamnagar.<br />
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<strong>Bala Hanuman Temple:-</strong><br />
<br />The city of Jamnagar in Gujarat has had an elaborate history that dates back to the time of its foundation in the year 1540 A.D.It is by virtue of this highly illustrated history that Jamnagar offers a wide range of attractions for its tourists. Among theseTourist Attractions in Jamnagar, the Holy Places in Jamnagar are visited by the tourists form various parts of India and the<br />world. Among these, the Temples in Jamnagar and more importantly, the Bala Hanuman Temple, Jamnagar deserve a special mention.<br />
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<strong>Rozi and Bedi Ports:-</strong><br />
<br />Jamnagar, a city in the state of Gujarat is located in the Gulf of Kutch. Adinath Mandir sharp line of distinction can be drawnbetween the coastlines of Jamnagar to that of other sea coasts of India. Although the Jamnagar coastline is tidal by nature, yet they offer a few of the most spectacular beaches as well as picnic spots in the country.In addition to this, the presence of as many as 42 islands in this region makes the Gulf one of the most attractive touring destinations in India. One such destination is Rozi and Bedi Ports, Jamnagar.<br />
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<strong>Lakhota Museum:-</strong><br />
<br /> One of the most striking remnants of the rich past of imperial India, a Tour To Jamnagar is considered as a definite must have, if you are planning a tour schedule to Gujarat. Almost the whole of the former princely state of Jamnagar is still alive, stunning rich glory of the times gone by, standing as a witness to an era of richness which still heavily influences the way of life of not just Jamnagar but the whole of the province of Gujarat. Home to a history, which the city proudly holds even today, the long list of the various Museums Of Jamnagar are led by the exotic beauty of the museums like Lakhota Museums, Jamnagar.<br />
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<strong>How to Reach:-</strong><br />
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<strong>By Taxi :-</strong><br />
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Transfer taxi services are available.<br />
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<strong>By Bus :-</strong><br />
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An excellent network of state and national highways runs through the entire state of Gujarat connecting it with other Indian cities. Interstate and local buses connect Dwarka with other cities within and outside the state. Dwarka is on the state highway from Jamnagar to Dwarka. Direct buses available from Jamnagar and Ahmedabad. Dwarka municipality runs a local bus to take the pilgrims across various destinations of religious and tourist prominence. The departure timings of the bus are 8:00 & 14:00 each day while the total time of the journey is around five hours. The ticket prices are Rs. 30 for an adult and Rs. 15 for a child. Tickets can be booked near the vegetable market, which is also the starting point of the journey. Major destinations covered are Nageshwar, Gopi Talao, Bet Dwarka and Rukminimata temple.<br />
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<strong>ByTrain :-</strong><br />
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Dwarka has its own railway station which connects it to other major cities in India. Regular trains are available from nearby cities such as Jamnagar, Rajkot and Ahmedabad. The best way to reach the place is to board a train to any of the major cities around and take a train to Dwarka from there. Dwarka is a station on the Ahmedabad-Okha broad gauge railway line, with trains connecting it to Jamnagar (137 km), Rajkot (217 km) and Ahmedabad (471 km), and some trains that continue all the way down the coast through Vadodara, Surat, Mumbai, Goa, Karnataka, to the southern tip of India in Kerala.<br />
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<strong>By Air :-</strong><br />
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Jamnagar is the nearest airport from Dwarka while Rajkot is another option to access the place by air. Government run Indian Airlines and other private airlines such as Jet Airways and Air Deccan operate regular services to both these locations. Ahmaedabad is another major airport which is connected by regular flights from all the major Indian cities.<br />
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<strong>By Others :-</strong><br />
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Local transport facilities including tongas, auto rickshaws and buses are available from the main town.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com1tag:blogger.com,1999:blog-7798698404473324241.post-22752575936774759802017-04-07T00:32:00.002-07:002017-04-07T00:32:18.162-07:00Modhera sun temple In Gujarat<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Modhera Sun Temple</strong> <br />
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The Sun Temple (1026 AD) at Modhera in Gujarat, is a temple dedicated to the Hindu Sun-God, Surya. Sun temple today is a well maintained site and a popular visit enroute for all travellers. There is a stepwell within a temple complex and Sun temple is characterised by erotic carvings.<br />Founded way back in the 11th century by King Bhimdev I of the Solanki dynasty, Sun temple is placed on a hillock in Modhera, around 106 km north-westwards of Ahmedabad. One of the most beautiful Hindu temples in Gujarat, it is built in such a way that the sun shines on the image of Surya chakra, from sunrise to sunset. The main hall and the shrine are supported by beautifully-carved pillars with sculptures of gods and demons.<br />
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Located on the banks of Pushpavati River, the temple is dedicated to Sun Goa. Its interior hall has 12 niches that represent the monthly manifestations of the God. One of the few Sun temples in India, this temple complex is divided into three parts- Surya Kund, Sabha Mandap and Guda Mandap. Do not miss visiting this step-wells in the Sun temple of Modhera. The complex also has temples dedicated to Lord Vishnu, Lord Ganesha, Lord Shiva and Sitala Mata.<br />
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<strong>History Of Modhera Sun Temple :-</strong><br />
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According to the Skanda Purana and Brahma Purana, the areas near Modhera were known during ancient days as Dharmaranya. These Puranas mention that after defeating Ravana, Lord Rama asked Muni Vasistha to show him a place of pilgrimage where he could go and purify himself from the sin of 'Brahma-hatya' (the sin of killing a Brahmin). Muni Vasistha showed him a Dharmaranya, which was near the modern town of Modhera. In the Dharmaranya, he settled at a village Modherak and performed a yagna there. Thereafter he established a village and named it Sitapur. This village is about 8 km from Becharaji Modherak village and it subsequently came to be known as Modhera.<br />
The Sun Temple was built by Raja Bhimdev I of Solanki lineage (who were believed to be Suryavanshis) in AD 1026. The temple bears some resemblance to the more renowned Sun Temple of Konark, which it predates by some 200 years. Like the temple at Konark, it was so designed that the first rays of the sun fell on the image of Surya, the Sun God, at the time equinoxes. The temple is partially in ruins, but despite the passage of time, it continues to reveal the architectural genius, the sculptor's virtuosity, and, of course, the devotional fervor of the times.<br />
<br /><strong>The Modhera Sun Temple:-</strong><br />
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Sun TempleThe Modhera sun temple is situated on the bank of the river Pushpavati, 30 kms from Mehesana and 125 kms from Ahmadabad in northern Gujarat. This is an ancient township, traceable to the Puranic age, when it was known as Dharmaranya. It is believed that Lord Rama performed here a yajna (sacrifice) to purify himself of the sin of having killed a Brahmin - Ravana, the king of Lanka. Rama built "Modherak" which subsequently came to be called "Modhera". It became a pilgrimage centre for hordes of people who thronged to the place to pay homage to Surya.<br />
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The Modhera temple is the creation of the Solanki era in Gujarat when it was ruled by Bhima-I in 1026-27. This was the time when Somnath and the adjoining area was plundered by Mahmud Ghazni and reeled under the effects of his invasion. The Solankis, however, regained much of their lost power and splendour. Anahilvad Patan, the Solanki capital, was restored to glory. Royalty and traders jointly contributed to build grand temples.<br />
The first view of the sun temple is breathtaking, with the pillared portico of the sabhamandap reflected in the massive tank. The weathered golden brown stone of the edifice has an overpowering grandeur. The temple follows the contemporary stylistic traditions, incorporating twin compartments - a shrine with the cells housing the presiding deity and the mandapam or sabhamandap (assembly hall). A narrow passage connects the two structures. The lower portion of both structures is ornamented with horizontal bands of sculptural decoration. The mandovara (upper wall portion) is covered with panels of large images of deities from the Hindu pantheon, placed in their carved niches and tabernacles. The vimana or the spire has horizontal bands of figurative and geometrical designs, all rising to the apex of the pyramid, and recreating in stone the mythological Mount Meru - abode of gods. Urusrimgas, miniature replicas of the shrine, cling to the central spire. Although the spires over the cells and sabhamandap were destroyed by the invaders and have survived only in the core pyramidal structure, an idea of their form can be had from the spires of the small temples built on terraces of the steps over the tank.<br />
The temple interior is peristylar and consists of superbly carved pillars. Covered with lavish sculptural decoration, these pillars are examples of the perfect craftsmanship of the Solanki artisan. These pillars are geometrically arranged to create an octagonal space at the centre of the hall used quite frequently for ritualistic dance performances.<br />
The sabhamandap is a small independent structure. The four entrances have ornamental toranas (decorative hangings over the entrance) which have a marvellous quality of intricate and precision craftsmanship. At the centre of the hall is the walnut shaped ceiling, with its numerous folds of floral girdles, upheld by two aisles of pillars arranged on diagonals of the square plan. Even at its dimly lit height, the astounding splendour of stonecraft shines brightly. It is a visual delight to stand under the 23 feet high ceiling.<br />
The structure containing the sanctum is modest in size but a rare gem of architectural and sculptural decoration. At one time, the image of the Sun, cast in gold, was placed at the centre of the sanctum to receive the first rays of the sun. The invaders removed the image for its gold and left the sanctum walls bereft of any decoration - a mere empty jewel casket. The structure is oblong in shape, 80 feet by 50 feet, with a single entrance over which the artisans have worked like jewellers. The slender columns at the porch are ingeniously crafted. On the exterior walls are the large panels of gods and goddesses, celestial maidens, nymphs and dancers, and of course impressive images of Surya riding his chariot across the heavens. Very discreetly, the profuse erotic sculptural panels have been placed at inconspicuous angles to avoid unnecessary attention.<br />
The entire structural complex at Modhera is aligned to the east, to the rising sun. Kama Kunda, the water tank, meant for ritualistic ablution before offering worship, is one of the most perfectly designed structures of its kind in the country. A regular well-patterned lateral formation of stone steps descends upto the bottom of the tank. The geometrical configuration of steps allows a direct or diagonal descent from all the four sides. On the small terraces on the steps are small temples with niches housing Vaishnavite deities. The dramatic play of light and shade on these steps creates a fascinating impact. The stepped water tank at Modhera ruined columns without their splendid superstructure, which leads into the sabhamandap. These columns, like every other inch of space on the temple structure, are loaded with sculptural decoration of an extraordinary beauty. Thus, the Modhera sun temple is a glorious example of Gujarat's rich cultural heritage.<br />
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<strong>Different Parts Of Temple:-</strong><br />
<br />The temple site at Modhera consists of three distinct units: the Sun Temple, the Nrityamandapa, and the 'Suryakunda'. Sculptures of noteworthy iconography are found all over the temple. The almost life-size figures in the panels belong to three groups of deities, namely the 'Adityas', the 'lokpalas' and the 'devis'.<br />
The twelve 'adityas' are arranged around the western part of the cellar. They stand in 'Samabhanga' position, upon a pedestal of seven horses, denoting the seven colours that emanate from the sun. Between the boot-tips of the deities is the charioteer, Aruha. An interesting figure is an iconograph with three heads, three arms and three legs.<br />
Sun Temple in Modhera - GujaratIn other niches and corners are figures of Shiva and Vishnu, in various forms. The outer walls of both the columnar hall and the inner shrine, are exquisitely carved with bands of sculptures; depicting iconographic forms of various deities, celestial beauties, dancing figures, rows of elephants, and processions of people in different attitudes, etc. The assembly hall has exquisitely carved pillars.<br />
Dedication of Modhera Sun temple to Sun God<br />The Sun Temple is divided into three parts namely Surya Kund, Sabha Mandap and Guda Mandap<br />
Located on tropic of cancer, a place where earth stops its north movement and Sun God was worshiped with every rise.<br /> Sabha Mandap standing on 52 pillars, depicting the 52 weeks in an year.<br /> Depiction of Sun, one of the panchbhuta, and its unity with other 4 elements ( Air, Water, Earth & Space) in the architecture.<br /> On equinoxes, with the perfect planning and precision of the architecture, sun rays enter the main sanctum . In those days light used to further reflect to other idols from the correctly placed diamond on the head of Sun God.<br /> The representation of walls with 12 different facets of each month in Guda Mandap.<br />
<br /><strong>Sabha Mandap:-</strong><br />
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<br />It is a huge hall, where once religious meetings used to be held. It is open on all sides and contains around 52 pillars, all of them being intricately carved. The carvings depict scenes from the Hindu epics of Ramayana, Mahabharata and Krishna Lila (i.e. story of lord Krishna).<br />
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<strong>Sanctum Sanctorum:-</strong><br />
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<br />Sanctum Sanctorum is the main chamber of the temple. It rests on a lotus shaped platform and contains the bejeweled idol of Lord Surya. The chamber was plundered by Mahmud Gazni.<br />
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<strong>Surya Kunda:-</strong><br />
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<br />This looks like a step well but bigger in size. This pond in front of the temple is also known as Ram Kunda by locals. This rectangular well measuring 52.6 x 36.6 meter is the first part of the sun temple. There are several platforms and steps are there to reach water level.<br />
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<strong>Guda Mandap in Modhera Sun Temple:-</strong><br />
<br />Guda Mandap is the main temple which is supported by a lotus-base plinth. Once, this hall used to house the idol of the Sun. The sanctum is designed in such a way the idol got the first glimpse of the Sun at equinoxes. The carved walls also depict the aspects of human life like the vicious circle of birth and death. <br />The walk from kund to the main temple to Guda Mandap is like transcend journey from death to moksha.<br />
There are four large temple in Suryakund.<br />Temple of SheshShayee lord Vishnu in the east.<br />Temple of Shitala Mataji in the South.<br />Temple of Lord Nataraja in the North.<br />Temple of Ganpati is by the side of Shitala Mata and further many small temple and idols of Vaishnava religion.<br />
<br /><strong>Kirti Toran:-</strong><br />
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<br />After bathing in the Suryakund while going up for Darshan of Sun god on the way there are two large Poles. These poles displays the respect and glory won by the state. Hence these poles are named as Kirti – Toran or prestige , Respect and glory Arch.<br />
On further passing the Kirti Toran devotees enter into a court gallery constructed by 52 pillars. These pillars are decorated with incidents of Ramayana and Mahabharata. There are statues of 12 postures of Sun god . Here inside the gallery devotees sing devotional songs and dance. This is connected to main sanctum by a stone path.<br />
The Sun temple is so designed that on the days of equinoxes i.e. 21st March and 21st September, the first rays of sun fall on the idol of Sun in Garbhagriha. Is this not an engineering wonder too then? The main sun temple is on a plinth that is designed like an inverted lotus. Remember lotus is a flower that responds to the sun rays and lives only for the time sun rays are there. On top of lotus petals is a panel carved with Elephants called Gaj-petika. Above these the entire life cycle of a human being is carved; starting right from the time a human being is conceived with an act of intercourse to the death depicted with last rites. There are other erotic figures as well on the exterior as was the norm in the temples of that era.<br />
<br /><strong>Deities of 8 directions:-</strong><br />
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There are sculptures of people playing various musical instruments. Above these flora / fauna/ life are deities. There are 12 idols of Parvati in her various forms called Dwadash Gauri. There are 12 idols of Sun as if he is all pervading. Some idols of Sun are in Irani Style with Gumboots and a long cap. As per the guide, this is because the sun worship started in Iran. 8 directions of the temple have deities of the 8 directions:<br />
North – Kuber, the lord of wealth<br /> North East – Rudra – a form of Shiva<br /> East – Indra or lord of Rains<br /> South East – Agni or lord of Fire<br /> South – Yama, God of death<br /> South West – Nairiti – a form of Shiva<br /> West – Varun or lord of water<br /> North West – Vayu or Lord of Air.<br />
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<strong>Plundering:-</strong><br />
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It is said that the main idol was made of pure gold and depicted sun sitting on his chariot with 7 horses with his Sarathi Arun driving the chariot. The idol sat on a deep plinth that was again filled with gold coins. Today, all you can see is the deep pit in Garbhagriha that tells the tale of plundering. It is said that the diamonds on the idol could lit the whole temple. All this is oral history and no one knows where the idol is. Some say that when the attacks were made on the temples, some Brahmin families hid the idols with them and saved it. Based on what I read and heard, whereabouts of this idol are not known. There is a closed underground path that potentially links the temple to Patan, the capital city of Solankis.Garbhagriha has a circumambulation path and is attached to an octagonal Guda mandapa. Guda mandapa is embellished with niche images of twelve Aditya’s – showing different aspects of the Sun – probably representing each Solar month.<br />
The Shikhara or the superstructure is missing so the temple now looks flatter than it should be.<br />
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<strong>Dance Festival:-</strong><br />
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The Modhera dance festival takes place every year near the Sun temple, during the month of January. It coincides with the popular Gujarati festival of ‘Uttarayan’ and is celebrated for three days. Organized by the Tourism Corporation of Gujarat, it celebrates the architectural grandeur and rich cultural heritage of the region.<br />
<br /><strong>Best Time to Visit:-</strong><br />
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Modhera is a quaint village in Gujarat that is well-known for its Sun temple. Though the place can be visited all around the year but the summers can be slightly harsh and the winters, quite pleasant. The best time to visit Modhera is between the months of October and March when the temperature falls in the range of 12 degree Celsius and 27 degree Celsius. This is a great time for sightseeing and other activities. The summer months of April to June are pretty sunny and dry. The temperatures go as high as 41 degree Celsius with minimum temperature being around 20 degree Celsius. In spite of the heat, people do visit the place as there are several discounts. Rains knock on the door of Modhera from July till September. If you love monsoon you can come to Modhera.<br />
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<br /><strong>How To Reach:-</strong><br />
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<strong>By Air:-</strong><br />
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The nearest airport is Sardar Vallabhbhai Patel airport located at Ahmedabad which is 75 km away from Modhera Sun temple.<br />
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<strong>By Train:-</strong><br />
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Mehsana is the closest rail head which is 26 km away from Sun Temple.<br />
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<strong>By Road:-</strong><br />
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Modhera Sun Temple can be reached from all the major cities of Gujarat. Modhera has located 102 km away from Ahmedabad. Buses, taxis and private vehicles are available from Ahmedabad to reach Modhera. </div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com7tag:blogger.com,1999:blog-7798698404473324241.post-144442465111945402017-04-05T00:31:00.001-07:002017-04-05T00:31:09.535-07:00Jagannath Temple in Ranchi<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong> Jagannath Temple in Ranchi</strong><br />
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Jagannath Temple in Ranchi was built by Thakur Ani Nath Shahdeo, king of Barkagarh Jagannathpur, on 25th December 1691. The temple is similar to the famous Jagannath Temple in Puri, Orissa, although smaller. Similar to the Rath Yatra in Puri, annual fair is held at this temple as well attracting thousands of devotees. The temple collapsed on 6th August 1990. The reconstruction was started on 8th February 1992 and is still continuing. <br />
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<strong>History Of Jagannath Temple in Ranchi:-</strong><br />
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Jagannath Temple in Ranchi was built by Thakur Ani Nath Shahdeo, of Barkagarh Jagannathpur principality. The date when construction commenced is not known but the temple was completed on 25th December 1691. The Jagannath Temple is located on top of a small hill somewhere around 10kms from the main town of Ranchi. It is supposed to be a miniature version of the Jagannath Temple in Puri, Orissa and is built according to the same architectural design.<br />
The temple can be reached through a flight of stairs which lead to the main gate of the temple or a if you want go up in your vehicle, take a detour which ends at the courtyard of the temple. The temple is built of bricks which are whitewashed only from the outside but the not the inside. The main deity of this temple is Lord Jagannath, who was one of the manifestations of Lord Vishnu.<br />
The Jagannath Temple is very sacred to the tribals of the region. Legend has it that the temple was built to offer the tribals a place of worship to keep them from converting to other religions. This temple complex is divided into three parts and has shrines dedicated to each of the gods - Krishna, Balabhadra and Subhadra. Another attraction of the temple is a figure of Lord Hanuman inside the temple and one of Garuda outside the temple. <br />
Tthe main attraction of the temple is the Jagannath Mela and the weeklong Rath Yatra associated with it. Lakhs of devotees flock to the temple as it is believed Lord Jagannath opens his eyes during this time and blesses his devotees.<br />
The temple since it is located on the top of a hill also offers a striking view of the city. <br />
<br /><strong>The presiding deity:-</strong><br />
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The Godhead of this temple is Lord Jagannath, who is an important deity for the ardent devotees of Lord Krishna and Lord Vishnu. Great devotional significance and respect are bestowed on the deity. Another reason for the religious significance associated with this temple is its relation to the founder of Gaudiya Vaishnavism, Chaitanya Mahaprabhu. He was a fervent devotee of Lord Jagannath and spent a substantial period of his life dedicated to the devotion of Lord Jagannath. The worship of the deity is based on the reverence of Lord Vishnu.<br />
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<strong>Idols of worship:-</strong><br />
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Unlike most temples where idols are made of clay or are stone sculptures, the idol of Lord Jagannath in the Ranchi Jagannath temple is made of wood. As a matter of fact, even the rest of the idols present in the temple are also made of wood. The idols are rather simple in appearance as compared to most of the other temples in India, where the idols are endowed with jewelry and rich clothes.<br />
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<strong>The other deities worshipped :-</strong><br />
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Besides the devotion of Lord Jagannath, the worship of his brother Ballabhadra or Balaram and sister Subhadra also takes place in the temple. Another important shrine present in the temple premises is that of that of the Hindu monkey God Hanuman, which is situated at the main gate of the temple premises.<br />
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<strong>Architecture Of Jagannath Temple in Ranchi:-</strong><br />
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The Jagannath temple at Ranchi was built by Thakur Ani Nath Shahdeo, the King of Barkagarh Jagannathpur in the 17th century following the architecture of the Puri Jagannath Dham temple. This huge temple at Ranchi was designed following the Kalinga style of temple architecture. The tall sanctum sanctorum is followed by the Jagamohana and the Nata Mandir. Inside garbha griha of the white temple offered to Shri Jagannath Deva, the Lord is consecrated along with his elder brother Balabhadra or Balaram and Sister Subhadra.<br />
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<br /><strong>Jagannathpur In Jagannath Temple in Ranchi:-</strong><br />
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Jagannathpur is a village 6 miles southwest of Ranchi. Various plants of the Heavy Engineering Corporation are situated in an area round about the old village. The new township that has grown around these plants is known as Jagarnathpur. The area was previously known as Hatia but, after an enquiry into the matter of several rival names that had ben proposed, the name of Jagarnathpur was chosen. The main portion of the original Jagarnathpur village is now in the township of Jagannathpur.There is a high rocky hill at Jagannathpur commanding an extensive view of the surrounding plateau. This hill contains the largest and the most popular temple in the district of Ranchi. This is the temple of Lord Jaganath.<br />
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<strong>Jagannath Temple, Ranchi Timings:-</strong><br />
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The temple can be visited throughout the year. Tourists are suggested to visit the temple at dawn or dusk, as the surroundings look heavenly during sunrise and sunset. Summer is considered as the best time to visit the temple as the largest festival of the temple, Rath Yatra takes place at this time.<br />•The Jagannath Temple of Ranchi is open on all the days.<br />•It is open from 5 am to 12 pm and again from 3 pm to 6 pm.<br />•The temple is closed at afternoon, from 12.00 pm to 3.00 pm.<br />
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<strong> Jagannath Temple, Ranchi Food Timings:-</strong><br />
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After worship of the deity, prasadam is served to the devotees. The prasadam is also delivered online by the temple committee, which you can receive 15- 45 days<br />
<strong>Darsan Dresscode:-</strong><br />
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There is no such restrictions made in dress code. But as this is a Hindu shrine, people are expected to be in modest attire. It is better to avoid revealing clothes such as shorts and sleeveless dresses for both men and women. Carrying a bottle of water, shades, and umbrella will be better for those who are visiting the shrine in June or July to attend the Ratha Yatra Festival.<br />
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<strong>Culture:-</strong><br />
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The century-old enriched history, music, art, religion, food and people exhibit the true essence of Jharkhand's culture. This new Indian state that has been dissected mostly from Bihar held its capital at Ranchi. There are multiple pilgrimages in this eastern state of India. Devotees from across the country and abroad come to this beautiful state to explore the shrines of their concerned sects. Besides, the temples, churches and mosques, the state of Jharkhand has many beautiful places to explore such as Netarhat, Deoghar, Ranchi, Dhanbad, Sahebganj, Maithon, Masanjore and more. Rajrappa, Jaganathpur Temple, Bhadra Kali Temple, Angrabari, Trikuti, Basukinath, Mahadev Sal, Maa Giri Rajeswari and Kulbonga Mahadev are some of the most important Hindu Shrines at Jharkhand.<br />
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<strong>Language Spoken:-</strong><br />
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Hindi, Bhojpuri, English, Bengali<br /><br /><strong>Special occasions and festivals:-</strong><br />
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Many festival and religious events take place in the lord jagannath temple in Ranchi. People from many parts of India come to the temple during these festivities. The most significant festival is the Jagannath Rath Yatra that takes place in the Hindu calendar month of Asadha that falls in the months of June and July. This is the only occasion when the idols of Lord Jagannath, Ballabhadra and Subharda are taken out from the sanctum of the temple. The idols are carried in massive chariots called Rath. The devotees pull and push the chariots since it is considered that Lord Jagannath blesses those who are involved in the movement of the chariots.<br />
Krishna Janmasthami is yet another big religious occasion in the Jagannath temple of Ranchi. This festival is held in the Hindu calendar month of Shravana. Devotees fast for the whole day till the completion of the worship procedings. Krishna Janmasthami is celebrated with great fervor since Lord Jagannath is considered to be an avatar Lord Krishna.<br />
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<strong>Significant pilgrimage site:-</strong><br />
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The Jagannath temple of Ranchi is a revered place for thousands of pilgrims from every part of India. The hordes of devotees increase even more during the Rath Yatra festival. Thousands of pilgrims visit the Ranchi temple daily, which increases during the festivals of Jagannath Rath Yatra and Krishna Janmasthami.<br />
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<strong>Places Around Ranchi:-</strong><br />
<br /><strong> Tagore Hill:-</strong><br />
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About 3 km. from the main Road Ranchi, the Tagore Hill is about 300 ft. high. As the hill is associated with a history pertaining to Tagore family, it is known as Tagore Hill. A number of books are supposed to have been written by Rabindra Nath Tagore on the top of the hill. At the foot of the hill are situated the Ramkrishna Mission Ashram and it's office and centre of Divyayan and Agrarian Vocational Institute. <br />
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<strong> Hundru Falls:-</strong><br />
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Ranchi is nature's bounty to mother India which has specially been adorned with falls and streams. Hundru falls is about 28 km. aways from Ranchi town. The Swarnarekha river falls from a height of 320 feet making a wonderful scene known as Hundru falls. During rainy season it takes a formidable form but in summer it turns into an exciting picnic spot . <br />
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<strong> Dasham Falls:-</strong><br />
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About 40 km. away from Ranchi on Tata Road falls a village named Taimara near which flows the Kanchi river, Falling from a height of about 144 feet Kanchi river makes a pretty fall called Dassam falls known as Dassam Ghagh also encircled with charming scences. The tourists are warned not to take bath in the falls or at least be careful while bathing in the stream. <br />
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<strong> Jonha Falls:-</strong><br />
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Jonha is about 40 km. away from Ranchi . The road leading to Jonha is a bit narrow but so adventuerus as well as and arduous as that of Hundru. There is also a hospice Tourists rest house which accommodates Lord Gautam Budha's temple. This falls is named after Gautam as Gautamdhara too, it is approachable by road. The tourists can go upto Gautamdhara station by train also. <br />
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<strong> Hirni Falls:-</strong><br />
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About 70 km. From Ranchi on way to Chakradharpur is located Hirni Falls . Having situated amidst dense forest Hirni has been favoured by nature for scenic beauties. The tourists are carried away by emotions and flight of imagination while observing Hirni. <br />
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<strong> Ranchi Hill:-</strong><br />
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Ranchi, being situated at an altitude of 2140 feet, from sea level, is a popular health and holiday resort and is a place of sacred pilgrimage. Some comely sights in the town include Ranchi Hill, Tagore Hill, Ranchi Lake etc. A panoramic view of the town can be behold from the hill top. The Shiva temple situated on top of the hill, is an added attraction for devotees for whom it assumes the place of reverence during Shravan mas similar to that of Baijnath Dham (Deoghar). <br />
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<strong>Jagannathpur Temple :-</strong><br />
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About 10 km. From Ranchi G.P.O. is another sight seeing place where the tourists can rejoice and worship. The old temple of lord Jagannath ,built in 1691 in the architectural style of Puri Temple stands like a fort on the top of the in the hill. Its car/chariot festival held light part on Ashadhmas draws a big crowd comprising of tribals and non-tribals. HEC township nearby is an added attraction. <br />
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<strong> Nakshatra Van :-</strong><br />
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Nakshatra Van is situated near Raj Bhawan. It is constructed in the year 2003 by State Government. It is a Designed Project in which 27 plants been planted according to the 27 planets of Astrology Science. Here the tourist attractions are Musical Fountain, Medicinal Plants & Natural Beauty of Plants. <br />
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<strong>Gonda Hill & Rock Garden:-</strong><br />
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About 4 km. from G.P.O., Ranchi on Kanke Road,just in fornt of the CMPDIL Hq. Is situated the Gonda Hill with a water reservoir at its top. At the foot of the hill is a big lake known as Kanke Dam and a lucrative place for tourists. <br />
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<strong> Sun Temple:-</strong><br />
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About 39 km. From Ranchi on Tata Road near Bundu stands on the desolate bush green the elegant Sun temple fashioned in the form of huge chariot with richly decorated 18 wheels and seven life like horses ready to take of. Built by Sanskrit Vihar headed by Shri Ram Maroo, the managing director of Ranchi Express, the sun temple deserves the title "a poem in stone". <br />
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<strong> Amreshwar Dham :-</strong><br />
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Amreshwar Dham is, actually, a temple complex in Khunti which accommodates the temples of Lord Ganpati, Ram-Sita, Hanuman and Shiva. The Shankracharya Swami Swarupanand Saraswati, having been captivated by serene, placid and celestial beauty of Angrabadi rechristened it as Amreshwar Dham. <br />
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<strong> Ranchi Lake:-</strong><br />
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Excavated by Col. Onsely, a British Agent in 1842, Ranchi Lake is centrally situated. It is a few minutes walk from GPO and is adjacent to Ranchi Telephone Exchange. The lake taken for beautification is yet to be beautified conforming to the original concept envisaged by the Deputy Commissioner, Madan Mohan Jha. However, the lake has an added attraction of boating for the visitors. <br />
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<strong> Birsa Jaivik Udyan:-</strong><br />
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Birsa Jaivik Udyan, This Zoological garden is located about 16km from Ranchi on the Ranchi-Patna National Highway near Ormanjhi. The collection of mammalian faunas is the main attraction here. <br />
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<strong> Panch Gagh Falls:-</strong><br />
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Panch Gagh falls: is on Ranchi- Chakradharpur Road about 6 kms from Khunti. This fall consists of five streams which falls from a good height.<br />
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<strong>How To Reach:-</strong><br />
<br /><strong>By Air:-</strong><br />
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Airways facilities are also available in the city of Ranchi. Birsa Munda Airport is the major airport of the city that avails flights to all the major states and cities. It is the fastest and the most convenient way to reach Ranchi.<br />
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<strong>By Rail:-</strong><br />
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The city of Ranchi is very well connected to all the major states and cities through railways. Ranchi railway station is the major and the closest railway station to Ranchi, apart from the Ranchi railway station there are few other local railway station in the city.<br />
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<strong>By road:-</strong><br />
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There is no problem of connectivity within the city and with other states and cities. The city of Ranchi is well connected through roadways. NH 23 and NH 33 passes through Ranchi.<br />
Travelling by Ranchi roads is a pleasurable experience. Local transports are easily available within the city like auto, buses, etc.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com9tag:blogger.com,1999:blog-7798698404473324241.post-52496098160974249192017-04-04T07:59:00.001-07:002017-04-04T07:59:04.679-07:00Kheer Bhawani (Rajnya Devi) Temple In Srinagar<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Kheer Bhawani Temple</strong> <br />
<br />Kheer Bhawani Temple lies near the village of Tul Mul and is a place of belief and faith for the Hindu followers. The temple derives its name from the Kheer which is a rice and milk pudding. The people offer this pudding as a symbol of their worship and faith. The Kheer Bhawani temple was built over a scared spring. A marvellous marble temple with splendid architecture has been built in the premises of the main temple. An annual festival is organised on the eighth day of the full moon in the month of May or June. The people believe that the colour of the water of the lake changes according to the avatars of Goddess Kheer Bhawani. A number of historical relics are related to the origin of the temple. It is believed that Maharagya was happy with the true love and devotion of Ravana. Ravana placed a statue of the Goddess in the temple. But later, she became upset by the atrocities of Ravana. She instructed Hanuman ji to place her idol in the village of Tul Mull. Pilgrims from all parts of the country come to visit this holy shrine and seek the blessings of Goddess.<br />
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<br /><strong>About the Kheer Bhawani Temple :-</strong><br />
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<br />The temple is dedicated to the Goddess Rajnya Devi, popularly known as Kheer Bhawani. The name 'Kheer Bhawani' is derived from the fact that thousands of devotees offer milk and 'Kheer' (pudding) to the sacred spring, as they believe the pudding turns black to warn of impending disaster. Be it Hindus or Muslims, devotees from all across India throng the temple during the Kheer Bhawani festival. <br />
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Kheer Bhawani temple is nestled in the small village of Tula Mula which is located at a distance of 14 miles east of Srinagar. The temple is associated with goddess Ragyna Devi who is also worshipped as Ragini or Kheer Bhawani. She is an incarnation of Durga Bhagvati. Kheer Bhawani temple is located in the middle of a spring, which is surrounded by a huge area which has been decorated with smooth and beautiful stones. The spring is known as Mata Ragini Kund. The colour of the spring keeps changing. While other colours do not have any particular importance, black colour is considered as an indication of inauspicious times for Kashmir.<br />
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<strong>History Of Kheer Bhawani Temple:-</strong><br />
<br />Maharagya was pleased with the devotion of Ravana and appeared before him and Ravana got an image of the goddess installed in Sri Lanka. But the goddess became displeased with the vicious and licentious life of Ravana and so didn't want to stay in Sri Lanka. Therefore, under the command of the goddess, Hanuman got the image from Sri Lanka and installed it at the holy spot of Tula Mulla. The mention of Kheer Bhawani is found in Kalhana's Rajtarangini. Kalhana writes that the sacred spring ofTula Mula is situated in a marshy ground. The name of the spring is Mata Ragini Kund. Maharagini is the form of Durga Bhagvati. The Brahmins of Kashmir worship this spring and pilgrims from every comer of the country visit to have the darshan of the place. In Rajtarangini Tula Mula is considered very sacred and the Brahmins of Tula Mula were very great and powerful. The spring of Maharagya was very sacred. Thousands of years ago many floods occurred in Kashmir and the sacred spring of Tula Mula also was inundated under its sway and the holy place could nowhere be traced. All around was water. At last Kashmir's Yogi Krishna Pandit had a dream in which the goddess appeared to him and ordered that she would swim in the form of a snake at the proper place and that he should stick large poles and when the water subsided there the holy spot was discovered. This event happened during the Samvat 4041. The mention of this temple is also found in Abul-Fazal's book Aini-Akbari in which is written that the area of Tula Mula extended over the area of hundred bighas of land, which got sunk in the summer season and formed into a marsh. Swami Rama Tirtha and Swami Vivekananda also visited here to have the darshan of the place.<br />
With the pouring of milk and throwing of sugar candy in the spring by the pilgrims, a thick and solid layer was formed at its bottom. When it was cleared, the ruins of an old temple and shrine slabs engraved with figures were discovered. Here many images were also found but nobody rebuilt the temple till the Samvat 1969 when Maharaja Pratap Singh who was the disciple and worshiped this goddess, got a marvelous temple of marble made in the midst of the spring which shines like a pearl in a shell. The marble temple was completed in 1920s. Some people are of the opinion that there was a mulberry tree near holy spot of Kheer Bhawani which, in Kashmiri, is called Tul Mul. But Tul Mul is also derived from the Sanskrit phrase-Tul Muli-that is of great value. This means that all other pilgrim centres are of lesser value than this one. It is said that after Ravana finished the worship of the goddess he offered the kheer (rice pudding) to the goddess which she accepted and since then it is called Kheer Bhawani.<br />
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<strong>Significance Of Kheer Bhawani Temple :-</strong> <br />The presiding deity of this Khir Bhawani temple is Goddess Bhawani who is also called by the names Maharagya Devi, Ragnya Devi, Rajni, Ragnya Bhagwati, and so on. It is believed that Goddess Maharagya is one of the form of Goddess Durga. For the Kashmiri Brahmins, the Historical Vedic Religion followers, Kheer Bhawani Temple is the most important pilgrimage. The temple is surrounded with Chinar trees (Platanus orientalis), which offers a wonderful panorama. The sacred spring at the holy place Tul Mul is called as Mata Ragini Pond. This pond is worshipped by the Kashmiris.<br />
Swami Vivekananda, an Indian Hindu monk and Swami Rama Tirtha, an Indian teacher of the Hindu philosophy of Vedanta are said to have visited this temple and worshiped the Goddess. The special feature of this temple is that the sacred septagonal spring floes from west (which is considered as its head section) to the east (which is considered as its feet), changes its color with various shades of red, pink, orange, green, blue, white, etc. and the black shade of the spring is believed to be unpromising.<br />
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<strong>Poojas And Festivals:-</strong><br />
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<strong>Mela Kheer Bhawani- The Annual Festival:-</strong><br />
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The Goddess presides over her believers as they gather, upholding their fast on the 8th day following the full moon in May. Kashmir also observes a state wide holiday on that day. The day is celebrated as people believe that it was this day that the presiding Goddess indulges in changing the spring water’s colour. With colors having some significance, The water getting darker is a signal for the worse time to come.<br />
People assert that in 1990 when the Kashmiri Pundits had to go through te exodus, A black shape had taken over the water.<br />
People believe in the story that a total of 360 springs flowed near the holdy spring but they soon vanished as the marshy land increased. <br />
In the last half century the pilgrimage has become the most important for Kashmiri Brahmans who come here from all over the State and even from outside. Kheer Bhawani is considered to be the Presiding Deity of most of the Kashmiri Brahmans.<br />
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1. The Sanastha shall manage daily morning and evening Poojas and provide the required Pooja Samgri for this purpose.<br />
2. The Sanastha shall make all necessary arrangements for enabling devotees of Mata Khir Bhawani to offer their Pooja at the Amrit Kund on all Suklapaksh Ashtamis.<br />
3. The Sanastha shall arrange to perform Namavali of Maha-Regeneya in early hours of each Ashtami and provide the materials required for it.<br />
4. The Sanastha shall arrange the traditional Pooja to be performed during the night of Ashtami-Novmi and make necessary arrangement for stay of the devotees for the Pooja during night.<br />
5. The Sanastha shall arrange Pooja to be performed during night of second Saturday after Ashtami for Mata Shri Bhawnishori.<br />
6. The Sanastha shall manage traditional Poojas on all the days of Navratras and make suitable arrangements for Jal-Pravah of the Nav-Durga Bhagwati.<br />
7. The Sanastha shall manage the Poojas on all the days of Ram-Navmi Pooja days and make suitable arrangements for Jal-Pravah of the Nav-Durga Bhagwati on the final day.<br />
8. The Sanastha shall make arrangement for performing a Hawan on Vyeth-Truvah (Bhadoon Shuklapaksh Triyodashi) and serve a meal as Naveed to the devotees who participate in the Hawan but invitations for participation shall not be extended formally to anyone except by notifying in the Annual Programme (Calender etc.).<br />
9. The Sanastha shall make arrangements for and perform annual Hawan on Ashad Shuklapaksh Ashtami. The announcement of the Hawan shall be made by the Management through Press and other available media. All devotees of the Mother shall be invited to participate and have Naveed (meals) at the conclusion of the Hawan. Elaborate arrangements shall be made by the Sanastha for convenience of the devotees as far as possible. Invitations to sister organizations and VIP’s as shall be decided by the Managing Committee from time to time shall be extended in writing. The Naveed shall comprise of a simple rice meal with Daal and one Vegetable (Potato) unless decided otherwise by the Managing Committee. Decision of the Managing Committee in this regard shall be final.<br />
10. In order to make the celebrations of Jeshth Ashtami popularly known as “Mela Khir Bhawani and Ashadh Ashtami the Annual Hawan at the Peeth a success, the Pradhan shall call and hold meetings of the Managing Committee of the Sanastha first at least one month before the festival wherein arrangements shall be proposed/finalized. Necessary sub-committees for specific works shall be framed and announced. The sub-committees thus formed shall remain responsible for their allotted work. Each Sewak, Sahayak, Sadasya involved in the management of the festivals shall be informed by easiest direct or indirect means about his assignment and responsibilities at least fifteen days before the function. Final meeting of all the involved members shall be called and held by the Pradhan at least three days before the function and situation about preparations reviewed and suitable action wherever required taken.<br />
11. No outsider agency other than Govt. Public Utility Deptts. like Municipality, Public Health Engg., Health Services, Law & Order Agency (Security) shall be allowed to render any voluntary/organized/individual service within the premises. All rights with regard to managing affairs, providing services and holding of Samuhik (organized) Pooja within the premises of the Peeth rest with the Sanastha only.<br />
12. All Samohik Pujas/Artis shall be lead by a Sewak only nominated by the Pradhan and in all Hawans performed on behalf of the Sanastha. Aahoti shall be offered by a Sewak of the Sanastha only under all circumstances, even if the entire Hawan is performed on costs contributed by general public or any individual.<br />
13. The Sanastha shall make arrangements for and bear the cost of any Pooja/Hawan/Sampat which shall be suggested by a 2/3 verdict of the Managing Committee and approved by the Pradhan.<br />
<br /><strong>Code Of Conduct Inside The Shrine Premises:-</strong><br />
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1. The Shrine is open to all castes of people for meditation provided the meditator abides by rules and regulations of the Sanastha. Management of the Sanastha reserves the right to deal with violator of the code of conduct in suitable way including fishing him out of the premises and/or handing him over to the law enforcing agencies.<br />
2. Meat, Eggs, Fish, Tomato, Onion or any kind of non-vegetarian eatables can neither be cooked nor consumed within the Shrine Complex.<br />
3. No toxic drinks hot or cold, drugs can be used within the premises.<br />
4. Devi-Angan is purely meant for Puja and Meditation and nothing can either be cooked or consumed (eaten) in Devi-Angan.<br />
5. The Shrine complex shall be open for following functions of the public to be celebrated within the Hindu Codes :<br />
1. Hawan.<br />
2. Kirtan.<br />
3. Mundan.<br />
4. Yagneopavit.<br />
5. Sampath.<br />
6. Get-together with regard to marriages.<br />
For all the above functions, the party shall have to apply for booking in advance and pay a refundable Security Deposit. Facilities whatever available shall be extended to the party and decision of the Sewak Incharge shall be final. No party can book it when it is to be used by the Sanastha itself on important festivals.<br />
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Pooja Timings:-<br />
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The temple remains open from morning 6.00 am to night 8.00 pm.<br />
<br /><strong>Nearby Temples and Attractions:-</strong><br />
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Srinagar is a wonderful city poised with natural beauty and nestled among mountains. The city is situated on the banks of the Jhelum and has many diverse temples of great architectural grandeur. The city has beautiful gardens and lakes. Some of the major tourist attractions of Srinagar are the Dal Lake, Shalimar Bagh, Nishat Bag and Jami Masjid.<br />
Following are some major temples in Srinagar:<br />
<strong>Shankaracharya Temple, Srinagar:-</strong><br />
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Adi Shankaracharya had visited this temple and hence it derived its name. The Temple is a soaring imposing structure and highly visited.<br />
<strong>Sharika Devi Temple, Hari Parbat:-</strong><br />
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This is a temple laced with many mystical theories from the ancient Hindu mythology. The temple’s presiding deity is Sharika Devi who is also the major deity of the Srinagar city.<br />
<strong>Martand Sun Temple, Anantnag:-</strong><br />
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The Anantnag temple is popular among the devotees who visit the Amarnath temple and the temple is a work of genius architectural labor. This temple was built by the King Lalitaditya of the Surya (Solar) dynasty.<br />
<strong>Pandrethan Temple, Srinagar:-</strong><br />
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An old stone structure, the Pandrethan temple is a major temple that is associated with Emperor Ashoka and is one of the major attractions of the city.<br />
<strong>Bhuteshwara Temple, Srinagar:-</strong><br />
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The temple was constructed in the 12th century and is blessed with great architecture and as a result holds great importance among the locals.<br />
<strong>Jwala Mukhi Temple, Khru:-</strong><br />
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The picturesquely placed temple is atop a hillock and is a popular draw for the tourists.<br />
<strong>Rameshwaram Shiva Temple, Jawahar Nagar, Srinagar:-</strong><br />
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The popular Shiva temple has religious significance and has associations with Hinduism, but also Sikhism.<br />
<br /><strong>Mamal Shiva Temple, Pahalgam: -</strong><br />
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The popular Shiva temple is one that has exceptional popularity amongst the faithful devotees and the devotees throng the temple in spite of its ruined condition.<br />
The Kheer Bhawani Temple of Srinagar has been a temple of special importance among the Kashmiri Brahmins and so does the city of Srinagar that is visited by many tourists. A temple is a place with immense natural beauty and thus is worth a visit.<br />
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<strong>How To Reach:-</strong><br />
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<strong>By Air:-</strong><br />
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Srinagar on the other hand has an enhanced connectivity through its airport that links Srinagar with the various airports across the country. Delhi,Chandigarh, Mumbai etc are all connected through Srinagar with a string of flights which are not expensive.Lying at a distance of 876 kms from the national capital at Delhi, The city of Srinagar is also connected through connecting international flights with a stop at Delhi..<br />
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<strong>By Rail:-</strong><br />
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When approaching Srinagar by train, One must get off at the Jammu station which is 290 kms from the capital city. Jammu though has an excellent connectivity of trains particularly from Chennai, Delhi, Trivandrum and Bangalore which have direct connectivity to Jammu from where cabs and buses can be hired to reach Srinagar..<br />
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<strong>By Road:-</strong><br />
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The Natinal Highway 1 – A connect Srinagar with the rest of the world<br />
Accommodation<br />
Srinagar is a tourist hotspot and hence has hotels fro every pocket, Once there, Hotels can be easily found.<br />
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lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com1tag:blogger.com,1999:blog-7798698404473324241.post-65394266084439455942017-04-04T07:24:00.005-07:002017-04-04T07:24:43.262-07:00Chakreswari Sharika Devi In Hari Parbat Fort Srinagar<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Hari Parbat Fort</strong><br />
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Hari Parbat is a hill overlooking Srinagar, the largest city and summer capital of Jammu and Kashmir, India. It is the site of a Durrani fort, built in 1808. It has the famous Shakti Temple on the western Slope and Muslim shrines of Khwaja Makhdoom Sahib and Akhund Mullah Shah on the southern slope. On the southern side of the outer wall there is a Gurudwara, which commemorates the visit of Guru Hargobind.<br />
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The first fortifications on the site were constructed by the Mughal emperor Akbar in 1590. He built an outer wall for the fort, and planned a new capital called Nager Nagor to be built within the wall. That project was never completed. The present fort was built in 1808 under the reign of Shuja Shah Durrani.<br />
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The hill is considered sacred by the Kashmiri Pandits due to the presence of temple of Sharika. Temple is of goddess Jagadamba Sharika Bhagwati. She has 18 arms and is regarded as the presiding deity (`isht`-Devi) of Srinagar city. The goddess is represented by a Swyambhu Shrichakra (Mahamaha Shrichakra), also called Mahashriyantra, which consists of circular mystic impressions and triangular patterns with a dot at the center. Sharika Devi is believed to be a form of Durga Mata or Shakti.<br />
Hari Parbat Fort is an ancient fort in the state of Jammu and Kashmir that dates back to the days of Mughal. Originally, the fort was built by Mughal Emperor Akbar but its present edifice owed itself to the Afghan governor Shuja Shah Durrani, who ruled Kashmir during 18th century. The fort is epitome of religious shrine. It has Sharika Devi Temple on its western slope and the Muslim shrine of Makhdoom Sahib and Akhund Mullah Shah on southern side. Sikh holy shrine of Gurudwara Chatti Patshahi has also enshrines within the premises of the fort. The Kathi Darwaja is the main entrance to the fort.<br />
<br /><strong>Shrine Of Guru Chatti Padshahi:-</strong><br />
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<br /> The shrine of Sharika Devi can be neared from Deviangan by a flight of chiselled stone steps, numbering 108. Then number 108 has mysterious implications in Hindu mythology. It is perhaps due to the Shrichakra that the capital city of Kashmir is said to have derived its name of Srinagar (Shrinagra). According to the 'Visishtadhvaita' doctrine, 'Shri' is the divine consort of the Lord and is said to play the intermediary between God and human soul. The shrine of Chakrishwar has been a place of worship from the day Goddess Sharika demonstrated herself in the form of a 'shila' (small rock) on the Hair Parbat. The days of Phagun Krishna Paksh Ashtami (Hora Ashtami) and Ashad Shukla Paksh Saptami, Ashtami and Navami (Har Satum, Har Aatham and Har Navum) are the auspicious days for the devotional prayers at the Sharika Temple peeth. Ashad Navami (Har Navum) is said to be the birthday of Sharika Bhagwati. <br />
On this day of Sharika Jayanti, devotees make sacrificial offering of 'Teher-charvan' (rice boiled with turmeric powder and mixed with oil, salt and cooked liver of goat) to the Almighty Goddess. This ritual is locally known as 'Chout Kharoun'. On 'Navreh', (the New Year Day of Kashmiri Pundits) during the month of Magh and throughout Navaratri, devotees regularly visit the Hari Parbat for special prayers and worship. <br />
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<strong>Architecture Of Hari Parbat:- </strong><br />
<br />Hari Parbat Fort is the ancient heritage site of a Durrani Fort which was erected in 1808, however; it was in 1590 when its first fortifications were built under the instructions of Mughal Emperor Akbar. The Mughal Emperor had the outer wall of the Fort erected to plan a new capital for his kingdom by the name of Nagar Nagor to be established within the confines of this exterior wall. This project was however left incomplete. The construction work was resumed in 1808 when J&K was under the reign of an Afghan Sultan named Shuja Shah Durrani after whom, the Fort was also named as the Durrani Fort. <br />
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Hari Parbat Fort is the original fort of the Mughals perched atop the stunning Sharika Hill of Kashmir. It was aptly constructed on the riverbanks of the Dal Lake offering one of the most breathtaking views to cherish thus accentuating the splendid beauty of its surroundings.<br />
Hari Parbat Fort is formidably secured on an elevated altitude that commands a panoramic vista of the Dal Lake fringed with Chinar trees and a small Char Chinar island that nestles amidst a lush umbrage gleaming over the lake with luster. The imposing Fort structure is surrounded by almond orchards showcasing a spectacular sight during April when they blossom to the hilt thus announcing the advent of the colourful spring season in Kashmir.<br />
The southern end of the outer wall of the Hari Parbat Fort is Gurdwara Chhati Patshahi that commemorates the visit of Guru Har Gobind to Kashmir at Kathi Darwaja in Rainwari, Srinagar. This is a highly revered Sikh Gurudwara in Kashmir and is believed to have been blessed by the visit of the sixth guru of Sikhism who once traveled through Kashmir occasionally preaching. He stopped by this Gurdwara and stayed here for few days before continuing on his journey across lands. <br />
Apart from the Gurudwara, there are 2 highly revered Muslim shrines of Khwaja Makhdoom Sahib and Akhund Mullah Shah enshrined on the southern slope within the precincts of this imposing Fort while the sacred shrine of Sheikh Hamza Makhdoom (also referred to as Sultan-Ul-Arifeen and Mehboob-ul-Alam), nestles below the Hari Parbat Fort towards the southern end of Koh – e – Maran Hill. <br />
Featuring 2 floors and many pillars, the Muslim Shrine structures display an ancient architecture that appeals to many intrigued tourists. They are largely visited by believers of all faiths, and cultural backgrounds throughout the year making it a highly respected shrine belonging to a Sufi saint, who was also known by the name of Hazrat Sultan.<br />
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A famous Hindu Shakti Temple lies on the western slopes of the Hari Parbat Fort and is referred to as the Sharika Mata Temple considered highly sacred by the Kashmiri Pundits. A life-size statue of the presiding Deity, Goddess Jagadamba Sharika Bhagwati, who is known to be a form of Durga Mata or Shakti, features 18 arms and is represented by a Swayambhu Shri Chakra or Mahamaha Shri Chakra, collectively named as the Maha Shri Yantra comprising of triangular patterns and mystic circular impressions with a red dot at the center.<br />
Interesting fact about fort: The Dogra rulers arrested the first prime minister of Kashmir Sheikh Mohammad Abdullah and lodged him in this fort in 1931<br />
<br /><strong>The Old Wall And Fort Decors:-</strong><br />
<br /> The wall stretches for 5-km and is 10 metres high and has two gates, the Kathi and Sangin Darwaza. The Kathi is the main entrance with Persian commemorative inscriptions surrounding it. The Sangin, however, is more ornate with sculptured windows on either side. <br />
Visits to the fort, now used as an arsenal, are only possible with written permission from the director of tourism so for most visitors the fort will remain just a pleasant backdrop. The fort contains a temple revered for its image of the Goddess Sharika. <br />
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<strong>History of the Fort:-</strong><br />
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The first protection walls to this fort were provided by Mohammed Khan. He built this outer wall and nestled a capital city inside named as Nager Nagor but this vision could never be completed. The present temple was reconstructed in 1808 under the rule of Shuja Shah Durrani and hence this fort is also called as Durrani fort sometimes. <br />
The temple goddess at Sharika Mata temple is an 18 handed deity. This goddess is represented as a swayambhu chakra, also called as mahashriyantra which is kept in many homes as a good luck charm. She also believed to be a form of goddess Durga.<br />
Legendary Origin<br />
According to one legend, at the place Hari Parbat stands today was a huge lake. A demon named Jalobhava resided here. Local inhabitants prayed goddess Parvati to get rid of the demon. She took a small pebble and threw it on the head of this demon. The pebble kept growing until it completely crushed his head. Locals believe this pebble turned into the present Hari Parbat and became the home of gods and goddesses.<br />
Another story tells that there were two demons, Tsand and Mond who lived in this valley. They both troubled villagers here by hiding at where the present day Hari Parbat and Mond at Dal Lake Gate. Goddess Parvati came to rescue villagers by taking the form of a small bird and threw a pebble on Tsand which grew into a large size and transformed into Hari Parbat. That is how Parvati is worshipped here as Sharika. This part of the hill is also called as Predemna peeth.<br />
<br />According to the another version of the folklore, the two demons, Chand and Mund lived in the Kashmir Valley. Chand lived in the water near the current site of Hari Parbat and Mund lived around Dal Gate. These demons terrorised the people. The gods invoked Shakti. She manifested herself into a Hari (myna) and flew to Sumer. She carried a pebble in her beak and dropped it on Chand. The pebble transformed into a huge mountain, crushing the demon. It was later named as Hari Parbat.<br />
<br /><strong>Temple Legend:-</strong><br />
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Legend has it that in the medieval era, Kashmir was a big lake called "Satisar". It was inhabited by a water demon, named Jalodbhava who tortured and devoured the local inhabitants. The inhabitants approached sage Kashyap, the grandson of Brahma. He did an intense penance to rescue people from the demon. Pleased with his penance almighty blessed him. Hence, he was able to cut the mountain. Due to which the lake dried up and the demon was killed by divinely dropped a pebble on this head. The pebble kept growing larger until the demon was dead. The pebble today stands as "Hari Parbat" and is said to be a home of all the gods.<br />
<br /><strong>Significance of the Hari Parbat Temple:-</strong><br />
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After visiting the Hari Parbat, King Chakreshwar is believed to have worshiped all the Gods and Goddesses of Hindu Mythology and had obtained all his worldly desires and wishes. Therefore, it is believed that Saints and Yogis achieved the ultimate on worshiping at this Sharika Peeth. Thus most people visit the temple to get all their wishes fulfilled.<br />
Hari Parbat Temple Timings<br />
The temple is open for all devotees at any time of the day. Also people of all caste or creed can visit the temple as it does not distinguish between them. The timings for the temple are from 6AM to 10PM. Tuesday is considered a special day for all devotees and a large number of worshipers visit the temple. On fulfillment of wishes people offer gifts and sarees in the temple and promises are also made before the deity.<br />
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<strong>Festivals Celebrated At the Hari Parbat Temple:-</strong><br />
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The Chakrishwar Shrine is a popular place of worship in the temple. Goddess Sharika had look as if here at Hari Parbat as a ‘shila’ (small rock) which has augmented the religious implication of the hill top. Sharika Bhagwati’s birthday is celebrated on the Ashad Navami (Har Navum) which is an imperative occasion in the temple. Other propitious days when worshiping prayers are offered at the Sharika Temple Peeth are the Phagun Krishna Ashtami (Hora Ashtami), Ashad Shukla Saptami, Ashtami and Navami (Har Satum, Har Aatham and Har Navum).<br />
Poojas and Ritual at Hari Parbat Temple<br />
The temple is devoted to Goddess and hence the customs are the same that are offered to the Goddess in the region. The Kashmiri Pandits implore here with special chants and mantras and the poojas last as long as the implication of the occasion. During Navratri, special poojas are performed here and the Goddess is offered special prasadam and is decorated with all beautiful clothes. There are many fairs and procession carried out in and near the temple during this time of the year.<br />
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<strong>Nearby Places to Visit:-</strong><br />
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<strong>Chatti Padshahi:-</strong><br />
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There is shrine of Chatti Padshahi in Jammu & Kashmir dedicated to the sixth Master of Sikhs. Found in the area of Kathi Darwaza of Srinagar in J& K valley, it commemorates the coming of the sixth great Guru of Sikhs. It is said that the Guru traveled from place to place to impart his message of peace and brotherhood. There is a spot found in Srinagar where Chatti Padshahi stands and it is this place where the Sikh Master arrived and stayed back for quite some time.<br />
The dedicated followers of Sikh religion who live in Jammu & Kashmir come to visit the Chatti Padshahi shrine frequently to seek their Guru’s blessings. Visitors from different states of the country are seen visiting this popular shrine of Srinagar just for having a glimpse of this pious aura that surrounds this place.<br />
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<strong>Dal Lake:-</strong><br />
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Commonly called as 'Srinagar's jewel', the Dal Lake, engrosses over 26 sq.km, and is a famous tourist attraction of Srinagar. Known for its house boats and also the Shikara boat rides, it is set against the glorious Himalayas. The Dal Lake remains to be the subject of different poets along with the artists.<br />
It has matchless beauty picturesque environment which makes it ideal for staying aboard the luxurious houseboats and also enjoy the beautiful evening with sun being shimmering on the lake when it sets. The lake is divided into four areas of four causeways, having Western part of the lake surrounded by many Islands which fascinates the tourists for its serenity and peaceful solitude. It is premier in the world having Wi-Fi connection.<br />
The lake found at a distance of 10 km from Srinagar is easily accessible by taxis in a time period of 20 minutes. Apart from this, it is major spot for various water sports which includes water surfing, Shikara rides, swimming, kayaking, angling, houseboat stays and canoeing. The major attractions which may be toured include Char Chinar, Nehru Park, Shalimar Bagh and Nishat Bagh.<br />
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<strong>Things to Do:-</strong><br />
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<strong>Visiting following places inside the fort is a must:-</strong><br />
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<strong>Sharika Mata Temple:-</strong><br />
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The hill is regarded as sacred by the pundits of Kashmir because of the presence of Sharika temple. The temple is dedicated to the goddess Jagadamba Sharika Bhagwati who had 18 arms and is considered as the presiding deity of the city of Srinagar. The goddess is being represented by Swyambhu Shrichakra, also known as Mahashriyantra, which comprise of mystic impressions which are circular in shape and also triangular shaped having a dot (bindu) at the center. It is believed that Sharika Devi is another form of Shakti or Durga Mata.<br />
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<strong>Makhdoom Sahib:-</strong><br />
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Established below the leading Mughal Fort, is located the shrine of Sheikh Hamza Makhdum. It is also known as ….Makhdoom Sahib, Sultan –ul-Arifeen and Mehboob-ul-Alam. The shrine is beside the southern side of hill of Koh e Maran. It is one of the major sacred shrine of Kashmir. The double storied, several pillared building displays an amazing architectural style. Not only Muslims but people belonging to different faiths and religions come to visit this shrine all round the year. Makhdoom Sahib, also known as Hazrat Sultanhad has been a Sufi saint.<br />
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<strong>Weather and Best Time to Visit:-</strong><br />
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Srinagar has just two climates, summers which are pleasant and winters which are quite freezing and chilly. There is scanty rainfall found here. So the best suitable time for visiting Srinagar is April –October.<br /> The summer season is best sightseeing and is also the peak time for tourists having a highest temperature of 30°C and lowest of 14°C.<br />
The winter season has minimum temperature of 0°C and highest of about 15°C. There is heavy rain during winters. It is not good for seeing sights as lakes are frozen and even snowfall causes blockages of roads which creates problem for tourists.<br />
Srinagar is a famous tourist spot. People visit during summers for seeing the sights of the lakes and fabulous gardens and also the natural splendor is at its zenith during this season. However the winters are extremely cold as well as freezing and should be avoided for holidaying. There is heavy snowfall during the winter season.<br />
<br /><strong>How to Reach:-</strong><br />
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<strong>By Taxi :-</strong><br />
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This site easily reach by taxi from airport and railway station and other places in srinagar.<br />
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<strong>By Bus :-</strong><br />
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Many tourist bus service provides the services to reach from many neighboring cities to Srinagar. Srinagar is well connected to Chandigarh (630 km), Jammu (290 km), Delhi (876 km), Leh (434 km) and Phalgam (96 km) by tourist bus services. and they charge about Rs 4-5 per km.<br />
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<strong>By Train :-</strong><br />
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Srinagar railway station or Nowgam railway station is railway station of the city of Srinagar in the Indian state of Jammu and Kashmir.The station, in nowgam, is 8 km from the city centre. Local services only: Qazigund–Anantnag–Srinagar–Baramulla.<br />
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<strong>By Air :-</strong><br />
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Srinagar’s sparkling new airport is connected with many airports of the major cities in India. Regular flights operate between Srinagar and Delhi, Mumbai, Chandigarh and the tickets are moderately priced. International travelers get the connecting flights from Delhi International airport, which is at a distance of 876 km from Srinagar.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com1tag:blogger.com,1999:blog-7798698404473324241.post-55609074293211278342017-04-04T04:36:00.001-07:002017-04-04T04:36:06.215-07:00Shankaracharya Temple (Jyoteshwara Temple) In Srinagar<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Shankaracharya Temple</strong> <br />
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Shankaracharya temple is a beautiful Shiva temple situated at a height of 1100 feet on a picturesque location on the Gopadari Hill on the South East of Srinagar. Home to Shankaracharya when he visited Srinagar, the temple was built in 250 BC. Earlier known as the Gopadri Temple, it was renamed by King Lalitaditya as Shankaracharya Temple in the sixth century. The temple became more accessible after the Dogra ruler, Maharaja Gulab Singh, constructed the stairs. It is believed to be the oldest shrine in Kashmir. The shrine offers magnificent views of the snow covered peaks of the Pir Panjal range and the valley.<br />
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This temple is the unique attraction of Srinagar. It is situated on the hill known as Takht-e-Suleiman. There are the stone steps which take visitors to the top, where tourists can see a small temple devoted to Lord Shiva. The temple is built in remembrance of Shankaracharya who came to Srinagar from Kerala 1200 years ago. People can view the valley, lakes, city, boathouse, gardens and waterways from the top of this temple. Besides being a place of religious importance, this temple is famous for its archaeological specimen too. <br />
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<strong>Significance of the Shankaracharya Temple:-</strong><br />
<br />Shankaracharya Temple has a lot of history associated with it and it is also believe that Jesus Christ had visited Kashmir as well as the temple. This is also inscribed on the temple’s shrine as well as on its steps that lead to the main shrine and this has increased its popularity in the region. There were also Persian engravings on the temple and on its stairs. The historical reference to this temple also mentions the same and this has therefore become a belief of the region.<br />
<br />The temple had derived many names and the name of Takht-e-Suleiman had persisted during the periods of the Mughal, Sikh, Afghan and Dogra periods. Most of the publications that existed during the periods had all referred to this hill by the same name. The temple as well as the hill derived the name Shankaracharaya when the Governor Sheikh Mohi-ud-Din had made the repairs during 19th century. Since then the temple was not used as a temple and later on it was consecrated as Shankaracharaya temple and this is when Shiv Lingam was placed in temple. During the period of the Sikh, people started prayer services inside the temple and then the festival of Shravan Poornima was also celebrated at this temple which became a custom. Gulab Singh who was a popular Dogra King of this region had also constructed the existing steps to reach the hill. The electrical installations that exist on the temple were made by the Maharaja of Mysore who had come to Kashmir region in 1925. The current statue of Adi Shankaracharaya was put in the temple in 1961 and in 1974 the J&K Government constructed the current road that takes the tourists to the TV antenna which is near the hill top.<br />
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<br />The temple of Jyoteshware rests on solid rock with a 20 something foot tall octagonal base that supports the square building on the top. There is a terrace around this square temple which is reached by stone staircases that are enclosed between two walls. There is a doorway which is on opposite side of staircase and it leads to interior. The interior is a small dark chamber, which is circular in the plan. It has a ceiling that is supported by octagonal columns and this surrounds a small basin that contains the Lingam which is encircled by a snake. Shankaracharya Temple is regularly worshipped by the pilgrims who visit the region during the popular Amarnath Yatra. The 243 steps that lead up to this temple area are not very steep and can be easily climbed. The temple overlooks the beautiful Srinagar town and the temple is located at height of about 1100 feet. This sacred site also offers splendid views of Kashmir valley and the splendid snow covered mountains can also be seen from here especially the Pir Panjal range. The shrine is one of the oldest in the region and in the Kashmir valley.<br />
The shrine also has a circular cell which provides views of the valley below and the innermost chamber of this temple was renovated and is now covered with modern ceilings. This temple also is a very well known spot amongst the religious tourists and it is also known to have a lot of religious as well as architectural importance in the region.<br />
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<strong>History Of Shankaracharya Temple :-</strong><br />
<br />The temple dates back to 200 BC, although the present structure probably dates back to the 9th century AD. It was visited by Adi Shankara and has ever since been associated with him; this is how the temple got the name Shankaracharya. It is also regarded as sacred by Buddhists. The Shiv ling was placed inside during the Sikh period in the nineteenth century and it became an active Hindu temple when regular services were conducted. Some historians report that the temple was actually a Buddhist temple during the buddhist era which was then changed into Hindu site of worship by Adi Shankaracharya.<br />
Persians and Jews call it Bagh-i- Sulaiman or the Garden of King Solomon. Persian inscriptions are also found inside the temple. According to Pandit Anand Koul (1924), the temple was originally built by the Hindu king "Sandiman" who, according to Koul, reigned in Kashmir from 2629 to 2564 BC. It was repaired by King Gopaditya (426–365 BC) and by King Lalitaditya (697–734 A.D.). Sikandar, the Iconoclast did not, for some reason, destroy it. Zain-ul-Abidin repaired its roof which had tumbled down by an earthquake. Sheikh Ghulam Mohi-Ud-din, a Sikh Governor (1841–46), also repaired its dome. It was repaired by King Gopaditya (426–365 BC) and by King Lalitaditya (697–734).The earliest historical reference to the hill comes from Kalhana. He called the mountain Gopadri. Kalhana also says that King Gopaditya granted the land at the foot of the hill to the Brahmins that had come from the “Araya versh.”<br />
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The land grant was called “GOPA AGRAHARAS”. This area is now called Gupkar. Kalhana also mentions another village in the vicinity of the hill. It so happens that the King Gopaditya housed some of the Brahmins who had eaten Garlic to a village next door. Kalhana names this village as Bhuksiravatika. That would be Buch’vore today. Kalhana also mentions that King Gopaditya built the temple on the top of the hill as a shrine to Jyesthesvara (Shiva Jyestharuda) around 371 BC Abul Fazal also mentions that King Gopaditya built the temple. Although many experts believe that the current temple was probably built later but most of them agree that the base of the structure does seem to be very old.<br />
It is said that Lalitaditya Muktapida (724-726 AD) of Karakote dynasty did repairs to the temple. According to Srivara Budsah (Zain-ul-Abideen 1420-1470 AD) did major repairs to the temple. He also put the Kalash (spire) and the roof of the structure which had fallen due to an earthquake.The third time the temple was repaired was the Muslim Governor, Sheikh Mohi-Ud-Din (1842 to 1845) during the Sikh rule of Kashmir. some call it Takhti Suleiman also. Probably Jews believe the lost tribe of Israel lived in Kashmir. They refer to the culture and design of temple as the evidence. There is no doubt that there are a lot of similarities between Israelites and Kashmiris.<br />
<br /><strong>Renovation Works Of Shankaracharya Temple :-</strong><br />
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Shankaracharya Temple has gone through a number of repair and renovation works for over many years. The first work of renovation happened during the era of Lalitaditya. An earthquake brought substantial damages to the temple and the repairs to it were conducted by Zain-ul-Aideen. However, the stone steps that lead to the gates of the temple were constructed on the command of Maharaja Gulab Singh. The ceiling has also gone through several repairs from time to time. Electricity was made available to the temple in the year 1925.<br />
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<strong>Nearby Temples and Attractions:-</strong><br />
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Srinagar is a wonderful city in the Kashmir valley that has a lot of natural beauty and the city is nestled among mountains. The city is situated on the banks of the holy River Jhelum and has many diverse temples that have great architectural grandeur and history associated with them. The city also has beautiful gardens and lakes. Some of the major tourist attractions of Srinagar are the Dal Lake, Shalimar Bagh, Nishat Bag and Jami Masjid.<br />
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<strong>Following are some major temples in Srinagar:-</strong><br />
<br /><strong>Pandrethan Temple, Srinagar:-</strong><br />
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An old stone structure, the Pandrethan temple is a major temple that is associated with the Emperor Ashoka and is one of the major attractions of the city.<br />
<strong>Bhuteshwara Temple, Srinagar:-</strong><br />
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The temple was constructed in the 12th century and is blessed with great architecture and thus holds great importance among the locals.<br />
<strong>Sharika Devi Temple, Hari Parbat, Srinagar:-</strong><br />
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This is a temple laced with many mystical theories from the ancient Hindu mythology. The temple’s presiding deity is Sharika Devi who is also the major deity of the Srinagar city.<br />
<strong>JwalaMukhi Temple, Khru, Srinagar:-</strong><br />
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The picturesquely placed temple is atop a hillock and is a popular draw for the tourists.<br />
<strong>Rameshwaram Shiva Temple, Jawahar Nagar, Srinagar:-</strong><br />
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The popular Shiva Temple has religious significance and has associations with Hinduism, but also Sikhism.<br />
<strong>Martand Sun Temple, Anantnag, Srinagar:-</strong><br />
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The Anantnag temple is popular among the devotees who visit the Amarnath temple and the temple is a work of genius architectural labour. This temple was built by the King Lalitaditya of the Surya (Solar) dynasty.<br />
<strong>Mamal Shiva Temple, Pahalgam, Srinagar:-</strong><br />
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The popular Shiva Temple is one that has exceptional popularity amongst the faithful devotees and the devotees throng the temple in spite of its ruined condition.<br />
The Adi Shankaracharya Temple of Srinagar has been a significant and historical temple and it thus carries special importance among the locals as well as the tourists. The temple being dedicated to Lord Shiva is visited by many people and the city of Srinagar is also an important destination for many people and is visited by many tourists. The temple is a place with immense natural beauty in and around the temple and so the place is worth a visit.<br /><strong> </strong><br />
<strong>Best time to visit:-</strong><br />
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The best time to visit the Shankaracharya Temple is between May and September when the weather is pleasant. It snows in the winter months in and around Srinagar and winters are very severe. <br /><br /><strong>Shankaracharya Temple Timing:-</strong><br />
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The temple is open from 7:00 am till 8:00 pm. <br />
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<strong>How to Reach:-</strong><br />
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<strong>By Taxi :-</strong><br />
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The shankarcharya temple is easily accessible by taxi from airport and railway station.<br />
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<strong>By Bus :-</strong><br />
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Many tourist bus service provides the services to reach from many neighboring cities to Srinagar. Srinagar is well connected to Chandigarh (630 km), Jammu (290 km), Delhi (876 km), Leh (434 km) and Phalgam (96 km) by tourist bus services. and they charge about Rs 4-5 per km.<br />
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<strong>By Train :-</strong><br />
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Srinagar railway station or Nowgam railway station is railway station of the city of Srinagar in the Indian state of Jammu and Kashmir.The station, in nowgam, is 8 km from the city centre.Local services only: Qazigund–Anantnag–Srinagar–Baramulla.<br />
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<strong>By Air :-</strong><br />
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Srinagar’s sparkling new airport is connected with many airports of the major cities in India. Regular flights operate between Srinagar and Delhi, Mumbai, Chandigarh and the tickets are moderately priced. International travelers get the connecting flights from Delhi International airport, which is at a distance of 876 km from Srinagar.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com9tag:blogger.com,1999:blog-7798698404473324241.post-30547545143971486782017-04-04T00:14:00.002-07:002017-04-04T00:14:27.352-07:00Raghunath Temple In Jammu<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong> Raghunath Temple</strong> <br />
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Raghunath Temple is located in Jammu city of Jammu & Kashmir state of India. This temple is not only a symbol of devotion of Hindu religion but also the identity of Jammu city. This temple is the biggest temple in north India. The temple is dedicated to Lord Rama. This temple is a beautiful example of Indian heritage.<br />
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The temple work was initially started by Maharaja Gulab Singh in 1835 AD and was completed by his son Maharaja Ranbir Singh in 1860 AD. A sight to behold, every nook and corner of this temple spills of holiness. The temple comprises of clusters of many small and big shrines and temples within it, this is what accounts to its largeness in area. Inside the inner sanctum of the temple, there are big statues of lingams among those of other Gods and Goddesses connected with the epic of Ramayana. The seven shrine walls have well-crafted images of various deities mainly incarnations of Lord Vishnu, over a 300! These also have tower tops of their own which light up at night and glitter away beautifully. Do you know that the inner walls of the temple are completely made of gold sheets? The architecture is Mughal- spiral towers and arches. There are many, galleries of ‘Saligrams’ which are fossilized shells. Apart from this, there is a Sanskrit library here that is said to contain many rare manuscripts. Both morning and evening aartis are blissful. <br />
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<strong>Legend and History of Raghunath Temple:-</strong><br />
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The Raghunath temple has a historical significance and there are multiple temples that surround the main temple and these temples are dedicated to the multiple Gods and Goddesses that are connected with the times of the epic Ramayana. This popular temple in Jammu is renowned for the temple’s depiction of Rama Leela and also of the Krishna Leela in its beautiful paintings. Prevalent legend suggests that the temple is dedicated to Lord Rama and was originally built by Raja Jagat Singh of Kullu in order to correct a major wrong that was done by him. The main idol that is placed inside the temple was brought back from Ayodhya which is the birthplace of Lord Rama according to the Ramayana.<br />
The temple also has peeps of the Mughal masonry that can be visualized in architectural splendor of the Raghunath Temple. The temple carvings and arches are extraordinarily resplendent that grabs everyone’s attention. The temple complex also has a library that houses rare Sanskrit books as well as manuscripts. People also visit this temple in huge numbers in order to pay their homage to their deity and to seek blessings from the Lord.<br />
The major significance of the Raghunath Temple is seen with seven shrines each of which has its own “Shikhara”, (which deciphers to ‘mountain peak’ in Sanskrit and this refers to rising towers and is a special part of the Hindu temple architecture especially in northern India). This temple has one of the largest temple complexes in the entire of North India which is located in Jammu city. This temple has multiple Gods enshrined in it but has the presiding deity as Lord Ram who is believed to be an “avatar” or an embodiment of Lord Vishnu.<br />
Note: It is believed that Raghunath Temple in Jammu consisits 33 crore Gods on a single spread stone<br />
<br />Raghunath Temple was built by Maharaja Gulab Singh of Dogra dynasty. The construction work started in 1835 A.D. After the death of Maharaja Gulab Singh, the work was completed by, Maharaja Ranbir Singh, son of Gulab Singh. The construction of the temple was completed during 1853-1860 A.D. An influence of Mughal architecture is seen in the gold plated spiral shaped towers. The tower over the main shrine is represented Sikh architectural style. The niches in the walls of the shrines are decorated with 300 images of deities. The paintings in the panels of the main shrine are based on themes from Ramayana, Mahabharata, and Bhagavad Gita. Externally, the temple appears as five Kalash arranged in sequence. The idols of Lord Rama, Sita and Lakshman are placed inside the sanctum. The idols of various characters of Ramayana and Mahabharata are installed in the various rooms around the sanctum. Apart from this, a replica of Char Dham can be seen together in a room. It is placed in such a way that Rameshwaram, Dwarkadheesh, Badrinath and Kedarnath can be seen from one direction.<br />
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Maharaja Gulab Singh got inspiration to build this temple from Shri Ram Dass Bairagi who was an ardent devotee of Lord Ram. He had come to Jammu from Ayodhya to spread the teachings of Lord Ram. He used to live in a hut in Sui-Simbli where he built Ram temple. Prevalent legend suggests that the temple was originally constructed by Raja Jagat Singh of Kullu in order to get rid of a wrong deed. The main idol placed inside the temple was brought from Ayodhya.<br />
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<strong>Structure Of Raghunath Temple:-</strong><br />
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<br />Raghunath temple has the most beautiful and splendid temple complex in Northern India. This complex consists of 17 temples. There is hardly any image of deity which is not represented here. This Temple is mainly dedicated to Lord Rama Work on the temple was started by Maharaja Gulab Singh, founder of the kingdom of Jammu and Kashmir in 1835 A.D. and was completed by his son, Maharaja Ranbir Singh in 1860 A.D. The inner walls of the main temple are covered with gold sheet on three sides. There are many galleries with lakhs of Saligrams. The surrounding temples are dedicated to various Gods and Goddesses connected with the epic RamayanaThe temple is also renowned for its depiction of the Rama Lila and Krishna Lila in paintings. According to legend, this temple of Lord Rama was built by Raja Jagat Singh of Kullu to correct a great wrong done by him. The idol apparently was brought from Ayodhya, the birthplace of Rama. The religious life style of Kullu valley revolves around this sacred idol of God Raghunathji. Daily rituals comprise of a sacred bath, intricate floral decoration and worship of this principal deity of Kullu.<br />
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<br />The Hindu temple complex, one of the largest in North India, which has seven shrines, is built on a raised platform of 5 feet height in an octagonal shape. The front fascia is 40 feet in width while the main shrine is set 50 feet away from the entrance. Within the enclosed space of the yard, there are residential buildings and open cattle yards on its eastern and northern directions. The front fascia of the temple has three entry doors. The main shrine which is 20 feet (6.1 m)x20 feet in size, is surrounded by a circumambulation passage of 10 feet width. The entrance door, set on one side of this octagonal chamber of the shrine, faces east. The interior of the inner chamber is gold plated. The main walls of the outer chamber have 15 panels, each of 9 feet height. <br />
These interior panels have a surfeit of paintings of the Jammu School of painting consisting of images from the Hindu epics Ramayana, Mahabharata, and Bhagavad Gita, represented by gods such as Ganesha, Krishna, Sheshashayi Vishnu and also a large painting depicting the Sita Swayamvara scene . Apart from the mythology related themes, some paintings relate to secular aspects, like Kabir, a saint, engaged in weaving and army personnel of Dogra and Sikh communities. The paintings also reveal the type of attire and the weaponry prevalent during the period of temple building. In the main shrine, the idol of Lord Rama, which is the family deity of the then king and the Dogra people, is deified in the garbhagriha . The shrine has a dome instead of the normal shikhara in a pyramidal shape, which is in the Sikh architectural style. All the seven shrines have gold plated spires. Gods and Goddesses enshrined in the seven shrines are all related to the epic Ramayana. In one of the shrines, there is a Shiva linga, which is carved out of black stone and measures 7.5 feet. The shrines are also enshrined with a very large number of Saligramas . <br />
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The architectural features of the shrines are stated to be largely influenced by Mughal architecture. A distinct feature noted in the entire temple complex is the stucco style embellishments built with brick masonry and finished with plaster.The motifs crafted are of floral and geometric designs, on the walls, in the niches and on arches. Apart from paintings on the walls, the niches in the interior parts of the shrines have 300 well-crafted images of deities. The profusion of paintings and images on the internal and external faces of the temple was considered an auspicious feature, instead of leaving the wall surfaces blank. However, the images and murals on the outer walls of the temple have since been demolished<br />
<br /><strong>Significance of the Raghunath Temple:-</strong><br />
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The major significance of the Raghunath Temple is seen with seven shrines each of which has its own “Shikhara”, (which deciphers to ‘mountain peak’ in Sanskrit and this refers to rising towers and is a special part of the Hindu temple architecture especially in northern India). This temple has one of the largest temple complexes in the entire of North India which is located in Jammu city. This temple has multiple Gods enshrined in it but has the presiding deity as Lord Ram who is believed to be an “avatar” or an embodiment of Lord Vishnu.<br />
This temple although is a famous Hindu shrine yet it came under public glare after the intense scan the devotees were performing Pooja inside the temple complex on November 24, 2002 and many suicide bombers entered the complex and a terrorist attack took place inside the temple complex. The attack resulted in 10 deaths and several devotees were injured in the blast.<br />
The entrance of the temple has a life size image of Maharaja Ranbir Singh who was its founder and also an image of Lord Hanuman that exaggerates this holy site. The central shrine of the temple is dedicated to Lord Ram also popularly known as Raghunath after whom the temple has been named. Lord Rama is the commanding deity of this temple.<br />
<br /><strong>Special feature:-</strong><br />
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The stunningly beautiful sight of 12, 00,000 ‘saligrams’ in the hall of the main temple.<br />•Nuisance: Totally clean and peaceful.<br />•Connectivity: Taxis, auto-rickshaws and buses are easily available.<br />•Avoidable Season: None as such.<br />•Facilities: There are few restaurants and shops nearby. There is also a parking facility.<br />•Things not allowed: Leather items or weapons are strictly prohibited inside the temple premises.<br />•Suggestion: Before paying visit, ensure you have a proper knowledge about the codes and conduct of the temple.<br />
<br /><strong>Places Around Jammu:-</strong><br />
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<strong> Raghunath Temple:-</strong><br />
<br /> The most outstanding landmark and famous tourist attraction in Jammu is the Raghunath Temple. Raghunath Temple is situated in the heart of the city and surrounded by a group of other temples. This temple is dedicated to Lord Rama, and one of the largest temple complexes in the North India. The work on its construction was started by Maharaja Gulab Singh, founder of the principality of Jammu and Kashmir, in 1835 AD and was completed by his son, <br /><br />
Maharaja Ranbir Singh, in 1860 AD. The temple consists of seven shrines and each shrine has a simple tower. The tower over the central shrine is curvlinear. Its fluted surface, arches and niches indicate a Mughal influence. The inner walls of the main temple are covered with gold sheet on three sides. There are many galleries with innumerable 'saligrams'. The surrounding temples are dedicated to various Hindu deities from the epic Ramayana, images of Vishnu in various incarnations, Shiva and Surya. There is also a stone lingam here and is a great centre for the Shakti worship. The portrait of Ranbir Singh and a sculpture of Hanuman are situated at the entrance.<br />
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<strong>Peer Khoh:-</strong><br />
<br /> Peer Khoh is a cave shrine located on the Circular Road, 3.5 kms from the heart of the town. There is a naturally formed Shiva lingam in the cave which is quite mysterious as neither its antiquity nor its cause are known. Legend has it that the cave leads underground to many other cave shrines and even out of the country. <br /><br /><strong>Ranbireshwar Temple:-</strong><br />
<br /> Ranbireshwar Temple is located on Shalimar Road near the New Secretariat and built by Maharaja Ranbir Singh in 1883 AD. The Ranbireshwar Temple is situated opposite the Dogra Art Gallery in Jammu. This historic temple is dedicated to Lord Shiva. This temple is a local landmark due to 75 m tower and an extraordinary central crystal lingam measuring seven-and-a-half feet in height. It also has twelve Shiva 'lingams' of crystal measuring from 15" to 38" and galleries with thousands of others are carved on stone slabs.<br />
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<strong>Ranbir Canal:-</strong><br />
<br /> A small garden along the Ranbir Canal, which runs through the city outskirts, provides a cool picnic spot during the summer. The canal branches off from the river Chenab at Akhnoor, 32 kms away. Its water remains icy-cold throughout the year and its banks serve as good viewpoints and walkways.<br /><br /><strong>Bahu Fort and Gardens:-</strong><br />
<br /> Bahu Fort is situated near the Amar Mahal museum and about 5 kms away from the city centre. It is entered through a large quadrangle. This fort stands on on an upland plateau on the left bank of the river Tawi. The Bahu Fort is the oldest fort and edifice in the city, and constructed originally by Raja Bahulochan over 3,000 years ago. The Bahu fort was later improved and rebuilt as the Mondi Palace by the Dogra rulers. Looking at this fort one can imagine the wars fought, invasions prevented, and even the grandeur of the royal family must have enjoyed at the time. The ancient Bahu Fort is now in ruins. Today it is surrounded by a lush green terraced garden, with waterfalls and flowers of every kind and colour. It is a favourite picnic spot for the city folk. Inside, there is a temple dedicated to the Hindu goddess Kali. Its ramparts swarm with devotees during the festivals who come to pay their homage to goddess Kali. An extensive terraced garden, known as Bagh-e-Bahu, has been developed around the fort.<br /><br /><strong>Aquarium Bagh-I-Bahu:-</strong><br />
<br /> Bagh-I-Bahu is the India's largest underground aquarium in Jammu. This aquarium is drawing a large number of tourists ever since it was opened to the public. Besides students, the aquarium has become a centre of attraction for tourists, giving them an opportunity to revel in the exotic aquatic world. The aquarium-cum-awareness centre comprises of 24 aquarium caves including 13 small caves for holding freshwater fishes, two large caves for holding marine water fishes and nine medium sized aquariums for holding marine and fresh water fishes. It has state-of-the-art equipment, a public gallery, museum, laboratory and a multimedia conference hall. The entrance is designed in the shape of the mouth of a fish and the exit in the shape of a fish tail. The aquarium houses a museum where 400 varieties of freshwater and marine fish are on display. <br /><br /><strong>Peer Baba:-</strong><br />
<br /> Behind the Civil Airport is the famous Durgah of the Muslim saint, Peer Budhan Ali Shah. On Thursdays, Hindu and Sikh devotees who visit this shrine, vastly outnumber the Muslim devotees.<br /><br /><strong>Mahamaya Temple and City Forest:-</strong><br />
<br /> On the bypass Road, behind Bahu Fort, the city forest surrounds the ancient Mahamaya temple overlooking the river Tawi. A small garden surrounded by acres of woods provides the best view of the city.<br /><br /><strong>Mubarak Mandi Complex :-</strong><br />
<br /> The oldest buildings in this palace complex date back to 1824. The architecture is a blend of Rajasthani, Mughal and even baroque elements. The most stunning segment is the Sheesh Mahal. "The Pink Hall" houses the Dogra Art Museum which has miniature paintings of the various Hill Schools.<br /><br /><strong>Amar Mahal Palace Museum:-</strong><br />
<br /> The Amar Mahal Museum was built by the Amar Singh in 1907. This museum is more like a French chateau with its sloping roofs and turrets. The Amar Mahal Palace is built on an eyrie overlooking the Tawi river. The museum was designed by a French man. The exhibits in the Amar Mahal Palace museum includes Pahari paintings, royal miniature paintings, manuscripts, finest library of antique books. The museum also has a portrait gallery which contains the family portraits of ancient Dogra kings and rulers of Jammu and Kashmir. An entire series of miniatures on the epic Nal-<br /> Amar Mahal Palace Museum Jammu<br /><br />
Damayanti can be seen in the museum. The museum also conducts a "heritage walk" programme for interested student to familiarize them with the history of Jammu. <br /><br /><strong>Dogra Art Gallery:-</strong><br />
<br /> The Art Gallery in Jammu is located opposite the New Secretariat. The Gallery has a rich display of Dogra art belonging to the Pahari and Basholi schools, fine miniatures of the Jammu and Basohli School of painting, Terracottas, medieval weapons, sculptures and ancient manuscripts.<br />
<br /><strong>Raghunath Temple Timings :-</strong><br />
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<strong> Opening & Closing:-</strong><br />
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Monday - Friday: 6.00 AM - 8.00 PM , Saturday: 6.00 AM - 8.00 PM , Sunday: 6.00 AM - 8.00 PM , Public Holidays: 6.00 AM - 8.00 PM<br />
<br /><strong>Tragedy Of Raghunath Temple :-</strong><br />
<br /> Jammu Nov. 24. Militants attacked the Raghunath temple here today for the second time in nine months, killing nine persons and injuring forty-two. In the encounter that followed with the security forces, one militant was gunned down ending the siege. A jawan of the Central Reserve Police Force was also killed. Another terrorist attack was simultaneously launched at the Shivalya Mandir (also known as Panchbakhar mandir), a few hundred metres away from the Raghunath temple. The militants were firing from inside the shrine when reports last came in. Sources said that a curfew would be imposed in the town tomorrow and all educational institutions would remain closed. The militants targeted devotees at the Raghunath temple as they made their way into the complex by passing the security ring at the gates. They sneaked in much deeper than they had done in March and opened fired indiscriminately. The Jammu and Kashmir Chief Minister, Mufti Mohammed Sayeed, and most of his Cabinet colleagues reside around 500 metres away from the temple. Initial reports said there were two militants but they could not be confirmed. <br />
The militants hurled grenades in the nearby Hari market to divert the attention of the security forces and gain entry into the temple. A fierce encounter ensued around 7 p.m., with the CRPF, assisted by the State Police, leading the operations. They blocked the three escape routes from the temple. The flush-out operation lasted two hours. Most of the devotees were locals as the rush of the Vaishno Devi pilgrims has declined in the recent months due to similar terrorist attacks in the vicinity. The telephone lines in some parts of the city snapped after the attack resulting in breakdown of communication. The militants chose to attack on a Sunday evening when the bazaar is closed. Emotions ran high in the market and huge crowds thronged the near-by streets. Police found it difficult to control the enraged people. Before the people could gain in strength, another group of militants attacked the Shivalya Mandir. It is possible that they simultaneously entered the temple but opened fire a little later than the attackers did in the Raghunath temple. The Minister of State for External Affairs, Omar Abdullah, expressed his anguish over the incident. "The new Government should make sure that its polices do not in demoralise the security forces and give an upper hand to the terrorists.'' The Jammu and Kashmir Democratic Freedom Party, Shabir Shah, also condemned the attack.<br />
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<strong>How To Reach:-</strong><br />
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<strong>By Road:-</strong><br />
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The National Highway 1 A passes through Jammu and connects with all parts of the country. The National Highway 1B is entirely within the state.<br />
<br /><strong>By Train:-</strong><br />
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Jammu city has a railway station called Jammu Tawi, and is well connected with major cities of India. Express trains operate from Jammu station to Delhi, Mumbai, Chennai, Kolkata and Amritsar.<br />
<br /><strong>By Air:-</strong><br />
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Jammu Airport operates flights to many cities in India such as Delhi, Leh and Srinagar.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com1tag:blogger.com,1999:blog-7798698404473324241.post-45480487044566677812017-04-03T23:13:00.003-07:002017-04-03T23:13:15.634-07:00Chamunda Devi Temple In Chamba Himachal Pradesh<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Chamunda Devi Temple</strong> <br />
<br />Chamunda also known as Chamundi, Chamundeshwari and Charchika, is a fearsome aspect of Devi, the Hindu Divine Mother and one of the seven Matrikas (mother goddesses). She is also one of the chief Yoginis, a group of 64 or 81 Tantric goddesses, who are attendants of the warrior goddess Durga. The name is a combination of Chanda and Munda, two monsters whom Chamunda killed. She is closely associated with Kali, another fierce aspect of Devi. She is sometimes identified with goddesses Parvati, Chandi or Durga as well. Chamunda Devi Mandir is believed to be the abode of 'Shiva and Shakti'. Due to this reason, it is also known as 'Chamunda Nandikeshwar Dham'.<br />
The holy temple of Mata Chamunda ji.Chamunda Devi Temple is a renowned holy shrine of the Hindus. Located in Kangra district of Himachal Pradesh, Chamunda Devi Mandir is at a distance of 10 kms from Palampur, 24 km from Kangra and 15 km from Dharamshala on the banks of Banganga (Baner) River. This ancient temple dates back to the 16th century. The temple is dedicated to Chamunda Devi, who is a form of Durga / Shakti. Chamunda Devi Mandir is believed to be the abode of ‘Shiva and Shakti’.<br />
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At the back of the temple is a cave-like scoop where a stone “Lingam” under a boulder represents Nandikeshwar (Shiva). The temple complex is an enchanting spot with glorious view of Dhauladhar, the Baner Khad and Dadh. A vast running water pool houses the statues of Lord Shiva and Saraswati. A trek of about 16 km up in the Dhauladhar ranges is the ancient temple of Aadi Himani Chamunda.<br />
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<strong>History of Chamunda Temple:-</strong><br />
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The legend related to the temple says that there occurred a fierce battle between the gods and demons in the "Savarni Manvantra." During the course of this battle, Chamunda who is believed to have emerged from an eyebrow of Goddess "Kaushiki"; was entrusted with the tedious task of eliminating the demons "Chand" and "Mund". After a fierce battle, the goddess at last killed them. Taking the slain heads of both, she went to Goddess "Kaushiki." The pleased Goddess blessed Chandika and bestowed<br />
It is said that around 400 years back, a king and a priest asked for permission from the Devi to shift the temple to a better place. The Goddess then appeared in the dreams of the priest and asked him to start digging the land at some particular place. The priest found an ancient idol of Chamunda devi at that site. The idol was the established at the same place and the Goddess is worshipped there since then.<br />
When the idol was found, the king asked the labour to take the idol out but nobody was successful to displace the idol. Later on, the Goddess appeared in the dreams of the priest and told him that all the people were considering the idol as an ordinary idol while the idol is of great significance. The Goddess further asked the priest to wake up early in the morning, to take bath and to wear holy clothes. The Goddess also asked the priest to give due respect to the idol and then he would be able to shift the idol which all of the others could not do together. Next day the priest narrated the whole story to everyone and told them that everything is happening because of the Mother’s grace and power. There are the paintings from Mahatamay, Ramayana and Mahabharata in the temple. A glimpse of Hanumana and Bhairon can be seen in the idol of Chamunda Devi in the temple.<br />
According to mythology, Chamunda Devi is depicted as the main Goddess and established as Rudra during the war between Lord Shiva and demon Jaalandhar. This temple is also known as Rudra Chamunda. Another story tells about the war between deities and the devils at “सावर्णि मन्वन्तर’. Bhagwati Kaushiki produced Devi Chandika from one of Her eyebrows and assigned Her the task to kill both the demons Chanda and Munda. There was a fierce battle between the Devi Chandika and the demons. Finally the Goddess killed both of them and presented their head to Devi Kaushiki who inturn gave blessings to the Devi Chandika that you had killed the demons Chanda and Munda so you will be worshipped as Devi Chandika in this world.<br />
The images of Lord Hanuman and Bhainro are installed on either side of the goddess. Scenes from the Devi Mahatmya, Ramayana and Mahabharata can also be seen in the temple. There also is a beautiful artificial lake near the temple which is full of fresh water from Baner River flowing nearby. Artificial sculptures of Goddess Saraswati, lions and swans in the lake add further to its beauty The interiors of the sanctorum of the deity have been beautified with carved silver sheets.<br />
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<strong>The Past Of Chamunda Devi Temple :-</strong><br />
<br /> Chamunda Devi is located at a spot where the famous battle described in the Devi Mahatmaya took place. It is heard that Kali killed the two generals of Shumbha and Nishumba. Their names were Chanda and Munda. As a result of this battle Kali received the name Chamunda. The temple was originally located in dangerous remote spot. It was relocated to its current location. Around 400 years ago the king and a Brahmin priest prayed to Devi for permission to move the temple to some easily accessible location. Devi appeared to the priest in a dream giving her consent. She directed him to dig in a certain spot and an ancient idol would be found and that idol should be installed in the temple and worshipped as Her form. Himachal Pradesh Pligrimage tour operator<br />
The king sent out men to bring the idol. Although they were able to locate it but were not able to lift it. Again Devi appeared to the priest in a dream. She explained that the men could not lift the holy relic because they considered it an ordinary stone. She instructed him to get up early in the morning, take a bath, wear fresh clothes and go to the place in a respectful manner. He did as he was told and found that he could easily lift what a large group of men could not. He told the people that it was the power of the Goddess that brought the idol to the temple. In the temple now you can see scenes from the Devi Mahatmya, Ramayan and Mahabharata. On either side of the Devi's image is Hanuman and Bhairo. <br />
<br /><strong>Significance of Chamunda Devi Temple:-</strong><br />
<br />The idol of Chamunda is made up of black and red coloured stone. In the idol, she is wearing a garland of several heads or skulls.<br />
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<br />It is said she has four, eight, ten or twelve arms, holding a Damaru, trishula, sword, a snake, skull-mace, thunderbolt, a severed head and panapatra or skull-cup, filled with blood.She has been described as having a skeletal body with three eyes, a terrifying face, drooping breasts, protruding teeth, long nails and a sunken belly. She is standing on a corpse of a man or seated on a defeated demon or corpse.There is a scorpion sitting on her navel like a decoration. Chamunda is depicted adorned by ornaments of bones, skulls, serpents and scorpions, symbols of disease and death.<br />
She also wears a Yajnopavita of skulls. Yajnopavita is worn by Hindu male priests. She wears a jata mukuta, that is, headdress formed of piled, matted hair tied with snakes or skull ornaments. Sometimes, a crescent moon is seen on her head. Her socket eyes are described as burning the world with flames.She is accompanied by fiends and goblins. She is also shown surrounded by skeletons or ghosts and beasts like jackals, who are shown eating the flesh of the corpse which the goddess sits or stands on.The jackals and her fearsome companions are sometimes depicted as drinking blood from the skull-cup or blood dripping from the severed head, implying that Chamunda drinks the blood of the defeated enemies. This quality of drinking blood is a usual characteristic of all Matrikas, and Chamunda in particular.Sometimes she is depicted seated on an owl, her vahana. Her banner figures an eagle.<br />
<br /><strong>Highlights Of Chamunda Devi Temple:-</strong><br />
<br />Going back to the history of the temple, it is said that this is the same place where Goddess Ambika killed the two demons, Munda and Chanda, in a fight that continued for thousands of years. The statue of the deity in this temple is wrapped in a red cloth, so that the devotees don't touch the deity. The temple also holds a boulder, which depicts the presence of Lord Shiva in the form of a stone lingam. There are several images of other gods and goddesses in the temple and the tourists can see them and capture the images to lock the memories forever.<br />
This famous temple of Ma Chamunda is loacated in Kangra district of Himachal Pradesh and is only a few kilometers away from Dalhousie. One can easily take a bus or a direct taxi to reach the spot and worship the idol of Goddess Durga and Lord Shiva.<br />
<br /> Many devotees gather in the temple to offer prayers to their ancestors. They believe that a dip in the Ban Ganga will assure them a state of spiritual peace. People from 22 villages use the temple area as their cremation ground because they consider the place as a sanctified ground. At the same time the atmosphere around the temple is one of serenity and solace. For many people, the Chamunda Devi Temple is an ideal meditation ground. <br />
Just beside the temple there is a Sanskrit College, an Ayurvedic dispensary and a library. The dispensary caters to the need of the pilgrims and the inhabitants. The college holds classes on Vedas and Puranas. The library houses various old manuscripts on Sanskrit books, the Vedas and the Upanishadsand also sales these books at a reasonable rate to many pilgrims. <br />
<br /><strong>Architecture Of Chamunda Devi Temple :-</strong><br />
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<br />There is nothing extra-ordinary about the architecture of the temple, but the divine aura spellbinds the devotees with its spiritual appeal. The images of Lord Bhairav and Lord Hanuman are kept in the main shrine along with other images of other gods. The main image of Goddess Durga is visible from the main entrance and is draped in rich clothes. Inside the temple, there is a marble staircase beside the main shrine that takes you down to the cave of Lord Shiva.<br />
<br /> The interiors of the sanctorum of the deity have been beautified with carved silver sheets. The temple complex also has a handicrafts centre, containing items of the woodcarvings, wooden toys, black pottery, honey, Kangra tea and world famous Kangra Paintings. During the Navratras, people from all over India come in hordes into the temple. Pilgrims from far and near come to visit this temple of great legacy and religious importance. Chamunda Devi blesses all her true devotees.<br />
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<strong>Rituals Of Chamunda Devi Temple :-</strong><br />
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The temple is also known as Chamunda Nandikeshwar Dham among Hindus. This is because it is considered the home of ‘Shiva and Shakti’. The idol of Maa Chamunda is beautifully draped in red clothes in the center of the temple. Maa Chamunda is worshipped daily with the morning and evening aarti. Songs in the praise of Maa Devi are also song by the devotees. It is considered really auspicious if the hymn of ‘Shat Chandi’ is recited with a devoted heart. A number of devotees visit the temple during Navaratras to seek the blessings of Maa Devi.<br />
Further, the temple complex has a handicrafts centre where people can find items such as woodcarvings, honey, wooden toys, black pottery, Kangra tea and Kangra Paintings.<br />
<br /><strong>Best time to visit Temple:-</strong><br />
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June to October.<br />
<br />The best time to visit the temple is during Navaratri, the temple will be decorated like a bride and you can see people from all over the countries gathered to take the blessings of the Goddess. The temple is surrounded with lush greenery, mountains and valleys making it a picture perfect location for all the tourists.<br />
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<strong>Nearby places to visit:-</strong><br />
<br /><strong>Kangra Fort:-</strong><br />
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The Kangra Fort are located on a strategic height overlooking the Manjhi River and Ban Ganga River. The remains of the Kangra fort are still a dominating feature of the Kangra Valley. Mohammed Ghazni occupied the Kangra Fort in 1009 AD and at that time, the place was called Bhima Nagar, after the name of Bhima, one of the Pandavas. Muhammed Tuglaq also conquered the fort in 1337, but could not occupy it for long. Feroz Tuglaq also plundered the fort in 1365 AD. This is known as Nagarkot, located 42 km from Palampur. There are two entrance, it is currently preserved by an archaeological department. It has very beautiful entrance and very amazing.<br />
<strong>Jwalamukhi Temple:-</strong><br />
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Located at a distance of around 30 km from Kangra, the temple of Goddess Jawalamukhi is also famously called “Flaming Goddess” or “She of the flaming mouth.” Nestled in the valley of Beas, the temple of Jawalamukhi is built over some natural jets of combustible gas. It is on of shakti peeth temple, it is 35 km from Kangra dedicated to goddess light, this temple is very famous to north Indians. There are all types of facility available like hotels, restaurants etc.<br />
<strong>Kangra Art Gallery:-</strong><br />
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The Kangra Valley Art Gallery showcases artefacts that can be traced back to the 5th century. It encompasses a gallery of Kangra’s renowned miniature painting and a representative collection of pottery, sculptures, and anthropological items.<br />
<strong>Bhagsunath:-</strong><br />
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The ancient temple of Bhagsunath is located 3 km east of McLeodganj and 11 km from Dharamshala in Himachal Pradesh. The annual fair held at the place in September is quite popular. With the forests and hilly ranges, there is also a waterfall located nearby.<br />
<br /><strong>How To Reach:-</strong><br />
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<strong>By Air:-</strong><br />
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The nearest airport is Gaggal.<br />
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<strong>By Train:-</strong><br />
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The nearest railway station is Pathankot.<br />
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<strong>By Raod:-</strong><br />
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we hire private taxi from Dharamsala to reach the temple. Buses are also available to reach here</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com3tag:blogger.com,1999:blog-7798698404473324241.post-10312354165887440452017-04-02T02:51:00.005-07:002017-04-02T02:52:49.897-07:00Laxmi Narayan Temple ,Chamba Himachal Pradesh<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Laxmi Narayan Temple </strong><br />
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Laxmi Narayan Temple is one of the oldest temples and also the largest one, situated in the Chamba district of Himachal Pradesh. There are six temples that are situated in the complex of the Laxmi Narayan Temple. These six temples are situated from north to south. They are dedicated to Lord Shiva or Lord Vishnu. Some of the temples located in the complex are the Shiva temple, Gauri Shankar temple and Radha Krishna. <br />
Laxmi Narayan Temple was constructed in the tenth century. The Shikhara style of architecture is evident from the temples situated in the complex. The rulers of Chamba took care to maintain these temples. Each of the rulers also contributed to the construction of the different parts of the temples. The ancient legends presume that Raja Sahil Verma built the temple of Laxmi Narayan Temple. The temple is kept for the tourists and the devotees from 6 am to 12.30 pm and from 2.30 to 8.30 pm. Laxmi Narayan Temple in Himachal Pradesh is the recognized Religious Place of India.<br />
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<strong>Architecture Of Laxmi Narayan Temple :-</strong><br />
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Besides being historically significant, this holy shrine is also an architectural masterpiece. Raja Sahil Varman built the temple in Shikhara style. There is a Shikhara or the Bimana and a Garbhgriha with a small Antralya. There is also a Mandapa like formation in the temple premise. There are exceptionally admirable effigies of Lord Vishnu, Goddess Lakshmi, Narsimha and Lord Krishna. All these are the residing deities of this temple.<br />
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There are wooden umbrellas and the shell roof on the top of the temple. The wheel shaped roof keeps the cold away. This was constructed keeping in mind the local climate as snowfall is an inevitable part of this land’s weather.The Shiva temple in the complex has been constructed by King Sahil Varman whereas the Gauri Shankar temple is said to have been added by his son Yugkara. The Radha Krishan temple was later added by Rani Sarda in 1825.<br />
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<strong>History Of Laxmi Narayan Temple :-</strong><br />
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Laxmi Narayan and Hari Rai Temples of Chamba stand as a testimony to the architectural brilliance and execution that existed thousands of years ago. Laxmi Narayan Temple is the main temple of Chamba town which was built by Sahil Varman in the 10th century. The temple is dedicated to Lord Vishnu and Goddess Lakshmi. Laxmi Narayan Temple has many small temples within the complex. Among these are Radha Krishna, Shiva Temple of Chandragupta and Gauri Shankar Temple. The temple has a finely crafted wooden roof with Shikara and a chamber housing the idols. The design and architecture of the temple is such that it suits all kind of climatic conditions. The majestic door of the temple has a grand metal idol of Garuda, the vehicle of Lord Vishnu, which welcomes every tourist and devotee inside the temple. One can feel richness, culture and grandeur in every stone of the Laxmi Narayan Temple. <br />
The Hari Rai Temple is another ancient temple of Chamba. The temple is located in the north-west direction and has become the official entrance to enter the Chamba town. This temple is also dedicated to Lord Vishnu. The temple is carved in a Shikara style and stands majestically on a stone platform. The temple has a beautiful statue of Lord Vishnu in the form of Chaturmurti (four faces). Hari Rai is the only temple that has been beautifully coated with saffron and can be prominently seen among all the other temples. <br />
Both these temples of Chamba are soaked in grandeur and beauty and take you back to those ancient days where the culture and tradition reigned the historical era. So grab your cameras to capture the beauty of these temples amongst the setting sun of Chamba and come back home with album full of memories.<br />
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<strong>Significance of Lakshmi Narayan Temple:-</strong><br />
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Lakshmi Narayan Temple is the most famous temple of Chamba. It is both an architectural marvel as well as a place of great historical significance. Built by Raja Sahil Varman in the Shikhara style, it was first erected in the 10th Century.Wooden Chhatris or umbrella-like structures are built to keep the snowfall off the roofs. There is also a wheel shaped roof that staves off the cold. Every following ruler of Chamba added to the temple. A Radha-Krishnan temple was built by Rani Sarda, the wife of Raja Jit Singh in 1825.<br />
A Shiva Temple in the temple complex was built by Sahil Varman and the Gauri-Shankar Temple is said to have been made by his son Yugkar Varman. A Garuda (the mythical eagle) statue in metal watches over the main gate, placed there by Raja Balabhadra Verma.The latest addition to the temple in historic times was in answer to Mughal threat. Apparently Aurangzeb the Emperor ordered that the temple be demolished and Raja Chhatra Singh, to prove that he wasnt afraid, added gilded pinnacles to the temple in 1678. There were also some shrines built in the temple complex. All of which you will see when you visit this most revered temple in what is known as Himachals Holy Valley.<br />
The Lakshmi Narayan Temple complex is opened first between 6 am to 12.30 pm and then from 2.30 to 8.30 pm.The ‘garbhagriha’ or the innermost shrine houses a mandapa (altar) that is prohibited to the public. It also has idols of several other deities.<br />
The entire complex consists of six temples in a row from the north to south direction. They are mostly dedicated to Lord Shiva or Vishnu. The other important ones here are of the Gauri Shankar Temple, Shiva Temple of Chandergupta and temple of Radha and Lord Krishna. Divine symbols and images of deities adorn the outer walls of these temples.The shell roofs or the umbrella like structures made of wood was built keeping in mind the climate of the place. Snowfall is inevitable in this part of the state.<br />
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<strong>Timings Of Laxmi Narayan Temple :-</strong><br />
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Laxmi Narayan Temple remains open from early 6 am to 12.30 pm and then from 2.30 pm to 8.30 pm. It remains open twice a day for the devotees in two halves.<br />
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<strong>Prime Attractions of Chamba:-</strong><br />
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<strong>Bhuri Singh Museum:-</strong><br />
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Bhuri Singh Museum was opened on 14th September 1908 and is named after Raja Bhuri Singh who ruled Chamba from 1904 to 1919. This museum is very near to Chamba's Chaugan.<br />
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<strong>Champawati Temple:-</strong><br />
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Close to the royal palace at Chamba, there is a stone sikhara temple dedicated to Goddess Champavati. Tradition holds that the town of Chamba was named after her. <br />
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<strong>Chaurashi Temple:-</strong><br />
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The main temples of Lakshmi Devi, Ganesh and Manimahesh and Nar Sing in Bharmour are known as Chaurashi temples. <br />
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<strong>Kalatope Khajjiar Sanctuary:-</strong><br />
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It's possible to trek 30-km from Dalhousie to Chamba along the eastbound road from Gandhi Chowk. A short but steep ascent leads to the Kalatope wildlife sanctuary, from which one can walk into a pleasant track.<br />
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<strong>Lakshmi Narayan Temple:-</strong><br />
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To the north of the palace at Chamba, there is a group of six stone Sikhara temples arranged in a row from north to south. Three of these temples are dedicated to Vishnu and three to Shiva. The northern most is that of the Lakshmi- Narayana- the principal temple of Chamba.<br />
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<strong>Lama Dal:-</strong><br />
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Held Sacred to Lord Shiva, this lake lies amidst bare rock. 'Lamba Dal means "a long lake". <br />
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<strong>Markula Devi Temple:-</strong><br />
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'Markual' or 'Marul'-ancient Markul is a small village in Chamba-Lahaul at the junction of 'Miyar Nala' with the Chandrabhaga. <br />
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<strong>Pangi Valley:-</strong><br />
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Pangi Valley in the upper part of Chamba District is a remote world in itself. This hidden valley located between Pir Panjal and the Greater Himalayan Zanskar ranges is cut off from the rest of the world.<br />
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<strong>Parbati Valley:-</strong><br />
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Hemmed in by giant pinnacled mountain peaks, the Parbati valley, twists west from the glaciers and snowfields on the Spiti boader. Picturesque hamlets perch precariously on its sides, amid lush terraces and old growth pine forests.<br />
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<strong>Rang Mahal:-</strong><br />
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In Chamba, situated the beautiful Rang Mahal palace, which was built by Raja Umed Singh in the mid 18th century. The palace walls here are lined with exquisite examples of wall paintings in the Punjab Hills style, all of which depict the life and times of Lord Krishna. <br />
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<strong>Shakti Temple:-</strong><br />
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The villages of Chatrari possess a famous Devi temple, founded by Meruvarman about A. D. 700 and the oldest one in area. <br />
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<strong>Chamba:-</strong><br />
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Chamba valley is also known as Ravi valley. The scenery is of a picturesque and varied character presenting many delightful sights. <br />
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<strong>Chamba Minjiar Mela:-</strong><br />
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The famous Minjiar fair was started in 935 AD when the Raja of Chamba defeated the ruler of "Trigarta," now known as Kangra. On his return, a celebration was held, and he was greeted by people with sherfs of paddy and maze. <br />
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<strong>Chamera Lake:-</strong><br />
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In district Chamba, this is the famous reservoir of the Chamera dam is built over the river Ravi, offering numerous water sports facilities to the visitors. <br />
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<strong>Chaugan:-</strong><br />
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This public promenade situated in the heart of the town is a grassy maidan less than one-kilometre in length and about seventy-five metres wide is a busy local trading centre for villagers from the surrounding hills. Each year Chaugan is the site for the 'Minjar' procession, a fair that lasts a week and comprise of large number of sports and cultural activities. <br />
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<strong>Gaddis:-</strong><br />
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The Gaddis are famous shepherds who move their flocks of sheep from lower pastures in winter to higher ones after snow melt. To them the Dhauladhars are not just a mountain range but like their mother. <br />
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<strong>Ghadhasaru Lake:-</strong><br />
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Ghadhasaru Lake lies in the Churah tehsil of Chamba and is 24-km from Tissa, at an altitude of 3,470m. <br />
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<strong>Katasan Devi Temple:-</strong><br />
<br />
: Another popular temple of the Chamba district, it is about 30-km from the town near Baira Siul Project. This calm and peaceful spot is ideal for picnic lovers and one can witness a full view of the valley from its premises. <br />
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<strong>Killar:-</strong><br />
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Located in the deep narrow gauge of the Chenab River, Killar can be reached through the Sach Pass and is also known as a Trekker's Paradise. <br />
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<strong>Maharaja's Palace:-</strong><br />
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This palace belongs to the erstwhile rulers of Chamba and the most outstanding buildings in the town. Of these, Rang Mahal or 'the Painted Palace', with towers on either side, is undoubtedly the most interesting one. There is one room in the building, the walls of which are painted with murals depicting episodes from the Ramayana and the Mahabharata. <br />
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<strong>Narayana Temple:-</strong><br />
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The Narayana temple at Udaipur, is situated nearly 5-km below Chamba. There are two other images of white marble, flanking Narayana, which represent Raja Uday Singh and his brother Lachhman Singh.<br />
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<strong>The Chamba Rumal:-</strong><br />
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The other craft of Chamba is its unique embroidery style. The Chamba 'Rumal' or handkerchief about 2 to 6 feet in length is an important part of a Chamba bride's trousseau. This handkerchief is also known as 'Kashida'. The embroidery is same on both sides and the threads used are silken and colorful.<br />
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<strong>Excursion Tours from Chamba:-</strong><br />
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<strong>Bharmaur Tour:-</strong><br />
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Enveloped within the high mountain ranges, the original capital of Chamba district, Bharmaur also known as Brahmour, is a famous little town. Mainly popular for its several ancient temples and monuments that reflect the towns glorious past. This small hill resort is famous for Manimahesh Yatra tour and for many options availabe for taking up adventure trekking trips on the higher ranges and mountain treks. and for various marvelous treks in the region.<br />
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<strong>Bandal Valley:-</strong><br />
<br />
(83Km.)<br />
A Travel tour of 27-km. from Salooni, this is where the Himachal border meets Jammu and Kashmir. Bandal valley is also gaining much tourist importance due to a nice view of snow clad peaks of Himalayan ranges.<br />
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<strong>Manimahesh Kailash Excursion Tour:-</strong><br />
<br />
(97Km.)<br />
A tour of the glacier lake of Manimahesh will take you to towered mountain Manimahesh Kailash, which is held sacred by the Shivites, who worship at the banks of lake and follow the ritual of Manimahesh yatra or pilgrimage, following a circumambulatory path around the dramaticrock and ice peak.<br />
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<strong>Salooni:-</strong><br />
<br />
(56Km.)<br />
Situated at a height of 1,829m.(6,000 ft.) and 56-km away from Chamba, Salooni offers a breath-taking panoramic view of the snow-covered hills and peaks.<br />
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<strong>Sarol:-</strong><br />
<br />
(11Km.)<br />
23-km from Shimla and named after the little temple that stands on the links, is a 9-hole golf course. Lord Curzon was so much enchanted by this spot that he gave his daughter Alexandra, Naldehra as her second name. During the monsoons, several golf tournaments are also held over here.<br />
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<strong>Fairs & Festivals Celebrated in Chamba:-</strong><br />
<br />
Chamba's annual 'Suhi Mata Festival', is the very famous in Chamba which lasts for 4 days ( early April ) is celebrated to commemorate Rani Champavathi, the wife of the Raja Sahil Verma ( 10th century ). This festival is attended by only women and children who dance on the Chowgan before processing towards Suhi Mata Temple with the banners of the Rajput Solar Emblem and an image of Rani Champavathi.<br />
Another interesting festival celebrated here is the 'Manjar Fair' for about a week long ( early August), celebrated by singing and dancing during the cultivation of Maize.<br />
Other festivals celebrated in August are Chrewal, Patroru or Badronjo the festival of fire and flowers which is also the time for purification of these fields.<br />
The 'Manimahesh Yatra Festival' - the sacred tarn of Manimahesh is celebrated which falls after the festival of Janamashtmi. Chamba people also celebrates the Gugga Fair in the same month August - the Worship of 'Gugga' ( Nag Devatha ).<br />
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<strong>How To Reach Chamba:-</strong><br />
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<strong>By Road:-</strong><br />
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There are plenty of buses available daily for Dalhousie along with jeeps also.<br />
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<strong>By Air:-</strong><br />
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Gaggal in Kangra valley, is the nearest airport which is around 180 km from Chamba. The Indian Airlines operates its flights on the Delhi-Dharamsala sector.<br />
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<strong>By Train:-</strong><br />
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Pathankot has the nearest railway station to Chamba town which is around 122-km to it and is linked with direct trains to Amritsar, Calcutta, Delhi and Bombay as it is well-connected with these places.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com4tag:blogger.com,1999:blog-7798698404473324241.post-54792339405901679822017-04-01T09:25:00.001-07:002017-04-01T23:24:53.118-07:00Shri Naina Devi Temple In Himachal Pradesh<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Shri Naina Devi Temple</strong> <br />
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Shri Naina Devi Temple is at a distance of just 65km from Bilaspur. It is one of the 51 SHAKTI PEETHS. According to a belief once Shiva's consort Sati, died to avenge an insult. The distranged Shiva picked up her corpse and gyrated in his horrific dance of destruction. Then Vishnu, the preserver, unleashed his Chakra and cut the body into 51 pieces to save the earth from Shiva's wrath. Naina Devi, is where Sati's eyes are believed to have fallen. The temple is situated on a beautiful hillock. Nearby is a holy cave in the name of Shri Naina Deviji. A big fair during Shravan Ashtami is held every year. Again in the Navratras of Chaitra and Ashwin, fairs commemorating the goddess are held here. For night stay, rest houses and sarais are available. For tourist a Route to -Ritual Aerial Passenger Ropeway- is also available from is also available from main Swarghat-Bhakra road to the temple.<br />
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<strong>History Of Shri Naina Devi Temple:-</strong><br />
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According to the Hindu scriptures, Goddess Sati burnt herself alive in Yagna, which distressed Lord Shiva. He picked the corpse of Sati on her shoulder and started his Taandav dance. This horrified all deities in the heaven as this could lead to holocaust. This urged Lord Vishnu to unleash his Chakra that cut the Sati’s body into 51 pieces. Regarded as one of 51 Shakti Peeths, Naina Devi Temple is the place where eyes from burned body of Goddess Sati falls when her corpse was being carried by Lord Shiva. So Goddess is praised here in the form of eyes.<br />
Shri Naina Devi Temple is also known as Mahishapeeth because of defeat of demon Mahishasur by the Goddess. According to the hindu scriptures, Mahishasur was a powerful demon who was blessed by the boon of immortality by Lord Brahma, but the condition was that he could be defeated only by an unmarried woman. Due to this boon, Mahishasur started spreading terror on Earth and Gods. To cope with the demon, all Gods combined their powers and created a Devi to defeat him. The Devi was gifted different types of weapons by all Gods. When Mahishasur got mesmerized by the immense beauty of Devi and proposed her to marry him. Devi told him that she will marry him if he would overpower her. During the battle, Devi defeated the demon and took out both his eyes. This urged Gods to happily applaud “Jai Naina” and hence the name.<br />
One more story is associated with Sikh Guru Gobind Singh Ji. When he left for his military campaign against Mughals in 1756, he went Shri Naina Devi and performed a Sacrificial Yagna to seek blessings of the Goddess. After getting the blessings, he successfully defeated the Mughals.<br />
During Nanda Ashtami, a big fair is organised in the Naina Devi temple and devotees comes for darshan and take blessings. This Nanda Ashtami festival runs for 8 days in the premises of Naina Devi temple. Other holy occasions Like Navratri, Shravani, Chaitra Fair etc are also witness of huge number of devotees in Naina Devi temple.<br />
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<strong>Naina Devi Temple:-</strong><br />
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Naina Devi Temple is a holy shrine that is dedicated to Shri Naina Devi, one of the forms of Goddess Shakti. Located on the top of a hill in Bilaspur district of Himachal Pradesh, Naina Devi Mandir is one amongst the fifty one Shakti Peeths. The Temple of Naina Devi is a famous temple, connected to the National Highway No. 21 for the facility of pilgrims. The hill can be reached through a road by vehicles and to reach the summit, one can opt for concrete steps or cable car. <br />
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Naina Devi Temple is a sacred place especially for the Hindus. Pilgrims come to visit this temple to pay their homage to the Goddess. According to the legends, the different body parts of Sati fell on the earth during the time of self-sacrifice. It is believed that Sati's eyes fell at this point and subsequently, a temple was built here to commemorate the goddess. The term 'Naina' suggests 'eyes', so the goddess came to be known as Naina Devi. <br />
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In the temple complex, there is huge Peepal tree that is acclaimed to be present from past many centuries. On the right side of the entrance to the main shrine, idols of Lord Hanuman and Lord Ganesha are placed. After crossing the main gate of the shrine, two striking statues of Lions are visible. The main shrine reveals the images of three deities. Goddess Kali can be traced on the extreme left. In the centre, image of Naina Devi is visible, while Lord Ganesha is on the right side. <br />
The Temple is perched over a small yet scenic hill. From the suburbs of the temple, one can spot the picturesque Govind Sagar Lake. Close to the main shrine, there is a small cave, which is known as Shri Naina Devi Cave. In the earlier days, people used to trek the steep path of 1.25 kms to reach the temple at the hill-top. Now, the facility of cable car has been launched to make to journey easy and enjoyable. On Shravan Ashtami, a big fair is held annually at this temple. During the time of Navratras, the temple is visited by large number of people.<br />
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<strong>Legend Of Shri Naina Devi Temple:-</strong> <br />
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It is believed that Sati (another name of Goddess Parvati) jumped into the sacrificial bonfire. To mourn the death of his beloved wife, Lord Shiva carried the body across the country. Then Lord Vishnu released his Chakra and cut the Sati’s body into fifty one pieces to save the earth from Shiva’s wrath. Parts of her body fell at various places which became sacred worship places for the Hindus. The temple here is said to have been built on the precise spot where Sati's eyes had fallen.The picturesque blue green Naini lake located near the temple is said to be the eyes of Sati.<br />
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<strong>Significance of Naina Devi Temple:-</strong><br />
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The temple is situated on a triangular hill which offers a great view of the foothills near Naina Dhar hill and also offers the view of beautiful Gobind Sagar lake which was created Bhakra Nangal dam.<br />
The temple is dedicated to Goddess Naina,legend say its a spot where Goddess Sati’s eyes fell and hence the name.It is situated at the end of the naini lake and also its surrounding areas is really serene,positive and peaceful,a perfect place to have a getaway with your spiritual side,The moment you enter the vicinity of this temple,a calming aura of the place that take over your senses and certain lightness and calmness is experienced.Also,the temple compound provides unobstructed view of the Nanital lake.<br />
The best part of this temple is there are no “holy men” distracting you,no beggars,very serene environment conducive to meditation and prayer.<br />
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<strong>Important Places at temple site:-</strong><br />
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<strong>Shri Naina Devi Ji Temple:-</strong><br />
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The temple is created from marble and looks simply magnificent. The doors of first door are overlaid by silver on which beautiful figures of deities have been carved out. The door of main temple is also overlaid by silver and has pictures of Lord Sun and other Gods on it. The main temple has three stone statues. First one is the main figure of Shri Naina Bhagwati in the form of a Pindi having two beautiful prominent eyes. Second figure on the right side also has two eyes and is believed to be established by Paandavs in Dwaapar Yug. There is a figure of Lord Ganesh on the left side. Two statues of lions are present at the main entrance of the temple.<br />
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<strong>Cave:-</strong><br />
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The cave of Shri Naina Devi Ji is 70 feet long and located near the main shrine. Earlier, people used to trek the steep path of 1.25 KMS to reach the temple but the facility of cable car has now facilitated the journey.<br />
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<strong>Kripali Kund:-</strong><br />
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When Devi defeated the demon Mahishasur, she took out both his eyes and threw them on the back side of Naina Devi hills. Both eyes fell on different places where two wells originated later. Both these wells are at a distance of 2 K.M. downside from the temple. One of these is called “Bam ki Bawri” or ‘Jheera ki Bawri” and other is “Bhubhak Bawri”. Another legend about Kripali kund is that it was created by Lord Brahma on the site where skull of Mahishasur fell. It is also called Brahm Kripali Kund.<br />
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<strong>Khappar Mahishasur:-</strong><br />
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It is a scared place located near the bhavan, where devotees take bath before going to darshan.<br />
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<strong>Kala Johar:-</strong><br />
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This place is also called “Chikshu Kund”. The skull of Chikshur, main commander of Mahishasur fell at this site. This is a holy place where people take bath to get rid of skin problems, especially children. According to folklore, married ladies are blessed with children after taking bath in its water that otherwise have problems in having kids.<br />
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<strong>Kolan wala Toba:-</strong><br />
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This place is popular for blooming lotuses and is the first halt in the journey of Shri Naina Devi Ji. There is a sacred pool of water here in which people take bath before going to darshan. Temple trust has invested Rs. 1.25 Crore for the development of this area.<br />
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<strong>Festivals celebrated in Naina Devi Temple:-</strong><br />
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<strong>Navratras:-</strong><br />
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This festival is celebrated on the special three period of the year. The first time is for Mata Durga in order to destroy the vices, impurities and defects. The next period of three days are dedicated to Lakshami Mata who is considered to be the mother of wealth. And the last period of time Navartri is dedicated to Mata Sarawati who is considered the mother of knowledge.<br />
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<strong>Makar Sankranti:-</strong><br />
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Makar Sankaranti is a one of the popular festivals in India. Almost every Hindu celebrates this festival. Thousands of people dips diyas in Ganga Sagar on this day. This day is celebrated as Pongal in the Southern India. In Gujarat, people flies hundreds of kites in the sky and celebrates Makar Sankranti.<br />
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<strong>Vasant Panchami:-</strong><br />
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This festival is especially dedicated to Saraswati Mata. She is known as the Goddess of learning. Many devotees come here on this day. On this day, the Goddess is made dressed with yellow clothes and then worshipped. Also, most of the men and women wear yellow dress on this day.<br />
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<strong>Maha Shivaratri:-</strong><br />
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This is a very special festival of Hindus. The festival is dedicated to Lord Shiva. On this day, people sing bhajans, recite Shlokes in Sanskrit, offer prayers, and also keep fast on this day. This festival is also celebrated with joy in Bhaijnath Temple of Himachal Pradesh. The players for Lord Shiva continue for late nights. Also, some special food is prepared for the honor of Lord Shiva.<br />
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<strong>Best time to Visit:-</strong><br />
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April to Oct Temple Timing: 5:00 Am to 9:00 Pm.<br />
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<strong>Puja Archana:-</strong><br />
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Puja archana of Shri Naina Devi Ji is done 5-times a day. Different type of “Bhog” is offered to Shri Mata Ji in each puja accompanied by 5 different aarties. These include Mangal Aarti.<br />
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<strong>Aarti:-</strong><br />
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Jai Ambe Gauri, Mayya Jai Shyama Gauri<br />
Tumko Nish-Din Dhyavat, Hari Brahma Shivri [1] Jai Ambe Gauri<br />
Maang Sindoor Virajat, Tiko Mrig-Mad Ko<br />
Ujjwal Se Dou Naina, Chandra Vadan Niko [2] Jai Ambe Gauri<br />
Kanak Samaan Kalewar, Raktaambar Raaje<br />
Rakt Pushp Gal-Mala, Kanthan Par Saaje [3] Jai Ambe Gauri<br />
Kehri Vahan Rajat, Kharag Khapar DhaariSur Nar Muni Jan Sevat,<br />
Tinke Dukh Haari [4] Jai Ambe Gauri<br />
Kanan Kundal Shobhit , Naas-Agre Moti<br />
Kotik Chandra Divakar, Sum Rajat Jyoti [5] Jai Ambe Gauri<br />
Shumbh Ni-Shumbh Vidare, Mahisha Sur Ghati<br />
Dhumra-Vilochan Naina, Nish-Din Mad Mati [6] Jai Ambe Gauri<br />
Chandh Mundh Sangh-Haare, Shonit Beej Hare<br />
Madhu Kaitabh Dou Maare, Sur Bhe Heen Kare [7] Jai Ambe Gauri<br />
Brahmani Rudrani, Tum Kamla Rani<br />
Aagam Nigam Bakhani, Tum Shiv Patrani [8] Jai Ambe Gauri<br />
Chon-Sath Yogini Gavat, Nritya Karat Bhairon<br />
Baajat Taal Mridanga, Aur Baajat Damaroo [9] Jai Ambe Gauri<br />
Tum Ho Jag Ki Maata, Tum Hi Ho Bharta<br />
Bhakto Ki Dukh Harata, Sukh Sampati Karata [10] Jai Ambe Gauri<br />
Bhuja Chaar Ati Shobhit, Var Mudra Dhaari<br />
Man Vaanchit Phal Pavat, Sevat Nar Naari [11] Jai Ambe Gauri<br />
Kanchan Thaal Virajat, Agar Kapoor Baati<br />
Shri Maal-Ketu Me Rajat, Kotik Ratan Jyoti [12] Jai Ambe Gauri<br />
Shri Ambe-Ji-Ki Aarti, Jo Koi Nar Gaave<br />
Kahat Shivanand Swami, Sukh Sampati Paave [13] Jai Ambe Gauri<br />
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<strong>Places Of Interest:-</strong><br />
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<strong>Bhakra Dam :-</strong><br />
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Situated at Bhakra village of Bilaspur, about 13 km upstream from Nangal township, it is one of the highest straight gravity dams in the world. The lake is about 90 km long covering an area of about 168 sq km of which 90 percent is in Bilaspur and 10 percent in Una district.<br />
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<strong>Bahadurpur Fort :-</strong><br />
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It is just 6 km. On the top of a hill known as Bahadurpur the highest (1980 m) point in the district near Tepra Village in Paragana Bahadurpur, distance about 40 km. from Bilaspur. The range is embellished by a beautiful wood of deodar and ban trees.<br />
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<strong>Tibetian Market :-</strong><br />
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Near the temple is the Tibetan market which sells many interesting items.<br />
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<strong>Nainital Boat Club :-</strong><br />
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The Nainital Boat Club is a popular tourist attraction. Many of our film directors have captured the lake for song sequences. Many of our film directors have captured the lake for song sequences. The sunset over the lake is an amazing sight. The reflection of the surrounding mountains in the lake creates a image which is indescribably beautiful.<br />
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<strong>How To Reach:-</strong><br />
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<strong>By Air :-</strong><br />
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Chandigarh and Bhuntar are the nearest air stations, located at 135 km and 131 km from Bilaspur.<br />
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<strong>By Rail :-</strong><br />
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The nearest broad gauge railhead is at Kiratpur Sahib and nearest narrow gauge railhead is at Shimla.<br />
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<strong>By Road :-</strong><br />
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Situated on the National Highway No. 21 Deluxe Buses and Ordinary Buses ply from Chandigarh to Biaspur via Kiratpur on the way to Manali crossing Mandi and Kullu..<br />
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Once you reach the Temple Bus Stand, you have the following options to go to the temple.<br />
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<strong>1. Ropeway :-</strong><br />
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Ropeway facility is avaialble as per the following timings:<br />
MARCH TO SEPTEMBER: 8:00 AM 7:00PM<br />
OCTOBER : 8:00 AM 6:30 PM<br />
NOVEMBER: 8.15 AM to 5.30 PM<br />
DECEMBER TO FEBRUARY 9:00 AM 5:30 PM.<br />
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<strong>2. Palkis/On Foot :-</strong><br />
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Most pilgrims reach to the top of the hill on foot chanting Jai Mata Di. The distance is quite comfortable and can be covered within half an hour. Palkis are also available which can be hired, if required. Resting facilities including toilets are available on the way. Facilities for refreshments and cold water are also there. However, it is advisable to bring bottled/mineral water along with you. Lots of new facilities are coming up with the help of Shri Naina Devi Shrine Board.<br />
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<strong>3. Accommodation:-</strong><br />
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To date there are no starred hotel facilities available. There is a rest house near the bus stand managed by Himachal Pradesh Government. Recently, a new Dharamshala "Mat Anchal" has come up near the Bus Stand. Reasonable accommodation can be found on the hill top. It is difficult to get accommodation during Navratras.<br />
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lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com3tag:blogger.com,1999:blog-7798698404473324241.post-56585533045598421622017-04-01T05:17:00.001-07:002017-04-01T23:26:33.258-07:00Baijnath temple In Himachal Pradesh<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Baijnath temple</strong><br />
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The Baijnath temple is situated in the Bias valley of Himachal Pradesh. It is a temple that has been dedicated to Siva Vaidyanatha, meaning the Lord of the physicians.By the roadside on the Mandi-Palampur road, within a vast enclosure is the Baijnath Temple. Known as Kirangama, its name was changed after the temle was dedicated to Lord Shiva in his form as vaidyanath or the lord of Physicians. The temple is a good exaple of the Nagari style of architecture. The walls have the characteristic niches and the Shikhara ( tower ) has an amalaka and enshrine images of goddess Chamunda, Surya the Sun God, Kartikeya, son of Lord Shiva. A life sized stone Nandi, believed to be the carrier of Lord Shiva stands at the entrance. Also are other miniature shrines and memorial stones within the complex said to have been built around 804 A.D. The Lingam enshrined in its sanctum is one of the 12 Jyotirlingas in the country. Every year during the Shivratri Fair, pilgrims descend on Baijnath for the colorful fair and festivals.<br />
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<strong>History of Baijnath Temple:-</strong><br />
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The history of the temple itself is given in the two long inscriptions fixed in the walls of the mandapa of the temple. Accordingly we are told that Kiragrama (modern Baijnath) situated on the bank of the river Binduka was a part of Trigarta (the territory lying between the rivers Ravi and Satluj, roughly represented by districts of Kangra and Jalandhar) under the suzerainty of king Jayachandra, the overlord of Jalandhara. Under him a Rajanaka (local chief) Lakshmanachandra, who was matrimonially related to Jayachandra from his mother’s side, was ruling over Kiragrama. Genealogy of Lakshmanachandra (see box) is given in these inscriptions.<br />
At Kiragrama resided two brothers, Manyuka and Ahuka, sons of a merchant named Siddha. Their genealogy up to fourth generation is also mentioned in the inscriptions (see box). They out of their devotion to Siva Vaidyanatha constructed the temple under discussion in Saka 1126 (CE 1204). They also donated a machine for extracting oil, a shop and some land in the village called Navagrama (modern Nauri near Baijnath) to the temple. The Rajanaka Lakshmanachandra and his mother also made some donations to the temple in the form of money and land respectively.<br />
The inscriptions tell us that a Sivalinga known as Vaidyanatha already existed on the spot but was without a proper house so the present temple and a porch in its front was constructed. It clearly indicates that a shrine already in existed on the spot before the construction of the present temple.<br />
What happened to the shrine in the centuries that followed is not exactly known but it appears to have continued under worship, as there is clear evidence of repairs and renovations from time to time. In the 18 th century Sansara Chandra II, the Katoch king of Kangra, carried out extensive repairs and renovations of the temple. Alexander Cunningham noticed an inscription of 1786 in the temple referring to its renovations by Sansara Chandra. An inscription on the wooden doors of the sanctum of the temple provides the date as samvat 1840 (AD 1783) that is very near to Cunningham’s date.<br />
The devastating earthquake that shook the entire region of Kangra on 4 th April 1905 also caused damage to the shrine, which has been reported by J. Ph. Vogel and has since been repaired. At present the temple is a protected monument under the Archaeological Survey of India but the performance of worship and rituals are under a local board at Baijnath with SDM as its chairman. The hereditary priests continue to get a share of the offerings.<br />
Legends As per a legend, it is believed that the King of Lanka, Ravana had worshipped Lord Shiva in the main Baijnath Temple. He sacrificed his head ten times at a place marked out in the temple. And because of this, the people here do not consider it right to celebrate Dussehra which remembers the day when Lord Rama killed Ravana. The people here think that celebrating Dussehra can offend Lord Shiva a lot. In past too, whenever any attempt has been made to celebrate the festival, the organiser died within years. Though the fact is that the deaths were in no way related to the celebration of Dussehra, the people here linked the two. Currently plans are again on to start the celebration of Dussehra in a nearby stadium.<br />
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<strong>Baijnath Temple in Himachal Pradesh:-</strong><br />
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Two local merchants named Ahuka and Manyuka built the famous Baijnath Temple in 1204 AD. It is an example of the north Indian style of architecture that emerged in the medieval era. Known as the Nagara style of temple architecture, the focal point is the lingam in the inner sanctum. The entrance to this sanctum is through a narrow hallway that has a mandapa or outdoor pillared hall in front. <br />
Apart from the idol of Lord Shiva, this temple also houses images of Surya (the sun god), goddess Chamunda, Nandi (Shiva's bull vehicle) and a sculpture of Kartikay (the son of Shiva and Parvati). The outer walls have carved images of several other deities.<br />
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<strong>Architecture of Baijnath Temple:-</strong><br />
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Besides the serene surroundings and salubrious climate of middle range hills of Baijnath, tourists interested in adventure can also enjoy paragliding at nearby (about 10 km) Bir and go for trekking in the region.<br />
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The present temple is a beautiful example of the early medieval north Indian temple architecture known as Nagara style of temples. The Svayambhu form of Sivalinga is enshrined in the sanctum of the temple that has five projections on each side and is surmounted with a tall curvilinear Shikhara. The entrance to sanctum is through a vestibule that has a large square Mandapa in front with two massive balconies one each in north and south. There is a small porch in front of the mandapa hall that rests on four pillars in the front preceded by an idol of Nandi, the bull, in a small pillared shrine. The whole temple is enclosed by a high wall with entrances in the south and north.<br />
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The outer walls of the temple have several niches with images of gods and goddesses. Numerous images are also fixed or carved in the walls. The outer doorway in the porch as also the inner doorway leading to the sanctum of the temple are also studded with a large number of images of great beauty and iconographic importance. Some of them are very rare to be found elsewhere.<br />
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<strong>The Myth of the Temple:-</strong><br />
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On attainting boon from Lord Shiva,Ravana requested the Lord Shiva to accompany him to Lanka. The Lord Shiva agreed to the request of Ravana and converted himself into Shivling. The Lord Shiva asked Ravan to carry Shivling and told the Ravana that he should not place the Shivling down on the ground on his way. Ravana started moving south towards Lanka and reached Baijnath. On seeing a shepherd,Ravana handed over the Shivling to the Shepherd. On finding the Shivling heavy the shepherd kept the Shivling on the ground and Shivling got established there.<br />
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<strong>Places Nearby:-</strong><br />
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Tourists get scintillating views of the Dhauladhar Ranges and several mountain streams from the town. Tibetan Monastries at Sherabling Bhattu, Chowgan and Chauntra on the Mandi Highway and at Bir, are worth a visit. The Khir Ganga Ghats, along the left of Binwa River, is where perennial holy water springs can be found. It is situated at the base of the temple. Before paying obeisance to the Lord, pilgrims bathe here. This place is called Chota Haridwar as it is a sacred place for people to consign ashes after cremation. Tatwani hot water springs are also famous. A fair is held here on the 13th of April. It can be reached from Fatahar or Sansal. The journey through the coniferous forests is deserves a special mention.<br />
If you travel 5 km away from Baijnath Temple you will get to Mahankaal Temple on Chobin Road, another sacred site. This temple is also from the medieval times, dedicated to Lord Shiva. Local devotees visit the temple mostly on Saturdays as it is considered to be an auspicious day.<br />
Another Hindu Pilgrimage destination 8 km away from Baijnath is Mukut Nath Temple. It is believed that the first ever holy basil or tulsi plant was found in its premises.<br />
You can visit the international paragliding site named Billing that is 28 km away from Baijnath. It is said to be one of the best sites for paragliding and other aero sports in the world. It has hosted big events like Paragliding Pre-World Cup several times and many other international and national events.<br />
Trekking routes in this region are.<br />
Bir-Billing-Rajgundha-Baragran (Chotabhangal) route<br />
Bir-Billing-Rajgundha-Palachak-Paniartoo-Thumsar Pass-Barabhangal Holi route<br />
Uttrala-Jaisu- Holi (Chamba) Pass route<br />
Fatahar-Karnarthu-Tatwani-Sansal route<br />
The Binwa Hydro-Electric Project, Mahavatar Baba Ji Meditation Centre and Sherab Ling Monastery are few other places located near the Baijnath Temple. All these places have their own charm that attracts people from everywhere to this place.<br />
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<strong>Hotels Near Baijnath Temple:-</strong><br />
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<strong>Hotel Highland Regency, Palampur:-</strong><br />
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Located close to the bus stand at Palampur, Hotel Highland Regency has 20 well-appointed rooms for its visitors. Overlooking the green surroundings of the region, this hotel has scenic views. Yet, being in the centre of the city, it is easy to get around from here. There is a multi-cuisine restaurant to suit everyone’s taste buds as well.<br />
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<strong>Welcom Heritage Taragarh Palace:-</strong><br />
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Once a striking palace, this is a palatial hotel located close to the temple. It was earlier used by the royal family of the region as their summer retreat. Spread over an area of 15 acres, this hotel overlooks forests and tea gardens. It has 26 modern rooms and suites along with many recreational facilities including a swimming pool, bridge table, horse riding, fitness centre and ayuvedic health centre.<br />
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<strong>Fairs & Festivals:-</strong><br />
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<strong>Maha Shivaratri:-</strong><br />
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Baijnath Temple, people coming from far and holds an important place for religious faith. Baijnath Temple devotees from all over India throughout the year, foreign tourists and attracts a large number of pilgrims. Every morning and evening prayer is. Also special occasions and festivals are special prayers. Makar Sankranti, Maha Shivaratri, Vaishakh Sankranti, the festival of Shravan Monday etc are Mnaae with huge excitement and elegance. Shravan falling in prayers at the temple every Monday is considered to be particularly important. Monday of Shravan is celebrated as fair. Maha Shivaratri festival is held every year on the five-day State level.<br />
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<strong>Dussehra festival:-</strong><br />
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Dussehra festival, which traditionally is celebrated to burn the effigy of Ravana, but here in Baijnath by Ravana devotion to Shiva’s penance is celebrated as the honor. Baijnath Another interesting thing about the city is not here goldsmith shop.<br />
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<strong>Bath’s importance:-</strong><br />
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Flowing with milk remained at the temple Vinwa ravine bathing in the Ganga ghat has a special significance. After bathing the Shiva devotees bathe Panchamrit Bilwa get letters from him, flower, hemp, etc. Dtura Bhole Nath please pay by the sins and virtues earn their sufferings.<br />
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<strong>Rali:-</strong><br />
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In the month of April is celebrated a traditional festival called Rali. There is a story behind the festival, which tells one of the supreme sacrifices by a girl called Rali who jumped into the river as she was married to a boy child, years younger to her. Today, of course, the festival is hosted by young girls and boys to 'obtain suitable husbands and wives'. It comprises of a series of fascinating rites such as dressing up of images of Rali and her child groom in bridal finery.<br />
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<strong>How To Reach:-</strong><br />
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<strong>By Air:-</strong><br />
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The nearest airport is at Pant Nagar, which is at a distance of 180 km from Kausani.<br />
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<strong>By Rail:-</strong><br />
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Kathgodam is the nearest rail station. Some important trains for Kathgodam are the Shatabdi Express, Howrah Express, Ranikhet Express, Rampur Passenger, and Nainital Express.<br />
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<strong>By Road:-</strong><br />
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Kausani is linked to Almora (54 km), Ranikhet (62 km), Pithoragarh (107 km) and Nainital (117 km). It can be accessed by roads from Delhi, Chandigarh, Lucknow, Nainital, Pant Nagar and Ranikhet.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com1tag:blogger.com,1999:blog-7798698404473324241.post-26357058363220537352017-04-01T04:52:00.004-07:002017-04-01T04:52:49.461-07:00Jhakhu Temple / Hanuman Temple In Simla<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>Jhakhu Temple</strong> <br />
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Nestling atop Jhakhu Hill, the Jhakhu Temple is one of Shimla's popular places of religious importance. It is situated 2.5 km away from the ridge, at an elevation of 8000 ft above sea level. Tourists either can walk up to the temple from the ridge or can hire a pony or taxi. This ancient shrine was built by a sage named Yaaku and is dedicated to the Hindu deity Hanuman.<br />
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There are a number of legends associated with the origin of the temple, one of which states that Lord Hanuman stopped at the Jhakhu Hill when he was looking for Sanjeevani herb. He met sage Yaaku on the hilltop and then moved ahead in his journey.<br />
Two km from city centre, this is Shimla’s highest point and offers a panoramic view of the town’s hills and distant mountain ranges. There are spectacular views at sunrise and sunset especially during the monsoons. The peak has a temple dedicated to Lord Hanuman. Legend has it that he stopped here while searching for the sanjeevani plant – the herb required to cure Laxman who lay mortally wounded on a battlefield in Lanka in an episode from the epic Ramayana. A variation of the legend says that his sandal fell here. The temple has been exhaustively renovated and this vantage point is being connected by a ropeway. At the top of the hill in the temple complex at 108 feet tall idol of Lord Hanuman is a big attraction for the tourists.The way to the temple is, on foot, from the Ridge near Christ Church. Other option is to hire pony from the Ridge or drive taking via the Cart Road.<br />
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<strong>History of Jakhu / Jakhoo Temple:-</strong><br />
<br />The temple has a great mythological tale attached to it dating back to the fierce battle between Lord Rama and Ravana at Lanka. During the course of the battle, Lakshmana, the younger brother of Rama got injured by an arrow of Meghanath, Ravana's son and lost his senses. He could not be cured despite numerous efforts. Then a herb practitioner told Lord Rama that Lakshmana could only be saved by Sanjeevani herb to be brought from Himalayas. Hanuman was entrusted with this life saving task of bringing the herb.<br />While going towards Himalaya to get the herb, He saw sage Yaaku sitting on Jakhu mountain in penance. Lord Hanuman landed on the mountain to gather more information about the herb. The mount could not bear the weight of the Lord and sunk to the earth, remaining half of its original size. Having cleared his doubts about the herb, the Lord restarted his journey and promised Yaaku to meet him while returning.<br />But on his way back, Lord Hanuman had to fight with a dangerous demon, Kaalnemi. This took a lot of time and He had to take the shortest route to reach Lanka whereas the sage kept waiting for Hhm. Hanuman did not want to make the sage unhappy. So he appeared before the sage and told him the reason for not keeping his promise. As Hanuman disappeared, having pacified Yaaku, an idol of Him appeared on the hill by itself. Yaaku built a small temple to commemorate the Lord's visit on the hill and kept that idol there. The idol can be seen in the temple till date along with the foot prints of the monkey god.<br />Like many other hanuman temples in India, endless number of monkeys can be seen at this temple also. These monkeys are generally very peaceful but if provoked can be very dangerous too. Pilgrims offer peanuts and bananas to these monkeys which are readily accepted by them.<br />
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<strong>About Jhakhu Temple</strong> <strong>:-</strong><br />
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<br />The temple is situated on the Jakhoo Hill which is also Shimla’s highest peak (at an altitude of about 8,050 feet). While trekking up to the temple, one can see the magnificent, 108 feet tall Hanuman statue behind the deodar trees. It will take around 20-30 minutes to reach the temple by the trail. Alternatively, you can hire a taxi to the temple that will just take 5 minutes.<br />
The main temple complex has Lord Hanuman’s foot prints engraved on a marble (as believed by the devotees), paintings and statues of Lord Hanuman and Lord Ram. The pious chants (or Bhajans) and the ringing of bells fill up the entire complex.<br />
The temple, which is seen as ruby in the crown, is dedicated to Lord Hanuman. Once on the top of the hill near the temple, one will be greeted by numerous monkeys - vanaras. They will be playing tricks on the visitors to get the 'prasad' from the visitors. Like taking away one of the sandals, taking away visitors spectacles, keeping away the handbag etc., but with no harm done for the 'prasad' offered by visitors the articles are returned.<br />
The Jakhu hill is the highest peak around Shimla, and is famous for its trekking options. The Jakhu hill offers excellent views of sunrise, sunset, mountains and town. The hill is full of narrow paths and roads which are an enjoyable walks.<br />
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In 2010, a huge statue of Hanuman is built near Jakhu Temple in Shimla. This is considered as world’s tallest statue at 108 feet at the highest altitude of over 8100 feet and constructed at a cost of Rs 1.5 crores, which surpasses the current tallest statue of ‘Christ the Redeemer’, which measures at 98 feet and stands at an altitude of 2296 feet in Rio de Janeiro, Brazil.<br />
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<strong>Significance of Jhaku Temple:-</strong><br />
<br /> Jakhoo Hill, is a play set in a home in 1950’s Jakhoo Hill, directed by Sunit Tandon.<br />World’s tallest statue of Lord Hanuman was unveiled to public by Abhishek Bachchan on November 5th 2010.<br />Jakhu Temple is situated at Jakhu hill which is at the height of 8048feet above sea level.<br />The snowy peaks, valleys offers a panoramic view of Shimla. The religious center dedicated to Lord Hanuman ‘ridge’ is located near to it.<br />From here visitors can enjoy breathtaking views of the sunrise and sunset. According to legend Manyata Ram and Ravana during the war between Lord Rama’s brother Lakshman Meghnad arrows were injured and unconscious.<br />All the time due to abortive treatment Vadyraj Susen said that one solution is left. Laxman saved the lives of Himalayan herbs can be lifesaving. I said Lord Hanuman devotee this crisis will bring lifesaving. Hanuman Himalayan and flew down the hill on the way, he ‘Jas’ walked down the hill, they saw the sage.<br />Jakhu Temple is now fitted with a giant statue of Hanuman, whose height is 108 feet. The statue was installed in 2010. Previously only 135 feet in Andhra Pradesh is a statue. Hanuman you appear anywhere in Shimla. To avoid monkeys at the gate of the temple also get stick. But if there is no tampering with the monkeys is good. It is said that the crews are Jakhu temple monkeys centuries.<br />Various trekking and mountain climbing mountaineering activities by the state government are held. Trekking path is surrounded by picturesque pine forests. Jakhu temple visitor to reach the ‘pony can also be hired. Jakhu hill by many shops in the area, which offer up to Trackers to help provide walking sticks etc.<br />
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<strong>Jhaku Temple Timings:-</strong><br />
<br />Jhaku Temple is opened for darshan all the seven days of the week. The darshan timing starts from 7am to 8pm. It hardly takes 1 to 2 hours for darshan. There is no entry fee in the Temple.<br />
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<strong>Places to visit near Jhaku Temple:-</strong><br />
<br /><strong>Kali Temple:-</strong><br />
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The trek up to the Kali Temple is an amazing experience as one comes across rare species of various animals, which also makes for some interesting photography. Situated at the Jakhoo Hills, the temple is believed to be about 150 years old and houses idols of three goddesses, namely Kali, Shyamala and Chandi. Kali Devi, however, remains the prime deity of importance here and sees devotees come to offer their respects from near and far. The place is surrounded with breathtaking views of the Shivalik Range. Situated atop a grassy knoll kept judiciously manicured by the local bovine population, the temple presents two manifestations of Kali to humble and inspire you. It’s also a great spot for a picnic.<br />
<br /><strong>State Library:-</strong><br />
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As you walk down the charming street of the ridge in Shimla, you can see a small colonial style building, standing as a lone structure right behind the Christ Church. It is the State Library in Shimla that was built back in 1860s. Today it’s an important structure in the city from a cultural point of view and has preserved numerous rare and age old books that awaits keen readers. It is a quaint building built in stone and timber with a sloping roof and wide wood penaled windows adding to the splendor of the structure. Try taking out some time from your schedule and visit this lovely place to find some timeless books that you have always wanted to read.<br />
<br /><strong>The Ridge:-</strong><br />
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A wide open street in Shimla lying next to the Mall Road adjoining the Scandal Point is he Ridge . A hub of all activities, this place also offers a panoramic view of the snow-capped mountains around Shimla. The age old Christ church is also located on the ridge which is yet another reason for the tourists to swarm the place during the peak season. Moreover, just like the Mall road no vehicles are allowed on the ridge. This place is also where festivals like Summer Festival, New year’s Eve and Christmas are celebrated with much fervor and joy.<br />
<br /><strong>The Mall:-</strong><br />
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Once you are at the Mall in Shimla, you will witness the myriad of activities happening all around the street. Tourists roaming around scrutinizing the place, locals busy with their daily activities, enthusiastic groups enjoying street food, others actively bargaining at the roadside stalls and many such scenes are a regular part of a normal day at the Mall. Vehicular movement is restricted inside the Mall Road to maintain a pristine environment as well as for the shoppers’ and tourists’ convenience. It is the most important place of the city with the presence of places like the Viceregal Lodge and the Cultural complex. Spend some quality time at the mall road on your visit to Shimla. Be it shopping or eating at your favourite food joints, Mall road will offer you with some memorable moments here<br />
<br /><strong>How to Reach:-</strong><br />
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Airport :- Shimla Airport is the nearest airport.<br />
Railhead :- Shimla Railway Station is the nearest railhead.<br />
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lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com4tag:blogger.com,1999:blog-7798698404473324241.post-56408161627463781052017-04-01T03:57:00.005-07:002017-04-01T04:16:17.389-07:00Jwalamukhi Temple In Kangra Himachal Pradesh<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong> Jwalamukhi Temple </strong><br />
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Jwalamukhi Temple of Himachal is located close to Kangra and is most famous for the ceaselessly burning blue flame originating in the rock sanctum. The temple is amazingly perched on the ridge known as Kali Dhar. It has a dome and high pinnacles with a 3-feet deep square pit in the interior surrounded by a pathway around it.<br />
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There is a crack in the rock in the center that emits gas that creates a huge flame when lighted. This gas is considered as a blessing from the deity. The unique thing about Jwalamukhi Temple is that there is no shrine, but the flame is considered as the sign of goddess Jwalaji.<br />
An eternally burning flame tha issues from a hollow rock in the sanctum, is considered the manifestation of the goddess Devi. During March-April and September-October every year, colorful fairs are held during the Navratra celebration. Jwalamukhi temple is 30 km. from Kangra.<br />
Jwala Ji is a Hindu Goddess. Alternative spelling and names for Jawala Ji include Jwala Devi and Jwalamukhi Ji. The physical manifestation of Jwala Ji is always a set of flames burning off natural gas and the term Jwala means flame in Sanskrit.Historically, shrines dedicated to Jwala Ji were based on fissures from which natural gas seeped by itself. The number of flames is usually either seven (for the seven divine sisters) or nine (for the nine Durgas).<br />
Amongst the 51 Shaktipeethas, Jwala Devi temple happens to be an important temple in Himachal Pradesh. Jwalamukhi is a village in Kangra district, which is believed to be the place where the tongue of Sati fell. According to a legend, a shepherd while herding his cattle in the forest saw a continuously blazing fire from a mountain. He then went and told the king about the incident; the King believed the shepherd visited the place and had a Darshan of Goddess here. He then built a temple in this place, later; Raja Bhumi Chand constructed a proper temple here. It is believed that Jwala Devi fulfills the wishes of all those who visit here. Offering coconut here is mandatory.<br />
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<strong> Legend of Jwalamukhi Temple:-</strong><br />
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The legend of the Jwalamukhi Temple relates to Sati, who was born when gods concentrated their individual energy on the ground. These gods were looking for a respite from the atrocities of the demons. This girl was Adishakti or the first shakti (Sati or Parvati). <br />
She was brought up in the house of Prajapati Daksha and married Lord Shiva later. It is believed that Prajapati Daksha once organised a yajna and invited everyone barring Lord Shiva. Sati felt immensely humiliated at this act of her father and immolated herself in the fire of the havankund. On hearing this, Lord Shiva became so furious that he carried Sati's burnt body and moved around the three world. The gods could foresee a calamity approaching so they assembled before Lord Vishnu and asked him to do something to diffuse the anger of lord Shiva. Lord Vishnu cut apart Sati's body into several pieces with his Sudharshan Chakra. Wherever on earth the pieces of Sati's body fell, a shaktipeeth came up. These are the spot that are regarded as the power centre of the goddess. <br />
The Jwalamukhi temple is the place where the tongue of Sati fell. Here the goddess is manifested as tiny flames that burn through the fissures in the age old rock. The temple is supposed to be first built by a king who, on the complain of a cowherd, tried to find out the place where from where a female emerged and drank the milk of the cow. Since, the king was aware of the legend of Sati, he continued his search for the place and finally succeeded. He constructed a temple there and employed priest to perform pujas. Later, Pandavas came and carried out some renovation work in the temple.<br />
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<strong>History of Jwalamukhi Temple ( Kangra ):-</strong><br />
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Dating back to the origin of Adishakti or Sati, the temple basks in a glorious past. It was to get respite from the unending atrocities of the demons that the gods concentrated their individual energies at one point, thus giving birth to Sati. Brought up in the house of Prajapati Daksha, Sati got married to Lord Shiva later.<br />
Once Prajapati Daksha organized a yajna and invited al the gods and goddesses to it barring Lord Shiva. Sati wanted to partake in this grand affair so she reached the place of the Yajna uninvited. All her sisters were welcomed by her father there except her. Daksha did not even dedicate the sacred portion of the Yajna Prasad to Lord Shiva. This made Sati feel immensely humiliated. Therefore, she immolated herself in the fire of the Yajna.<br />
Sati's end disturbed the Lord Shiva immensely. He sliced Daksha's head. On his reparation, the Lord affixed the head of a male goat to him. Unable to restore his mental peace even then, He roamed in the entire universe carrying Sati's burnt body. Foreseeing a calamity approaching, the gods requested Lord Vishnu to diffuse the anger of Shiva. At this, Lord Vishnu cut apart Sati's body into several pieces with his Sudharshan Chakra. Wherever those pieces of sati's body fell on earth, a shaktipeetha or the power centre of the goddess came up.<br />
The Jwalamukhi temple is the place where Sati's tongue fell. The goddess therefore is manifested as tiny flames here that burn through the fissures in an age old rock. There are nine flames at the temple that have been burning here without any oil or cotton since ages.<br />
The temple also has a great historical significance dating back to the reign of Mughal emperor Akbar. Amazed at the continuity of these flames, he tried to extinguish these. He tried a lot of methods for this but in vain. Finally, he submitted to the power of the goddess. He went to the shrine bare footed and presented a golden umbrella to the goddess. But the goddess denied this offering and the Chhatra turned into a colossal metal. Maharaja Ranjit Singh of Punjab also paid a visit to the temple in the year 1809. The building of the temple has a gilt dome gifted by Maharaja Ranjit Singh and silver plated folding doors.<br />
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Inside the temple, there is a 3 feet square pit with pathway all around. In the centre of which is a hollowed rock over a primary fissure of flame. This one is regarded as the mouth of Mahakali. Nine flames in total emanate from different points in the pit and represent Saraswati, Annapurna, Chandi, Hing Laj, Vindhya Vasini, Mahalakshmi, Mahakali, Ambika and Anjana - the forms of goddess. Thousand of devotees flock the temple round the year to pay homage to the goddess and to get their wishes fulfilled.<br />
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<strong> Jwalamukhi temple as a Shakti Peeth:-</strong><br />
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The shrine is regarded as a Maha Shakti Peetham. It is believed that Sati Devi’s tongue fell here. Shakti Peethas are shrines of Devi, the primodial Mother Goddess. Each Shakti Peetha has a shrine for the Shakti and Bhairava. Siddhida (Ambika)is the Shakti and Unmatta Bhairava is the Kalabhairava. The mythology of Daksha yaga and Sati’s self immolation had immense significance in shaping the ancient Sanskrit literature and even had impact on the culture of India. It led to the development of the concept of Shakti Peethas and there by strengthening Shaktism. Enormous mythological stories in puranas took the Daksha yaga as the reason for its origin. It is an important incident in Shaivism resulting in the emergence of Shree Parvati in the place of Sati Devi and making Shiva a grihastashrami (house holder). <br />
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<strong>Nine Jyoti's Jwalaji:-</strong><br />
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After entering the main room, in front, across the wall opposite, is the Jyoti which is constantly running and is considered to be Maa Kali's Jyoti. It is considered a complete Brahma Jyoti (Poorna Brahma Jyoti) in covered by a Silver Aalay(silver case). Alongside there are 8 other forms of Jwala Jyotis in this temple room. See all the auspicious Nine swaroop of Jwala Jyotis at Maa Jwala Ji Temple.<br />
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Outside the main temple room, a few steps up is the Gorakh Dibbi at Jwala Ji or the Rudra Kund. This is the place where Guru Gorakh Nath Ji had worshipped Maa Bhagwati. Maa Anjana Jwala Ji Jyoti is present at this kund.<br />
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<strong>The Jwalamukhi Temple Itself:-</strong><br />
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The temple of Jwalamukhi is not an architectural delight. Moreover, there is no idol to worship too. The building has a gilt dome and a silver plated folding doors. Inside, there is a 3 feet square pit with pathway all around. In the centre, there is a hollowed rock over a primary fissure of flame. This one is regarded as the mouth of the Mahakali. Flames emit out from several other point in the pit. They are nine in total and represent the different form of the goddess - Saraswati, Annapurna, Chandi, Hing Laj, Vindhya Vasini, Mahalakshmi, Mahakali, Ambika and Anjana. There are two lions in front of the temple.<br />
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<strong>Poojas:-</strong><br />
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There are mainly 3 ways of doing Mata Jwala Devi's Pooja Archana, i.e. Panchopchal, Dashopchal and Sholshobchal. Similarly there are 5 different Jwalaji Aartis done of Mata Jwala Ji.<br />
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<strong>Shringar Aarti:-</strong><br />
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Shringar Arti is done early mornings at Brahma Mahurat time. In this aarti, Malpua, Khoya and Mishri are offered to Maa Jwala.<br />
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<strong>Mangal Aarti:-</strong><br />
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This aarti is done after around half an hour difference to the first one. In this aarti, yellow rice and curd is offered to Maa Bhagwati.<br />
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<strong>Madhyayan Kaal Aarti:-</strong><br />
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This is performed in the afternoon(Madhyayan Kaal). In this, rice, Shatras Dal and sweet/ desert is offered to Maa.<br />
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<strong>Sayan Kaal Aarti:-</strong><br />
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This is, as the name suggests, performed in the evenings. In this aarti, Poori, Chana and Halwa is offered to the Jagad Janani.<br />
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<strong>Shaiyya Aarti:-</strong><br />
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\As the name suggests, it is the bedtime aarti of Maa, before the pandits offer the last prayers in the late evening of the day and prepare Maa's bed to sleep. This aarti starts around 9:00 PM in the evening. Milk, Malai and seasonal fruits are offered to Maa Jwala.<br />
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<strong>General information of the Jwalaji Temple Area:-</strong><br />
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The Bhawan area is around a kilometer area in the valley. It is a busy place most parts of the year with tourists from all across India, specially North India, visiting this place regularly. Maa Jwalaji is a place for many to get their children's mundan too. Once up at the Bhawan area, you will find lots of hotels and Dharamsalas for a comfortable stay. Dhabas and small hotels serving mostly north Indian food. The temple experiences a huge amount of rush in the festive season of Navratras, though otherwise you can get awesome Darshan and also get special prayer done for a minute or two. <br />
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<strong>Festivals and Rush times at Maa Jwalaji:-</strong><br />
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There is a huge rush in this area with lakhs of devotees during the times of Chaitra Aswin Navratras and Shrawan Months from Delhi, Punjab, Himachal and other parts of India. Though otherwise, in the changing trends of modern followers, devotees from north India, specially Delhi, Punjab visit this place regularly on weekends. The locals prefer to visit mainly on Tuesdays and Fridays.<br />
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•The Jwalamukhi fair is held twice a year during the Navratri of Chaitra and Aswin. The devotees go round the ‘Jwala Kund’ in which the sacred fire burns, making their offerings. The ‘Gorakh Tibbi’ a centre of the Gorakhpanthi Naths is placed near the Jwala Kund. Folk-dances, songs, plays, wrestling matches and athletics are some of the important attractions of the fair. The Jwalamukhi Temple in Kangra becomes the venue for the major fair.<br />
•In April and October, the people of the area who believe that the jets of the inflammable gas coming from the volcano are actually the sacred fires coming out from the mouth of their Goddess, worship the Goddess of the Jwalamukhi volcano in the district of Kangra in Himachal Pradesh. People come with red silken flags (dhwaja) to greet the Mother Goddess, ‘JwalaJi’. The fair is attributed to the worship of that Eternal Flame which is coming out of earth spontaneously and perpetually.<br />
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<strong>How To Reach:-</strong><br />
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<strong>By Air :-</strong><br />
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Closest Airport is at Gaggal, 50km away. Chandigarh airport is at a distance of around 200 km.<br />
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<strong>By Rail :-</strong><br />
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The nearest Narrow gauge is at Ranital, 20 km away. Also Nearest Broad Gauge Railway Station is at Pathankot, More than 100km away<br />
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<strong>By Road :-</strong><br />
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The temple is also well connected by road. State transport buses from cities of Punjab and Haryana are available. Taxis are also there to take you to the Jwalamukhi temple.</div>
lordsivahttp://www.blogger.com/profile/03968933166904655417noreply@blogger.com4