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Saturday 9 November 2013

Shakti Peetham Kamakhya Devi - Uterus of Sati Devi

Goddess Kamakhya:-

One of the best known temple of Guwahati is Kamakhya, situated on Nilachal Hill, eight km west of the city. This temple honour the Mother Goddess Kamakhya, the essence of female energy. It is one of the 108 Shakti Peethas of Goddess Durga. Legend has it that Kamakhya came into existence when Lord Shiva was carrying the corpse of his wife Sati, and her "yoni" (female genitalia) fell to the ground at the spot where the temple now stands. The temple is a natural cave with a spring. Down a flight of steps to the bowel of earth, is located a dark, mysterious chamber. Here, draped with a silk sari and covered with flowers, is kept the "matra yoni".





The Kamakhya Temple in Assam is one of the most venerated Shakti shrines in India, and is regarded as one of the Shakti Peethams associated with the legend of Shiva and Daksha Yagna.

Kamakhya is located on a hill - Neelachala Parvat or Kamagiri near the city of Guwahati in Assam. Shakti, residing on the Kamagiri hill is known as Kamakhya, the granter of desires. Assam traditionally has been known as the Kamarupa Desa and has been associated with Tantric practices and Shakti worship.

The place where the uterus of Sati fell was not known till Kamadeva, the God of love, searched it out to rid himself of a curse by Brahma. He regained his rupa (beauty) here after worshiping in this peetha. Since Kamadeva regained his rupa here the entire place is called Kamarupa (Kamrup) and the deity is known as Kamakhya or one worshipped by Kama.

This temple was destroyed in early 16th century, and then rebuilt in the 17th century by King Nara Narayana, of Cooch Bihar. Images of the builder and related inscriptions are seen in the temple.


Light of the East:-


As long ago as the first millennium BC, a great civilisation was forging a vast and powerful kingdom in the north east region of India, even extending westwards into Nepal. The kingdom was known as Pragjyotisha, and its capital Pragjyotishpura (meaning the Light of the East) was located on the site of what is now the modern-day city of Guwahati.


Later, during the fourth to ninth centuries AD, the kingdom came to be known as Kamrupa. Guwahati is also Kamrup, the ancient city of legend where Kamdev (the god of love and desire) took his birth. The district of which Guwahati is the headquarters is still known as Kamrup even today.


The city finds frequent mention in the great Sanskrit epics and poetry, including the Mahabharata. Nowadays, however, it is a busy business hub for the area, serving as the largest centre for commerce, industry and education in Assam.

The Kamakhya Temple, which is situated high up on a hill called Neelachal Parbat or Kamagiri in the city of Guwahati, is one of its several religious landmarks, which speaks volumes about the rich historical treasure over which the state of Assam is settled. This sacred temple in the heart of the capital city of Assam holds more than it meets the eye of the spectator. The Kamakhya Temple had been built in admiration to Goddess Kamakhya or Sati, who was one of the numerous incarnations of Goddess Durga or Goddess Shakti.


Sthala purana of Kamakhya devi:-


Gauhati is previously called as Kama rupa, Hari kshetra, Pragjyotisha pura etc.. This is the capital of a demon named, Narakasura.

Lord Vishnu kílled a demon named Hiranyaksha, in the form of Swetha varaha and saved earth. But, it is Tamasika avathara and he couldn’t realise his own state. He married Bhu devi(The Goddess of Earth) and spent life on earth.

One shouldn’t get sexual feelings in the time of Sunset. But, they didn’t followed that rule, which resulted in a son, who is a demon by character. Bhu devi prąyed Lord Vishnu to give boons to her son. Vishnu kept a name, Naraka, and made him as a king to the Pragjyotisha pura. He told to Bhu devi that Naraka becomes very bad and he will be kílled to save the world.
Bhu devi prąyed Vishnu a lot and got a promise from him that Naraka should become immortal unless kílled by her. Vishnu left the form of Varaha and went to Vaikuntha.

Goddess Kamakhya is considered as the Maya rupa of Bhu devi.

Naraka worshiped Goddess Kamakhya and he got a lot of energy. He ruled the world for many Yugas. He captured sixteen thousand princes and enjoying with them against their will. He made friend ship with Banasura. Banasura deviated him from the worship of the Goddess Kamakhya. He told that Kamakhya is also an unmarried girl and Naraka can marry her.

One day night, Naraka observed Goddess Kamakhya dancing in her temple. He approached her and asked to marry him. She laughed at him and told that it will happen if Naraka constructs temple, tank, and stair case from the foot of Nilachal hill to her place, by the end of that night. Naraka got mystic powers by worshiping her. He started fast and almost completed the task. Lord Vishnu appeared in the form a cock(fowl) and crew, which is considered as the starting of the day. Naraka became frustrated, chased and kílled that fowl. In the mean while the day really came. Naraka failed to reach the goal and got angry on Goddess Kamakhya. Kamakhya disappeared from that place.

The incomplete stair case is called as Mekhelauja path.
The place where Naraka kílled the fowl is called as Kukurakata chaki. It is situated in the district of Darrang.

Naraka stealed the Ear rings of Deva matha Adithi(Mother of Lord Indra). This became a very big insult for all gods. At that time Lord Vishnu and Bhu devi incarnated as Sri Krishna and Satya bhama. Indra prąyed Sri Krishna to kíll Narakasura.

Sri Krishna went with Satya bhama to kíll Narakasura. Goddess Kamakhya came with them. Satya bhama didn’t remember Narakasura as her son. Narakasura spoke to her in a very bad way. She became angry and kílled Narakasura by an Astra given by Lord Sri Krishna. All the sixteen thousand princes expressed their desire to marry Sri Krishna. He married all of them. Bhaga datta, the son of Naraka was made as the king of Pragjyotisha pura, by Lord Sri Krishna.
 

 Another legend:-

The demon Narakasura fell in love with Goddess Kamakhya once and he wanted to marry her. But as a goddess cannot marry a demon or asura, Goddess Kamakhya played a trick to save herself. She laid a condition that she would marry him only if he builds a temple for her within one night. Narakasura agreed to it and almost finished building the temple overnight. This scared Goddess Kamakhya and before the final steps of the temple were completed, a cock was sent to cry cock-a-doodle-do to announce the arrival of the morning, before it was actually dawn. This made Narakasura very angry and he killed the cock on that spot. But according to the condition Narakasura couldn't marry Goddess Kamakhya after that. It is said that the present Kamakhya temple is the same that Narakasura had made for the Goddess.

Kamakya Temple:-

 
"The temple symbolizes the 'fusion of faiths & practices' of Aryan as well as non-aryan elements". The different names associated with the goddess are names of local Aryan and non-Aryan goddesses. The Yogini Tantra mentions that the religion of the Yogini Pitha is of Kirata origin (non-Aryan influence). There existed a tradition among the priests established by Naranarayana that the Garos, a matrilineal people, offered worship at the Kamakhya site by sacrificing pigs. The goddess is worshiped according to both the Vamachara (Left-Hand Path) as well as the Dakshinachara (Right-Hand Path) modes of worship. Offerings to the goddess are usually flowers, but might include animal sacrifices. In general female animals are exempt from sacrifice, a rule that is relaxed during mass sacrifices.



Once upon a time Kamakhya Temple was the place of Tantrikism and Black Magic. It was a place where Animal sacrifices were practised. LEGEND says that this temple was built by a powerful king of the ancient kamrupa Narakasur of Naraka Dynasty. The current temple structure was constructed in 1565 by the great Koch General Chilarai of the Koch dynasty in the style of medieval temples. The form of the earlier structure, destroyed by the Kala Pahar, is unknown. The current structure has a beehive-like shikhara with delightful sculptured panels and images of Ganesha and other Hindu gods and goddesses on the outside. The temple consists of three major chambers. The western chamber is large and rectangular and is not used by the general pilgrims for worship. The middle chamber is a square, with a small idol of the Goddess, a later addition. The walls of this chamber contain sculpted images of Naranarayana, related inscriptions and other gods. The middle chamber leads to the sanctum sanctorum of the temple in the form of a cave, which consists of no image but a natural underground spring that flows through a yoni-shaped cleft in the bedrock. During the Ambuvaci festival each summer,the menstruation of the Goddess Kamakhya is celebrated. During this time, the water in the main shrine runs red with iron oxide resembling menstrual fluid. It is likely that this is an ancient Khasi sacrificial site, and worshiping here still includes sacrifices. Devotees come every morning with goats to offer to Shakti.



Apart from the main devi temple, it also comprises of some other major temples of devi Kali, Tara, Bhairavi and Dhumavati Bagala, Chinnamasta, Bhuvanesvari. There are some other temples of various goddess can be seen in the complex. They are the Sitala Temple, the Lalita Kanta Temple, The jaya Durga Temple, the Vana Durga Temple, the Rajarajesvari Temple, the Smasanakali temple, the kail temple of Abhayananda dharmashala and the Sankhesvari temple. There are five temples of Lord Shiva in the Kamakhya complex. They belongs to different forms of Lord Shiva like Kamesvara (Umananda), Siddhesvara, Amratokesvara (Heruka), and kotilinga (Tatpurusa), Aghpra.


Kamakhya Temple complex also contains three temples of Lord Visnu. They are as the Kedara (Kamalesvara), situated near the northern side of the main temple, as the Gadadhara, situated in the north-western direction of the Kamakhya temple, and as Pandunath, which is situated in the eastern foothills of Pandu also known as Nilachal.
 

 complete view of the temple:-

Vatsayana,a Vedic Sage in Varanasi during the later first Century was approached by the King in the Himalayan region (now Nepal) to find a solution to convert the tribals and their rituals of human sacrifice to a more socially accepted worship. The Sage suggested the worship of a tantric goddess Tara that spread towards the eastern Himalayan belt till the Garo Hills where the tribals  worshipped a fertility 'yoni' goddess 'Kameke'. It was much later in the later Brahaminical period Kalika Purana that most tantric  goddess were related to the legend of 'Shakti' and began to be erroneously worshipped as a 'devi' by the Hindus.




According to the Kalika Purana, Kamakhya Temple denotes the spot where Sati used to retire in secret to satisfy her amour with Shiva, and it was also the place where her yoni fell after Shiva danced with the corpse of Sati. This is not corroborated in the Devi Bhagavata, which lists 108 places associated with Sati's body, though Kamakhya finds a mention in a supplementary list.



The Yogini Tantra, a latter work, ignores the origin of Kamakhya given in Kalika Purana and associates Kamakhya with the goddess Kali and emphasizes the creative symbolism of the yoni,




Architecture:-


The vertex of the temple is oval shaped like beehive-having 7 spires, 3 golden pitchers on blossoming lotus, upon that a golden trident. The temple flaunts beautiful frescos of adorned gods & goddesses of Hindu Puranas.The temple represents old Ahom sculpture.




The Panchabali, a ritual involving the sacrifice of a buffalo, a goat, a sheep, a pigeon and a duck is a common practice in the Kamakhya temple. It seemed as if it had been just cleansed with water “Three or four buffalos a month and almost the same number of goats daily,” he says. The sight of all those wanton goats in the premises come to my mind, unbidden.


Srichakram in kamakya Temple:-



 Sri Yantra, the symbol of Tantrikism or Tranta. It might be a misconception that Tantrik cults are over and done with, for the essence of it still continues to prevail rather openly in West Bengal and Assam. While Kalighat and Tarapeeth might have been big centers for such practices the seat of ancient tantricism is at Kamakhya Devi temple, Kamarupa Assam. This is the most important of all the Shakti Peethas in India. Kamakhya devi shrine hosts the yoni of Sati that fell here following the destruction of Daksha's sacrifice. This Shakti Peetha symbolizes the union of Shiva with Shakti, as described in the Kali Purana. They are depicted in constant union where Kamakhya is the Goddess of desire, who grants salvation. She is the young bride of Lord Shiva and together they symbolize the sublime reality of the miracle of life, the everlasting bliss of male/female union. This temple is situated atop a hill that overlooks the Brahmaputra river. The inner sanctum is a deep dark underground rocky chamber into which one descends by a flight of steep steps. The "Matra Yoni" which is inscribed on a rock is covered with silk sarees and is constantly moist by underground spring water. Tantrik cult is a different kind of cult where the orthodoxy of normal rituals and male dominance over the female took a massive beating. In tantricism, it’s the opposite where the female is given a lot more importance and is associated with Shakti. This is reflected in all their strange ritual practices. There is a deep divide between conventional worship and tantrik worship. In conventional worship, a woman is considered as "impure" during her 3 day monthly cycle, further to which she is almost treated as an untouchable in ancient brahmin traditions still prevailing today. In Tantrik worship, most of the rituals including initiation are centered on the 3 days, this period being the most important period where the woman is considered most pure and an incarnation of Shakti. This is clear from various references made in Tantric texts. Most of the tantrik texts have been found around the regions of Kamarupa, suggesting very strong prevalence of this cult around the Kamakhya Devi temple. The Yoni Tantra hails from Cooch Bihar but most of the Kaul Tantras originated from Kamarupa. The earliest comprehensive references made to the most important element of Tantrik ritual, called Yoni Tattva in the Kaula Tantra are given in the Kaula Jnana Nirnaya by Matsyendranath.

Kamakya Idol:-


 
The main temple is dedicated to Devi Kamakhya, the Mother Shakti or Goddess Durga .There is no idol of the presiding deity but she is worshipped in the form of a yoni-like stone instead over which a natural spring flows.

 Importance of Kamakhya Temple :-


Kamakhya is the mother goddess . Mythology goes that When Lord Shiva was criticised in front of Sati in Daksh Yagna, she could not tolerate her husband's insult and she decided to die . Angry Lord Shiva takes her body on his shoulder and travels the whole universe . Gradually Satis body starts decomposing and part of her body falls on earth in different places . All those places where Sati's body part fell were considered Shaktipeeth later on . Kamakhya is known as the granter of all desires .


Main Attraction of Kamakhya Temple :-

As beliefs goes , the pond water at the backdrop of Kamakhya temple turns all red at a particular time of the year . This time of the year is believed to be the time of menstruation of the mother goddess or mother earth .Clothes dipped in that water is ditributed as prasad .
 

Ambubachi Festival Rituals:-



Ambubachi Mela, also known as Ambubasi festival, is held annually during monsoon season in the Kamakhya Devi Temple at Guwahati, Asam. The Ambubachi festival is closely related to the Tantric believers and is also known as Kamkhya Devi Puja. It is believed that Goddess Kamakhya goes through her menstrual cycle during these days and therefore the temple remains closed for three days. Ambubachi Mela is also known as Ameti or Tantric fertility festival and is a four-day mela (fair). It is widely believed that Goddess Kamakhya goes through her yearly menstrual cycle during the Ambubachi days. The temple remains closed for three days – the menstruation period. People in large numbers wait outside the temple on the fourth day, when the temple will be opened. Sanyasins and Pandas from around the country asemble at the Kamakhya temple during this period. Large number of devotees make a mad rush when the temple reopens to receive the unique ‘prasad’ which is small bits of cloth, which is supposedly moist with the menstrual fluid of Goddess Kamakhya. It is considered highly auspicious and powerful.


Besides this, a number of other pujas are held in the temple all round the year.

These pujas include Durga Puja during navratris, Durgadeul, Madandeul, Manasa Puja, Pohan Biya and Vasanti Puja. Offerings are mainly in the form of flowers and fruits, but may include animal sacrifices as well.


NATURALLY FOR a Shakti temple that’s the nerve centre of tantricism, there are sadhus everywhere: Aghor sadhus engage in transcendental meditation at crematoriums in the dead of night and Naga sadhus, who lead a life of relentless atonement and practice voluntary nudity, perform incredible feats. Shankar, a monk from West Bengal, buried his head under the ground for many hours to appease the goddess. Amidst this pageant of ascetic fervour, some claim they can perform wonders like making childless couples conceive, dispelling marital problems and casting spells on enemies. You even come across a sadhu from Varanasi who has been performing a three-day yagna while his disciples distribute free food to devotees.


When the pilgrims disperse after being part of this melee, they take with them shreds of cloth red with the deity’s menstrual ‘blood’. The shreds are believed to be part of the angavastra used to cover the goddess’ yoni during the three days of her menstruation.


Most Powerful Tantric Peeth:-


 Apart from Ten Mahavidya temples, there are shiva temples also there named Kotilinga Mahadev, Kameshwar Mahadev, Sidheswra Mahadev but not in idol form. So here yoni and linga is worshipped which is must in Tantric pooja. So it is very popular saying that no tantric is complete without visiting the Kamkhya Temple. Since this is the most powerful tantric peeth, animal sacrifices is a must for getting tantric siddhis. Animals includes male small goats, buffalo etc The temple attracts lacs & lacs of tantric devotees in an annual festivals known as Ambubachi Mela, Manasha Puja etc.


Kanya Pujan:-


 For Vedic Sadhak Kanya Pujan, Kanya bhojan is a must apart from offering Puja to Kamakhya Devi as per vedic methods.

Puja:-


5:30 AM     Snana of the Pithasthana.
6:00 AM     Nitya puja.
8:00 AM     Temple door open for devotees.
1:00 PM     Temple door closed for cooked offerings to the goddess followed by distribution among the devotees.
2:30 PM     Temple door reopens for the devotees.
5:30 PM     Aarati of Goddess followed by closing of the temple door for the night.


Umananda Temple:-

 
    
The Shiva temple of Umananda, reached by motor boats and public ferries from Umananda Ghat, stands on an island in the middle of the Brahmaputra. 



Navagraha temple:-

 

A top a hill in east the of Guwahati is the Navagraha temple - the "temple of nine planets," - an ancient seat of astrology and astronomy.

Vashistha Ashram:-



At a distance of 12 km from the railway station is the Vashistha Ashram ( which is the abode of sage Vashistha), is an interesting old shrine, with plenty of greenness and three beautiful streams, Lalita, Kanta and Sandhya. Several other temples like the Ugratara temple, famous for its golden idol and buffalo sacrifices, are also spread across the city.

Bhubaneshwari Temple:-


There is another small temple called Bhubaneshwari above Kamakhya from where one can have a bird's eye view of the Guwahati.


How to reach:-


By Air:-


The nearest airport is at Guwahati.

By Rail:-


Guwahati has it own railway station. It is well-connected by rail to all the parts of the country.

By Road:-


 Guwahati has well-defined roads connecting it to all the parts of the state and the country. Buses ply every 10 or 15 minutes from Guwahati to the foot of the hill from where one can go to the top by taxis that are readily available at the bus stop.

Friday 25 October 2013

Astava dasa Shakthi peetam - Birija Devi

Goddess Biraja Devi:-


Maa Biraja registers herself as one of the prominent seat of shakti worship in Orissa since prehistoric period. Goddess Biraja,the presiding deity of Jajpur is perhaps the most ancient of the Goddesses of the Hindu Pantheon. References about the Mother can be found in ancient puranic texts.She is worshipped and adored not only as Adishakti or primeval power but forms an integral part of the social religious and cultural life of the people of Orissa.

The Goddess who resides in Her temple at Jajpur, by all accounts was a principal deity of Orissa in the ancient times.Although the temple of Thhe mother is of recent origin, the idol by all accounts dates back to prehistoric times. the Mother manifests Herself in the temple as Mahisamardini holding a trident in her had.





Biraja Temple or Biraja Kshetra, or 'Oddyana Peetha, is one of the ancient Hindu temples located in the Jajpur district. This temple was built in 13th century. It is situated in Jajpur town. The main idol is Devi Durga who is worshiped by the name “Biraja”. The idol is having two hands (dwibhuja), in one hand she pierces the chest of Mahisashura with a spear and in the other she pulls the tail of the Mahishasura.

Goddess Biraja Devi Idol:-
The Durga idol is standing on a Lion in one leg and other leg is on Mahishasura chest. The Mahishasura is depicted as a Buffalo, not as regular human demon. The crown of Devi has symbol of Ganesha, Crescent Moon and a Shivalinga. The temple covers a large area, and it has several Shivalingas and other deities. Jajpur is also known as Biraja Kshetra or Biraja Peetha. According to Skanda Purana , utkala khanda it washes all rajo guna of pilgrims. This temple is also called as Girija Devi temple. It is one of 51 shakthi pentagrams and it is where Sati's navel fell.

Jajpur is the ancient kingdom of Orissa It was named after King Jajati Keshari.  The place is also known as ‘Gadakhetra’ because as per Indian mythology, in the era of Mahabharata, Bhima’s Gada (mace) was laying anywhere in this holy place. The town is sanctified by the sacred river Baitarani and Maa Biraja, the Holy Goddess.


Goddess Biraja Temple:-
 Biraja Kṣetra Jajpur, the sacred abode of Goddess Biraja registered its importance as a prominent seat of Śakti   worship since the prehistoric period. Goddess Biraja, the presiding deity of Jajpur has glorious antiquity. She is perhaps the most ancient Goddess, the Śakti or primordial energy incarnate of the Hindu pantheon, Goddess Biraja is worshipped and adored not only as Ādiśkti or primeval power but forms an integral part of the social, religious and cultural life of the people of Odisha.
The glory of Goddess Biraja has been endorsed in various texts starting from the age of the epics, purāṇas, Sthalamahātmyas and Tantric works. The Biraja Kṣetra mahātmya, which is considered as a part of Brahmaṇḍa purāṇa enumerates the origin of Goddess Biraja. It states that the days of yoke Brahma (the creator of the Universe) performed a yajna or Vedic sacrifice on the bank of the sacred river Vaitaraṇī. At the invocation of Brahma, Goddess Parvati or the AdiŚakti   emerged out of the Garhapatya fire of the sacrificial pit. Being move by her prayers, Parvati instructed Brahma to name her as Biraja. She appeared in the form of two armed Mahiṣāmardinī tramphing on the neck of the theriomorphic form of the buffalo demon and piercing the trident into his body politic. She was entreated by Brahma to glorify the Kṣetra by her presence as the devine consort of Siva. When she occupied her position the circum centre of the triangular Kṣetra (region), Nine Durgās, Eight Candikās, and Sixty four Yoginīs were created from her mind and their pervading presence made this land a unique Śakti   Kṣetra  in the country. 

The perimeter of the Biraja Kṣetra is triangular in form. The apex of the triangular region or the extreme points extends in the western, South-eastern and North-eastern by direction and those corners are guarded by the Siva lingams like Uttarsvar/Vilvesvara, Varuṇesvara and Kilalatesvara respectively. They are regarded as the guardian deities of the Kṣetra. The presiding deity goddess Biraja adored the cicumcentre of this triangular region.
In the medieval period almost all the ancient Tirthas were converted into pīṭhas in the name of some Gods or Goddesses and so became the abode of Goddess Biraja. Therefore Biraja Tīrtha and Biraja Kṣetra became famous as Biraja pīṭha. Pīṭha has a Tantric commotation of a place where an sādhaka achieves his goal through penance, austerities and Tantric rites near the presiding Goddess, from the Dakṣa-yajna-vidhvamsana-prakaraṇa of Kālikā purāṇa, it is known that the places where the limbs of Sati, the consort of Siva fell were called Śākta-pīṭhas, or the holy seats of mother Goddess. According to this tradition the ‘Navel’ of sati fell at Biraja Kṣetra and this place became known as Nabhipīṭha or Nābhigayā in the tantric tradition. So Goddess Biraja is regarded as the pīṭha Devi of this Śakti pīṭha.

The tantric texts contain the names of such pīṭhas with pīṭha Devis. The Biraja pīṭha is mentioned in the ‘pīṭhanirṇaya’ which mentions fifty one pīṭhas along with pīṭha Devis and Bhairavas accompanying them. From the tantric texts it appears that Biraja pīṭha was a great śākta pīṭha and goddess Biraja has been adored as the pīṭha Devi of Odisha with lord Jagannāth as Bhairava, Tantric texts like Hevajra tantra, Kālikā purāṇa, Rudrayāmaḷa Tantra, Aṣṭadasa pīṭha, Kubjikā Tantra, Tantrasāra, Jñānārṇava tantra, Tantra Cudāmaṇi, Uddīyāṇa Tantra, Candīmangaḷa, Brihannila Tantra, praṇatosiṇī tantra etc, mention about Biraja pīṭha too. The Buddhist work named Daṭhadhatuvamsa mentions about Biraja pīṭha also. 
According to puranic tradition Goddess Biraja is described as ‘Pitṛīkanya’ or the mental child of the ancestral mānas, keeping the line of this tradition Vāyu purāṇa and viṣṇu purāṇa state that Biraja is the mental child of Ājyapā pitṛgaṇas i.e.-

“Ājyapā nāma pitarah karddamasya prajāpateh 
Samutpannasya pulahādutpannaṣṭasya vai punah 
Lokeṣwetesuvartante kāmagesu bihangamāh 
Etanvaisyaganāh śrāddhe Bhāvayanti phalārthinah
Etesām Mānasi kanyā Biraja Nāma Visṛtah
Yayateh janani sadhvi patni sā Nahuṣasya tu “


  The whole idol of Goddess Girija Devi is decorated with flower garlands and gold jewelry. We can see only the face of Goddess Birija. The idol is decorated with silver crown full of jewels. Goddess Girija Devi blesses her devotees with her pleasant smiling face and charming looks.

Another significance aspect of this temple : –
 It is a well near the main temple of Girija Devi in which devotees perform ritual rites to their ancestors (Pinda pradhaan). People believe that these Pindas will reach Kasi directly. It seems the depth of the well is somewhere around 4 to 5 feet but it never dried up till now.


Biraja Kṣetra or modern Jajpur is regarded as the synthesized cultural centre of Odisha. Apart from general festivals connected with other religious faiths observed throughout Odisha. Specific festivals are celebrated in the precients of temple in honour of Goddess Biraja throughout the year. The worship of the goddess Biraja in her various manifestations encompass a host of festivals and ceremonies which have contributed to enrich the cultural fabric of the region. Śākta-Tantric rituals are the basic principle behind all the festivals admitting the Brahmanical method of worship. The important festivals celebrated in the Biraja temple are enumerated below.

 

Important Festivals:-

Triveni Amāvāsyā:-
 Triveni Amāvāsyā or the birth day ceremony of goddess Biraja is one of the most important festivals observed in temple. The day comes in the month of Māgha(January-February) on the new – moon day. On account of her birthday she is decorated as Goddess Sāvitri, the consort of Brahama(the creator) with golden ornaments. She is exclusively attired in yellow and worshipped with Gayātri mantra prescribed in the Brahma-Tantra.


Dola Purṇimā: -

Dola Purṇimā is observed on the full-moon day of the month of fālguna (february-march) On this occasion, the representative  deity is taken in a Vimana (chariot) to Dolavedi(pedestal)in the temple premises in the evening after certain rituals. After the required rites of worship (pūjāniti), the Goddess is sprinkled with fagu or the sacred red powder. Then the astrologer of the Temple opens and recites the new almanac for the year. People gather in large numbers to see the chaceri of Dola yatra and listen to the prescriptions of the new almanac read out.

Vāruṇi Festival: - 
Vāruṇi, an auspicious day comes in the month of Caitra(March-April) that attracts pilgrims from all over India for sacred ablution in the Vaitaraṇī Satabhiśā, the 24th  asterism of the constellation is otherwise known as ‘Varuna’. If the thirteenth day of the dark fortnight of caitra is conjoined with Varuṇa, The day becomes sacred for a bath in the holy river. So the day is called “Vāruṇi”. On this occasion Goddess Biraja is bathed with the holy water of the Vaitaraṇī and a special worship is performed. Hindu Vaishnavite pilgrims come from nook and corner of India and abroad to take a holy dip in the river Vaitaraṇī near Daśāśvamedha Ghāta and offer piṇḍas to their ancestors there and Nābhigayā. They have a holy darshan of Goddess Biraja.


Mahāviśuva Samkrānti:-
On the first day of the solar month of Vaiśakha (April-May) Mahāviśuva Samkrānti or paṇa Samkrānti is observed in the Biraja temple. The deity is magnificently dressed, which is called “Bada Simhāra Veśa” and special pūjā is performed. Prapānaka or a special kind of drink is offered and new almanac or pañjikā is once again inaugurated in the temple.


Candana Purṇimā: - 
On the Candan Purṇimā day in the month of may-June, the face of the deity of Goddess Biraja is smeared with sandal paste. So the day is very significant for the pilgrims. The Candana veśa of the Goddess attracts people form far and near to have a Darsan of the great mother Biraja.


Sāvitri Amāvāsyā:-
Sāvitri Amāvāsyā is exclusively celebrated on the new-moon day of the month of Jyestha (May-June). On this occasion there is a great rush in the temple premises specially married women come over here to worship Goddess Biraja for their unbroken conjugal happiness. As Goddess Biraja is regarded as Sāvitri they pray her for long-life of their husbands. They come with new-clothes and after worship break their fast taking different kinds of fruits.

Citālāgi Amāvāsyā :-
Citālāgi Amāvāsyā is a special occasion celebrated in the month of Srāvaṇa (July-August). On this day the citā (a gold ornament for the fore head) is put on the fore head of Goddess Biraja after the due rituals citā (a special and aromatic cake) is offered to the Goddess.

Gahma Purṇimā :-
Gamha Purṇimā is otherwise known as Rākṣi Purṇimā that comes on the full moon day of Srāvaṇa (July-August). On this occasion special pūjā is held of the Goddess and she puts on Gold and silk band named Rākṣi on her left hand.

Suniā:- 
Suniā marks the beginning of the Anka year of the Gajapati kings of puri and it also marks the beginning of the Autumnal Durgāpūjā festival in the Biraja temple. Goddess Biraja has been identified with Mahiṣāmardinī Durgā, So she is worshipped as Durgā at the time of autumnal festival Suniā is observed on the 12th day of the bright fortnight of the month of Bhādrapada (September), on this festive day after the traditional rituals the worship of lord Gaṇeśa and Goddess Saraśvatī is performed and the cutting of Gold (Svaraṇachedani) is held. Mangalārpaṇa (chanting of auspicious songs) work is performed before the Goddess. On this occasion the “Vanayāga” ceremony or Vilwa-Varana (worship of Vilwa tree) is observed for the construction of Simhadhvaja Ratha (chariot) that carries the deity during autumnal festivals. The construction of the said Ratha (chariot) starts form the day of Suniā.

Autumnal Durgā Pūjā:-
Autumnal worship of Goddess Durgā, the Mahiṣāmardinī is the most important festival near Goddess Biraja at Jajpur. This festival continues for a period of sixteen days starting form the 8th day of the dark fortnight of the month of Āsvina (September - October) and ending on the Mahānavami (9th day of the bright fortnight) day with much pomp and ceremony. Vedic and Tantric methods of worship are adopted for the great worship during the days of Mulāṣṭami (8th day of the dark fortnight) Pañcamī, Mahāṣṭamī, Mahānavamī and Daśharā (the 5th, 8th, 9th and 10th days of bright fortnight) the temple is over crowded by the devotees. This festival attracts pilgrims from all over Odisha and abroad.


Rathayātrā:-

Rathayātrā or the car festival of Goddess Biraja is the most important festival of Jajpur. During Durgā pūjā it is celebrated for nine days form the first day of the bright fortnight (Pratipada) of the month of Āśvina (September-October), the wooden chariot of Goddess Biraja is placed in front of the lion’s gate. After the traditional morning rituals the consecration work of the chariot named Simhadhvaja is held on the Pratiṣṭhā Maṇḍapa (an altar for consecration) after the yajna or sacrificial work is over, the representative deity of Goddess Biraja is ushered into the massive decorated chariot parked in front of the lion’s Gate in a special ceremonial procession arranged by the temple administration. The rhythmic clang of metal gongs, blowing of trumpets and devotionals chanting of the devotees fill the air. It is very interesting to know that a car festival for the Goddess is nowhere found in Odisha. We have such instances near Vindhyavāsinī and Sthambhesvarai in Madhya Pradesh and near Goddess Cāmuṇḍesvarī in Mysore, people from far and near come ever to Jajpur during the nine days car festival. The Ratha moves around the temple compound once a day for nine days continually. It is believed that one who perceives the Goddess on the Ratha is liberated form all sorts of sins.


Lākhavindhā:- 

The Lākhavindhā (shooting of arrows) ceremony is held at the midnight of the Mahānavami day. The representative Goddess (Vije-pratimā) of the great mother Biraja descends from the chariot after nine days car festival and sets out towards Lākhavindhā ground (a specific place at the outskirts of the temple premises) in a Vimāna specially made for the purpose in a ceremonial procession. The Goddess is worshipped there as Mahāmārī. A Goddess named Lakṣesvari or Dākesvari near the ground is offered with a delicious and aromatic drink. After Pūjā rituals the pujaka throw arrows to four directions near a high pedestal. After this archery work the representative Goddess is brought back to the temple in a dark and soundless atmosphere. After a long period of nine days the Goddess is placed on the pedestal and the ceremony is declared over.


Kumāra Purṇimā :-

Kumāra Purṇimā festival is observed on the full moon day of Āsvina (September-October). On this festival occasion the deity decorated with golden ornaments like a virgin. Cowry-play (Aksa) is held between the virgin Goddess and the chief priest. Khai or parched paddy is scattered on the entire ground in the temple premises special worship is held for the Goddess and it attracts large number of devotees in the evening.

Dipavali:-
On the eve of Kāli pūjā in the month of November, Dipāvali is celebrated with the lighting of several lamps. Special Tantric rituals are held near the Pārsva Devatā Ekapāda Bhairava and Cāmuṇḍa on the western side of the temple.

Prathamāṣṭami: -
It is a tradition is Odisha that or the day of Prathamāṣṭami in November, the eldest sons and daughters wear new clothes and takes a special and delicious cake with turmeric aroma named ‘Enḍurī’. Similarly Goddess Biraja is dressed with new clothes after due rituals and offered ‘Enḍurī’ (Steam boiled cake with the cover of turmeric leaf and prepared with rice paste, coconut, crystallized sugar or molasses, Ginger, cheese and camphor).


Dhanu Samkrānti: - This is beginning of the month of Pauṣa (December-January) when people enjoy sweetened balls of parched and husked paddy for health. The same tradition is observed near Goddess Biraja with special worship and offering of sweetened balls of parched and hasked paddy.

Vakuḷa Amāvāsyā: -
On the new moon day of Pauṣa (Dec-Jan) Vakuḷa Amāvāsyā is celebrated in the Biraja temple. The goddess is offered with a special kind of cake named ‘Gaiṇṭha’ mixed with milk, sugar and mango inflorescence after the pūjā rites are held.

Apart from these specific festivals many other festivals are held inside the premises of the Biraja temple on certain particular occasions. Gaṇeśa pūjā on the 4th day of the bright fortnight of the month of Bhādrapada is held in a separate temple of lord Gaṇeśa inside the premises, on the day of Mahāviśuva Samkrānti special worship of Hanumān is held in the Hanumān temple. On the day of Mahāsivarātrī Rudrābhiseka and special worship of Lord Siva is held in the Isaneśvara temple. Including daily rites Bagalāmukhī is worshipped on special occasions is a modern temple inside the premises. Moreover Samkrānti, Amāvāsyā, Purṇami etc. are observed as the festive days of Goddess Biraja. On Saturdays and Tuesday’s homa or sacrifice is held with the recital saptasati candī or the devi mahātmya. The celebration of such festivals reveal that the people of Jajpur have kept the śākta tradition alive all along, which is the basic culture of Biraja Kṣetra  along with other cultural aspects.


From the mythology it is revealed that down the earth or bottom portion of the soil,Goddess Biraja remain hidden because She was deprived of menstruation regularity. She was ashamed and insulted. Brahma the creator of the universe had performed five sacrifice and utterance of Mantras. Hearing the chantings of Brahma the raja trouble of Mother was removed and She was suo motto appeared there and Goddess Durga was named as Biraja.

In fact, situated on the banks of river Baitrani , Jajpur held a key place in the history of the nation as is evident from quite in a number of ancient Indian texts like Puranas and even the Mahabharat. The Mahabharat, for example depicts the famous legend of the Pandavas being instructed by Sage Lomash to go to the Baitrani River encompassed by the Biraja Tirtha and to take a holy dip in the river to washout all sorrows, sufferings and pain in the Vana Parva. The below mentioned couplet highlights the same:

“Tato Baitranim gachhet Sarvapapa Pramochanim Birajatirtha masadya virajate Yatha Sasi” (Mahabharat – Vana parva)

Similar references in Vayu Purana , Kapila Samhita and other religious epics confirm the antiquity & importance of the place. Its place in the history and as a prominent place of religious pilgrimage of India has been vindicated times and again as the place had been visited and mentioned by many saints including Adi Sankrachrya, Guru Nanak and Sri Chaitanya. Historically Jajpur dates back as the most ancient place in Orissa. There are five Kshetras (places where different deities of Vaishnavite importance rest) in Orissa. These are

Vinayakkshetra: Associated with Lord Ganesha is in Mahabinayak
Arkakshetra: Associated with Sun God, is in Konark
Padmakshetra: Different temples in Bhubaneswar
Sankhakshetra: Also known as Jagannathkhetra is in Puri
Virajakshetra: Also known as Gadakshetra is today’s Jajpur.
All these Kshetras emphasize the importance that the Vaishnavite Cult had on Orissa in the ancient days. Of all the Kshetras, Birajakshetra or Jajpur was considered the most sacred in the ancient times till 11 the Century AD when the Jagannath Cult started and slowly gained in prominence over the general masses of the state. In fact it was the cultural hub of Orissa and had hosted all sorts of religious movement in the state starting from Vaishnavite to Buddhism and Shaivaite to today’s Shakti.

Biraja Temple of Jajpur:-

Biraja Temple entranceThe temple of Maa Biraja is situated on the outskirts of the townships of Jajpur. Although the image of the Mother is believed to be of around 5th century AD., the present day temple is a later addition. Some historians opine that Maa Biraja was worshipped in a flat roofed square temple for a long time before the present day structure actually replaced the older edifice. Similarly there is no unanimity among historians over the original constructor of the temple. While many believe it to have been built by the Founder of Jajpur, the great king “Jajati Keshari”, others opine it to have been built by Zamindar Choudhury Sudarshan Mohaptra of Jajpur. The architectural design of the temple again reflects features from all the main ruling dynasties of Orissa – the Bhaumkaras (9th -10th century AD), the Somvamsis (10th-11th century AD) and the Gangas (11th – 12th century AD).



The temple of Maa Biraja confirms to the distinctive Kalingan School of architecture and consists of rekha Vimana and Pidha Jagmohana. It is about 21.15 meters tall.The Vimana stands on a stone base.the Vimana is coated with lime mortar.It consists of Bada or perpendicular wall, gandi or Curvilinear Spire and the Mastaka or the Crown. The Bada clearly shows the divisions those are so prominent of the Kalingan srchitecture; the pabhaga,lower jangha,bandhana,Upper jangha and the Baranda. The gandi is divided into five projections. The mastak or the crown of the temple has all the usual components – the Beki, the amalaka, the Khpuri,the Kalasha & the Ayudha.



The Jagmohna is built in the “Pidha” order. The Pidhas are arranged in continuous succession and topped by mastaka. The jagmohan is supported by Six pillars in the interior that support its tremendous weight. The exterior wall of the temple is bereft of any decoration.
The Simhadwara or the entrance gates of the temple are guarded by twin statues of a lion standing over the elephant. According to some historians, this has been deliberately done to depict the greatness of the Kesari dynasty ( whose state and dynastic emblem was Lion) over the Gajpati dynasty (whose state and dynastic emblem was Elephant). This fact is also taken into account to accentuate the fact that the temple had been constructed by King Jajati keshari of the Keshari dynasty.

Modern Paintings:-

Just at the entrance, inside the Simhadwara beautiful paintings that depict Puranic Storoies of Ramyana and Mahabharat have been done. These are recent additions to the temple.

Rudra Mela:-

The temple complex possess a series of over a hundred Siva Lingas. These are called Rudra Mela. These Rudra Melas have been restored under two flat roof complex close to the northern entrance of the temple.

Compound WallBiraja compond wall:-

The compound wall surrounding the present temple was built by Bhikari das, a saint who started the construction work in 1880 and completed it in the year 1895 by begging alms.
Parsavdevtas:-


Confirming to the prevalent architectural style, the Vimana of the temple consists of different parsvdevtas . Two Ganesha images lie in the southern niche. A two armed kartikeya image seated on a peacock holding sakti in one hand and Vijapurka in the other is placed as the northern Parsvadevata. Two Ekapada Bhairavas and Chamunda are present in the western part of the temple.

Ekpada Bhairava:-

The three feet Bhairava image stands on a prostrate human corpse. The hands are broken and the image is assigned to the 10th-11th century AD.

Chamunda:-

There is 2ft2inches image of a four armed Chamunda, wearing a garland of skulls and seated in Lalitasana in the temple. While two of her arms are broken, she holds karti and a trident on the other. A wolf to her right and a crocodile to her left decorate the pedestal under the corpse.

Chandimandapa:-

The Chandimandapa is situated on the front of the jagmohan. It has three entrances, one on to east while the other two are tp the north and south respectively. A small Shiva linga named Rudhiresvara is located on the north east corner. In the center of the Chandimandap, a five feet tall lion pillar is erected. An image of Hara-parvati and Vishnu are attached in the interior of the eastern wall. One inscribed hero stone and six armed Mahissurmardini images are restored on the left front part of the Jagmohan.

Nabhigaya:-

Biraja TempleThe Nabhigaya is a well just to the left of the Chandimandap. Mythological anecdotes provide that the nabhi(navel) of Maa Sati (Consort of lord Shiva fell at this place after being dismantled by the disc of Lord Vishnu. Another anecdote relates to Gaaysura, the great demon devotee of Lord Vishnu who offered his body for the performance of a great Yagna by the Lords Shiva, Brahma and Vishnu. The nabhi (navel) of Gayasur is said to have rested on this place.Agin since the avel is supposed to have been stabilized by the Lord Vishnu himself by putting on his gada (mace) over it. The place Jajpur is thus also known as Gadakshetra. The presence of Nabhigaya in Jajpur makes it a place for Pitrupinda – a place where ancestors are offered oblations. It is a belief among the Hindus that one who offers pinda (offerings to departed ancestors) here, gets his twnty one generation of ancestors liberated ; attain Moksha.

Ardhanariswara:-

An image of the Ardhanariswara lies to the outer eatern wall of the Chandimandap.

Lakulisa:-

The outside northern wall of the Chandimandap, has the image of a seated Lakulisa image. The crossed leg image holding lakuta between two hands is decorated with an image of Gajalaxmi and Navgraha unto its top.

Muktimandap:-

The Muktimandap lies in close proximity to the Simhadwara.

Dolamandap:-

Strategically important because of the Biraja calendar that is prepared annually at this place, Dolamandap is also the spot where the festival of Dolapurnima is performed every year. This is located unto the northern side of the Biraja temple.

Lord Yamadharma Raja Temple – Vaitharini River:-

           At a small distance from Goddess Girija Devi temple, Vaitharani River flows. But now the river is full of polluted water. ‘Dashashwametha Ghat is the most important ghat among all the ghats here. The temple of Lord Yamadharma raj is located here. People believe that one who dips in the holy river Vaitharini and worships Lord Yama would easily cross the River Vaitharini after death. It also said that the water of river Vaitharini has a magical power to treat diseases and can remove all the sins of devotees.

Some other Prominent Temples near Jajpur Shakti Peetha:-

           Another prominent temple in Jajpur is Sri Shwetha Varahaswami temple. When the Earth was going to be destroyed by a great deluge, Lord Sri Maha Vishnu incarnated as Lord Varahaswami and rescued the earth. Some more important temples of Jajpur are – Lord Jagannatha temple, Satyavrata Temple, Lord Sri Rama Mandir, Lord Sri Siddeshwara Temple, Lord Sri Beleshwara Temple, Varuneshwara temple, and the Sapthamathrukla temples.

Body part :- Devi's navel has fallen here.


Nabhi Gaya:-
It is heard from Puranas that Gaya is having mouth of Gayasura & the navel is in Jajpur inside Biraja Temple. Whereas padagaya is in Pithapuram of Andhra Pradesh. God Brahma did 10 Ashwamedha yagna here on the bank of Baitarani Or Vaitarani. It is called as Dakshina(south) Vedi of Brahma.Others being Gaya(east); Kurukshetra, (north); Pushkar, (west) & Prayag Allahbad, (centre) according to Vamana Purana. Many pilgrims gather here for Shraaddha during Mahalaya. A Holy dip commenses in Vaitarani river on the day of Chaitra krishna chaturdasi called as Varuni Snan Yoga. It becomes auspicious if the day is saturday and the star is Shatabhisha.

How to reach Jajpur:-

Jajpur is a district capital and a major city in Orissa. There are many direct buses starting from various places in Orissa. If we want to reach through Railway route, we have to stop at Keonjhar Road Railway station and from there travel in Bus or Taxi to Jajpur bus stand. It’s a journey of 30 mins or more. There is big Lord Shiva’s temple on the main road only. From there it’s better if one can take a reserved auto for visiting all these temples. It will take around Rs. 120/- for an hour or so. The atmosphere around the temple is very calm and tranquil and is far away from din and bustle of the city.

Nearest Bus Stand:-
Jajpur Bus stand.

Nearest Railway Station:-
Keonjhar Road Railway station.

Nearest Airports:-
Bhubaneswar