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Thursday 27 April 2017

Ghati Subramanya Temple In Doddaballapura


                                                      Ghati Subramanya Temple

Ghati Subramanya kannada (ಘಾಟಿ ಸುಬ್ರಮಣ್ಯ )is an ancient Hindu temple, situated on the outskirts of Bangalore near Tubagere, Doddaballapura. It is 60 km from the city and is a popular pilgrimage centre. The uniqueness of this temple is that the prime deity Lord Karthikeya, is found together with Lord Narasimha. According to mythology, both idols are believed to have emerged from the earth. It is also an important centre in South India for snake worship. Special rituals are performed during Brahmarathotsava, i.e., on the day of Pushya shudda Shashti. Narasimha Jayanti is the other major festival celebrated here.



History Ghati Subramanya Temple:-

Subramanya lord is elder son of Shiva and Parvathi. Lord Ganesh is youger brother of lord Subramanya. Subramanya is considered as lord of Snakes. Subramanya is also known as Shanmuka.
Ghati Subramanya temple is considered to be one of the most famous pilgrim centres around Doddaballapur, Bangalore rural district. Ghati Subramanya temple is basically dedicated to Shri Subramanya and Shri Lakshmi Narasimha. Amazing and uniqueness of this temple is both the idols are in one stone, Whereas Sri Subrahmanya is facing east and Sri Lakshmi Narasimha is facing west. Lord Narasimha God can be viewed only in Mirror which is placed behind the Idol. The temple also has idols of Adi Shesha and Vasuki along with main lord Subramanya.
The lord Subramanya is placed on peacock in the main chamber. The mud from Red Ants is collected from main Chamber and distributed among the devotees. There is huge and high Single Pillar is placed right in front of main Temple, which is called as “Garuda Stamba”. Nominal fee is charged for poojas. For Special Darshan there is little extra fees is charged.

Ghati Subramanya temple is dedicated to Lord Subramanya and Lord Lakshmi Narasimha. It is said to be the idol of Lord subrahmanya was self originated, and then the Temple was built later. The peculiar thing about this temple is Lord Subrahmanya is facing east and Lord Lakshmi Narasimha is facing west, both Idols are in a single image. You can get blessings of Lord Lakshmi Narasimha by praying through a mirror placed inside to see both the idols together.

This popular, old temple attracts many visitors throughout Karnataka. There will be special poojas at the time of Special occasions like Brahmarathotsava, on the day of Pushya shudda Shashti.

The very famous, Temple Festival called Narasimha Jayanti is celebrated in grandly. Occasion of Marriage functions are also held in this temple,the delicious free lunch is also provided here daily, for all Lord Subramanya devotees.

Ghati Subramanya Temple(or) The Stala Purana and Kshetra Mahime:-

Ghati Subramanya Temple is situated in Doddaballapura Taluk, Bengaluru Rural District, around 60km from Bengaluru. Presiding deity of this temple is Lord Subramanya & another main Deity is Lord Lakshmi Narayana. An unique feature of the idol is both the Deities are carved onto the same Idol. Lord Subramanya as Seven Hooded Serpent, facing towards the Mahadwara (East) is directly visible as we enter the main temple area.  Lord Lakshmi Narayana facing west is on the opposite side of the Idol and Darshan of the Lord is through a Mirror placed inside the sanctum sanctorum. The head priest of the temple, SN Subba Shastrigalu in one of visits said that the temple is more than 600 years old. We were lucky enough during that visit to hear from him the legend associated to this temple (it was one of those rare less crowded days).
It was during the reign of Ghorpade clan of Sandur that the temple is believed to have been constructed and consecrated. The Ghorpades were very devout, and rulers of great virtues. Their family Deity was Lord Subramanya and the Sandur Kingdom was prosperous and the citizens were rich and happy.

A Betel Leaf trader during his travels from town to town peddling his wares used to regularly stop over in this place where he used to have his bath in Kumaratheertha (now Pushkarni, or the temple pond) have his food along the bank of this pond and used to rest on an idol witha tree above serving as shade for him. He used to hear a voice saying “rise, o rise, you are resting heavily on me” which he dismissed it away since it never appeared in his dream and passed it off as mischief of wind. One of the days the Lord appeared in his dream and tells him that he lives in about 20 Gajas (1 Gaja = 1 yard) and that his devotees live in Sandur. Tomorrow you will meet a learned Scholar, with whom you shall go and inform the king about my presence here. He will them come here and build a Temple and facilitate regular Puja rituals. Saying this the lord vanished away. He wakes up and finds the sun had already risen and goes to Kumaratheertha and after his ablutions, finds a Brahmin Scholar. He approaches him and tells him about the dream. Together they set out to Sandur to inform the king.

They appear before the king and introduces themselves as those coming from Ksheerasagara pura. They also inform him that around 2 miles into the forest from where they hail, Lord Kumaraswamy (Subramanya) has manifested who appeared in the dreams to pass on the message to the King to build a temple and arrange for regular worship. They requested the King to accompany them to this place and do the needful. The King thought that this was too small a task for him to leave all royal duties and travel to a place so far. He promises them enough monetary and other support and asks them to carry out the task themselves whereupon the Trader and Brahmin declines them saying, if we have to achieve this goal, we also have the wherewithal for it and not depend on you for support. Saying thus, they immediately leave the palace and begin their journey back to Ksheerasagarapura. Tired that they were, they decided to stay in a Brahmin house for the night and resume journey the next day.

The Lord then appears in the King’s dream in a Ugra roopa (fiery form) and curses that for dishonoring the instructions, the entire kingdom will now undergo tremendous hardships. The king immediately wakes up, begs pardon and early next morning sends out his guards in search of the trader and the Brahmin. The royal family then accompanies them to Ksheerasagarapura. They reach by around noon and begin searching for the idol in the temple. Specialty of this temple is that every rock and stone appears in the form of snake. After a long unsuccessful search they return back to the camp. The cooks then bring two big and two small rocks to create a stove for cooking. (The big rock now is part of the Main Idol of Lord Subramanya). After a while when the cook opens the lid to check if the ingredients have been cooked, he discovers to his horror that everything inside the container appeared bloodied. He was mortified with fear and rushes to the King to inform him about the same. On closer observation they also find openings of Anthills inside it and It was then decided that this indeed was the abode of Lord Subramanya.

The same evening, they also found amongst the cattle that was herded across this village, a particular cow on its return to its village, used to stand across this anthill and  automatically the udder started releasing milk into the anthill. Until this day, everyone in the village used to suspect the cowherd of having milked the cow and drinking all the milk. It was the same evening when elders of the village also came to test the boy and found this miraculous sight.


After the entourage retired for the night, the Lord appears in the King’s dreams and asks him to remove the anthill which would reveal the Lord along with Lakshmi Narayana. The next morning, they discover Lord Subramanya along with Lakshmi Narayana in the form of an idol. All the families assembled there together donates land and wealth and appoints the Brahmin as the main priest of the temple. Till this date, the main priest is form the same family.

Ghati Subramanya Temple Idol:-



The temple here is dedicated to Lord Subramanya and Lord Lakshmi Narasimha. It is believed that the idol of Shri subrahmanya is self originated. The uniqueness of the temple is, Sri Subrahmanya is facing east and Sri Lakshmi Narasimha is facing west in a single image. One can have darshan of Lord Narasimha through a mirror placed rear side.

This unique and ancient temple attracts many a pilgrims. Special pooja's will be performed the event of Brahmarathotsava, i.e., on the day of Pushya shudda Shashti. Narasimha Jayanti is other major festival celebrated here. Marriage functions are also held here.

It is Lord Murugan's temple and very much in tradition with the "Kukke" subramanya temple. Here you find him in the "Naga" avathar and all the "sarpa (snake) dosha" related poojas are performed here.



t is believed that the idols of the deities at Ghati Subramanya Temple are swayambhu idols, and the naga avatar can be seen of Lord Subramanya. People with sarpa dosha come here to be blessed by the Lord after offering him prayers and anominal fee. Many childless couples since ages have been visiting the temple for granting them their wish to bear children.

Architecture Of Ghati Subramanya Temple:-




As specified above, the style of architecture in this temple is Dravidian. No one knows how long the idols have stood there for, but the Sri Subramanya Temple is believed to be an ancient one. The idol of the Lord is said to be swayambhu, meaning self-originated and not created or sculpted by anyone else. A unique aspect about the temple is that while the sculpture of the Lord Subramanya is positioned towards the East, Lord Lakshmi Narasimha stands at the back of the same idol, facing the West.



The devotees obtain a darshan of Lord Lakshmi Narasimha by way of a strategically placed mirror. The temple is particularly special for those who seek the Lord to bless them with a child.

Sri Subramanya Temple – Religious Significance:-

The Pushya Suddha Shasti is one of the biggest festivals in this temple as this day is believed to be the birthday of Lord Subramanya. The other major festival in the temple is Narasimha Jayanthi. Skanda Shasti is also celebrated with a lot of fanfare as it is a special day for Lord Subramanya and Panghuni Uttiram, the wedding anniversary of the Lord, is also celebrated.

Vaikashi Vishakam is another special day to the presiding deity here. It is believed by the locals that the Lord is benevolent in his blessings to those who come seeking his blessings to find a compatible partner or to have a child.

About The Temple:-

Ghati Subramanya Temple has been built in the Dravidian style of temple architecture. Lord Subramanya is also known as Sanmukha and the elder son of Lord Shiva, and is the God of snakes. Scores of devotees visit the temple each day to get a glimpse of Lord Subramanya sitting on a peacock placed in the temple sanctum. The devotees and visitors can see the idol of Lord Subramanya with a seven-headed cobra made from a single stone. People offer their prayers and milk to a snake mound so as to appease the Gods. Snakes carved onto stones, also called Nagappa, can be seen under a huge Peepal tree and devotees pray for any favors they need at this spot.

Ghati Subramanya Temple Timings: -

Morning pooja at Ghati Subramanya Temple Starts at 7.30 am, if you reach at this time the crowd will be less. If you are interested to do Abisheakam
You should wait up to 10.30 am.

Events:-

In May:-

Narasimha Jayanthi or Pushya Suddha Sushti:-

This is the most important festival of this temple in celebration of Lord Subramanya’s birthday. Narasimha Jayanthi is the day celebrating the appearance of Lord Narasimha. He is said to have appeared in order to protect his devotee Prahlad from his father Hiranyakashyapu. Special poojas are held when thousands of devotees join in the celebration with drums, trumpets, horns etc. drawing the chariot.

In September - October:-

Brahmarathotsava Festival:-

Devotees come in great numbers to visit the temple during the Brahmarathotsava festival. It is celebrated with great pomp and show, with Lord Subramanya riding the Brahmaratha. It is believed that Lord Bhrama is the originator of this festival; he worshipped Lord Balaji on the banks of the River Pushkarini in Tamil Nadu thanking him for looking after mankind. For nine days during the festival thousands make way for the procession where the chariot is pulled by canes. These canes are a great matter of possession and pride once the Car Festival comes to an end.

In December:-

Cattle Fair:-

The cattle fair held here in December is very famous and ryots from neighboring states of Tamil Nadu, Andhra Pradesh, Kerala and Maharashtra as well as from many parts of Karnataka participate in it.

Festivals/Pujas:-

* Special puja's will be performed the event of Brahmarathotsava, i.e., on the day of Pushya shudda Shashti. Narasimha Jayanti is other major festival celebrated
Suneel Gudipati in front of Ghati Subramany templeSuneel Gudipati in front of Ghati Subramany temple
Suneel Gudipati in front of Ghati Subramany temple
here.
* Skanda Shashti, Vaikashi Vishakam and Narasimha Jayantiare major festivals celebrated here.
* Marriage functions are also held here.
* Free lunch is provided daily for the devotees.

Nearby Temples:-

Shri Shanimahatma Temple :-

 Shani also known as Shanishwara is considered to be one of the nine planets in Hindu astrology. This temple is located few kilometers away from bangalore in Nelamangala, this temple is dedicated to Lord Shanishwara, one of the planets in Hindu astrology and Shaniswara is an embodiement of Saturn.

Shri Veerabhadra Temple :-

 Located in Ramdurg Taluq of Karnataka, Shri Veerabhadra Temple is positioned in the Belgaum district. The Godachi Jatre which is a fair is held in the reputation of Shri Veerabhadra, the chief deity of the main temple. Veerabhadra was shaped by Lord Shiva to destroy Daksha’s Yagna. The temple is sculpted in a combined style of Vijayanagara and Chalukya architecture. The entrance is constructed in the Chalukyan style and the Garbhagraha or the sanctum replicates the Vijayanagara style of temple building. It is a popular believe that artisans and merchants from nearby village gather in this Godachi Jatre to display and sell their wares.Days of Amavasya and Poornima are of special significance here and thousands of pilgrims and visitors mark their presence in the temple on these ospicious occassions.

How to Reach:-

By Road:-

Ghati Subrahmanya it is about 60 kms from Bengaluru and has to be reached via Doddaballapur. You can reach Doddaballapur from Bengaluru Kempegowda Bus Station (Bengaluru Majestic). Direct buses are available but they are not frequent. Local transportation is available from Doddaballapur to Ghati Subrahmanya.
If you intend to use your own vehicle then, take the road which leads you to Devanahalli (New International airport). From there take a left turn which takes you to Doddaballapur. From Doddaballapur, it is about 10 kms.

By Rail:-

Nearest Railway station: Makali Durga on the Bengaluru - Guntakal line.

By Air:-

Nearest Airport: Devanahalli, Bengaluru. 

Hoysalaeswara Temple In Belur And Halebidu


                                                         Hoysalaeswara Temple

Halebid (also pronounced as Hale'beedu) literally means 'the old city'. Beedu also stands for layout or a place of human habitat. The Hoysalas ruled this city for about 150 years. Then it was sacked by the armies of Malik Kafur in the early 14th century, after which it fell into a state of disrepair and ignore.



 It is located on the banks of river Yagachi. According to inscriptions discovered here, Belur was also referred to as 'Velapuri'. Belur is known as Dakshina Varanasi or South Banaras for its temples. Though Belur and Halebidu and just 16 kms away, they are always referred to as Belur and Halebidu as if they are one. But indeed they are one in their grandeur of erstwhile era.

The temples of Belur and Halebid are best known for their south Indian architecture. The temples at both these places are built by renowned architect Jakkanna Acharya (Amarashilpi Jakanaacharya). The temples are carved with scripts of Hindu mythology. The 12th century temple at Belur has many figures known as Madanikas or dancers. It has many pillars of different designs. Later the capital was shifted to Dwarasamudram (Halebid).

Both these temples have carving of Puranas, the Upanishads and other mythological characters from the Ramayana and the Mahabharata. With these exquisite designs one loses himself in its beauty.

The 12th century Chennakesava Temple at Belur is the symbol of Hoysalas over the Cholas in the great battle of Talakadu. The exterior is covered with a variety of intricately-carved sculptures and friezes. The interior contains exquisite panels A tall stone pillar in the temple courtyard is balanced, amazingly, only by its centre of gravity.

The word Halebeedu means ‘ruined city’; earlier it was called as Dwarasamudra which meant ‘entrance to the ocean’. Halebeedu was the royal capital of the Hoysala Empire in the 12th century. It was during this period, many temples were constructed. Halebeedu’s fall began after it was invaded by the Delhi sultanate.
Tourist can see many prominent temples like Hoysaleswara temple, Shantaleshwara temple and Kedareshwara temple which had been built by Ketamala and dedicated to Vishnuvardhana, ruler of Hoysala Empire. The temples are named after the Vishnuvardhana Hoysala and his wife, Queen Shantala.
These temples are built out of Chloritic Schist, a soft stone which allows minute detailing work on the walls of the temple. The sculptures of the temple reveal the usage of ivory and sandalwood in the construction of these temples. The temples are often compared with the temples of Khajuraho because of the heavy carvings and magnificence.

Architecture Of Hoysalaeswara Temple:-

The remarkable structure of this temple has been acclaimed as a perfect exemplar of Hindu style of architecture. Its architecture is often regarded as the 'supreme climax of Indian architecture'. In the exteriors, many projections and recesses in the walls make the structure quite complex; in contrast to it, the interiors appear simple. The exterior walls of the temple have a splendid assortment of stone sculptures.



Hoysaleswara Temple is particularly known for its wall sculptures that are imprinted right from the outset of the outer wall. Opening with an image of dancing Ganesha on the left hand side of the south entrance, the series ends with a different image of Ganesha on the right hand side of the north entrance. The whole collection has not less than 240 images. The most complicated of all sculptures, are traceable in the beams, over two of the entryways, one on the southern entryway and other on the eastern entryway.



The interiors of the temple are quite plain except for the lathe turned pillars that dash in rows flanked by the north and south doorways. Making the forefront of the each shrine, the four pillars are the most elaborate having 'madanika' sculptures in their brackets. The massive temple has four porches serving as its doorways. Generally, only one porch is left open for entry that lies in the north.

















The superstructure on the shrines is known as 'Sunakasi', which used to be a row of ornamented miniature roofs on top of the attics of the hall, are all gone astray. Even the towers of the shrines are not there. The temple was constructed at a height to grant adequate horizontal and vertical space to illustrate large and small sculptures.

Garuda Pillar :-



Garuda Stambha (Pillar) is an attention-grabbing structure of Hoysaleswara Temple. Garudas were known to be the selected bodyguards of the kings and queens. They used to live and move with the Royalty with the sole aim to defend their master. At the death of their master, they committed suicide. In the southern side, the pillar demonstrates heroes flanking knives and cutting their own heads. The inscription on the pillar commemorates Kuruva Lakshma (bodyguard of Veera Ballala II).


Importance of Halebid:-

Halebid temple statue of Ganesha The main attraction of Halebid is Hoysaleshwara temple. This temple has lord Hoysaleshwara and Lord Shantaleshwara. Plenty of sculptures have been carved on the outer wall and is the speciality of this temple. The Kedareshwara temple, this was built by Ballala - II and decorated with sculptures and panels in typical Hoysala style. Shrine on either side of Navaranga hall inside. The basement shows the rows of Elephants, Horse, Lion and an imaginary animal called Makara. Pushpagiri is situated 3 Kms nearer to Halebid. This has got temples of Lord Mallikarjuna, Lord Vishnu and Goddess Parvathi. These are all built during Vijayanagara period. Lord Chatteshwara temple in Chattachattanahalli which is 3 Kms from Halebid. Sri Ranganatha temple with the 6 ft statue of Lord Ranganatha with Brahma taking birth in the lotus at Nabhi (Navel) and Aridevi serving at his feet. Basadi halli (Jain Mandir) is very nearer to Hoysaleswara temple. Three jain temples Parswanathaswamy (14 ft height, made of black stone), Adinathaswamy (central mandir) and Shanthinathaswamy (located at east of Shanthinathaswamy) can be seen here.

About Ideal:-



Hoysaleswara Temple has two shrines, one dedicated to Hoysaleswara and another for Shantaleswara (named after Shantala Devi, queen of King Vishnuvardhana). Standing on a raised platform, the temple is made out of Chloritic Schist (Soapstone, also known as potstone). Both of the shrines are located next to each other, facing the east direction. The shrine comprises the Shiva lingam (phallic form of Lord Shiva), the universal symbol of Lord Shiva.
Besides the other shrines, there is one shrine that is dedicated to Lord Surya. Here, Sun God is depicted in the 7 ft tall image. The halls comprise huge images of Nandi, the attendant of Lord Shiva. Hoysaleswara Temple stands as a testimonial of the bygone era. The outstanding structure of the temple has been accredited for being the epitome of Hindu architecture.

History of Hoysaleswara Temple:-

It is known that the famous temple derived its name from the King Vishnuvardhana Hoysaleswara, who built the temple. A large amount of contribution was received from the Shaivas for the construction of the temple. It was built to compete with the Chennakesava temple which was under construction as a Vaishnava temple. The Hoysaleswara Temple is surrounded by ponds, mantapas and lakes. It is well known for the sculptures and architecture of Hoysala period.

This magnificent shrine dedicated to Lord Shiva is the largest and the best among Hoysala temples. Its construction was started in 1121, by “Ketumalla”, one of the officials of Vishnuvardhana and could be completed only by are more profusely carved. Even after working diligently for about a century, there are still some unfinished portions in this amazing edifice. The sculptural extravaganza has been lavishly praised by the experts, critics and common visitors. James Fergusson, an art and architecture expert known for being guarded with admiration was mesmerized by the beauty of the shrine. He remarks that the temple “may probably be considered as one of the most marvelous exhibitions of human labour to be found even in the patient east”. Percy Brown, an authority on Indian architecture wrote – “…this temples (Hoysaleswara)…is without exaggeration, one of the most remarkable monuments ever produced by the hand of man”. The complex consists of two identical temples, each with its own array of navranga and sukhanasi and Nandi mandapas. Both the sanctums have a characterstic star shaped ground plan and are set on a stone platform as seen in other Hoysala shrines. The temple on the northern side is named Shantaleshwara, after Shantala Devi, the beloved queen of Vishnuvardhana, while the southern side shrine is the Hoysaleswara temple. The two temple halls are joined by a common verandah creating a spacious columned interior. Thousands of intricately carved sculptures depicting scenes from the mythological epics Ramayana, Mahabharata, puranic legends, bheasts and beauties etc. adorn the temples walls. The horizontal and vertical friezes create a marvelous inerplay of light and shade. The lower portion of the temple are decorated with one of the most richly sculptured friezes whci run continuously along the wall. Above the friezes are larger figures of various mythological deities of Hindu pantheon. The upper portion of one wall has beautifully perforated screen, a hallmark of Hoysala art and exquisite figures of divinities set on pedestals with canopies. There are about thirty five thousand sculpted pieces in the shrine, noted for their breathtaking beauty, but the south doorway unrivalled for its filigree work is considered to be a master piece of delicate carving. The central figure portrays Lord Shiva with demon Andhakasur under his feet, while on the either side of the lintel are Hoysala motif depicting a man single – handedly fighting a tiger. Both the sanctums enshrine a east facing lingam, preceded by a Nandi bull, the celestial vehicle of Lord Shiva. Behind the nandi are the large figures of Lord Suryanarayan with seven horses and Arunadeva. The interiors of the temple are equally impressive with ornately carved pillars. The capitals of the pillars were once adorned with exquisite sculptures of voluptuous beauties known as Madanikas. But, now only one such figure has survived, while others are missing. The temple was restored recently, but it is no more active, as worship has been ceased here.

Significance of the Halebidu:-

The Hoysaleswara Temple and the Kedareswara Temple are popular tourist destinations of Halebidu. These temples are known for the intricate carvings which portray the golden age of Hoysala rule. Every sculpture is different from the other; the granular details of the postures are amazing.

The Temple complex consists of two Hindu temples, Hoysaleswara temple and the Kedareswara Temple and a Jain basadi, which has three temples within it.There is also an archaeological museum within the complex which helps you understand the importance of the sculptures and carvings of the shrines.
This archaeological museum was built in 1970 and consists of almost 1500 sculptures and inscriptions that have been recovered from the nearby places.Besides an enclosed gallery, there is also an open air museum, which displays an 18 feet image of a Tirthankara, Lord Krishna and Shiva in Tandava posture, Nataraja, Goddess Saraswati and dancing Ganesha.
These temples are constructed with soapstone.The walls of the Hoysaleswara temple are adorned with carvings of Hindu mythology, images of flora and fauna, dancers and shilabalikas. The temple is guarded by two monolith sculptures of Nandi the vahana of Lord Shiva, on each side.
The Jain basadi of the temple complex also exhibit fine sculptures, depicting the rich traditions and believes of Jainism.One of the Jain basadi is known as the Parshvanatha basadi. This basadi consists of a large sculpture of Lord Parshvanatha, which is 18 feet in height and made of black stone. A seven headed serpent over the head of the idol is considered to be guarding the deity.The 12 pillars of the Parshvanatha basadi are exquisitely carved out of a rock.

The Lakshmi Narayana idol of Hoysaleswara temple is famous due to its perfect carvings.
The outer walls of the Hoysaleswara temple are adorned with sculptures of various deities of Hindu mythology.
The entrance of the Hoysaleswara temple is also adorned with sculptures of decked up elephants in a battling mood. This sculpture represents the way of entertainment of ancient India, where elephant fights were common.
The Kedareswara Temple represents the Trikutchala layout.The Kedareswara Temple also consists of a life size sculpture of Nandi.The Ganesha sculpture of the Kedareswara Temple is erected outside the Kedareswara temple, which seems to guard the temple of Lord Shiva.The relief of Lord Vishnu at the Kedareswara temple is in a standing posture, flanked with images of goddesses on both sides.
The relief of Arjuna at the Kedareswara temple depicts excerpts from the great Indian epic, Mahabharata.The Kedareswara temple also exhibits different avatars of Lord Vishnu, like the Varaha and Bamana avatar.

Places Of Interest:-

Archaeological Museum:-

It is located in the landscaped garden in front of the Hoysaleswara temple and exhibits a rich collection of Hoysala sculptures.

Kedareswara Temple:-

It was built by Veerballala II and his younger queen Abhinava Ketala Devi in 1319. the shrine was described as a “Gem of Indian Architecture” by James Fergusson. According to an Indian critic – the temple “looked more like a divine piece of jewellery than a building made by mortals". The beautiful star shaped structure is set on a high platform in a quiet garden. The lower portion of the temple walls bear elaborately carved friezes depicting marching elephants, charging horses, lions, mythical beasts, swans and creeper scroll works. The upper parts of the wall have about 180 images of various gods an goddesses set under ornate arches. The profusely carved doorways, ceilings and pillars inside the shrine are noteworthy.

Basadi Halli (Jain Shrines):-

The three exquisite Jain shrines are set within a prakara to the south of Basadi Halli, not far from the Hoysaleswara temple. The temple dedicated to Jain tirthankar, Lord Parswanatha swamy is the most important. Other two shrines are dedicated to Shantinathaswamy and Adinathaswamy.

Sri Ranganatha Temple:-

It enshrines a magnificent image of Lord Ranganatha, reclining on the coil of a serpent. Lord Brahma is seated on the lotus emerging from the navel of Lord Ranganatha and Aridevi serving him at his feet.

Chennakesava Temple:-

 Located at Belur, this temple was built during the Hoysala rule. Dedicated to Lord Chennakesava, an incarnation of Lord Vishnu. This temple is known for its fine sculptures and intricate carvings.
Sri Veera Narayana Temple: Located at 12 km from Halebidu, this temple is another gem of Hoysala architecture. The temple is mythologically important as it is believed that Bheema, the second brother of the Pandava brothers of the Great Indian epic of Mahabharata defeated demon Bakasura. Built in the 13th century, this temple is dedicated to three incarnations of Lord Vishnu.

Shravanabelagola:-

A popular Jain pilgrimage, this historical site is located at 50 km from the Hassan district. It is famous for the tallest monolithic statue, a Bahubali statue of 58 feet made of granite.

Chamundeswari Temple:-

 Located at Mysore, the Chamundeswari Temple is dedicated to Goddess Durga. With various sculptures and a glorious history, this is one of the most beautiful temples of the state.

Ranganathaswamy Temple:-

 Situated at the Srirangapatna Island, this temple is dedicated to Lord Vishnu. Within the massive temple complex of Ranganathaswamy Temple, there are precious relics exhibiting Hoysala and Vijaynagara architectural style.

The Mallikarjuna Temple:-

 This temple is dedicated to Lord Mallikarjuna and Goddess Parvati and is unique, being built by the Vijaynagara rulers using old materials.

Halebid Temple Timings:-

 07.00 am - 09.30 pm.

Halebid Temple Entry Charges:-

 Free Entrance

How to Reach Hoysaleswara Temple:-

By Air:-

The nearest airport is Bangalore and Mysore, from there one will have to reach the temple by road.

By Rail:-

The nearest railway station is located at Bangalore and Mysore and there are various trains running from Hassan to Mysore and Bangalore.

By Road:-

The temple is very close to Halebid and there are regular buses plying from Halebid to Hassan. One can easily take a bus or train to Hassan from Bangalore.